The dial of this elaborately decorated clock stands upon a two-tiered base. The lower tier consists of a hollow base made of ebony and adorned with a frieze of gilded bronze scrollwork and palmette motifs. The upper tier, made entirely of gilded bronze, features six fluted pilasters with a decorative panel centered on the front below the dial. This panel is composed of a pair of doves touching beaks before a crossed quiver of arrows and a flaming torch framed by leaves. A woman in long flowing robes stands to the right of the dial and empties a small cup onto a dove held by a winged putto who lies on a rocky projection. Behind the dove burns a fire on a small altar inscribed "Altar of Venus" [Autel à Venus].
This lavishly embellished mantel clock is surmounted by a scene of a priestess and Cupid anointing a dove as a sacrificial fire burns on an altar between them. The clock was a collaborative work produced by Joseph Buzot, who manufactured the movement and signed the dial, but who subcontracted work for the base and the figures, a practice typical for the period.