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Showing results for "movement" in Secondary Keywords.
- Title
- Machines and El Patterns
- Artist
- Ida Abelman
- Artist Life Dates
- 1910-2002
- Century
- 20th century
- Object Creation Date
- 1938
- Accession Number
- 1943.1
- Medium and Support
- lithograph on paper
- Secondary Keywords
- genres
- how we live
- modern and contemporary art
- movement
- objects
- organizations
- telephone poles
- Title
- Dead End
- Artist
- Joseph Vogel
- Artist Life Dates
- Born 1911
- Century
- 20th century
- Object Creation Date
- 1939
- Accession Number
- 1943.140
- Medium and Support
- lithograph on paper
- Secondary Keywords
- genres
- how we live
- modern and contemporary art
- movement
- organizations
- Title
- Cuyahoga
- Artist
- Kalman Kubinyi
- Artist Life Dates
- 1906
- Century
- 20th century
- Object Creation Date
- 1936
- Accession Number
- 1943.68
- Medium and Support
- lithograph on paper
- Secondary Keywords
- architecture
- cityscapes
- genres
- geography
- how we live
- modern and contemporary art
- movement
- objects we use
- organizations
- suns
- transportation vehicles
- vehicles
- watercraft
- watercraft by general type
- Title
- False Dimension No. 2
- Artist
- Lucien Labaudt
- Artist Life Dates
- 1880-1943
- Century
- 20th century
- Object Creation Date
- 1932
- Accession Number
- 1943.72
- Medium and Support
- lithograph on paper
- Secondary Keywords
- how we live
- modern and contemporary art
- movement
- organizations
- people and occupations
- Title
- Receding Waters
- Artist
- Hugh Miller
- Artist Life Dates
- Born 1911
- Century
- 20th century
- Object Creation Date
- 1937
- Accession Number
- 1943.90
- Medium and Support
- lithograph on paper
- Secondary Keywords
- how we live
- modern and contemporary art
- movement
- organizations
- people and occupations
- the natural world
- waterscapes
- Title
- Dangerous Communications (Correspondances dangereuses), Plate II from The Brunidor Portfolio No. One
- Artist
- Max Ernst
- Artist Life Dates
- 1891 - 1976
- Century
- 20th century
- Object Creation Date
- 1947
- Accession Number
- 1947/2.10
- Medium and Support
- etching on Vélin Arches
- Secondary Keywords
- animals
- genres
- modern and contemporary art
- movement
- the natural world
- Title
- Virtual Person (Personnage Virtualle), Plate IV, from "The Brunidor Portfolio No. One"
- Artist
- Stanley William Hayter
- Artist Life Dates
- 1901-1988
- Century
- 20th century
- Object Creation Date
- 1947
- Accession Number
- 1947/2.11
- Medium and Support
- engraving, soft-ground etching and scorper, heightened with white on paper
- Secondary Keywords
- child
- genres
- man
- modern and contemporary art
- movement
- people and occupations
- women
- Title
- Quetzal, Plate III, from "The Brunidor Portfolio No. One"
- Artist
- Wifredo Lam
- Artist Life Dates
- 1902-1982
- Century
- 20th century
- Object Creation Date
- 1947
- Accession Number
- 1947/2.12
- Medium and Support
- color lithograph on paper
- Secondary Keywords
- modern and contemporary art
- movement
- objects we use
- visual works
- visual works by function
- Title
- I Want To See It To Believe It, Plate V, from "The Brunidor Portfolio No. One"
- Artist
- Roberto Sebastián Antonio Echaurren Matta
- Artist Life Dates
- 1911 - 2002
- Century
- 20th century
- Object Creation Date
- 1947
- Accession Number
- 1947/2.13
- Medium and Support
- color lithograph on paper
- Secondary Keywords
- automata
- equipment
- equipment by context
- equipment for costume
- geometric shapes
- modern and contemporary art
- movement
- objects we use
- open cubes
- rectangles
- tools and equipment
- visual and tactile
- Title
- Little Girl, Jumping Rope, Women, Birds (Fillette, sautant à la corde, femmes, oiseaux), Plate VII from "The Brunidor Portfolio No. One"
- Artist
- Joan Miró
- Artist Life Dates
- 1893-1983
- Century
- 20th century
- Object Creation Date
- 1947
- Accession Number
- 1947/2.14
- Medium and Support
- etching with drypoint, lift ground and retroussage on paper
- Secondary Keywords
- animals
- genres
- modern and contemporary art
- movement
- objects
- the natural world
- Title
- Acteon, Plate VI, from "The Brunidor Portfolio No. One"
- Artist
- Kurt Seligmann
- Artist Life Dates
- 1900-1962
- Century
- 20th century
- Object Creation Date
- 1947
- Accession Number
- 1947/2.15
- Medium and Support
- etching on Strathmore Rhododendron Cover
- Secondary Keywords
- allegory and literature
- animal material
- animal material by form or function
- animals
- descriptors
- dogs
- genres
- iconography
- mammals
- materials
- materials by origin
- modern and contemporary art
- movement
- skeleton and skeleton components
- the natural world
- Title
- Rhabdomancie, Plate I, from "The Brunidor Portfolio No. One"
- Artist
- Yves Tanguy
- Artist Life Dates
- 1900-1955
- Century
- 20th century
- Object Creation Date
- 1947
- Accession Number
- 1947/2.16
- Medium and Support
- color etching and monoprint on paper
- Secondary Keywords
- automata
- equipment
- equipment by context
- equipment for costume
- genres
- modern and contemporary art
- movement
- objects we use
- tools and equipment
- Title
- Soldatengrab zwischen den Linien (Soldier's Grave between the Lines), from "Der Krieg"
- Artist
- Otto Dix
- Artist Life Dates
- 1891 - 1969
- Century
- 20th century
- Object Creation Date
- 1924
- Accession Number
- 1948/1.100
- Medium and Support
- etching, drypoint and aquatint on paper
- Secondary Keywords
- army
- buildings and the land
- funerary structures
- military
- modern and contemporary art
- movement
- people and occupations
- single built works
- single built works by function
- single built works by specific type
- soldiers
- Title
- Begin the Beguine
- Artist
- Max Beckmann
- Physical Description
- Interior composition with male and female dancers positioned at center with seated female at lower left, standing male on crutches at right and a group of birds in the leftmost background.
- Artist Life Dates
- 1884-1950
- Century
- 20th century
- Object Creation Date
- 1946
- Accession Number
- 1948/1.103
- Medium and Support
- oil on canvas
- Secondary Keywords
- amputation
- animals
- animals and creatures
- arts
- arts and related disciplines
- buildings and the land
- disciplines
- equipment
- equipment by context
- equipment for personal use
- european
- european styles and periods
- genres
- humanities
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- objects we use
- people
- people (agents)
- people and culture
- people by occupation
- people in the arts
- people in the arts and related occupations
- people in the humanities
- people in the performing arts
- performing artists
- performing arts
- performing arts buildings
- performing arts structures
- single built works
- single built works by function
- single built works by specific type
- styles and periods
- styles and periods by region
- the natural world
- tools and equipment
- Title
- The Big Bridge
- Artist
- Max Beckmann
- Artist Life Dates
- 1884-1950
- Century
- 20th century
- Object Creation Date
- 1922
- Accession Number
- 1948/1.20
- Medium and Support
- drypoint on paper
- Secondary Keywords
- architecture
- modern and contemporary art
- movement
- Title
- Ants (Ameisen), from "In the Shadows" ("Im Schatten")
- Artist
- George Grosz
- Physical Description
- A group of laborers, wearing hats and jackets, walks from viewer's right to left along a street littered with garbage. The two in the front carry shovels. In the background is an industrial landscape, dirty and in disrepair.
- Artist Life Dates
- 1893-1959
- Century
- 20th century
- Object Creation Date
- 1920
- Accession Number
- 1948/1.22
- Medium and Support
- photolithograph on paper
- Secondary Keywords
- buildings and the land
- clothing
- descriptors
- europe (continent)
- figures
- geographic and political locations
- germany (nation)
- image-making processes and techniques
- industrial buildings
- industrial structures
- lithography
- modern and contemporary art
- movement
- objects
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- people by gender
- people by occupation
- planographic printing processes
- printing and printing processes and techniques
- printing processes
- processes and techniques
- processes and techniques by specific type
- single built works
- single built works by function
- single built works by specific type
- visual works
- visual works by subject type
- Title
- Seated Female Figure
- Artist
- Stanley William Hayter
- Artist Life Dates
- 1901-1988
- Century
- 20th century
- Object Creation Date
- 1929
- Accession Number
- 1948/1.267
- Medium and Support
- pen and ink on white paper, mounted on cardboard
- Secondary Keywords
- figures
- modern and contemporary art
- movement
- people and occupations
- Title
- Standing Male Figure
- Artist
- Stanley William Hayter
- Artist Life Dates
- 1901-1988
- Century
- 20th century
- Object Creation Date
- 1929
- Accession Number
- 1948/1.268
- Medium and Support
- pen and ink on white paper
- Secondary Keywords
- figures
- modern and contemporary art
- movement
- people and occupations
- Title
- Hebdomeros, from the suite Metamorphosis
- Artist
- Giorgio de Chirico
- Artist Life Dates
- Greece, 1888-1978
- Century
- 20th century
- Object Creation Date
- circa 1929
- Accession Number
- 1948/1.335
- Medium and Support
- color lithograph on paper
- Secondary Keywords
- figures
- modern and contemporary art
- movement
- people and occupations
- Title
- The Return of the Prodigal Son (Il ritorno del figlio prodigo I), Plate I from the suite "Metamorphosis"
- Artist
- Giorgio de Chirico
- Artist Life Dates
- Greece, 1888-1978
- Century
- 20th century
- Object Creation Date
- 1929
- Accession Number
- 1948/1.336
- Medium and Support
- color lithograph on paper
- Secondary Keywords
- allegory and literature
- automata
- bible
- equipment
- equipment by context
- equipment for costume
- family
- figures
- how we live
- modern and contemporary art
- movement
- new testament
- objects we use
- people and occupations
- relationships
- tools and equipment
- Title
- Angler (mit Sonne)
- Artist
- Lyonel Feininger
- Artist Life Dates
- 1871-1956
- Century
- 20th century
- Object Creation Date
- 1919
- Accession Number
- 1948/1.350
- Medium and Support
- woodcut on Japanese paper
- Secondary Keywords
- genres
- modern and contemporary art
- movement
- people and occupations
- visual and tactile
- Title
- Manikin
- Artist
- Arshile Gorky
- Artist Life Dates
- 1904 - 1948
- Century
- 20th century
- Object Creation Date
- 1931
- Accession Number
- 1948/1.352
- Medium and Support
- lithograph on paper
- Secondary Keywords
- automata
- equipment
- equipment by context
- equipment for costume
- modern and contemporary art
- movement
- objects we use
- tools and equipment
- Title
- Painter and Model
- Artist
- Arshile Gorky
- Artist Life Dates
- 1904 - 1948
- Century
- 20th century
- Object Creation Date
- 1904-1934
- Accession Number
- 1948/1.353
- Medium and Support
- lithograph on paper
- Secondary Keywords
- figures
- genres
- models
- modern and contemporary art
- movement
- people and occupations
- Title
- Charme (Weibliche Anmut)
- Artist
- Paul Klee
- Artist Life Dates
- 1879-1940
- Century
- 20th century
- Object Creation Date
- 1904
- Accession Number
- 1948/1.370
- Medium and Support
- etching on paper
- Secondary Keywords
- modern and contemporary art
- movement
- Title
- Monarchist
- Artist
- Paul Klee
- Artist Life Dates
- 1879-1940
- Century
- 20th century
- Object Creation Date
- 1904
- Accession Number
- 1948/1.371
- Medium and Support
- etching on paper
- Secondary Keywords
- modern and contemporary art
- movement
- Title
- Nude
- Artist
- Max Pechstein
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1913
- Accession Number
- 1948/1.422
- Medium and Support
- facsimile reproduction of a wash drawing on paper
- Secondary Keywords
- modern and contemporary art
- movement
- Title
- The Lord's Prayer, sheet 1 (Das Vaterunser)
- Artist
- Max Pechstein
- Physical Description
- This title sheet from Pechstein's "The Lord's Prayer" portfolio has the title of the series in large letters and an attribution to Pechstein at the bottom. Beneath the word "Vater," a man leans over a table, his hands folded in prayer. Two other praying men in profile bracket the word "Unser" near the bottom. All three wear plain, long-sleeved blue shirts.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.423
- Medium and Support
- woodcut with hand-coloring on paper
- Secondary Keywords
- transfer method
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- european
- european styles and periods
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- prints
- prints by process
- prints by process or technique
- relief prints
- religions and religious concepts
- religious concepts
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- The Lord's Prayer, sheet 2 - Our Father Who Art in Heaven (Das Vaterunser - Vater Unser Der Du bist im Himmel)
- Artist
- Max Pechstein
- Physical Description
- A large central figure represents God towers seen in the radiating rays of light and clouds that surround him.. On the forehead of his blocky, totemic head is a third eye. His left arm crosses over his middle and holds fire. His right hand extends down to the lower right corner as reaching down. The words "Vater Unser" are at the very top; "Der Du Bist" across God's waistline; "im Himmel" along the bottom.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.424
- Medium and Support
- woodcut with hand-coloring on paper
- Secondary Keywords
- transfer method
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- european
- european styles and periods
- human body
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people by state or condition
- prints
- prints by process
- prints by process or technique
- rays
- relief prints
- religions and religious concepts
- religious concepts
- styles and periods
- styles and periods by region
- the natural world
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- , sheet 3 - Hallowed Be Thy Name (Das Vaterunser - Geheiligt werde Dein Name)
- Artist
- Max Pechstein
- Physical Description
- Three dark female figures are suspended in purgatory, with clasped hands in front of a triangular shaft of light that projects down from the top.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.425
- Medium and Support
- woodcut with hand-coloring on paper
- Secondary Keywords
- transfer method
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- european
- european styles and periods
- information forms
- mental activities
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- prints
- prints by process
- prints by process or technique
- rays
- relief prints
- religions and religious concepts
- religious concepts
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- The Lord's Prayer, sheet 4 - Thy Kingdom Come, Thy Will Be Done on Earth, as It Is in Heaven (Das Vaterunser - Dein Reich komme, Dein Wille geschehe, Wie im Himmel, also auch auf Erden)
- Artist
- Max Pechstein
- Physical Description
- Three male figures dressed in dark clothing, with their backs to the viewer, stand on a shore facing the water as shafts of light break through dark clouds overhead. The figure at the viewer's left raises his hands in exultation. The man in the center stands with head tilted back; the figure at the viewer's righ looks down, as if at his hands. The words of the Lord's Prayer are presented in three lines of text, at the top, middle, and bottom of the composition.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.426
- Medium and Support
- woodcut with hand-coloring on paper
- Secondary Keywords
- transfer method
- associated concepts
- components and systems
- daylight
- doctrinal concepts
- document genres
- document genres by form
- document genres for literary works
- earth sciences concepts
- electromagnetic radiation
- energy
- energy and related concepts
- european
- european styles and periods
- information forms
- light (energy)
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- physical sciences concepts
- physics concepts
- prints
- prints by process
- prints by process or technique
- rays
- relief prints
- religions and religious concepts
- religious concepts
- scientific concepts
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- visual works groupings
- weather and related phenomena
- weather-related phenomena
- Title
- The Lord's Prayer, sheet 5 - Give Us this Day Our Daily Bread (Das Vaterunser - Unser täglich Brot gieb uns heute)
- Artist
- Max Pechstein
- Physical Description
- Four men in plain, dark clothing sit, with hands folded in prayer, around a rectangular table, in the center of which is a fish on an oval platter. The man at the far end has his eyes closed. The other three raise their faces to heaven.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.427
- Medium and Support
- woodcut with hand-coloring on paper
- Secondary Keywords
- transfer method
- animals
- associated concepts
- components and systems
- descriptors
- document genres
- document genres by form
- document genres for literary works
- european
- european styles and periods
- events
- information forms
- materials
- materials by function
- mental activities
- modern and contemporary art
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- physical activities
- physical activities by general context
- prints
- prints by process
- prints by process or technique
- relief prints
- religions and religious concepts
- religious concepts
- styles and periods
- styles and periods by region
- the natural world
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- The Lord's Prayer, sheet 6 - And Forgive Us Our Sins (Das Vaterunser - Und vergieb uns unsre Schuld)
- Artist
- Max Pechstein
- Physical Description
- A group of seven men kneel and pray around a radiant figure representing God. God is in the viewer's upper left, and the supplicants are arranged around him. Hands project into the scene from behind God, suggesting additional figures kneeling in prayer behind.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.428
- Medium and Support
- woodcut with hand-coloring on paper
- Secondary Keywords
- transfer method
- arms
- associated concepts
- biological components
- components
- components and systems
- components by specific context
- document genres
- document genres by form
- document genres for literary works
- european
- european styles and periods
- human body
- information forms
- mental activities
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- prints
- prints by process
- prints by process or technique
- relief prints
- religions and religious concepts
- religious concepts
- styles and periods
- styles and periods by region
- the human body
- the natural world
- upper body
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- The Lord's Prayer, sheet 7 - As We Forgive Them that Sin Against Us (Das Vaterunser - Wie wir vergeben unsern Schuldigern)
- Artist
- Max Pechstein
- Physical Description
- A male figure in profile seen at viewer's right rests his head on the shoulder of a woman. The figures grasp hands in the center of the composition; the female figure's proper left hand rests upon the neck of the male figure; both figures are dressed in dark clothes and illuiminated from behind by a bright white light; text runs along the uppermost edge of the composition, at the viewer's right mid-center, and along the bottom proper.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.429
- Medium and Support
- woodcut with hand-coloring on paper
- Secondary Keywords
- transfer method
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- emotion
- european
- european styles and periods
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by general context
- object groupings by specific context
- objects we use
- people and culture
- physical activities
- physical activities by general context
- prints
- prints by process
- prints by process or technique
- psychological concepts
- relief prints
- religions and religious concepts
- religious concepts
- sets (groups)
- social science concepts
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- The Lord's Prayer, sheet 8 - And Lead Us Not into Temptation (Das Vaterunser - Und führe uns nicht in Versuchung)
- Artist
- Max Pechstein
- Physical Description
- A nude man and woman at center struggle with one another; a snake and a seated figure are visible in the background. The two central figures with intertwined limbs suggesting a struggle are positioned above a sharp-toothed mammal resembling a fox.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.430
- Medium and Support
- woodcut with hand-coloring on paper
- Secondary Keywords
- transfer method
- animals and creatures
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- european
- european styles and periods
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by general context
- object groupings by specific context
- objects we use
- people and culture
- physical activities
- physical activities by general context
- prints
- prints by process
- prints by process or technique
- relief prints
- religions and religious concepts
- religious concepts
- reptiles
- sets (groups)
- styles and periods
- styles and periods by region
- the natural world
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- The Lord's Prayer, sheet 9 - But Deliver Us from Evil (Das Vaterunser - Sondern erlöse uns von dem Übel)
- Artist
- Max Pechstein
- Physical Description
- At viewer's left, two reclining figures lie side-by-side in a bed, covered by a sheet up to their chins. At the foot of the bed at the viewer's right, a man sits with his eyes closed and his hands on his head. To the viewer's left, in the foreground , a woman sits, crying, wiping her eyes with the back of her left hand.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.431
- Medium and Support
- woodcut with hand-coloring on paper
- Secondary Keywords
- transfer method
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- emotion
- european
- european styles and periods
- events
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- people by state or condition
- personal life events
- prints
- prints by process
- prints by process or technique
- psychological concepts
- relief prints
- religions and religious concepts
- religious concepts
- social science concepts
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- The Lord's Prayer, sheet 10 - For Thine Is the Kingdom (Das Vaterunser - Denn Dein ist das Reich)
- Artist
- Max Pechstein
- Physical Description
- A man, a woman, and a child facing the viewer with their hands folded in prayer. The man and woman sit on a mattress and look to heaven. The child stands in front of them with his head bowed. Next to the child is a diminutive cow. In the background behind the family are images of fish and birds.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.432
- Medium and Support
- woodcut with hand-coloring on paper
- Secondary Keywords
- transfer method
- animals
- animals and creatures
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- emotion
- european
- european styles and periods
- figures
- groups of people
- information forms
- kinship groups
- mammals
- mental activities
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- prints
- prints by process
- prints by process or technique
- psychological concepts
- relief prints
- religions and religious concepts
- religious concepts
- social groups
- social science concepts
- styles and periods
- styles and periods by region
- the natural world
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- The Lord's Prayer, sheet 11 - The Power and the Glory (Das Vaterunser - Und die Kraft und die Herrlichkeit)
- Artist
- Max Pechstein
- Physical Description
- Positioned in the upper center, a large eye sits inside a black triangle from which five arms and hands radiate. Behind the triangle and extending to the viewer's right edge is a rainbow. Below the triangle is a stylized, mask-like face that radiates beams of light rom its eyes. On each side of this large face is a man's face in profile. In the far background, there are mountains and clouds.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.433
- Medium and Support
- woodcut with hand-coloring on paper
- Secondary Keywords
- transfer method
- architecture
- arms
- associated concepts
- biological components
- components
- components and systems
- components by specific context
- document genres
- document genres by form
- document genres for literary works
- earth sciences concepts
- electromagnetic radiation
- energy
- energy and related concepts
- european
- european styles and periods
- heads
- human body
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- monuments
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people and culture
- physical sciences concepts
- physics concepts
- prints
- prints by process
- prints by process or technique
- relief prints
- religions and religious concepts
- religious concepts
- scientific concepts
- styles and periods
- styles and periods by region
- the human body
- the natural world
- upper body
- visual works
- visual works by medium or technique
- visual works groupings
- weather and related phenomena
- weather-related phenomena
- Title
- The Lord's Prayer, sheet 12 - For Ever and Ever. Amen! (Das Vaterunser - von Ewigkeit zu Ewigkeit. Amen!)
- Artist
- Max Pechstein
- Physical Description
- One forearm extends from the upper left side and ends to the right of center in a hand with palm down. Another arm extends from the lower right and ends in the lower left in a hand with palm up. Between the hands is the word "Amen!" in large letters.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.434
- Medium and Support
- woodcut with hand-coloring on paper
- Secondary Keywords
- transfer method
- arms
- associated concepts
- biological components
- components
- components and systems
- components by specific context
- document genres
- document genres by form
- document genres for literary works
- european
- european styles and periods
- human body
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people and culture
- prints
- prints by process
- prints by process or technique
- relief prints
- religions and religious concepts
- religious concepts
- styles and periods
- styles and periods by region
- the human body
- the natural world
- upper body
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- The Negro. No.6 from the Series of Ten Prints, 'Der Jahrmarkt'
- Artist
- Max Beckmann
- Artist Life Dates
- 1884-1950
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.50
- Medium and Support
- drypoint on paper
- Secondary Keywords
- men
- modern and contemporary art
- movement
- people and occupations
- Title
- The Archeologists IV (Gli Archeologi IV); Plate VI from the suite "Metamorphosis" (Metamorphosis is underlined)
- Artist
- Giorgio de Chirico
- Artist Life Dates
- Greece, 1888-1978
- Century
- 20th century
- Object Creation Date
- 1929
- Accession Number
- 1948/1.54
- Medium and Support
- color lithograph on paper
- Secondary Keywords
- architecture
- automata
- buildings
- equipment
- equipment by context
- equipment for costume
- modern and contemporary art
- movement
- objects
- objects we use
- tools and equipment
- Title
- Abandoned Position near Vis-en-Artois, from 'Der Krieg'
- Artist
- Otto Dix
- Artist Life Dates
- 1891 - 1969
- Century
- 20th century
- Object Creation Date
- 1924
- Accession Number
- 1948/1.57
- Medium and Support
- etching, drypoint and aquatint on paper
- Secondary Keywords
- modern and contemporary art
- movement
- Title
- Village Church
- Artist
- Lyonel Feininger
- Artist Life Dates
- 1871-1956
- Century
- 20th century
- Object Creation Date
- 1931
- Accession Number
- 1948/1.59
- Medium and Support
- woodcut on Japanese paper
- Secondary Keywords
- modern and contemporary art
- movement
- Title
- Small Worlds, III (Kleine Welten, III)
- Artist
- Wassily Kandinsky
- Physical Description
- Positioned within a black background a vertically stationed white oval shape sits at center; within the oval are a series of abstracted forms and lines in primary colors all characteristic of Kandinsky's style.
- Artist Life Dates
- 1866 - 1944
- Century
- 20th century
- Object Creation Date
- 1922
- Accession Number
- 1948/1.62
- Medium and Support
- color lithograph on paper
- Secondary Keywords
- transfer method
- visual arts
- abstraction
- artistic concepts
- associated concepts
- concepts in the arts
- european
- european styles and periods
- forms of expression
- lithographs
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- objects we use
- people and culture
- planographic prints
- prints
- prints by process
- prints by process or technique
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- Title
- Absage (Renunciation)
- Artist
- Gerhard Marcks
- Artist Life Dates
- 1889-1981
- Century
- 20th century
- Object Creation Date
- 1926
- Accession Number
- 1948/1.70
- Medium and Support
- woodblock print on paper
- Secondary Keywords
- modern and contemporary art
- movement
- people and occupations
- portraits
- women
- Title
- Am Strom (The River)
- Artist
- Max Pechstein
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1923
- Accession Number
- 1948/1.74
- Medium and Support
- aquatint and etching on paper
- Secondary Keywords
- modern and contemporary art
- movement
- Title
- Portrait
- Artist
- Karl Schmidt-Rottluff
- Artist Life Dates
- 1884 - 1976
- Century
- 20th century
- Object Creation Date
- 1884-1948
- Accession Number
- 1948/1.76
- Medium and Support
- lithograph on paper
- Secondary Keywords
- modern and contemporary art
- movement
- Title
- Hesperide (Hespéride)
- Artist
- André Masson
- Artist Life Dates
- (Balagny, Oise, France, 1896 - 1987, Paris, France)
- Century
- 20th century
- Object Creation Date
- 1947
- Accession Number
- 1948/1.96
- Medium and Support
- color lithograph on paper
- Secondary Keywords
- modern and contemporary art
- movement
- Title
- Self-Portrait with Housegable
- Artist
- Max Beckmann
- Physical Description
- Bust-length self-portrait with housegable visible at left.
- Artist Life Dates
- 1884-1950
- Century
- 20th century
- Object Creation Date
- 1918
- Accession Number
- 1948/2.21
- Medium and Support
- drypoint on wove paper
- Secondary Keywords
- architectural elements
- components
- components and systems
- components by specific context
- enclosing structural elements
- european
- european styles and periods
- gables and gable components
- man
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- objects we use
- people and culture
- people and occupations
- portraits
- structural elements
- structural elements and structural element components
- styles and periods
- styles and periods by region
- visual works
- visual works by subject type
- wall components
- wall components by form or function
- walls and wall components
- Title
- Pre-Adamic Fruit (Fruit préadamite)
- Artist
- Hans Arp
- Physical Description
- A small, biomorphically abstract sculpture of bronze grows from a wooden base. Bulbous at the bottom, the shape stretches and narrows in the middle and then expands into a larger shape from which two rounded points rise.
- Artist Life Dates
- 1886-1966
- Century
- 20th century
- Object Creation Date
- 1938
- Accession Number
- 1948/2.26
- Medium and Support
- bronze with wood base
- Secondary Keywords
- visual arts
- artistic concepts
- associated concepts
- biological concepts
- concepts in the arts
- copper alloy
- copper and copper alloy
- descriptors
- forms of expression
- genres
- inorganic material
- life
- materials
- materials by composition
- materials by origin
- metal
- metal and metal products
- metal by composition or origin
- modern and contemporary art
- movement
- nonferrous metal
- objects we use
- people and culture
- plant material
- plants
- scientific concepts
- the natural world
- visual works
- visual works by medium or technique
- Title
- The Beach (Strand)
- Artist
- Max Beckmann
- Artist Life Dates
- 1884-1950
- Century
- 20th century
- Object Creation Date
- 1922
- Accession Number
- 1948/2.30
- Medium and Support
- drypoint on paper
- Secondary Keywords
- modern and contemporary art
- movement