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Showing results for "the natural world" in Secondary Keywords.
- Title
- The Skylark (Lister No. 2)
- Artist
- Samuel Palmer
- Artist Life Dates
- 1805-1881
- Century
- 19th century
- Object Creation Date
- 1850-1857
- Accession Number
- 1949/1.79
- Medium and Support
- etching on paper
- relevance
- rank 2.05962
- Secondary Keywords
- animals
- european
- european styles and periods
- figures
- modern british styles and movements
- modern british styles by reign
- modern european regional styles and movements
- modern european styles and movements
- people and culture
- people and occupations
- styles and periods
- styles and periods by region
- the natural world
- Title
- Round Inkwell with Apple Blossoms, poreclain, round marked "CFM/CDM FRANCE", limoges
- Artist
- Artist Unknown
- Physical Description
- A purple color inkwell made with porcelain has drawings of apple blossom all around the outside of the inkwell. And there is a lid cover on the top of the inkwell.
- Object Creation Date
- 1875-1975
- Accession Number
- 2010/1.294
- Medium and Support
- porcelain
- relevance
- rank 2.05666
- Secondary Keywords
- containers
- containers by function or context
- containers for writing equipment
- european
- european styles and periods
- flowers
- modern british ceramics styles
- modern british decorative arts styles and movements
- modern british styles and movements
- modern european regional styles and movements
- modern european styles and movements
- objects we use
- people and culture
- plants
- styles and periods
- styles and periods by region
- the natural world
- Title
- Hiroshima Series
- Artist
- Jacob Lawrence
- Artist Life Dates
- 1917 - 2000
- Century
- 20th century
- Object Creation Date
- 1983
- Accession Number
- 1997/1.533.6
- Medium and Support
- screenprint, printed in eleven colors on Somerset soft-white paper
- relevance
- rank 2.05186
- Secondary Keywords
- animal material
- animal material by form or function
- animals
- architecture
- descriptors
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- genres
- materials
- materials by origin
- objects
- objects we use
- people and occupations
- seating furniture
- single seating furniture
- skeleton and skeleton components
- skeleton components
- the natural world
- Title
- The Bridge at Hell Gate
- Artist
- Joseph Pennell
- Artist Life Dates
- 1857-1926
- Century
- 20th century
- Object Creation Date
- 1857-1926
- Accession Number
- 1959/1.140
- Medium and Support
- etching on paper
- relevance
- rank 2.04703
- Secondary Keywords
- architecture
- associated concepts
- doctrinal concepts
- european
- european styles and periods
- hells
- modern and contemporary art
- modern british styles and movements
- modern british styles by reign
- modern european regional styles and movements
- modern european styles and movements
- people and culture
- plants
- religions and religious concepts
- religious concepts
- styles and periods
- styles and periods by region
- the natural world
- waterscapes
- Title
- Sheet of Sketches: Heads of Two Men, Horses and Riders, Ship in the Background
- Artist
- George Cruikshank
- Artist Life Dates
- 1782-1878
- Century
- 19th century
- Object Creation Date
- 1782-1878
- Accession Number
- 1983/1.132
- Medium and Support
- graphite, pen, brown ink and watercolor
- relevance
- rank 2.04539
- Secondary Keywords
- animals
- biological components
- components
- components and systems
- components by specific context
- european
- european styles and periods
- geography
- horsemen
- mammals
- modern british styles and movements
- modern british styles by reign
- modern european regional styles and movements
- modern european styles and movements
- people and culture
- people and occupations
- ships
- sketches
- study
- styles and periods
- styles and periods by region
- the human body
- the natural world
- upper body
- Title
- View of the Brooklyn Navy Yard
- Artist
- William Merritt Chase
- Physical Description
- Horizontal view of harbor scene with water, dock, and boats. Small figures and trees on pier in middle ground. WMC painted in green in lower right corner.
- Artist Life Dates
- 1849 - 1916
- Century
- 19th century
- Object Creation Date
- 1886-1890
- Accession Number
- 1961/1.170
- Medium and Support
- oil on panel
- relevance
- rank 2.03904
- Secondary Keywords
- architecture
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by location
- buildings and the land
- built complexes and districts
- coastline bodies of water
- complexes
- complexes by function
- descriptors
- european
- european styles and periods
- geography
- inorganic material
- landscapes (environments)
- materials
- materials by composition
- military bases
- military installations
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- natural landscapes
- objects we use
- open spaces
- open spaces and site elements
- open spaces by location or context
- people and culture
- plants
- settlements and landscapes
- styles and periods
- styles and periods by region
- the natural world
- transportation complexes
- transportation vehicles
- vegetation and vegetation components
- vegetation components
- vehicles
- visual works
- visual works by subject type
- water transportation complexes
- watercraft
- watercraft by general type
- waterfront spaces
- waterfronts and waterfront spaces
- waterscapes
- woody plants
- Title
- Power-House (or River Freight)
- Artist
- Joseph Pennell
- Artist Life Dates
- 1857-1926
- Century
- 20th century
- Object Creation Date
- 1914
- Accession Number
- 1977/1.171
- Medium and Support
- lithograph on paper
- relevance
- rank 2.03212
- Secondary Keywords
- architecture
- business and industry
- european
- european styles and periods
- machine
- modern and contemporary art
- modern british styles and movements
- modern british styles by reign
- modern european regional styles and movements
- modern european styles and movements
- objects
- objects we use
- people and culture
- people and occupations
- smoke
- styles and periods
- styles and periods by region
- the natural world
- transportation vehicles
- vehicles
- watercraft
- watercraft by general type
- waterscapes
- Title
- Pre-Adamic Fruit (Fruit préadamite)
- Artist
- Hans Arp
- Physical Description
- A small, biomorphically abstract sculpture of bronze grows from a wooden base. Bulbous at the bottom, the shape stretches and narrows in the middle and then expands into a larger shape from which two rounded points rise.
- Artist Life Dates
- 1886-1966
- Century
- 20th century
- Object Creation Date
- 1938
- Accession Number
- 1948/2.26
- Medium and Support
- bronze with wood base
- relevance
- rank 2.02377
- Secondary Keywords
- visual arts
- artistic concepts
- associated concepts
- biological concepts
- concepts in the arts
- copper alloy
- copper and copper alloy
- descriptors
- forms of expression
- genres
- inorganic material
- life
- materials
- materials by composition
- materials by origin
- metal
- metal and metal products
- metal by composition or origin
- modern and contemporary art
- movement
- nonferrous metal
- objects we use
- people and culture
- plant material
- plants
- scientific concepts
- the natural world
- visual works
- visual works by medium or technique
- Title
- Rotherhithe, one of the "Sixteen Etchings," or the "Thames Set"
- Artist
- James McNeill Whistler
- Physical Description
- Two men smoking long-stem pipes are seen sitting on a balcony. Behind them are visible the masts of ships along the bank, and further behind them in the distance a river sweeps towards the left. Buildings crowd the shore and boats are shown moored or in the river.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1860
- Accession Number
- 1954/1.345
- Medium and Support
- etching and drypoint on laid Japan tissue
- relevance
- rank 2.01544
- Secondary Keywords
- architecture
- buildings and the land
- descriptors
- figures
- hydraulic structures
- hydraulic structures by function
- inorganic material
- materials
- materials by composition
- objects we use
- people and culture
- people and occupations
- physical activities
- physical activities by general context
- reservoirs (water distribution structures)
- ships
- single built works
- single built works by function
- single built works by specific type
- the natural world
- transportation vehicles
- vehicles
- water distribution structures
- waterscapes
- Title
- Still Life
- Artist
- Emil Ganso
- Artist Life Dates
- 1895 - 1941
- Century
- 20th century
- Object Creation Date
- circa 1920-1939
- Accession Number
- 1997/1.270
- Medium and Support
- wood engraving on cream wove paper
- relevance
- rank 2.01371
- Secondary Keywords
- containers
- containers by function or context
- containers for serving and consuming food
- coverings and hangings
- coverings and hangings by location or context
- coverings and hangings by specific type
- coverings and hangings for furniture
- coverings and hangings for storage and support furniture
- culinary containers
- dishes
- furnishings
- furnishings by form or function
- genres
- making art
- medium
- modern and contemporary art
- objects
- objects we use
- people and occupations
- plants
- table coverings
- the natural world
- vessels for serving and consuming food
- Title
- The Labors of Hercules: Nessus and Deianira (one of the set of 13 prints)
- Artist
- Heinrich Aldegrever
- Artist Life Dates
- 1502- circa 1561
- Century
- 16th century
- Object Creation Date
- 1550
- Accession Number
- 1956/1.71
- Medium and Support
- engraving on paper
- relevance
- rank 2.00316
- Secondary Keywords
- allegory and literature
- animals
- animals and creatures
- clothing
- descriptors
- figures
- figures (representations)
- iconography
- inorganic material
- legendary creatures
- mammals
- materials
- materials by composition
- objects
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- people by state or condition
- projectile launchers with nonexplosive propellant
- projectile weapons
- projectile weapons with nonexplosive propellant
- projectiles with nonexplosive propellant
- the natural world
- visual works
- visual works by subject type
- weapons
- weapons and ammunition
- Title
- The Famous Picnic at Val Kill
- Artist
- Ann Murfee Allen
- Physical Description
- Primitive painting depicting three sailboats in the foreground, and figures sitting around tables and standing on a lawn in the middle ground, with two houses in the background.
- Artist Life Dates
- 1923 - 1995
- Century
- late 20th century
- Object Creation Date
- 1975
- Accession Number
- 2002/1.178
- Medium and Support
- oil on canvas
- relevance
- rank 1.99730
- Secondary Keywords
- american regions
- art genres
- artistic concepts
- associated concepts
- buildings and the land
- concepts in the arts
- descriptors
- dwellings
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- how we live
- identifying artifacts
- information artifacts
- information artifacts by function
- information forms
- landscapes (environments)
- materials
- materials by function
- natural landscapes
- north american
- objects we use
- people and culture
- people and occupations
- plants
- political and social issues
- residential structures
- sailing vessels by size
- seating furniture
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- single seating furniture
- standing
- styles and periods
- styles and periods by region
- support furniture
- tables (support furniture)
- tables by function
- the americas
- the natural world
- transportation vehicles
- vegetation and vegetation components
- vegetation components
- vehicles
- visual works
- visual works by subject type
- watercraft
- watercraft by method of propulsion
- watercraft by specific type
- waterscapes
- woody plants
- Title
- Jean Arp, 1949
- Artist
- Arnold Newman
- Physical Description
- Portrait of a man with his head resting on his hand showing only his right eye, cheek, forehead, hand and a bit of his shirt cuff with a curving unidentifiable vertical form to the right obscuring the sitter’s face.
- Artist Life Dates
- 1918-2006
- Century
- 20th century
- Object Creation Date
- 1949
- Accession Number
- 1989/2.18
- Medium and Support
- gelatin silver print on paper
- relevance
- rank 1.99715
- Secondary Keywords
- arms
- biological components
- components
- components and systems
- components by specific context
- heads
- human body
- modern and contemporary art
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- people by occupation
- people in the arts
- people in the arts and related occupations
- people in the humanities
- people in the visual arts
- people in the visual arts and related occupations
- the human body
- the natural world
- upper body
- visual works
- visual works by medium or technique
- visual works by subject type
- Title
- Venice
- Artist
- Sir Frank William Brangwyn
- Artist Life Dates
- 1867-1956
- Century
- 20th century
- Object Creation Date
- 1867-1956
- Accession Number
- 1931.11
- Medium and Support
- etching on paper
- relevance
- rank 1.98250
- Secondary Keywords
- architecture
- europe
- european
- european styles and periods
- flat-bottomed watercraft
- italy
- locality
- modern and contemporary art
- modern british styles and movements
- modern british styles by reign
- modern european regional styles and movements
- modern european styles and movements
- monohulls
- objects we use
- people and culture
- styles and periods
- styles and periods by region
- the natural world
- transportation vehicles
- vehicles
- watercraft
- watercraft by form
- watercraft by general type
- watercraft by sectional form
- watercraft by specific type
- waterscapes
- Title
- Empedocles
- Artist
- René Boyvin
- Physical Description
- A man wearing a tunic, cape and boots stands in a minimal landscape. His walking stick seems to be falling away from him at the right as the man points upwards toward the sun's rays, as well as extends his right hand towards fire at the lower left.
- Artist Life Dates
- 1525-1598
- Century
- 16th century
- Object Creation Date
- 1539-1540
- Accession Number
- 1990/1.189
- Medium and Support
- engraving on laid paper
- relevance
- rank 1.98240
- Secondary Keywords
- transfer method
- associated concepts
- atmospheric effects
- costume
- costume by form
- descriptors
- earth sciences concepts
- image-making processes and techniques
- intaglio prints
- objects we use
- outerwear
- overcoats
- people and culture
- people and occupations
- physical sciences concepts
- printing
- printing and printing processes and techniques
- prints
- prints by process
- prints by process or technique
- processes and techniques
- processes and techniques by specific type
- religious figures
- scientific concepts
- the natural world
- visual works
- visual works by medium or technique
- worshippers
- Title
- Copy of a Print by Gilray
- Artist
- George Cruikshank
- Artist Life Dates
- 1782-1878
- Century
- 19th century
- Object Creation Date
- 1782-1878
- Accession Number
- 1983/1.128
- Medium and Support
- graphite on paper
- relevance
- rank 1.97583
- Secondary Keywords
- animals
- atmospheric effects
- european
- european styles and periods
- geography
- houses
- mammals
- modern british styles and movements
- modern british styles by reign
- modern european regional styles and movements
- modern european styles and movements
- objects we use
- people and culture
- people and occupations
- plants
- projectile weapons
- projectile weapons with nonexplosive propellant
- projectiles with nonexplosive propellant
- styles and periods
- styles and periods by region
- the natural world
- waterscapes
- weapons
- weapons and ammunition
- Title
- Gaiety Stage Door
- Artist
- James McNeill Whistler
- Physical Description
- A building with an arched doorway, windows at the center right, and the beginning of a flight of stairs on the right acts as architectural foils for the figures and a cart and horse (hansom cab?) arrayed in front of the building or grouped in the dark entryway.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879
- Accession Number
- 1954/1.419
- Medium and Support
- transfer lithograph with scraping on buff-colored paper, laid down on white wove
- relevance
- rank 1.97241
- Secondary Keywords
- animals and creatures
- architectural elements
- architecture
- buildings and the land
- circulation elements
- components
- components and systems
- components by specific context
- freewheeled vehicles
- freewheeled vehicles by form or function
- land vehicles
- land vehicles by form
- objects
- objects we use
- openings (architectural elements)
- openings and opening components
- openings by form
- service and utility vehicles
- stair components
- stairs and stair components
- steps and step components
- the natural world
- transportation
- transportation vehicles
- vehicles
- windows and window components
- Title
- Untitled (Virginia)
- Artist
- Sally Mann
- Physical Description
- Contemporary black and white photograph made to look old. The image is contained within the circular field created by the aperture. A foggy landscape with silhouetted trees receding from the left into the hazy distance and sky.
- Artist Life Dates
- Born 1951
- Century
- 20th century
- Object Creation Date
- 1993; printed 2002
- Accession Number
- 2003/1.365
- Medium and Support
- gelatin silver print, toned with tea on paper
- relevance
- rank 1.92890
- Secondary Keywords
- associated concepts
- buildings and the land
- cultural landscapes
- cultural landscapes by function
- disciplines
- electromagnetic radiation
- energy
- energy and related concepts
- geographic and political locations
- history and related disciplines
- landscapes
- landscapes (environments)
- light (energy)
- north and central america (continent)
- objects we use
- people and culture
- photographic prints
- photographic prints by process
- photographs
- photographs by form
- physical sciences concepts
- physics concepts
- positives
- psychological concepts
- scientific concepts
- settlements and landscapes
- social science concepts
- social sciences
- the natural world
- united states (nation)
- visual works
- visual works by medium or technique
- Title
- The Attack on an Emigrant Train
- Artist
- Charles Ferdinand Wimar
- Physical Description
- The painting depicts a group of American settlers attempting to defend themselves against attack by a band of Native Americans. A covered wagon pulled by two horses is at the center of the composition; at left, two Native Americans attack the wagon with war clubs and tomahawks; a figure on the lead horse points a pistol directly at the head of one of his attackers, while a figure at the rear of the wagon shoots another attacker. At right other warriors on horseback ride past the train shooting arrows and wielding tomahawks.
- Artist Life Dates
- 1828-1862
- Century
- 19th century
- Object Creation Date
- 1856
- Accession Number
- 1895.80
- Medium and Support
- oil on canvas
- relevance
- rank 1.92185
- Secondary Keywords
- american regions
- americas
- animals
- animals and creatures
- armed conflicts
- associated concepts
- atmospheric effects
- buildings and the land
- cargo vehicles
- cargo vehicles by form
- cutting equipment
- cutting tools
- earth sciences concepts
- edged weapons
- equipment
- equipment by process
- events
- fights
- firearms
- freewheeled vehicles
- freewheeled vehicles by form or function
- grassland
- how we live
- land vehicles
- land vehicles by form
- landscapes (environments)
- locality
- long guns
- mammals
- natural landscapes
- north & central america
- north american
- objects
- objects we use
- passenger vehicles
- people
- people (agents)
- people and culture
- people by activity
- physical activities
- physical activities by general context
- physical sciences concepts
- plant communities
- projectile launchers with nonexplosive propellant
- projectile weapons
- projectile weapons with explosive propellant
- projectile weapons with nonexplosive propellant
- projectiles with nonexplosive propellant
- scientific concepts
- settlements and landscapes
- small arms by form
- styles and periods
- styles and periods by region
- the americas
- the natural world
- tools and equipment
- transportation vehicles
- vegetation and vegetation components
- vegetation components
- vehicles
- war
- weaponry
- weapons
- weapons and ammunition
- Title
- Royal Elephant Mask (Bajoun)
- Artist
- Artist Unknown, African, Cameroon, Bamileke
- Century
- 20th century
- Object Creation Date
- 20th century
- Accession Number
- 1997/1.305
- Medium and Support
- cloth with multi-colored beadwork
- relevance
- rank 1.92120
- Secondary Keywords
- african
- african styles by region
- animals
- animals and creatures
- aristocracy
- beads and sets of beads
- beadwork
- cameroon grassfields
- cameroon styles
- costume
- costume by function
- descriptors
- groups of people
- mammals
- nobility
- object genres
- object genres by form
- objects
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- political figures
- social classes
- social classes by specific type
- social groups
- styles and periods
- styles and periods by region
- the natural world
- upper class
- west african styles
- Title
- The Butcher's Dog
- Artist
- James McNeill Whistler
- Physical Description
- A partial view of a butcher's shop is seen frontally from across the road. To the left is an arched doorway within a pedimented entryway; a woman holding a baby stands silhouetted against the doorway while a little girl sits on the stoop. To the right is an arched shopfront that comprises both the doorway and the window in which hangs two large cuts of meat. The window of the shop is partially screened by an awning the extends before the facade of the building. A dog is seen sitting in front of the shop window.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1896
- Accession Number
- 1954/1.464
- Medium and Support
- transfer lithograph on wove paper
- relevance
- rank 1.91717
- Secondary Keywords
- animals
- animals and creatures
- architectural elements
- architecture
- buildings and the land
- components
- components and systems
- components by specific context
- descriptors
- figures
- mammals
- materials
- materials by function
- open spaces
- open spaces and site elements
- open spaces by function
- openings (architectural elements)
- openings and opening components
- openings by form
- people and culture
- people and occupations
- physical activities
- physical activities by general context
- roads
- roads by form
- the natural world
- transportation spaces
- windows and window components
- Title
- Thinks I to Myself, Thinks I
- Artist
- George Cruikshank
- Artist Life Dates
- 1782-1878
- Century
- 19th century
- Object Creation Date
- circa 1850
- Accession Number
- 1983/1.125
- Medium and Support
- color etching on paper
- relevance
- rank 1.89961
- Secondary Keywords
- image form
- animals
- architecture
- european
- european styles and periods
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- genres
- mammals
- modern british styles and movements
- modern british styles by reign
- modern european regional styles and movements
- modern european styles and movements
- objects we use
- people and culture
- people and occupations
- sleeping and reclining furniture
- styles and periods
- styles and periods by region
- text-based art
- the natural world
- visual works
- visual works by form
- Title
- Little London
- Artist
- James McNeill Whistler
- Physical Description
- A sweeping panorama of a city is visible from an elevated vantage point. Bridges cross a river and boats are evident. The river occupies the right side of the composition and the curving near bank of the river dominates the left side of the work. The cityscape includes many buildings, culimnating in one large dome in the distance. There is evidence that a window ledge exists along the bottom of the image and in the distance there are blustery clouds, indicating a leaden wintery sky.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1896
- Accession Number
- 1954/1.460
- Medium and Support
- transfer lithograph wtih stumping on wove paper
- relevance
- rank 1.89795
- Secondary Keywords
- architecture
- buildings and the land
- cityscapes
- cultural landscapes
- cultural landscapes by location or context
- descriptors
- england
- england (country)
- europe
- europe (continent)
- geographic and political locations
- greater london (metropolitan area)
- inorganic material
- landscapes (environments)
- locality
- materials
- materials by composition
- objects we use
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- the natural world
- transportation structures
- transportation structures by form
- transportation vehicles
- united kingdom
- united kingdom (nation)
- vehicles
- watercraft
- watercraft by general type
- waterscapes
- Title
- Vitré—The Canal
- Artist
- James McNeill Whistler
- Physical Description
- A French town, with houses along a canal or river in the foreground extends in the distance showing rooflines and towers under a blustery sky.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1893
- Accession Number
- 1954/1.435
- Medium and Support
- transfer lithograph with stumping on laid paper
- relevance
- rank 1.88236
- Secondary Keywords
- architectural elements
- architecture
- buildings and the land
- cityscapes
- components
- components and systems
- components by specific context
- cultural landscapes
- cultural landscapes by location or context
- descriptors
- dwellings
- geography
- hydraulic structures
- hydraulic structures by form
- inorganic material
- landscapes (environments)
- materials
- materials by composition
- openings (architectural elements)
- openings and opening components
- openings by form
- residential structures
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- the natural world
- waterscapes
- windows and window components
- Title
- Anklet with six figures
- Artist
- Artist Unknown, African, Burkina Faso, Mossi?
- Century
- 20th century
- Object Creation Date
- circa 1950
- Accession Number
- 1985/1.193
- Medium and Support
- brass
- relevance
- rank 1.88231
- Secondary Keywords
- layout features
- african
- african styles by region
- animals
- animals and creatures
- components
- components and systems
- components by specific context
- costume
- costume accessories
- costume accessories worn
- gur-speaking peoples styles
- illustrations
- illustrations by form
- images and ornament
- information form components
- jewelry
- jewelry by location
- jewelry worn on legs and feet
- layout features
- objects
- objects we use
- people and culture
- people and occupations
- styles and periods
- styles and periods by region
- the natural world
- west african styles
- western sudanese styles
- Title
- Firenze - Palazzo Pitti, La Fontana
- Artist
- Fratelli Alinari
- Artist Life Dates
- (active 1854 - 1920)
- Century
- 19th century
- Object Creation Date
- 1832-1865
- Accession Number
- 1982/1.229
- Medium and Support
- albumen print on paper
- relevance
- rank 1.88158
- Secondary Keywords
- architecture
- buildings and the land
- descriptors
- europe (continent)
- geographic and political locations
- hydraulic structures
- hydraulic structures by function
- inorganic material
- italy (nation)
- landscapes (environments)
- materials
- materials by composition
- objects
- objects we use
- photographic prints
- photographic prints by process
- photographs
- photographs by form
- plants
- positives
- rock
- rock by form
- sculpture by subject type
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- the natural world
- tuscany (region)
- visual works
- visual works by medium or technique
- water distribution structures
- Title
- At the Crossroads (En Rade)
- Artist
- Max Ernst
- Physical Description
- Three birds, executed with spare line and simple form, are set within an abstracted landscape of bright yellows and oranges.
- Artist Life Dates
- 1891 - 1976
- Century
- 20th century
- Object Creation Date
- 1955
- Accession Number
- 1983/1.414
- Medium and Support
- oil on canvas
- relevance
- rank 1.86615
- Secondary Keywords
- animals
- animals and creatures
- associated concepts
- daylight
- descriptors
- earth sciences concepts
- electromagnetic radiation
- energy
- energy and related concepts
- european
- european styles and periods
- genres
- image-making processes and techniques
- light (energy)
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- painting and painting techniques
- painting techniques
- painting techniques by medium
- people and culture
- physical sciences concepts
- physics concepts
- processes and techniques
- processes and techniques by specific type
- scientific concepts
- styles and periods
- styles and periods by region
- the natural world
- Title
- The Labors of Hercules: The Dragon of the Garden of the Hesperides (one of the s
- Artist
- Heinrich Aldegrever
- Artist Life Dates
- 1502- circa 1561
- Century
- 16th century
- Object Creation Date
- 1550
- Accession Number
- 1956/1.68
- Medium and Support
- engraving on paper
- relevance
- rank 1.86203
- Secondary Keywords
- massing or shape
- allegory and literature
- animals and creatures
- architecture
- building divisions
- buildings and the land
- clubs
- components
- components and systems
- components by specific context
- creatures
- descriptors
- fights
- figures
- figures (representations)
- gardens
- houses
- iconography
- inorganic material
- legendary creatures
- materials
- materials by composition
- mythology
- objects we use
- people and culture
- people and occupations
- percussive weapons
- physical activities
- physical activities by general context
- plants
- single built works
- single built works by form
- single built works by specific type
- the natural world
- visual works
- visual works by subject type
- weapons
- weapons and ammunition
- Title
- Twisted metal bracelet with chameleon
- Artist
- Artist Unknown, African, Burkina Faso, Lobi
- Century
- 20th century
- Object Creation Date
- circa 1950
- Accession Number
- 1985/2.54
- Medium and Support
- cast bronze (cire perdue)
- relevance
- rank 1.85761
- Secondary Keywords
- african
- african styles by region
- animals
- animals and creatures
- copper alloy
- copper and copper alloy
- costume
- costume accessories
- costume accessories worn
- descriptors
- gur-speaking peoples styles
- inorganic material
- jewelry
- jewelry by location
- jewelry worn on arms and hands
- materials
- materials by composition
- metal
- metal and metal products
- metal by composition or origin
- nonferrous metal
- object genres
- object genres by technique
- objects we use
- people and culture
- styles and periods
- styles and periods by region
- the natural world
- west african styles
- western sudanese styles
- Title
- Thinks I to Myself, Thinks I
- Artist
- George Cruikshank
- Artist Life Dates
- 1782-1878
- Century
- 19th century
- Object Creation Date
- circa 1850
- Accession Number
- 1983/1.124
- Medium and Support
- watercolor on paper
- relevance
- rank 1.85667
- Secondary Keywords
- image form
- animals
- architecture
- european
- european styles and periods
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- genres
- mammals
- modern british styles and movements
- modern british styles by reign
- modern european regional styles and movements
- modern european styles and movements
- objects
- objects we use
- people and culture
- people and occupations
- sleeping and reclining furniture
- styles and periods
- styles and periods by region
- the natural world
- visual works
- visual works by form
- Title
- Gasthaus: Austria
- Artist
- Jean Paul Slusser
- Artist Life Dates
- 1886 -1981
- Century
- 20th century
- Object Creation Date
- 1924
- Accession Number
- 1983/1.393
- Medium and Support
- watercolor on paper
- relevance
- rank 1.85050
- Secondary Keywords
- architecture
- building divisions
- components
- components and systems
- components by specific context
- coverings and hangings
- coverings and hangings by location or context
- coverings and hangings by specific type
- coverings and hangings for furniture
- coverings and hangings for storage and support furniture
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- genres
- making art
- modern and contemporary art
- objects
- objects we use
- plants
- rooms and spaces
- rooms and spaces by function
- seating furniture
- single seating furniture
- sleeping and reclining furniture
- sleeping spaces
- table coverings
- the natural world
- Title
- The Orchid Pavilion Gathering
- Artist
- Sheng Maoye (Sheng Mao-yeh)
- Physical Description
- Handscroll depicting figures (42 men and 6 boys) in a landscape, most of whom are sitting along the banks of a stream as cups on lotus leaves float by. A small cluster of figures sits in a shelter over the water examining a handscroll. The painting includes an inscription, six artist’s seals and one collector’s seal.
- Artist Life Dates
- active 1594-164
- Century
- 17th century
- Object Creation Date
- 1621
- Accession Number
- 1974/1.244
- Medium and Support
- handscroll, ink and color on silk
- relevance
- rank 1.84896
- Secondary Keywords
- architecture
- asian
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- bridges (built works)
- bridges by function
- buildings and the land
- chinese
- chinese painting styles
- chinese styles
- chinese styles and periods
- containers
- containers by function or context
- containers for serving and consuming food
- culinary containers
- descriptors
- drinking vessels
- east asian
- figures
- flowers
- geography
- grass (plant material)
- history
- how we live
- inorganic material
- landscapes (environments)
- materials
- materials by composition
- materials by origin
- natural landscapes
- objects we use
- paintings
- paintings by form
- people
- people (agents)
- people and culture
- people and occupations
- people by gender
- physical activities
- physical activities by general context
- plant material
- plants
- riverine bodies
- scroll paintings
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- styles and periods
- styles and periods by region
- the natural world
- transportation structures
- transportation structures by form
- vegetation and vegetation components
- vegetation components
- vessels for serving and consuming food
- visual works
- visual works by medium or technique
- woody plants
- Title
- Hide and Seek (Cache-Cache)
- Artist
- Alfred Stevens
- Physical Description
- Panel painting depicting a young woman of high society in an interior setting filled with Asian accessories. She stands behind a door, which she holds partly open revealing a small white dog sitting in front of an armchair.
- Artist Life Dates
- 1823-1906
- Century
- 19th century
- Object Creation Date
- circa 1878
- Accession Number
- 1955/1.85
- Medium and Support
- oil on panel
- relevance
- rank 1.84831
- Secondary Keywords
- accessories worn on arms or hands
- animals
- animals and creatures
- architectural elements
- architecture
- building divisions
- candles and candleholders
- clothing
- components
- components and systems
- components by specific context
- costume
- costume accessories
- costume accessories worn
- doors and door components
- doorway components
- doorways and doorway components
- figures
- furnishings
- furnishings by form or function
- genres
- handwear
- how we live
- lighting devices
- lighting devices by form
- mammals
- objects
- objects we use
- openings (architectural elements)
- openings and opening components
- openings by form
- people and occupations
- rooms and spaces
- rooms and spaces by location or context
- the natural world
- Title
- Landscape
- Artist
- Aoki Shukuya
- Artist Life Dates
- 1737-1802
- Century
- 18th century
- Object Creation Date
- circa 1760-1802
- Accession Number
- 1967/2.3
- Medium and Support
- ink on paper
- relevance
- rank 1.84800
- Secondary Keywords
- architecture
- asia
- asian
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- figures
- forms
- geography
- locality
- making art
- objects we use
- paintings
- paintings by form
- people and occupations
- plants
- riverine bodies
- scroll paintings
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- the natural world
- transportation structures
- transportation structures by form
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by medium or technique
- visual works by subject type
- woody plants
- Title
- The Highlander's Home (Sunshine in the Cottage)
- Artist
- John Phillip
- Physical Description
- This painting shows the interior of a rustic house with a stone floor and rough rock walls. In the center foreground, a woman is crouched beside a wooden cradle. She has her arms around a sleeping baby whose face is highlighted by a ray of sunshine coming from an open window. Household items hang from the rafters and there is a spinning wheel beside her. A dog sits by an open hearth on the left. The color scheme is predominantly tones of brown, except for her red scarf, green shirt and the bluish purple of the hills seen outside the window.
- Artist Life Dates
- 1817-1867
- Century
- 19th century
- Object Creation Date
- 1855
- Accession Number
- 1986/1.188
- Medium and Support
- oil on canvas
- relevance
- rank 1.83250
- Secondary Keywords
- image form
- animals
- animals and creatures
- architectural elements
- architecture
- components
- components and systems
- components by specific context
- family
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- genres
- how we live
- mammals
- objects
- objects we use
- offspring
- openings (architectural elements)
- openings and opening components
- openings by form
- parents
- people
- people (agents)
- people and culture
- people and occupations
- people by family relationship
- plants
- relationships
- seating furniture
- single seating furniture
- the natural world
- tools
- vessels
- views
- views by vantage point or orientation
- visual works
- visual works by form
- windows and window components
- women
- Title
- Susanna surprised at the bath by the two elders (one from the set of 4 prints, T
- Artist
- Heinrich Aldegrever
- Artist Life Dates
- 1502- circa 1561
- Century
- 16th century
- Object Creation Date
- 1555
- Accession Number
- 1956/1.48
- Medium and Support
- engraving on paper
- relevance
- rank 1.75366
- Secondary Keywords
- architecture
- bath and northeast somerset (unitary authority)
- buildings and the land
- castles
- components
- components and systems
- components by specific context
- england
- england (country)
- europe
- europe (continent)
- figures
- figures (representations)
- geographic and political locations
- health and welfare facilities
- health facilities
- institutional buildings
- locality
- objects
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- people by activity
- plants
- plumbing and stormwater system components
- plumbing fixtures
- single built works
- single built works by function
- single built works by specific type
- system components
- the natural world
- trails
- united kingdom
- united kingdom (nation)
- visual works
- visual works by subject type
- waterscapes
- Title
- California Orange Grove
- Artist
- David Courlander
- Physical Description
- Painting of landscape scene with blue sky and green field. Mountains and three houses in background in the upper-left quadrant. Grove with orange trees in center. Two men fishing along the banks of a stream in the lower right foreground.
- Artist Life Dates
- 1866-1961
- Century
- 20th century
- Object Creation Date
- circa 1950
- Accession Number
- 1985/2.89
- Medium and Support
- oil on canvas board
- relevance
- rank 1.74526
- Secondary Keywords
- settlement area
- upward
- americas
- art genres
- artistic concepts
- associated concepts
- atmospheric effects
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- concepts in the arts
- deciduous trees
- descriptors
- dwellings
- earth sciences concepts
- equipment
- equipment by context
- fishing and trapping tools and equipment
- food
- fruit
- geographic and political locations
- geography
- houses by location
- houses by location or context
- inorganic material
- landforms
- landforms and landform components
- landforms by shape or position
- locality
- materials
- materials by composition
- materials by function
- modern and contemporary art
- natural landscapes
- north & central america
- north and central america (continent)
- objects we use
- people and culture
- people and occupations
- physical activities
- physical activities by location
- physical activities by specific context
- physical sciences concepts
- plant communities
- plants
- residential structures
- riverine bodies
- scientific concepts
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- the natural world
- tools and equipment
- trees
- trees by leaf life
- united states
- united states (nation)
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by subject type
- water activities
- weather and related phenomena
- weather-related phenomena
- woods
- woody plants
- Title
- Handstand
- Artist
- Erich Heckel
- Physical Description
- Print featuring a stage with a figure of a man with his feet touching his head while doing a handstand on a small table flanked by two chairs. His large shadow is cast on the wall behind him. The head and hands of a conductor are visible in the lower right.
- Artist Life Dates
- 1883-1970
- Century
- 20th century
- Object Creation Date
- 1916
- Accession Number
- 1956/1.20
- Medium and Support
- lithograph on paper
- relevance
- rank 1.71334
- Secondary Keywords
- associated concepts
- atmospheric effects
- building divisions
- components
- components and systems
- components by specific context
- energy and related concepts
- energy-related concepts
- european
- european styles and periods
- faces
- figures
- genres
- groups
- hands
- human body
- light-related concepts
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- objects
- people
- people (agents)
- people and culture
- people and occupations
- people by occupation
- people in the arts
- people in the arts and related occupations
- people in the humanities
- people in the performing arts
- performance and backstage spaces
- physical sciences concepts
- physics concepts
- rooms and spaces
- rooms and spaces by building type
- scientific concepts
- stages and stage components
- styles and periods
- styles and periods by region
- the natural world
- theater spaces
- Title
- Janus Bird (Oiseau Janus)
- Artist
- Max Ernst
- Physical Description
- Standing bronze figure with recto/verso. The silhouette of the body is rectangular in shape. The heads on both side are simply rendered with rounded eyes and a pursed -lip mouth on one, a button nose on the other; bodies are supported by short legs; sides loosely suggest representations of male and female anatomy with side-by-side scallop shells suggesting a breasted chest on one side, an upward facing frog/toad in the phallus area on the reverse side.
- Artist Life Dates
- 1891-1976
- Century
- 20th century
- Object Creation Date
- 1973
- Accession Number
- 1987/1.160
- Medium and Support
- bronze
- relevance
- rank 1.70540
- Secondary Keywords
- amphibians
- animals
- animals and creatures
- combination inorganic/organic animal material
- combination inorganic/organic material
- copper alloy
- copper and copper alloy
- descriptors
- european
- european styles and periods
- inorganic material
- materials
- materials by composition
- metal
- metal and metal products
- metal by composition or origin
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- nonferrous metal
- objects we use
- people and culture
- reptiles
- reptiles and amphibians
- shell and shell material
- styles and periods
- styles and periods by region
- the natural world
- visual works
- visual works by medium or technique
- visual works by subject type
- Title
- The Lord's Prayer, sheet 2 - Our Father Who Art in Heaven (Das Vaterunser - Vater Unser Der Du bist im Himmel)
- Artist
- Max Pechstein
- Physical Description
- A large central figure represents God towers seen in the radiating rays of light and clouds that surround him.. On the forehead of his blocky, totemic head is a third eye. His left arm crosses over his middle and holds fire. His right hand extends down to the lower right corner as reaching down. The words "Vater Unser" are at the very top; "Der Du Bist" across God's waistline; "im Himmel" along the bottom.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.424
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 1.69616
- Secondary Keywords
- transfer method
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- european
- european styles and periods
- human body
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people by state or condition
- prints
- prints by process
- prints by process or technique
- rays
- relief prints
- religions and religious concepts
- religious concepts
- styles and periods
- styles and periods by region
- the natural world
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- Begin the Beguine
- Artist
- Max Beckmann
- Physical Description
- Interior composition with male and female dancers positioned at center with seated female at lower left, standing male on crutches at right and a group of birds in the leftmost background.
- Artist Life Dates
- 1884-1950
- Century
- 20th century
- Object Creation Date
- 1946
- Accession Number
- 1948/1.103
- Medium and Support
- oil on canvas
- relevance
- rank 1.69405
- Secondary Keywords
- amputation
- animals
- animals and creatures
- arts
- arts and related disciplines
- buildings and the land
- disciplines
- equipment
- equipment by context
- equipment for personal use
- european
- european styles and periods
- genres
- humanities
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- objects we use
- people
- people (agents)
- people and culture
- people by occupation
- people in the arts
- people in the arts and related occupations
- people in the humanities
- people in the performing arts
- performing artists
- performing arts
- performing arts buildings
- performing arts structures
- single built works
- single built works by function
- single built works by specific type
- styles and periods
- styles and periods by region
- the natural world
- tools and equipment
- Title
- Mist Clearing Over a Mountain Village, formerly attributed to Hasegawa Nobuharu (Shinshun; later, Tôhaku)
- Artist
- Artist Unknown, Japan
- Physical Description
- This is a vertical format painting surrounded by green and gold fabric. It is painted in tones of black with some areas of pink and blue color. It depicts a landscape scene with a cluster of small houses nestled in a craggy mountainous area. There is a river that runs through the landscape with two figures crossing a small footbridge. Other figures are shown in the open area of the village. The trees and vegetation are painted with short abbreviated brushstriokes.
- Century
- 17th century
- Object Creation Date
- late 16th century - early 17th century
- Accession Number
- 1967/2.5
- Medium and Support
- hanging scroll, ink and light color on paper
- relevance
- rank 1.69315
- Secondary Keywords
- scale
- upward
- architecture
- asia
- asia (continent)
- asian
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- components of bodies of water
- dwellings
- figures
- forms
- geographic and political locations
- geography
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- locality
- making art
- objects we use
- paintings
- paintings by form
- people and occupations
- plants
- residential structures
- riverine bodies
- scroll paintings
- settlements
- settlements and landscapes
- settlements by form
- single built works
- single built works by function
- single built works by specific type
- the natural world
- transportation structures
- transportation structures by form
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by medium or technique
- waterscapes
- woody plants
- Title
- Snow Scene in Ueno Park
- Artist
- Takahashi Hiroaki
- Physical Description
- Snow falls during a night scene in Ueno Park, located in the Tokyo area. Weary, snow-heavy travelers trek through the scene. One may be heading into a shop to have something warm to eat, while the other heads towards a small bridge and a red torii gate topped with snow. A pine tree arches in from the left corner and arches over the scene, framing the park against the gray, snow-dotted sky.
- Artist Life Dates
- 1871-1944
- Century
- 20th century
- Object Creation Date
- 1920s
- Accession Number
- 1982/2.23
- Medium and Support
- color woodblock print on paper
- relevance
- rank 1.65997
- Secondary Keywords
- transfer method
- architectural elements
- asian
- associated concepts
- atmospheric effects
- buildings and the land
- components
- components and systems
- components by specific context
- earth sciences concepts
- east asian
- gates and gate components
- gateway components
- gateways and gateway components
- grounds
- japanese
- japanese printmaking styles
- japanese styles
- objects we use
- open spaces
- open spaces and site elements
- open spaces by location or context
- openings (architectural elements)
- openings and opening components
- openings by form
- people and culture
- physical sciences concepts
- precipitation
- prints
- prints by process
- prints by process or technique
- relief prints
- scientific concepts
- styles and periods
- styles and periods by region
- the natural world
- visual works
- visual works by medium or technique
- weather and related phenomena
- weather-related phenomena
- Title
- The Lord's Prayer, sheet 5 - Give Us this Day Our Daily Bread (Das Vaterunser - Unser täglich Brot gieb uns heute)
- Artist
- Max Pechstein
- Physical Description
- Four men in plain, dark clothing sit, with hands folded in prayer, around a rectangular table, in the center of which is a fish on an oval platter. The man at the far end has his eyes closed. The other three raise their faces to heaven.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.427
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 1.65203
- Secondary Keywords
- transfer method
- animals
- associated concepts
- components and systems
- descriptors
- document genres
- document genres by form
- document genres for literary works
- european
- european styles and periods
- events
- information forms
- materials
- materials by function
- mental activities
- modern and contemporary art
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- physical activities
- physical activities by general context
- prints
- prints by process
- prints by process or technique
- relief prints
- religions and religious concepts
- religious concepts
- styles and periods
- styles and periods by region
- the natural world
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- Bounded on the West by the Land Under Water
- Artist
- Kay Sage
- Physical Description
- Four spare industrial structures rise at different angles into an empty landscape. On the viewer's right, a scaffolding rises from the lower corner and angles to the left. On the left, another scaffold structure runs from the bottom corner along the left edge. In the middle, a building-like structure rises from the bottom of the composition and leans into the visual space, resting on a long rectangular solid that is draped with a cloth.
- Artist Life Dates
- 1898 - 1963
- Century
- 20th century
- Object Creation Date
- 1946
- Accession Number
- 1963/2.1
- Medium and Support
- oil on canvas
- relevance
- rank 1.64939
- Secondary Keywords
- massing or shape
- architecture
- buildings and the land
- built complexes and districts
- complexes
- complexes by function
- cultural landscapes
- cultural landscapes by location or context
- descriptors
- equipment
- equipment by process
- european
- european styles and periods
- genres
- image-making processes and techniques
- industrial structures
- landscapes (environments)
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- objects we use
- painting and painting techniques
- painting techniques
- painting techniques by medium
- people and culture
- processes and techniques
- processes and techniques by specific type
- settlements and landscapes
- single built works
- single built works by form
- single built works by function
- single built works by specific type
- styles and periods
- styles and periods by region
- supporting equipment
- the natural world
- tools and equipment
- waterscapes
- Title
- The Lord's Prayer, sheet 8 - And Lead Us Not into Temptation (Das Vaterunser - Und führe uns nicht in Versuchung)
- Artist
- Max Pechstein
- Physical Description
- A nude man and woman at center struggle with one another; a snake and a seated figure are visible in the background. The two central figures with intertwined limbs suggesting a struggle are positioned above a sharp-toothed mammal resembling a fox.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.430
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 1.63650
- Secondary Keywords
- transfer method
- animals and creatures
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- european
- european styles and periods
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by general context
- object groupings by specific context
- objects we use
- people and culture
- physical activities
- physical activities by general context
- prints
- prints by process
- prints by process or technique
- relief prints
- religions and religious concepts
- religious concepts
- reptiles
- sets (groups)
- styles and periods
- styles and periods by region
- the natural world
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- Still Life with Apples (Nature Morte aux Pommes)
- Artist
- Maurice de Vlaminck
- Physical Description
- A bowl containing apples rests in the center, flanked by two conical drinking cups.
- Artist Life Dates
- 1876-1958
- Century
- 20th century
- Object Creation Date
- 1910
- Accession Number
- 1984/1.288
- Medium and Support
- oil on canvas
- relevance
- rank 1.63496
- Secondary Keywords
- containers
- containers by function or context
- containers for serving and consuming food
- culinary containers
- descriptors
- drinking vessels
- european
- european styles and periods
- food
- fruit
- genres
- image-making processes and techniques
- materials
- materials by function
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- objects
- objects we use
- painting and painting techniques
- painting techniques
- painting techniques by medium
- paintings
- paintings by material or technique
- people and culture
- plants
- processes and techniques
- processes and techniques by specific type
- styles and periods
- styles and periods by region
- the natural world
- vessels
- vessels for serving and consuming food
- visual works
- visual works by medium or technique
- visual works by subject type
- Title
- Landscape
- Artist
- Adolph Gottlieb
- Physical Description
- A landscape reduced to minimal abstract elements. The lower half of the painting is black. The upper half, various shades of white and blue. Two black squares are suspended in the white above the black. A small pale blue circle is between the squares.
- Artist Life Dates
- 1903 - 1974)
- Century
- 20th century
- Object Creation Date
- 1952
- Accession Number
- 1968/1.81
- Medium and Support
- oil on board
- relevance
- rank 1.61952
- Secondary Keywords
- associated concepts
- buildings and the land
- descriptors
- earth sciences concepts
- european
- european styles and periods
- genres
- image-making processes and techniques
- international post-1945 styles and movements
- landscapes (environments)
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- objects we use
- painting and painting techniques
- painting techniques
- painting techniques by medium
- paintings
- paintings by material or technique
- people and culture
- physical sciences concepts
- post-1945 fine arts styles and movements
- processes and techniques
- processes and techniques by specific type
- religions and religious concepts
- religious concepts
- scientific concepts
- settlements and landscapes
- styles and periods
- styles and periods by region
- the natural world
- visual works
- visual works by medium or technique
- visual works by subject type
- Title
- The Lord's Prayer, sheet 12 - For Ever and Ever. Amen! (Das Vaterunser - von Ewigkeit zu Ewigkeit. Amen!)
- Artist
- Max Pechstein
- Physical Description
- One forearm extends from the upper left side and ends to the right of center in a hand with palm down. Another arm extends from the lower right and ends in the lower left in a hand with palm up. Between the hands is the word "Amen!" in large letters.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.434
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 1.61821
- Secondary Keywords
- transfer method
- arms
- associated concepts
- biological components
- components
- components and systems
- components by specific context
- document genres
- document genres by form
- document genres for literary works
- european
- european styles and periods
- human body
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people and culture
- prints
- prints by process
- prints by process or technique
- relief prints
- religions and religious concepts
- religious concepts
- styles and periods
- styles and periods by region
- the human body
- the natural world
- upper body
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- The Lord's Prayer, sheet 10 - For Thine Is the Kingdom (Das Vaterunser - Denn Dein ist das Reich)
- Artist
- Max Pechstein
- Physical Description
- A man, a woman, and a child facing the viewer with their hands folded in prayer. The man and woman sit on a mattress and look to heaven. The child stands in front of them with his head bowed. Next to the child is a diminutive cow. In the background behind the family are images of fish and birds.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.432
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 1.60420
- Secondary Keywords
- transfer method
- animals
- animals and creatures
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- emotion
- european
- european styles and periods
- figures
- groups of people
- information forms
- kinship groups
- mammals
- mental activities
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- prints
- prints by process
- prints by process or technique
- psychological concepts
- relief prints
- religions and religious concepts
- religious concepts
- social groups
- social science concepts
- styles and periods
- styles and periods by region
- the natural world
- visual works
- visual works by medium or technique
- visual works groupings