Round beaded crown with six radiating bands (predominantly green with white, metallic and blue accents) that stem from the central axis upon which the big blue-headed bird sits. Smaller birds perch at the base of the bands. Bottom rim predominantly red with white, metallic and blue accents. Spaces in between vertical bands are filled with yellow feathers or possibly synthetic material.
Artist Unknown, African, Bamileke Peoples, Cameroon
Face mask embroidered extensively wtih glass beads. Two long panels hang down the front and back of the wearer. Humanoid face at top has two round eye holes allowing the wearer to see, a strip of fabric for nose and open, upturned mouth. Ears are protruding disks attached on either side of the face . Top of the head is covered with small, corklike knobs covered with black cloth. The beadwork is predominantly green, with intricate, scallop-shaped patterns along edge of panels, and vertical, star-like patterns filling center of the panels. Interior of panels is lined with damask.
Lady Eleanor Dundas is shown half length, seated in front of a brown background. She looks towards the light source to the right of the painting. She is dressed in a diaphanous black dress with an Empire cut and black veil. A sheer lace collar frames her throat. She has heavy lidded eyes and an alert or slightly mournful expression
Beaded, veil fringed, canonical crown; seven long beaded tassles dangle from the bottom rim of the crown; entire surface area is embroidered with multi-colored seed beads; three tiers of colorful faces surround the perimeter; a series of three dimensional birds perch on top of the crown; the largest bird sits on tip and is removable.
Balbir Sen of Mandi sits with his legs tucked under him against a purplish bolster on an oval orange carpet with a green border. He wears a white garment with green borders and some jewelry: a ring, bracelets, an armlet, necklaces, earrings and wears a green turban with a turban jewel across the front, surmounted by a black feathered aigrette. A sword signifying his rank lies across his body. He sits in strict profile with a heavy black beard and mustache. The paper is plain and uncolored except around the figure, which is painted against a white wash taking the shape of the seated man and his setting.
Inscriptions in devanagari script are above the painting.
Portrait of Princess Amelia, part of a series of portraits of King George III's Family
The Princess is seated at a desk covered with books. Her hands are resting on her knee and her foot rests on an ottoman. To the left behind her there are drapes and Windsor Castle can be seen through the window.
Hanging scroll. A female figure is sitting against a blank background. She wears multiple layers of kimono, her hair is black and long, and her face white. She is watching a spider, descending from ceiling; her arms are extending in front as if she is trying to catch it. A screen of white and brown fabric is on her right, and an oil ramp with flame is on the other side. Three rolls of paper are placed in front of her. There are the artist's signature and seal on the left lower corner.
The painting is mounted on light blue brocade with designs of auspicious characters and objects, including character “longevity,” treasures, and double gourds. The sides are made of golden brocade, but the gold foil is almost worn out.
Warm holes on the upper right side, some small stains and dark lines on the top and near the face of the figure. Two repaired damages on the lower right corner. Some warm holes on the mounting as well. The wooden scroll bar is black lacquered.
Portrait of Princess Mary, part of a series of portraits of King George III's Family
The Princess is standing with one gloved hand hanging by her side and the other, ungloved, resting on the banister of the stairs. In front of her, the stairs rise to a large stone building (possibly Windsor Castle). In the background is a deep landscape with figures in the distance at the right.