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Results for James%20McNeill%20Whistler
Check for portfolio Record Title Artist Physical Description Artist Life Dates Century Object Creation Date Accession Number Medium and Support
Full Record: x-1930.26/1930.26.JPG

Little Putney Bridge

James McNeill Whistler

Seen from a distance, the Little Putney bridge is visible with its wooden piers. The left bank is not drawn, but on the right bank can be seen a number of buildings and the tower of a church.

1834-1903

19th century

1879

1930.26

etching on heavy laid paper

rank 25.33719

Full Record: x-1930.27/1930.27.JPG

Smith's Yard

James McNeill Whistler

Two horses, seen from behind, stand in front of a shed-like structure. On the threshold and partly shadowed to the left stand two figures, a man in an apron and an youth holding a bucket upside down. On the right, closer to the viewer is a whetstone; on the far left of the composition is a rain barrel.

1834-1903

19th century

1895

1930.27

transfer lithograph on wove paper

rank 25.33719

Full Record: x-1938.10/1938.10.JPG

The Punt (The Angler); an illustration for "Passages from Modern English Poets"

James McNeill Whistler

In a tranquil pastoral setting, a man stands in a punt (or shallow-bottomed open boat) with a pipe in his mouth and holding a pole to help propel himself through the shallow river.

1834-1903

19th century

1861

1938.10

etching on paper

rank 25.33719

Full Record: x-1938.11/1938.11.JPG

Sketching, No. 1; an illustration for 'Passages from Modern English Poets'

James McNeill Whistler

A rural countryside with a river flowing into the distance at the right dominates the scene. Two figures in a rowboat are at the center of the image and at the lower right corner, an artist, seated on a camp stool and facing away from the viewer, sketches the rowers.

1834-1903

19th century

1861

1938.11

etching, printed in black ink on wove paper

rank 25.33719

Full Record: x-1950-sl-1.202/1950_1.202.JPG

La Vieille aux Loques (One of the "Twelve Etchings from Nature," or the "French Set")

James McNeill Whistler

An old woman in a white cap sits in a cluttered interior. Positioned just inside the doorway, the woman is surrounded by piles of cloth with domestic objects on shelves and walls that gleam in the darkness.

1834-1903

19th century

1856-1858

1950/1.202

etching, printed in black ink on on laid paper

rank 25.33719

Full Record: x-1954-sl-1.266/1954_1.266.JPG

Lady with a Fan

James McNeill Whistler

1834-1903

19th century

circa 1871-1873

1954/1.266

black and white chalk on brown wove paper

rank 25.33719

Full Record: x-1954-sl-1.317/1954_1.317.JPG

Little Arthur, One of the 'Twelve Etchings from Nature,' or the 'French Set'

James McNeill Whistler

A young child sits facing the viewer. He has shoulder length hair, a white colar and dark suit, the pants of which come to just below his knees. His feet are together and his hands rest in his lap beween his knees. The image is strongly lit from the left by an unseen light source.

1834-1903

19th century

1858

1954/1.317

etching, printed in black ink on Japan paper, laid down on white wove plate paper

rank 25.33719

Full Record: x-1954-sl-1.318/1954_1.318.JPG

Annie, One of the 'Twelve Etchings from Nature,' or the 'French Set'

James McNeill Whistler

A girl stands facing to the left, her face turned slightly towards the viewer. She is show standing in a dark dress with a high collar and long hair parted in the middle. Her dress comes to just below the knee and although she holds the hem of her skirt in her left hand, there is only slight indication of the girl's left leg. The result is a vignetted view; the artist's signature and the inscription bearing the information about the printer (Auguste Delatre) form the bottom of an implied oval frame.

1834-1903

19th century

1858

1954/1.318

etching, printed in black ink on Japan paper, laid down on white wove plate paper

rank 25.33719

Full Record: x-1954-sl-1.319/1954_1.319.JPG

La Mère Gérard, one of the "Twelve Etchings from Nature," or the "French Set"

James McNeill Whistler

A woman in hat and half-length jacket stands in bright sunlight in front of a wall. She stands at a slight angle to the viewer, holding a garment in her left hand and possibly a chain in her right hand; she looks up and to the right of the viewer. A dark shadow cast by her body against the wall partly obscures her left side.

1834-1903

19th century

1858

1954/1.319

etching, printed in black ink on Japan paper, laid down on white wove plate paper

rank 25.33719

Full Record: x-1954-sl-1.320/1954_1.320.JPG

Fumette, One of the 'Twelve Etchings from Nature,' or the 'French Set'

James McNeill Whistler

A young woman is seated in bright sunlight on a step or stoop, leaning slightly forward. The light source is to the right, causing deep shadows to fall on the right side of her face. Her arms are folded over the dark fabric in her lap and she holds a cigarette in her right hand.

1834-1903

19th century

1858

1954/1.320

etching and drypoint on Japan paper, laid down on white wove plate paper

rank 25.33719

Full Record: x-1954-sl-1.321/1954_1.321.JPG

La Rétameuse, One of the 'Twelve Etchings from Nature,' or the 'French Set'

James McNeill Whistler

A woman is seated with her hands in her lap looking directly at the viewer. She has a high, dark hat on her head with long ribbons that hang to her waist.

1834-1903

19th century

1858

1954/1.321

etching, printed in black ink on Japan paper, laid down on white laid plate paper

rank 25.33719

Full Record: x-1954-sl-1.322/1954_1.322.JPG

En Plein Soleil, One of the 'Twelve Etchings from Nature,' or the 'French Set'

James McNeill Whistler

Seen slightly from below, a woman is seated in a landscape on a hillock. She is holding a dark, fringed parasol and has a shawl wrapped around her shoulders. Her face is partly shaded by the parasol; beside her to the left is a pot or container of some kind. Behind her to the right is a lone poplar tree and behind her to the left are some low buildings and indication of a stand of trees. The foreground is uneven, with tufts of grass standing up between the figure and the viewer.

1834-1903

19th century

1858

1954/1.322

etching and drypoint, printed in black ink on Japan paper, laid down on white wove plate paper

rank 25.33719

Full Record: x-1954-sl-1.323/1954_1.323.JPG

Liverdun, One of the 'Twelve Etchings from Nature,' or the 'French Set'

James McNeill Whistler

A street or courtyard fills the middle distance. A handful of figures stand or sit in front of the buildings on the right; only a single cow at the right occupies the open space in the foreground. The low buildings are, on the left side, brightly lit while the structures on the right are in shadow.

1834-1903

19th century

1858

1954/1.323

etching, printed in black ink on Japan paper, laid down on white wove plate paper

rank 25.33719

Full Record: x-1954-sl-1.324/1954_1.324.JPG

The Unsafe Tenement, One of the 'Twelve Etchings from Nature,' or the 'French Se

James McNeill Whistler

A ramshackle, half-timbered house fills most of the plate. Seen from an angle, the view of the house is accented by the sharp shadows created by dormer windows and a patchwork of overhanging roof. In the foreground, at the left, a dog is curled up sleeping in the sun; next to him leaning against the house is a pitchfork. At the center foreground, two children speak to one another through a partially open doorway or gate in the yard.

1834-1903

19th century

1858

1954/1.324

etching, printed in black ink on Japan paper, laid down on white wove plate paper

rank 25.33719

Full Record: x-1954-sl-1.325/1954_1.325.JPG

Street at Saverne, One of the 'Twelve Etchings from Nature,' or the 'French Set'

James McNeill Whistler

In this nighttime view down a street, buildings along the left-hand side of the street are shown in with sharp recession into space. A solitary figure is seen in the shadows on the left-hand side half way down the street. The sky is darkened with parallel horizontal hatching lines. The only source of light is a lantern on the wall of the right side of the street. Dark shadows fall across the buildings on the left side.

1834-1903

19th century

1858

1954/1.325

etching and drypoint, printed in black ink on Japan paper, laid down on white wove plate paper

rank 25.33719

Full Record: x-1954-sl-1.326/1954_1.326.JPG

Street at Saverne, One of the 'Twelve Etchings from Nature,' or the 'French Set'

James McNeill Whistler

In this nighttime view down a street, buildings along the left-hand side of the street are shown in with sharp recession into space. A solitary figure is seen in the shadows on the left-hand side half way down the street. The sky is darkened with parallel horizontal hatching lines. The only source of light is a lantern on the wall of the right side of the street. Dark shadows fall across the buildings on the left side.

1834-1903

19th century

1858

1954/1.326

etching, printed in black ink on Japan paper, laid down on white wove plate paper

rank 25.33719

Full Record: x-1954-sl-1.327/1954_1.327.JPG

La Vieille aux Loques

James McNeill Whistler

An old woman in a white cap sits in a cluttered interior. Positioned just inside the doorway, the woman is surrounded by piles of cloth with domestic objects on shelves and walls that gleam in the darkness.

1834-1903

19th century

1858

1954/1.327

etching, printed in black ink on Japan paper, laid down on white wove plate paper

rank 25.33719

Full Record: x-1954-sl-1.328/1954_1.328.JPG

La Vieille aux Loques

James McNeill Whistler

An old woman in a white cap sits in a cluttered interior. Positioned just inside the doorway, the woman is surrounded by piles of cloth with domestic objects on shelves and walls that gleam in the darkness.

1834-1903

19th century

1858

1954/1.328

etching and drypoint, printed in dark brown ink on green laid paper

rank 25.33719

Full Record: x-1954-sl-1.329/1954_1.329.JPG

La Marchande de Moutarde, one of the "Twelve Etchings from Nature," or the "French Set"

James McNeill Whistler

A young woman at the left stands at the threshold of a stone doorway; in the interior beyond her, a woman in a white cap is preparing a jar at a desk or counter. Above the desk is a row of jars on a shelf.

1834-1903

19th century

1858

1954/1.329

etching, printed in black ink on Japan paper, laid down on white wove plate paper

rank 25.33719

Full Record: x-1954-sl-1.330/1954_1.330.JPG

The Kitchen, One of the 'Twelve Etchings from Nature,' or the 'French Set'

James McNeill Whistler

A dark interior view is shown with a deep recessed space. At the end of the space is a window; the recessed space is full of reflected light and a woman is seen framed against the bright view out the window. Closer to the viewer, the foreground is filled with domestic objects: furniture on hte left with vases stored on top; a wall rack with plates stored on the right and other objects with basins or pots below the plates.

1834-1903

19th century

1858

1954/1.330

etching, printed in black ink on Japan paper, laid down on white wove plate paper

rank 25.33719

Full Record: x-1954-sl-1.331/1954_1.331.JPG

The Kitchen, one of the "Twelve Etchings from Nature," or the "French Set"

James McNeill Whistler

A dark interior view is shown with a deep recessed space. At the end of the space is a window; the recessed space is full of reflected light and a woman is seen framed against the bright view out the window. Closer to the viewer, the foreground is filled with domestic objects: furniture on hte left with vases stored on top; a wall rack with plates stored on the right and other objects with basins or pots below the plates.

1834-1903

19th century

1856-1858

1954/1.331

etching on printed on Japan paper, laid down on white wove plate paper

rank 25.33719

Full Record: x-1954-sl-1.332/1954_1.332.JPG

The Title Page for "Douze Eaux Fortes d'après Nature" or the French Set

James McNeill Whistler

A man in a broad-brimmed hat and a moustache sits sketching, his face largely in shadow. Around him are clustered groups of children absorbed in watching him drawing. A single figure of a boy, standing slightly apart at the right, gazes out at the viewer.

1834-1903

19th century

1856-1858

1954/1.332

etching and drypont, printed in black ink on Japan paper, laid down on white wove plate paper

rank 25.33719

Full Record: x-1954-sl-1.333/1954_1.333.JPG

The Title to the French Set; original paper wrappers of the set, one of the 'Twelve Etchings from Nature,' or the 'French Set"

James McNeill Whistler

A man in a broad-brimmed hat and a moustache sits sketching, his fact largely in shadow. Around him are clustered groups of children absorbed in watching him drawing. A single figure of a boy, standing slightly apart at the right, gazes out at the viewer.

1834-1903

19th century

1858

1954/1.333

etching and drypoint on on blue laid paper

rank 25.33719

Full Record: x-1954-sl-1.334/1954_1.334.JPG

The Music Room

James McNeill Whistler

Three figures, two men and a woman, are seen seated around a round table with a lamp; all are engaged in reading in the pool of light provided by the lamp. The rest of the interior is fairly dark, particularly in the portion of the room behind the lamp. The man at the back of the table is shown roughly face-on; the man to the left is leaning back with his legs stretched out in front of him; the woman is closest to the viewer, shown in profile, holding her book fairly closer to her face.

1834-1903

19th century

1858

1954/1.334

etching and drypoint, printed in black ink on wove paper

rank 25.33719

Full Record: x-1954-sl-1.335/1954_1.335.JPG

Thames Warehouses, One of the 'Sixteen Etchings,' or the 'Thames Set'

James McNeill Whistler

A horizontal view of a riverside congested with buildings and shipping on both sides. The river recedes to the center right; at the far distance is the billowing smoke of a steam tug and the dome of a distant church. In the foreground are low barges with figures standing or working. Along the lefthand bank are warehouses and other buildings, many with signs indicating that the proprietor makes sails, rope, etc.

1834-1903

19th century

1859

1954/1.335

etching on laid paper

rank 25.33719

Full Record: x-1954-sl-1.336/1954_1.336.JPG

Eagle Wharf (Tyzac, Whiteley & Co.), One of the 'Sixteen Etchings,' or the 'Tham

James McNeill Whistler

This plate shows a view of docks, businesses that serve shipping, and numerous ships, some pulled up in dry dock. In the foreground a low boat (a barge or lighter) angles into the space, on which a man in a cap is seated, hands on his knees, looking at the viewer.

1834-1903

19th century

1859

1954/1.336

etching on laid tissue

rank 25.33719

Full Record: x-1954-sl-1.337/1954_1.337.JPG

The Pool, One of the 'Sixteen Etchings,' or the 'Thames Set'

James McNeill Whistler

A man in a cap sits in a rowboat in the foreground, his chin on his hand looking at the viewer. A number of other boats, all unoccupied, create a barrier between the man and the open expanse of the river that curves towards the left in the distance. The water's edge is congested with wooden buildings and ships, some in dry dock.

1834-1903

19th century

1859

1954/1.337

etching, printed in dark brown ink on laid Japan tissue

rank 25.33719

Full Record: x-1954-sl-1.338/1954_1.338.JPG

Longshoremen

James McNeill Whistler

Groups of figures, mostly men, are seated in an interior gathered around tables. In most cases they lean against the tables, principally the table at the back of the room that is parallel to the picture plane, looking away from the viewer. The exception is the man at the center of the composition who is leaning on the table wearing a cap and coat who looks at the viewer as he raises his right hand towards his face. At the right are seated a woman and baby,

1834-1903

19th century

1859

1954/1.338

etching, printed in black ink on laid Japan paper

rank 25.33719

Full Record: x-1954-sl-1.339.1/1954_1.339.1.JPG

Billingsgate

James McNeill Whistler

A group of figures stand on the bow of a boat at the left. Behind and to the left are buildings and steps leading up to a quay with people gathered along the railings. Behind the figures and to the right are the numerous masts of ships lined side by side, all containing figures while in the distance beyond are the arches of a bridge.

1834-1903

19th century

1859

1954/1.339.1

etching, printed in black ink on laid Japan paper

rank 25.33719

Full Record: x-1954-sl-1.339.2/1954_1.339.2.JPG

Billingsgate

James McNeill Whistler

A group of figures stand on the bow of a boat at the left. Behind and to the left are buildings and steps leading up to a quay with people gathered along the railings. Behind the figures and to the right are the numerous masts of ships lined side by side, all containing figures while in the distance beyond are the arches of a bridge.

1834-1903

19th century

1859

1954/1.339.2

etching, printed in black ink on laid Japan paper

rank 25.33719

Full Record: x-1954-sl-1.339.3a-amp-amp-sem-b/1954_1.339.3AB.JPG

Page of text related to Billingsgate

James McNeill Whistler

1834-1903

19th century

1859

1954/1.339.3A&B

etching, printed in black ink on laid Japan paper

rank 25.33719

Full Record: x-1954-sl-1.340/1954_1.340.JPG

Becquet, one of the "Sixteen Etchings," or the "Thames Set"

James McNeill Whistler

A man with and a moustache and scraggly hair visible under a cap sits facing the viewer, a cello cradled between his arms. The lower portion of both the figure and the musical instrument are only summarily indicated; the background consists of passages of rapidly drawn parallel lines.

1834-1903

19th century

1859

1954/1.340

etching and drypoint on laid paper

rank 25.33719

Whistler with a hat

James McNeill Whistler

A man with curly hair and a moustache is shown looking at the viewer. He is wearing a dark, broad-brimmed hat at a slight angle, a ribbon hanging over the brim on the right side. His hands are barely indicated, but he is holding paper in his left hand and writing or drawing with his right hand.

1834-1903

19th century

1859

1954/1.341

drypoint, printed in black ink on laid paper

rank 25.33719

Full Record: x-1954-sl-1.342/1954_1.342.JPG

Finette

James McNeill Whistler

A woman in a dark dress stands in an interior beside a window at left. Her left hand hangs at her side while her right hand, positioned in front of her waist, holds a cigar or cigarette. She wears a dark hat and has long curling hair; her head is inclined at an angle to the right.

1834-1903

19th century

1859

1954/1.342

etching and drypoint, printed in black ink on laid Japan tissue

rank 25.33719

Full Record: x-1954-sl-1.343/1954_1.343.JPG

Arthur Haden

James McNeill Whistler

A young boy sits sideways on a chair and looks at the viewer. The chair faces the viewer; the boy sits facing to the right, his left leg crossed over the right. He his left hand is on the back of the chair, and his right hand holds his left foot. He has thick waving hair and is dressed in a short black velvet coat and striped pants. Behind him is a curtain and on the floor at lower right is a dark straw hat.

1834-1903

19th century

1859

1954/1.343

drypoint on paper

rank 25.33719

Full Record: x-1954-sl-1.344/1954_1.344.JPG

Annie Haden

James McNeill Whistler

A girl with long loose hair stands on a carpet in front of drapery. She is wearing a straw hat and cape over her dress; she is wearing flat shoes with rosetts on the top. She stands facing slightly to the left, although her eyes look at the viewer. Her left hand is not visible and her right hand holds the edge of her cape.

1834-1903

19th century

1860

1954/1.344

drypoint, printed in black ink on laid paper

rank 25.33719

Full Record: x-1954-sl-1.345/1954_1.345.JPG

Rotherhithe, one of the "Sixteen Etchings," or the "Thames Set"

James McNeill Whistler

Two men smoking long-stem pipes are seen sitting on a balcony. Behind them are visible the masts of ships along the bank, and further behind them in the distance a river sweeps towards the left. Buildings crowd the shore and boats are shown moored or in the river.

1834-1903

19th century

1860

1954/1.345

etching and drypoint on laid Japan tissue

rank 25.33719

Full Record: x-1954-sl-1.346/1954_1.346.JPG

Rotherhithe, one of the "Sixteen Etchings," or the "Thames Set"

James McNeill Whistler

Two men smoking long-stem pipes are seen sitting on a balcony. Behind them are visible the masts of ships along the bank, and further behind them in the distance a river sweeps towards the left. Buildings crowd the shore and boats are shown moored or in the river.

1834-1903

19th century

1860

1954/1.346

etching and drypoint on paper

rank 25.33719

Full Record: x-1954-sl-1.347/1954_1.347.JPG

The Forge, One of the 'Sixteen Etchings,' or the 'Thames Set'

James McNeill Whistler

Within a dark interior, a man in hat and wearing an apron stands at the left side of the image, facing a furnace. He holds the long handle of a tool into the furnace, holding his left hand on his hip. Behind him, to the right, are two youthful assistants wearing dark broad-brimmed hats, one leaning on an anvil. Further to the right are a seated woman and small child and at the far right is a man in a hat going down a flight of stairs. A second woman is visible in the background between the smith and the furnace, she is looking at the smith with hands raised. The interior shows evidence of the smith's work with tools hanging on the wall and a shovel next to one of the assistants.

1834-1903

19th century

1861

1954/1.347

drypoint on laid Japan tissue

rank 25.33719

Full Record: x-1954-sl-1.348/1954_1.348.JPG

Jo's Bent Head

James McNeill Whistler

A young woman is seen sitting in profile. She faces to the right, her head bent downward, her waving hair framing her face and falling down her back. Only the face and hair are drawn fully, the rest of the woman's body is quickly drawn in a few lines.

1834-1903

19th century

1861

1954/1.348

drypoint on laid paper

rank 25.33719

Full Record: x-1954-sl-1.349/1954_1.349.JPG

Jo's Bent Head

James McNeill Whistler

A young woman is seen sitting in profile. She faces to the right, her head bent downward, her waving hair framing her face and falling down her back. Only the face and hair are drawn fully, the rest of the woman's body is quickly drawn in a few lines.

1834-1903

19th century

1861

1954/1.349

drypoint, printed in dark brown ink on laid paper

rank 25.33719

Full Record: x-1954-sl-1.350/1954_1.350.JPG

Jo's Bent Head

James McNeill Whistler

A young woman is seen sitting in profile. She faces to the right, her head bent downward, her waving hair framing her face and falling down her back. Only the face and hair are drawn fully, the rest of the woman's body is quickly drawn in a few lines.

1834-1903

19th century

1861

1954/1.350

drypoint, printed in dark brown ink on laid paper

rank 25.33719

Full Record: x-1954-sl-1.351/1954_1.351.JPG

The Storm

James McNeill Whistler

A stormy and blustery landscape dominates the scene; at the lower left corner, a man with a moustache leans into the wind, clutching his coat in front of him with his right hand and holding his hat in place with his left hand. The landscape is flat and largely open; small groups of trees are visible in the distance and dark lines in the sky represent clouds and squall lines. In the center of the image are faint diagonal lines "cancelling" the plate.

1834-1903

19th century

1861

1954/1.351

drypoint, printed in black ink on laid paper

rank 25.33719

Full Record: x-1954-sl-1.352/1954_1.352.JPG

Amsterdam, from the Tolhuis

James McNeill Whistler

Several ships are seen at the near right side. In the distance is a city with many tall masted ships along the edge of the water; above are the lines of blustery clouds.

1834-1903

19th century

1863

1954/1.352

etching, printed in black ink on laid paper

rank 25.33719

Full Record: x-1954-sl-1.353/1954_1.353.JPG

Weary

James McNeill Whistler

A woman, leaning back in a curved armchair, sits at an angle to the viewer. Her face is presented in nearly strict profile, looking to the right; her long, waving hair cascades around her, framing her face. Her right arm is in her lap and her skirt is only lightly sketched in. At the lower left corner, another sketch of a woman's head (seen upside down) is visible.

1834-1903

19th century

1863

1954/1.353

drypoint and roulette, printed in warm black ink on laid Japan tissue, tipped down

rank 25.33719

Full Record: x-1954-sl-1.354/1954_1.354.JPG

Speke Hall: The Avenue

James McNeill Whistler

A woman in a long dress and hat stands in the foreground of a wintery landscape. She stands in the tree-lined approach to a grand house with numerous gabes and elaborate geometric half-timbered designs on the facade. The scene is viewed from an elevated vantagepoint, thus looking down on the woman, who is seen in profile facing to the left and looking down.

1834-1903

19th century

1870

1954/1.354

etching and drypoint, printed in black ink on old laid paper

rank 25.33719

Full Record: x-1954-sl-1.355/1954_1.355.JPG

Fanny Leyland

James McNeill Whistler

An adolescent girl sits in a chair facing to the left, her hands resting in her lap. Her hair is loose around her shoulders and pulled back from her face. Her skirt consists of tiers of ruffles or other fabic. She has a pensive expression and her face is seen in profile.

1834-1903

19th century

1874

1954/1.355

drypoint on laid paper

rank 25.33719

Full Record: x-1954-sl-1.356/1954_1.356.JPG

Florence Leyland

James McNeill Whistler

An adolescent girl stand facing the viewer; her left leg is behind her and she holds a hoop in her right hand, her right leg steps through the hoop. Her long hair falls to her shoulders and she has bangs. To the right are the words, "I am Flo".

1834-1903

19th century

circa 1873

1954/1.356

drypoint, printed in dark brown ink on laid paper

rank 25.33719

Full Record: x-1954-sl-1.357/1954_1.357.JPG

Agnes

James McNeill Whistler

A woman sits facing the viewer, looking slightly to the right. Her hands are in her lap and she is holding a piece of fabric. The background is undescribed and her skirt is loosely drawn.

1834-1903

19th century

circa 1873-1875

1954/1.357

drypoint, printed in warm black ink on laid Japan tissue

rank 25.33719

Full Record: x-1954-sl-1.358/1954_1.358.JPG

The Boy

James McNeill Whistler

A boy with long hair sits on a low ledge or rail, facing to the left but looking at the viewer. The figure is lit from the left and behind the figure to the right is deep shadow.

1834-1903

19th century

1875-1876

1954/1.358

drypoint, printed in black ink on laid paper

rank 25.33719