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Results for 18th%20century
Check for portfolio Record Title Artist Physical Description Artist Life Dates Century Object Creation Date Accession Number Medium and Support
Full Record: x-1948-sl-1.155/1948_1.155.JPG

Young Girl Crossing a Bridge on a Windy Day; Calendar Print: Parody of "Crossing at the Sano Ford" (Hashi wo wataru musume: Egoyomi, Mitate Sano no watari)

Suzuki Harunobu

1725-1770

18th century

1765

1948/1.155

color woodblock print (nishiki e) on paper, medium-size (chûban)

rank 2.65135

Full Record: x-1948-sl-1.156/1948_1.156.JPG

Autumn Wind, from the Furyu rokkasen (The Six Elegant Poets) series

Suzuki Harunobu

A young woman hurries across a bridge, using one of her sleeves to shield her head from the strong wind. Plants around her bend in the force of the wind, and tree branches lose their leaves. An Uta poem by Bunya-no-Yasuhide graces the top register.

1725-1770

18th century

circa 1768

1948/1.156

chûban (medium size) nishiki-e (full-color woodblock print) on paper

rank 2.65135

Full Record: x-1960-sl-1.139/1960_1.139.JPG

Komuso (Strolling Flute Player)

Suzuki Harunobu

1725-1770

18th century

circa 1745-1770

1960/1.139

color woodblock print on paper, hashira-e size

rank 2.65135

Full Record: x-1948-sl-1.158/1948_1.158.JPG

Young Woman Lacing a Hawking Gauntlet

Suzuki Harunobu

1725-1770

18th century

1765-1770

1948/1.158

Pillar-format full color woodblock print (hashira e nishiki e)

rank 2.65135

Full Record: x-1978-sl-2.2/1978_2_2_VIEW1.JPG

Tsuba (sword guard) with inlaid design of samurai on horseback at the shore

Harunori

This small, flat metal piece has a quartrefoil shape. Three holes in the middle. Some chips can be seen around the center hole, which mended with silver and copper. A samurai on horseback is charging into the sea from steep hill; he is wearing a helmet, armor, and sword, and holding a fan. A pine tree is standing on the samurai’s right side; there are rocks and bamboo grass by the ocean. The motifs of the ocean, pine tree, bamboo grass and rocks also appear on the reverse side. Gold and some silver and copper inlays are applied on pine branches, samurai's helmet, horse's mane and bridle, bamboo grass on the shore, and spray from waves.

18th century

18th century

1978/2.2

iron with gold, silver, and copper inlays

rank 2.65135

Full Record: x-1948-sl-1.199/1948_1.199.JPG

A Young Woman Teaching a Boy to Read

Hasegawa Mitsunobu

(active 1724 - 1758)

18th century

1720-1740

1948/1.199

monochrome woodblock print on paper

rank 2.65135

Full Record: x-1960-sl-1.160/1960_1.160.JPG

Three Sisters Play at Origami

Hasegawa Mitsunobu

(active 1724 - 1758)

18th century

1730s - early 1740s

1960/1.160

monochrome woodblock print (sumizuri e) on paper, from an illustrated book (ehon

rank 2.65135

Full Record: x-1895.39/1895.39.JPG

General Lafayette and Madame Roland Drawing a Plan for the Festival of the French Federation in 1791

Jean-Jacques Hauer

1751-1829

18th century

1791

1895.39

oil on canvas

rank 2.65135

Full Record: x-1951-sl-2.35/1951_2.35.JPG

The Cistercian Abbey at Roche, Yorkshire

Thomas Hearne

1744-1817

18th century

1777

1951/2.35

India ink with watercolor tint

rank 2.65135

Full Record: x-1968-sl-1.65/1968_1.65.JPG

Hot cake server, heart-shaped blade

Robert Hennell

1794-1868

18th century

probably 1792-1793

1968/1.65

silver with bone handle

rank 2.65135

Full Record: x-1966-sl-2.25/1966_2.25.JPG

Blue-and-white brush holder with human figures and pine tree

Artist Unknown Hirado ware, Japan

A hexagonal container of white porcelain. Each of six rectangular panels has delicate rendering of figures or plants with blue underglaze. On one panel there is a male figure dancing and playing a drum. On another panel, dancing male figure appears as well. Next to the drumming figure, a pine tree is drawn.

18th century

18th century

1966/2.25

porcelain with blue underglaze painting

rank 2.65135

Full Record: x-1971-sl-2.61/1971_2.61.JPG

Analysis of Beauty

William Hogarth

1697-1764

18th century

1753

1971/2.61

engraving on paper

rank 2.65135

Full Record: x-1962-sl-1.108/1962_1.108.JPG

A Rake's Progress. Plate II (His Levee)

William Hogarth

1697-1764

18th century

1735

1962/1.108

etching and engraving on paper

rank 2.65135

Full Record: x-1962-sl-1.109/1962_1.109.JPG

A Rake's Progress. Plate III (He revels)

William Hogarth

1697-1764

18th century

1735

1962/1.109

etching and engraving on paper

rank 2.65135

Full Record: x-1962-sl-1.110/1962_1.110.JPG

A Rake's Progress. Plate IV (Goes to Court)

William Hogarth

1697-1764

18th century

1735

1962/1.110

etching and engraving on paper

rank 2.65135

Full Record: x-1962-sl-1.112/1962_1.112.JPG

A Rake's Progress. Plate VI (He Gambles)

William Hogarth

1697-1764

18th century

1735

1962/1.112

etching and engraving on paper

rank 2.65135

Full Record: x-1962-sl-1.113/1962_1.113.JPG

A Rake's Progress. Plate VII (In the Fleet Prison)

William Hogarth

1697-1764

18th century

1735

1962/1.113

etching and engraving on paper

rank 2.65135

Full Record: x-1971-sl-2.56/1971_2.56.JPG

The Four Times of Day: Morning

William Hogarth

This print is vertically oriented with gray markings. A cream border surrounds it and it has “MORNING” written below it. The lower half of the print has a busy square. There is a pyramid of people to the right, with lovers, beggars, and a woman warming her hands over a fire. The left has a woman in a gown and a small boy behind her. Beyond them in the distance is a large mass of people carrying posters. The upper half shows the tops of the buildings that line the square. The rooftops has a dusting of snow, and the clouds are dark as if it were an early winter morning.

1697-1764

18th century

1738

1971/2.56

etching and engraving on laid paper

rank 2.65135

Full Record: x-1971-sl-2.57/1971_2.57.JPG

The Four Times of Day: Noon

William Hogarth

This print is vertically oriented with gray markings. A cream border surrounds it and it has “NOON” written below it. The lower half of the print has a busy street scene with lots of adults and children in 18th century garb. The upper half shows the top of the buildings that line the street, including a shop, a brick building, and a church steeple in the distance.

1697-1764

18th century

1738

1971/2.57

etching and engraving on laid paper

rank 2.65135

Full Record: x-1971-sl-2.58/1971_2.58.JPG

The Four Times of Day: Evening

William Hogarth

This print is vertically oriented with gray markings. A cream border surrounds it and it has “EVENING” written below it. The lower half of the print has a pastoral scene with several adults and children by a stream at the bottom of the print. Behind them, someone milks a cow. The upper half shows the tops of buildings and rolling hills. A sunset is taking place with dramatic clouds.

1697-1764

18th century

1738

1971/2.58

etching and engraving on laid paper

rank 2.65135

Full Record: x-1971-sl-2.59/1971_2.59.JPG

The Four Times of Day: Evening

William Hogarth

This print is vertically oriented with gray markings. A cream border surrounds it and it has “NIGHT” written below it. The lower half of the print has a busy street scene with lots of people taking parts of several stories (e.g. someone empting a chamber pot on people on the street, a tipped over carriage that is being set on fire, a quack doctor performing an operation in a candlelit room). The upper half of the print shows the tops of the buildings that line the street, iron-wrought shop signs, a statue of a man on horseback in the distance, and a crescent moon in a cloudy sky.

1697-1764

18th century

1738

1971/2.59

etching and engraving on laid paper

rank 2.65135

Full Record: x-1971-sl-2.60/1971_2.60.JPG

Mr. Garrick in the Character of Richard III, 1764

William Hogarth

A figure in elaborate costume with a fur-lined cloak, ruff collar, and medal leans on a bed or couch, a sword in his left hand and right raised with palm outstretched. He faces the viewer but does not look at the viewer. Overturned at his feet is a suit of armor. He is placed within a military tent and to the left is a distant landscape with other tents and figures gathered around a fire, suggesting this is a nocturnal scene.

1697-1764

18th century

1746

1971/2.60

etching and engraving with stipple on paper

rank 2.65135

Full Record: x-1971-sl-2.62/1971_2.62.JPG

Analysis of Beauty

William Hogarth

1697-1764

18th century

1753

1971/2.62

engraving on paper

rank 2.65135

Full Record: x-1962-sl-1.107/1962_1.107.JPG

A Rake's Progress. Plate I (He takes possession)

William Hogarth

1697-1764

18th century

1735

1962/1.107

etching and engraving on paper

rank 2.65135

Full Record: x-1962-sl-1.111/1962_1.111.JPG

A Rake's Progress. Plate V (He Marries)

William Hogarth

1697-1764

18th century

1735

1962/1.111

etching and engraving on paper

rank 2.65135

Full Record: x-1962-sl-1.114/1962_1.114.JPG

A Rake's Progress. Plate VIII (In Bedlam)

William Hogarth

1697-1764

18th century

1735

1962/1.114

etching and engraving on paper

rank 2.65135

Full Record: x-1948-sl-1.190/1948_1.190.JPG

Genji and the Young Damsels (Right-hand sheet of a triptych), from the series of "Popular Stories of Prince Genji" (Furyu Yatsushi Genji): Wakana no jô (chapter 34)

Hosoda Eishi

1756 - 1829

18th century

late 18th century

1948/1.190

color woodblock print on paper, one of triptych

rank 2.65135

Full Record: x-1948-sl-1.191/1948_1.191.JPG

Genji and the Young Damsels (Middle sheet of a triptych), from the series of "Popular Stories of Prince Genji" (Furyu Yatsushi Genji): Wakana no jô (chapter 34)

Hosoda Eishi

1756 - 1829

18th century

late 18th century

1948/1.191

color woodblock print on paper, one of triptych

rank 2.65135

Full Record: x-1948-sl-1.192/1948_1.192.JPG

Genji and the Young Damsels, Left-hand sheet of a triptych (Waka-na), rom the series of "Popular Stories of Prince Genji" (Furyu Yatsushi Genji): Wakana no jô (chapter 34)

Hosoda Eishi

1756 - 1829

18th century

late 18th century

1948/1.192

color woodblock print on paper, one of triptych

rank 2.65135

Full Record: x-1948-sl-1.189/1948_1.189.JPG

Seven Gods, with a Scroll on Which Appear the Two Characters, Good Luck and Long Life

Hosoda Eishi

1756 - 1829

18th century

late 18th century

1948/1.189

color woodblock print on paper

rank 2.65135

Full Record: x-1972-sl-2.111/1972_2.111.JPG

Treasure Boat

Hosoda Eishi

1756 - 1829

18th century

late 18th century

1972/2.111

color woodblock print on paper, triptych

rank 2.65135

Full Record: x-1948-sl-1.188/1948_1.188.JPG

Beauties ina Treasure Boat (Bijin takarabune) [Left-hand Sheet of a triptych]

Hosoda Eishi

1756 - 1829

18th century

late 18th century

1948/1.188

woodblock print on paper, one of triptych

rank 2.65135

Full Record: x-1972-sl-2.112/1972_2.112.JPG

'giya mise ryaku: Three Courtesans of the 'giya

Hosoda Eishô

(active 1780 - 1800)

18th century

circa 1796-1798

1972/2.112

color woodblock print on paper

rank 2.65135

Full Record: x-1948-sl-1.193/1948_1.193.JPG

Hana-ogi of Ogiya Going into the Country

Hosoda Eishô

(active 1780 - 1800)

18th century

late 18th century

1948/1.193

color woodblock print on paper

rank 2.65135

Full Record: x-1960-sl-1.137/1960_1.137.JPG

Comparison of Beauties in the Theatrical Mirror: Okoma Arranging Her Lover Saizaburô’s Hair

Hosoda Eisui

act. 1790-1823

18th century

circa 1799-1800

1960/1.137

large full-color woodblock print (nishiki e) on paper, large-size (ôban)

rank 2.65135

Full Record: x-1930.14/1930.14.JPG

Portrait of Francis Russel, the 2nd Earl of Bedford

Jacobus Houbraken

1698-1780

18th century

1740

1930.14

engraving on paper

rank 2.65135

Full Record: x-1983-sl-2.155/1983_2.155.JPG

Figures from Chinese History: Liu Kuan

Huang Shen

1687-1766

18th century

1687-1766

1983/2.155

album leaf, ink and color on paper

rank 2.65135

Full Record: x-1983-sl-2.156/1983_2.156.JPG

Figures from Chinese History: Yan Guang

Huang Shen

1687-1766

18th century

1687-1766

1983/2.156

ablum leaf, ink and color on paper

rank 2.65135

Full Record: x-1983-sl-2.157/1983_2.157.JPG

Figures from Chinese History: The Taoist Luo Gongyuan

Huang Shen

Paper mounted on aqua silk. There are three figures present in the image. The focal point is a cart full of fruit. There is calligraphy on the upper left hand side of the image, complete with two red seals. There is a Christies sticker on the bottom left corner of the mounting.

1687-1766

18th century

1687-1766

1983/2.157

album leaf, ink and color on paper

rank 2.65135

Full Record: x-1983-sl-2.158/1983_2.158.JPG

Figures from Chinese History: Zhang Tianqi Calling in the Cranes

Huang Shen

Paper mounted on aqua silk. There are two figures present, and a large crane (bird). The central figure, Zhang Tiangi, has his arms uplifted, while a less important figure is depicted with his back to the viewer and is slightly hunched over. There is a crane with a red crown behind these two figures. The colors are muted. There is calligraphy in the upper left hand corner of the painting, complete with two red seals.

1687-1766

18th century

1687-1766

1983/2.158

album leaf, ink and color on paper

rank 2.65135

Full Record: x-1963-sl-2.29/1963_2.29.JPG

Design for a Clock Case

Laurent Hubert

Active from 1749--died 1776 or 1786

18th century

circa 1765

1963/2.29

black chalk on paper

rank 2.65135

Full Record: x-1963-sl-2.5/1963_2.5.JPG

Design for a Surtout de Table

Laurent Hubert

Active from 1749--died 1776 or 1786

18th century

circa 1749-1776

1963/2.5

black chalk, heightened with white on cream-colored paper

rank 2.65135

Full Record: x-1959-sl-2.63/1959_2.63.JPG

Trophy with Attributes of the Hunt

Christophe Huet

1695-1759

18th century

18th century

1959/2.63

chalk on paper

rank 2.65135

Full Record: x-1959-sl-2.80/1959_2.80.JPG

Trophy with Musical Instruments

Christophe Huet

1695-1759

18th century

1695-1759

1959/2.80

black chalk on cream laid paper

rank 2.65135

Full Record: x-1972-sl-2.332a/1972_2_332A.JPG

Les Plasirs des Quatre Saison

Jean-Baptiste Huet

1745-1811

18th century

1785

1972/2.332A

silk?

rank 2.65135

Full Record: x-1972-sl-2.336/1972_2.336.JPG

La Fête de la Federation

Jean-Baptiste Huet

1745-1811

18th century

1791

1972/2.336

silk

rank 2.65135

Full Record: x-1958-sl-2.56/1958_2.56.JPG

A Pair of Nesting Doves

Jean-Baptiste Huet

1745-1811

18th century

1772

1958/2.56

ink with watercolor

rank 2.65135

Full Record: x-1966-sl-2.19/1966_2.19.JPG

At the Cloth Merchant's

Jean-Baptiste Huet

1745-1811

18th century

1772

1966/2.19

pen and wash

rank 2.65135

Full Record: x-1972-sl-2.332b/1972_2_332B.JPG

Les Plasirs des Quatre Saison

Jean-Baptiste Huet

1745-1811

18th century

1785

1972/2.332B

silk?

rank 2.65135

Full Record: x-2013-sl-2.575/2013_2.575.JPG

Capriccio with Roman Ruins, one of two "Monuments antiques"

Jacques-Gabriel Huquier

An outdoor scene with classical ruins, people and broken sculptures of people.There are large intact columns on the left side.

(1695 - 1772)

18th century

2013/2.575

etching on heavy laid paper

rank 2.65135