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Results for United%20Kingdom%20%28nation%29
Check for portfolio Record Title Artist Physical Description Artist Life Dates Century Object Creation Date Accession Number Medium and Support Creation Place 2
Full Record: x-1949-sl-2.95/1949_2.95.JPG

The Travelers Rest

John Ewbank

1799-1847

19th century

1835-1836

1949/2.95

graphite on cream-colored paper

rank 10.62243

United Kingdom (nation)

Full Record: x-1949-sl-2.96/1949_2.96.JPG

Donne Castle, on the Forth

John Ewbank

1799-1847

19th century

1835-1836

1949/2.96

graphite on cream-colored paper

rank 10.62243

United Kingdom (nation)

Full Record: x-1949-sl-2.97/1949_2.97.JPG

Mount Etna

John Ewbank

1799-1847

19th century

1835-1836

1949/2.97

graphite on cream-colored paper

rank 10.62243

United Kingdom (nation)

Full Record: x-1955-sl-1.103/1955_1.103.JPG

Landscape

Thomas Gainsborough

1717-1788

18th century

circa 1780

1955/1.103

graphite on white paper

rank 10.62243

United Kingdom (nation)

Full Record: x-1957-sl-2.36/1957_2.36.JPG

'Le Boulvé Suite' or 'Les Heures du Boulvé'. Children and Wheelbarrow.

Anthony Gross

Born 1905

20th century

1955

1957/2.36

etching on paper

rank 10.62243

United Kingdom (nation)

Full Record: x-1960-sl-2.72/1960_2.72.JPG

Valley No. 2

Anthony Gross

Born 1905

20th century

1905-1960

1960/2.72

etching on paper

rank 10.62243

United Kingdom (nation)

Full Record: x-1955-sl-1.114/1955_1.114.JPG

A Sunset in Ireland

Sir Francis Seymour Haden

A river starts at the bottom of the composition, taking up the foreground, and then winds back into the middle of the composition. A tree on the left bank of the river hangs down over the edge, its leaves almost touching the water. Reflections of the trees and banks can be seen along the edges of the river. In the background is a more heavily wooded area, and some birds can be seen in the sky. One bird is located in the middle of the sky, while a cluster of faintly depicted birds can be seen on the right. The edges of the composition mostly fade into simple hatching and line work, especially along the banks of the river in the bottom corners of the page, and where the trees meet the edges of the page on the left and right.

1818-1910

19th century

1863

1955/1.114

drypoint on paper

rank 10.62243

United Kingdom (nation)

Full Record: x-1967-sl-2.40/1967_2.40.JPG

Plate

Samuel Haile

1909-1948

20th century

1909-1948

1967/2.40

earthenware with underglaze, tanilen and sgraffito figure design

rank 10.62243

United Kingdom (nation)

Full Record: x-1977-sl-2.32/1977_2.32.JPG

Oculist Witnesses

Richard Hamilton

screened print on glass colored with mirror silver and laminated, freestanding

1922-2011

20th century

1968

1977/2.32

mirror silver in laminated glass on aluminum base

rank 10.62243

United Kingdom (nation)

Full Record: x-1954-sl-1.286/1954_1.286.JPG

The Incoming Tide

Martin Hardie

1875-1952

20th century

1923

1954/1.286

drypoint on paper

rank 10.62243

United Kingdom (nation)

Full Record: x-1954-sl-1.287/1954_1.287.JPG

The Incoming Tide

Martin Hardie

1875-1952

20th century

1923

1954/1.287

drypoint on paper

rank 10.62243

United Kingdom (nation)

St. Michael Vanquishing Satan

H. J. Hatfield

active 1840s

19th century

1884

1986/2.84

bronze

rank 10.62243

United Kingdom (nation)

Full Record: x-1968-sl-1.62/1968_1.62.JPG

Fork, from a two-piece fish server

Hatton Works (Wilson and Davis)

Five-tined engraved silver fork with ivory handle

active 1870-1883

20th century

1853-1854

1968/1.62

silver with ivory handle

rank 10.62243

United Kingdom (nation)

Full Record: x-1968-sl-1.63/1968_1.63.JPG

Knife, from a two-piece fish server

Hatton Works (Wilson and Davis)

Knife engraved with leaf pattern and ivory handle

active 1870-1883

20th century

1853-1854

1968/1.63

silver with ivory handle

rank 10.62243

United Kingdom (nation)

Full Record: x-1967-sl-1.43/1967_1.43.JPG

Sphere with Colour (Grey and White)

Barbara Hepworth

Oval-shaped piece of veined, green Swedish marble standing on one of its narrow ends. Three holes of different sizes penetrate into the object's center. The holes are painted respectively in a semi-gloss black and matte white.

1903 - 1975

20th century

1965

1967/1.43

Swedish green marble and paint on wood base

rank 10.62243

United Kingdom (nation)

Full Record: x-1971-sl-2.56/1971_2.56.JPG

The Four Times of Day: Morning

William Hogarth

This print is vertically oriented with gray markings. A cream border surrounds it and it has “MORNING” written below it. The lower half of the print has a busy square. There is a pyramid of people to the right, with lovers, beggars, and a woman warming her hands over a fire. The left has a woman in a gown and a small boy behind her. Beyond them in the distance is a large mass of people carrying posters. The upper half shows the tops of the buildings that line the square. The rooftops has a dusting of snow, and the clouds are dark as if it were an early winter morning.

1697-1764

18th century

1738

1971/2.56

etching and engraving on laid paper

rank 10.62243

United Kingdom (nation)

Full Record: x-1971-sl-2.57/1971_2.57.JPG

The Four Times of Day: Noon

William Hogarth

This print is vertically oriented with gray markings. A cream border surrounds it and it has “NOON” written below it. The lower half of the print has a busy street scene with lots of adults and children in 18th century garb. The upper half shows the top of the buildings that line the street, including a shop, a brick building, and a church steeple in the distance.

1697-1764

18th century

1738

1971/2.57

etching and engraving on laid paper

rank 10.62243

United Kingdom (nation)

Full Record: x-1971-sl-2.58/1971_2.58.JPG

The Four Times of Day: Evening

William Hogarth

This print is vertically oriented with gray markings. A cream border surrounds it and it has “EVENING” written below it. The lower half of the print has a pastoral scene with several adults and children by a stream at the bottom of the print. Behind them, someone milks a cow. The upper half shows the tops of buildings and rolling hills. A sunset is taking place with dramatic clouds.

1697-1764

18th century

1738

1971/2.58

etching and engraving on laid paper

rank 10.62243

United Kingdom (nation)

Full Record: x-1971-sl-2.59/1971_2.59.JPG

The Four Times of Day: Evening

William Hogarth

This print is vertically oriented with gray markings. A cream border surrounds it and it has “NIGHT” written below it. The lower half of the print has a busy street scene with lots of people taking parts of several stories (e.g. someone empting a chamber pot on people on the street, a tipped over carriage that is being set on fire, a quack doctor performing an operation in a candlelit room). The upper half of the print shows the tops of the buildings that line the street, iron-wrought shop signs, a statue of a man on horseback in the distance, and a crescent moon in a cloudy sky.

1697-1764

18th century

1738

1971/2.59

etching and engraving on laid paper

rank 10.62243

United Kingdom (nation)

Full Record: x-1962-sl-1.107/1962_1.107.JPG

A Rake's Progress. Plate I (He takes possession)

William Hogarth

1697-1764

18th century

1735

1962/1.107

etching and engraving on paper

rank 10.62243

United Kingdom (nation)

Full Record: x-1962-sl-1.111/1962_1.111.JPG

A Rake's Progress. Plate V (He Marries)

William Hogarth

1697-1764

18th century

1735

1962/1.111

etching and engraving on paper

rank 10.62243

United Kingdom (nation)

Full Record: x-1962-sl-1.114/1962_1.114.JPG

A Rake's Progress. Plate VIII (In Bedlam)

William Hogarth

1697-1764

18th century

1735

1962/1.114

etching and engraving on paper

rank 10.62243

United Kingdom (nation)

Full Record: x-1978-sl-2.21/1978_2.21.JPG

The Digby Children

John Hoppner

1758-1810

18th-19th century

circa 1778-1810

1978/2.21

oil on canvas

rank 10.62243

United Kingdom (nation)

Full Record: x-2007-sl-2.1/2007_2_1.JPG

Portrait of Sir Foster Cunilffe, 3rd Bt. of Acton Park, Wrexham, Denbingshire (1755-1834)

John Hoppner

Full-length portrait of a standing male in a lanscape setting. To the left of the composition stands a pair of birches near the figure; to the right the landscape opens up to a distant expanse of trees and hills. The man, Sir Foster Cunliiffe, stands facing to the right and looking out of the canvas to the left. He holds a bow and quiver of arrows; a black hat with feather lies on the ground at his feet. He is dressed in tan pants and waistcoat with a green frock coat and black boots.

1758 - 1810

1787-1834

2007/2.1

oil on canvas

rank 10.62243

United Kingdom (nation)

Full Record: x-1950-sl-2.17/1950_2.17.JPG

Bottle

Bernard Leach

1887-1979

20th century

early 20th century

1950/2.17

stoneware with celadon glaze and sgrafitto

rank 10.62243

United Kingdom (nation)

Full Record: x-1981-sl-2.131/1981_2.131.JPG

Study for 'The Dance'

Frederic Leighton

Black chalk drawing with white highlights on a brown colored background. Four female figures, dressed in classical style drapery, standing in various poses playing a tamborine. One (small) with arms down at her side; one (medium) in profile, with arms outstretched; and two large figures, facing front, showing the motions of hitting the tamborine.

1830-1896

19th century

circa 1883

1981/2.131

black and white chalk on brown wove paper

rank 10.62243

United Kingdom (nation)

Full Record: x-1962-sl-1.118/1962_1.118.JPG

Cephalus and Procris

John Martin

1789-1854

19th century

1821

1962/1.118

watercolor on cream paper

rank 10.62243

United Kingdom (nation)

Full Record: x-1962-sl-1.117/1962_1.117.JPG

The Destruction of Sodom

John Martin

This is a brown ink and wash drawing on a light background that depicts an expansive landscape with three figures in a row in the center area. The foreground shows a rocky, mountainous area with the figures standing on a ledge and square-shaped buildings, or walls, on a rise to the right. One figure is an old man with long white hair and a beard, who is wearing a draped robe and holding a staff. A woman is walking behind him on the path and balancing a vessel on her head. Another woman, behind her, has her arms at her side and looks downward. In the middle and far section of the drawing there is a walled city being destroyed with violent flooding of the city gates and eathquake-like destruction of the buildings. Far down the path a lone woman raises her hands in a gesture of distress. There are turbulent cloud formations in the sky.

1789-1854

19th century

1833

1962/1.117

sepia wash over graphite on cream wove paper, mounted on paper

rank 10.62243

United Kingdom (nation)

Full Record: x-1963-sl-2.30/1963_2.30.JPG

Seated Armed Figure (Opus 58)

Bernard Meadows

born 1915

20th century

1962

1963/2.30

bronze

rank 10.62243

United Kingdom (nation)

Full Record: x-1983-sl-1.337/1983_1.337.JPG

Charles Sawyer (born 1906)

John W. Mills

born 1933

20th century

1982

1983/1.337

bronze on marble base

rank 10.62243

United Kingdom (nation)

Full Record: x-1954-sl-1.233/1954_1.233.JPG

Study of Oedipus for 'A Greek Play'

Albert Moore

A dark line drawing with white highlights on a tan colored background. It shows a standing male figure in profile, facing left. He has curly hair, a long beard and has classically style draped clothing. He has a vacant gaze and his face is turned downward. there is a partial drawing of draped fabric in the left margin of the work.

1841-1893

19th century

circa 1867

1954/1.233

black and white chalk on brown wove paper, mounted on tissue

rank 10.62243

United Kingdom (nation)

Full Record: x-1953-sl-1.27/1953_1.27.JPG

Figure

Henry Moore

A small carved wood sculpture depicting a seated figure with legs crossed.

(Castleford, England, 7/30/1898 - 8/31/1986, Hertforshire, England)

20th century

1932

1953/1.27

lignum vitae with wood base

rank 10.62243

United Kingdom (nation)

Full Record: x-1981-sl-2.85/1981_2.85.JPG

Reclining Bird

Henry Moore

(Castleford, England, 7/30/1898 - 8/31/1986, Hertforshire, England)

20th century

1927; cast 1949

1981/2.85

bronze with marble base

rank 10.62243

United Kingdom (nation)

Full Record: x-1968-sl-1.98/1968_1.98.JPG

Stringed Reclining Figure

Henry Moore

Abstracted human figure reclining on its side. Eight strings resembling the strings of a harp extend from the chest area to the hip.

1898 - 1986

20th century

1939

1968/1.98

bronze and string on wood base

rank 10.62243

United Kingdom (nation)

Full Record: x-1959-sl-1.123/1959_1_123.JPG

Seated Figure

Henry Moore

(Castleford, England, 7/30/1898 - 8/31/1986, Hertforshire, England)

20th century

1929

1959/1.123

pen and wash on white paper

rank 10.62243

United Kingdom (nation)

Full Record: x-1949-sl-1.138/1949_1.138.JPG

Italian Hill Town

William Morgan

In the center and right foreground, taking up most of the scene, are clustered buildings with tiled roofs, casting large dark shadows. In the background, at the upper left portion, the hillside can be seen, depicted by trees and a river that cuts through diagonally. In the upper left-most portion, the geometric shapes of plowed fields can be seen.

Born 1903

20th century

1928

1949/1.138

engraving on paper

rank 10.62243

United Kingdom (nation)

Full Record: x-2002-sl-2.168/2002_2.168.JPG

Vessel with carmelized exterior

Stuart Mortimer

born 1942

20th century

1997

2002/2.168

thuya wood burl

rank 10.62243

United Kingdom (nation)

Full Record: x-2002-sl-2.169/2002_2.169.JPG

Turkish Delight

Stuart Mortimer

born 1942

20th century

1998

2002/2.169

pink ivory wood

rank 10.62243

United Kingdom (nation)

Brown vessel

Stuart Mortimer

born 1942

20th century

1998

2002/2.170A&B

ebony

rank 10.62243

United Kingdom (nation)

Full Record: x-1983-sl-1.402/1983_1.402.JPG

Untitled

Marlow Moss

1890-1958

20th century

circa 1910-1958

1983/1.402

bronze

rank 10.62243

United Kingdom (nation)

Full Record: x-1972-sl-2.227/1972_2.227.JPG

Vase

Arthur Nash

Glass vase with wide body and neck and slightly flared lip with irridescent golden yellow surface treatment in vertical leaf or feather design

1849-1934

20th century

circa 1929-1931

1972/2.227

iridescent glass

rank 10.62243

United Kingdom (nation)

Full Record: x-1983-sl-1.283.1/1983_1.283.1.JPG

Olympic Fragment, from the portfolio "Architectural Suite, 1966-67"

Ben Nicholson

1894-1982

20th century

1965-1967

1983/1.283.1

etching on paper

rank 10.62243

United Kingdom (nation)

Full Record: x-1983-sl-1.283.10/1983_1.283.10.JPG

Verona (The Duomo), from the portfolio "Architectural Suite, 1966-67"

Ben Nicholson

1894-1982

20th century

1966-1967

1983/1.283.10

etching on paper

rank 10.62243

United Kingdom (nation)

Full Record: x-1983-sl-1.283.2/1983_1.283.2.JPG

Aquileia, from the portfolio "Architectural Suite, 1966-67"

Ben Nicholson

1894-1982

20th century

1965-1967

1983/1.283.2

etching on paper

rank 10.62243

United Kingdom (nation)

Full Record: x-1983-sl-1.283.3/1983_1.283.3.JPG

Still Life with Curves, from the portfolio "Architectural Suite, 1966-67"

Ben Nicholson

1894-1982

20th century

1966-1967

1983/1.283.3

etching on paper

rank 10.62243

United Kingdom (nation)

Full Record: x-1983-sl-1.283.4/1983_1.283.4.JPG

Siena (Small Silent Siena), from the portfolio "Architectural Suite, 1966-67"

Ben Nicholson

1894-1982

20th century

1966-1967

1983/1.283.4

etching on paper

rank 10.62243

United Kingdom (nation)

Full Record: x-1983-sl-1.283.5/1983_1.283.5.JPG

Movement, from the portfolio "Architectural Suite, 1966-67"

Ben Nicholson

1894-1982

20th century

1966-1967

1983/1.283.5

etching on paper

rank 10.62243

United Kingdom (nation)

Full Record: x-1983-sl-1.283.6/1983_1.283.6.JPG

Pisa, from the portfolio "Architectural Suite, 1966-67"

Ben Nicholson

1894-1982

20th century

1966-1967

1983/1.283.6

etching on paper

rank 10.62243

United Kingdom (nation)

Full Record: x-1983-sl-1.283.7/1983_1.283.7.JPG

Lucca, from the portfolio "Architectural Suite, 1966-67"

Ben Nicholson

1894-1982

20th century

1966-1967

1983/1.283.7

etching on paper

rank 10.62243

United Kingdom (nation)

Full Record: x-1983-sl-1.283.8/1983_1.283.8.JPG

Storm over Paros, from the portfolio "Architectural Suite, 1966-67"

Ben Nicholson

1894-1982

20th century

1966-1967

1983/1.283.8

etching on paper

rank 10.62243

United Kingdom (nation)