Search Results

Title

White Mountains (Mount Washington from Sunset Hill, North Conway)

Artist

L. Luthy

Physical Description

Landscape painting with mountain peak at center and rolling mountains to either side; valley in foreground with houses hidden among trees in deep shadow and along hillside; blue sky above with wispy clouds.

Artist Life Dates

1803 - 1863

Century

19th century

Object Creation Date

circa 1854

Accession Number

1895.44

Medium and Support

oil on canvas

Secondary Keywords

scale

upward

associated concepts

atmospheric effects

buildings and the land

dwellings

earth sciences concepts

geography

landforms

landforms and landform components

landforms by shape or position

natural landscapes

people and culture

physical sciences concepts

plants

residential structures

scientific concepts

settlements

settlements and landscapes

settlements by form

single built works

single built works by function

single built works by specific type

the natural world

vegetation and vegetation components

vegetation components

weather and related phenomena

weather-related phenomena

woody plants

Title

White Mountains in September, North Conway, New Hampshire

Artist

Sylvester Phelps Hodgdon

Physical Description

Landscape with trees in foreground, valley in middle ground dotted with minute figures of sheep and a farmer with a team of oxen pulling well-filled haywain. Mountains in distance with a snow-capped mountain in center background.

Artist Life Dates

1830 - 1906

Century

19th century

Object Creation Date

1853

Accession Number

1895.57

Medium and Support

oil on canvas

Secondary Keywords

downward

upward

americas

animals and creatures

associated concepts

buildings and the land

descriptors

design elements

earth sciences concepts

freewheeled vehicles

freewheeled vehicles by form or function

geographic and political locations

grass (plant material)

land vehicles

land vehicles by form

landforms

landforms and landform components

landforms by shape or position

locality

mammals

materials

materials by origin

natural landscapes

north & central america

north and central america (continent)

objects we use

ornament areas

people

people (agents)

people and culture

people and occupations

people by occupation

people in agriculture

people in agriculture or natural resource occupations

people in science-related occupations

physical sciences concepts

plant material

plants

scientific concepts

scientists and people in science-related occupations

service and utility vehicles

settlements and landscapes

the natural world

transportation vehicles

united states

united states (nation)

vehicles

visual works

visual works by subject type

Title

The Attack on an Emigrant Train

Artist

Charles Ferdinand Wimar

Physical Description

The painting depicts a group of American settlers attempting to defend themselves against attack by a band of Native Americans. A covered wagon pulled by two horses is at the center of the composition; at left, two Native Americans attack the wagon with war clubs and tomahawks; a figure on the lead horse points a pistol directly at the head of one of his attackers, while a figure at the rear of the wagon shoots another attacker. At right other warriors on horseback ride past the train shooting arrows and wielding tomahawks.

Artist Life Dates

1828-1862

Century

19th century

Object Creation Date

1856

Accession Number

1895.80

Medium and Support

oil on canvas

Secondary Keywords

american regions

americas

animals

animals and creatures

armed conflicts

associated concepts

atmospheric effects

buildings and the land

cargo vehicles

cargo vehicles by form

cutting equipment

cutting tools

earth sciences concepts

edged weapons

equipment

equipment by process

events

fights

firearms

freewheeled vehicles

freewheeled vehicles by form or function

grassland

how we live

land vehicles

land vehicles by form

landscapes (environments)

locality

long guns

mammals

natural landscapes

north & central america

north american

objects

objects we use

passenger vehicles

people

people (agents)

people and culture

people by activity

physical activities

physical activities by general context

physical sciences concepts

plant communities

projectile launchers with nonexplosive propellant

projectile weapons

projectile weapons with explosive propellant

projectile weapons with nonexplosive propellant

projectiles with nonexplosive propellant

scientific concepts

settlements and landscapes

small arms by form

styles and periods

styles and periods by region

the americas

the natural world

tools and equipment

transportation vehicles

vegetation and vegetation components

vegetation components

vehicles

war

weaponry

weapons

weapons and ammunition

Title

In the Mountain Fastness

Artist

Daniel Huntington

Physical Description

Dark landscape set atop a rocky mountain with sparse vegetation. There is a small boulder in the left foreground space with a dead tree standing beside it; in the right foreground there is what appears to be a small cave. A dead and broken tree lies across the bottom of the picture frame. There are mountains in the distance and a dark stormy sky above with a break in the clouds near the center of the canvas that reveals a sunny blue sky.

Artist Life Dates

1816 - 1906

Century

19th century

Object Creation Date

1850

Accession Number

1916.1

Medium and Support

oil on canvas

Secondary Keywords

upward

artistic concepts

associated concepts

atmospheric effects

buildings and the land

concepts in the arts

descriptors

earth sciences concepts

european

european styles and periods

events

forms of expression

geography

inorganic material

landform components

landforms

landforms and landform components

landforms by shape or position

materials

materials by composition

modern european styles and movements

natural events

natural landscapes

people and culture

physical sciences concepts

plants

scientific concepts

settlements and landscapes

styles and periods

styles and periods by region

the natural world

vegetation and vegetation components

vegetation components

weather and related phenomena

weather-related phenomena

woody plants

Title

Scene in the Catskills

Artist

Thomas Cole

Physical Description

This landscape painting depicts a rocky hillside beneath a blue sky and towering cloud formations. In the foreground area, a stream flows between boulders and cascades over rocks. There is a large square boulder with the roots and stump of a dead tree. The right side of the painting has green vegetation along the edege of the stream and tall green-leafed trees further back on the side of the hill. On the left, beyond the hill, there is a glimpse of far distant mountains. This scene is painted in warm tones of green and brown in a realistic manner. Patches of sunlight highlight areas of the hillside, boulders and the stream.

Artist Life Dates

American, born England, 1801-1848

Century

19th century

Object Creation Date

1801-1848

Accession Number

1919.2

Medium and Support

oil on board

Secondary Keywords

settlement area

associated concepts

atmospheric effects

bodies of water and components of bodies of water

buildings and the land

components of bodies of water

descriptors

dwellings

earth sciences concepts

geography

houses

houses by location

houses by location or context

inorganic material

landscapes (environments)

materials

materials by composition

natural landscapes

people and culture

physical sciences concepts

plants

residential structures

rural houses

scientific concepts

settlements and landscapes

single built works

single built works by function

single built works by specific type

the natural world

vegetation and vegetation components

vegetation components

waterscapes

weather and related phenomena

weather-related phenomena

woody plants

Title

Winter in Weehawken

Artist

Henry Reuterdahl

Physical Description

This winter landscape scene is painted in light pastel colors including, white, blue, pink and gray. The artist has used vigorous brushstrokes and the paint has been applied thickly on the canvas. The scenery is not painted in detail but done in an impressionistic manner.

In the foreground, a snow-covered hill slopes downward from the upper right side of the composition to the lower left. There is one tall tree that frames the scene on the far right and several others clustered on the left. In the middleground area, seen through the branches of these trees, there are factories and buildings of a town. Also, there are figures ice skating on a pond, at the far left of the composition. In the far distance, seen over the edge of the slope, is the skyline of a city, the shapes of skyscrapers silhouetted against a cloudy sky.

Artist Life Dates

1871-1925

Century

20th century

Object Creation Date

1907

Accession Number

1931.15

Medium and Support

oil on canvas

Secondary Keywords

associated concepts

atmospheric effects

buildings and the land

cultural landscapes

cultural landscapes by location or context

earth sciences concepts

geography

houses

landscapes (environments)

modern and contemporary art

natural landscapes

people and culture

physical sciences concepts

plants

precipitation

scientific concepts

seasons

settlements and landscapes

the natural world

vegetation and vegetation components

vegetation components

weather and related phenomena

weather-related phenomena

woody plants

Title

An Evening in a Hot Spring

Artist

Yoshida Hiroshi

Physical Description

This work depicts an evening scene in a hot spring.

Artist Life Dates

1876 - 1950

Century

20th century

Object Creation Date

circa 1930-1950

Accession Number

1939.3

Medium and Support

color woodblock print on paper

Secondary Keywords

asian

associated concepts

buildings and the land

chinese

chinese dynastic styles and periods

chinese styles and periods

descriptors

earth sciences concepts

east asian

eastern zhou

energy and related concepts

energy-related concepts

inorganic material

light-related concepts

materials

materials by composition

people and culture

physical sciences concepts

physics concepts

scientific concepts

single built works

single built works by function

single built works by specific type

styles and periods

styles and periods by region

zhou

Title

In the Fog

Artist

Warren Lombard

Physical Description

The bottom half of this print's composition shows a rocky outcropping, with a triangular shadow in the center right. On the bottom left is some foliage. The top half of the composition shows three trees in the center right. The left-most tree is darker than the other two. The trees are set against a flat background.

Artist Life Dates

1855-1939

Century

20th century

Object Creation Date

1923

Accession Number

1940.21

Medium and Support

drypoint on paper

Secondary Keywords

upward

associated concepts

buildings and the land

descriptors

earth sciences concepts

inorganic material

landforms

landforms and landform components

landforms by shape or position

landscapes (environments)

materials

materials by composition

modern and contemporary art

natural landscapes

people and culture

physical sciences concepts

plants

scientific concepts

settlements and landscapes

vegetation and vegetation components

vegetation components

weather and related phenomena

weather-related phenomena

woody plants

Title

The Way to Deadman's Cove

Artist

Warren Lombard

Physical Description

This forest scene has three trees in the middle of the composition; a straight narrow tree lies in the middle, with a tree next to it leaning diagonally to the right, and a smaller tree in the background to the left. On either side of the composition are more trees. Behind the middle trees we can see the forest open up with a lighter space. The bottom third of the composition shows the forest floor, a faint path, and shadows cast by the trees.

Artist Life Dates

1855-1939

Century

20th century

Object Creation Date

1926

Accession Number

1940.36

Medium and Support

etching on paper

Secondary Keywords

associated concepts

buildings and the land

cultural landscapes

cultural landscapes by location or context

descriptors

energy and related concepts

energy-related concepts

landscapes (environments)

light-related concepts

materials

materials by origin

modern and contemporary art

natural landscapes

open spaces

open spaces and site elements

open spaces by function

people and culture

physical sciences concepts

physics concepts

plant material

plants

scientific concepts

settlements and landscapes

vegetation and vegetation components

vegetation components

walkways

wilderness

woody plants

Title

The Fifty-Three Stations of the Tôkaidô (Hôeidô edition): #16 Night Snow at Kambara

Artist

Andô Hiroshige

Physical Description

In this print, sophisticated use of soft lines, rounded forms, dark sky, and subtle tones convey the utter silence and weariness of the figures as they trudge through the night-time snow near Kambara. Writing is centered at the top of the image, as well as aloong the bottom left wide with a seal. Three figures walk through the snow.

Artist Life Dates

1797-1858

Century

19th century

Object Creation Date

1833-1834

Accession Number

1948/1.122

Medium and Support

color woodblock print on paper

Secondary Keywords

scale

transfer method

asian

associated concepts

buildings and the land

earth sciences concepts

east asian

japanese

japanese printmaking styles

japanese styles

objects we use

people and culture

physical sciences concepts

precipitation

prints

prints by process

prints by process or technique

relief prints

scientific concepts

settlements

settlements and landscapes

settlements by form

styles and periods

styles and periods by region

visual works

visual works by medium or technique

weather and related phenomena

weather-related phenomena

Title

Hôeido Tôkaidô Series: Night Snow at Kambara (Second state)

Artist

Andô Hiroshige

Physical Description

In this print, sophisticated use of soft lines, rounded forms, dark sky, and subtle tones convey the utter silence and weariness of the figures as they trudge through the night-time snow near Kambara.

Artist Life Dates

1797-1858

Century

19th century

Object Creation Date

1833-1834

Accession Number

1948/1.123

Medium and Support

color woodblock print on paper

Secondary Keywords

scale

transfer method

associated concepts

buildings and the land

dwellings

earth sciences concepts

landscapes (environments)

natural landscapes

objects we use

people and culture

physical sciences concepts

plants

precipitation

prints

prints by process

prints by process or technique

relief prints

residential structures

scientific concepts

seasons

settlements

settlements and landscapes

settlements by form

single built works

single built works by function

single built works by specific type

vegetation and vegetation components

vegetation components

visual works

visual works by medium or technique

weather and related phenomena

weather-related phenomena

woody plants

Title

Hôeido Tôkaidô Series: Night Snow at Kambara (Second state)

Artist

Andô Hiroshige

Physical Description

In this print, sophisticated use of soft lines, rounded forms, dark sky, and subtle tones convey the utter silence and weariness of the figures as they trudge through the night-time snow near Kambara.

Artist Life Dates

1797-1858

Century

19th century

Object Creation Date

1833-1834

Accession Number

1948/1.124

Medium and Support

color woodblock print on paper

Secondary Keywords

scale

transfer method

associated concepts

buildings and the land

dwellings

earth sciences concepts

landscapes (environments)

natural landscapes

objects we use

people and culture

physical sciences concepts

plants

precipitation

prints

prints by process

prints by process or technique

relief prints

residential structures

scientific concepts

seasons

settlements

settlements and landscapes

settlements by form

single built works

single built works by function

single built works by specific type

vegetation and vegetation components

vegetation components

visual works

visual works by medium or technique

weather and related phenomena

weather-related phenomena

woody plants

Title

Hôeidô Tôkaidô Series: Sudden Shower at Shôno

Artist

Andô Hiroshige

Physical Description

Here, caught in a sudden downpour, people rush along the steep hillside. Bamboo bends under the force of wind and rain, and the people in the foreground mimic this downward motion in order to shield their eyes from the water streaming upon them in torrents. Masterfully depicted, the viewer can almost feel the bullets of rain, and sense of sympathy for these unfortunate travelers.

Artist Life Dates

1797-1858

Century

19th century

Object Creation Date

1833-1834

Accession Number

1948/1.130

Medium and Support

color woodblock print on paper

Secondary Keywords

associated concepts

buildings and the land

costume

costume accessories

costume accessories carried

earth sciences concepts

events

landscapes (environments)

natural events

natural landscapes

objects we use

people and culture

physical activities

physical activities by general context

physical sciences concepts

plants

scientific concepts

settlements and landscapes

vegetation and vegetation components

vegetation components

weather and related phenomena

weather-related phenomena

woody plants

Title

Hôeidô Tôkaidô Series: Ishibe, Megawa Village

Artist

Andô Hiroshige

Physical Description

The snow scene of a village. Several groups of tavellers are walking toward a house located on the side of the road. Two figures carrying heavy stuff are walking away along the path.

Artist Life Dates

1797-1858

Century

19th century

Object Creation Date

1833-1834

Accession Number

1948/1.131

Medium and Support

color woodblock print on paper

Secondary Keywords

transfer method

associated concepts

buildings and the land

dwellings

earth sciences concepts

events

landscapes (environments)

natural events

natural landscapes

objects we use

people and culture

physical sciences concepts

plants

precipitation

prints

prints by process

prints by process or technique

relief prints

residential structures

scientific concepts

settlements and landscapes

single built works

single built works by function

single built works by specific type

vegetation and vegetation components

vegetation components

visual works

visual works by medium or technique

weather and related phenomena

weather-related phenomena

woody plants

Title

Eight Views of Ômi: #1 Evening Snow on Mount Hira

Artist

Andô Hiroshige

Physical Description

The snowy mass of Mount Hira rises behind a snow-covered village and clumps of bamboo by an inlet of Lake Biwa. The attendant poem in the upper left corner reads:

He who would see the beauty of the evening on the peaks of

Hira must behold it after the snows have fallen and before the

flowers are fully blown.

Artist Life Dates

1797-1858

Century

19th century

Object Creation Date

circa 1834

Accession Number

1948/1.134

Medium and Support

color woodblock print on paper

Secondary Keywords

scale

transfer method

upward

visual arts

artistic concepts

associated concepts

bodies of water

bodies of water and components of bodies of water

bodies of water by size

buildings and the land

concepts in the arts

earth sciences concepts

forms of expression

lacustrine bodies

landforms

landforms and landform components

landforms by shape or position

landscapes (environments)

natural landscapes

objects we use

people and culture

physical sciences concepts

precipitation

prints

prints by process

prints by process or technique

relief prints

scientific concepts

settlements

settlements and landscapes

settlements by form

visual works

visual works by medium or technique

weather and related phenomena

weather-related phenomena

Title

Eight Views of Ômi: #2 Night Rain at Karasaki

Artist

Andô Hiroshige

Physical Description

Vertical lines stream downward across the print indicate torrents of rain. The dark color pallette and black strip across the top indicate that the image is set at night. A giant tree on an island looms over the image, surrounded by water. A poem in the upper left corner reads:

"Elsewhere will they talk of the music of the evening breeze

that has made the pine of Karasaki famous; the voice of the

wind is not heard through the sound of the rain in the night."

Artist Life Dates

1797-1858

Century

19th century

Object Creation Date

circa 1834

Accession Number

1948/1.135

Medium and Support

color woodblock print on paper

Secondary Keywords

transfer method

visual arts

artistic concepts

asian

associated concepts

buildings and the land

concepts in the arts

earth sciences concepts

east asian

evergreens

forms of expression

japanese

japanese printmaking styles

japanese styles

natural landscapes

objects we use

people and culture

physical sciences concepts

plants

precipitation

prints

prints by process

prints by process or technique

relief prints

scientific concepts

settlements and landscapes

styles and periods

styles and periods by region

trees

trees by leaf life

vegetation and vegetation components

vegetation components

visual works

visual works by medium or technique

weather and related phenomena

weather-related phenomena

woody plants

Title

Famous Views of Snow, Moon and Flowers: Trout Fishing by Moonlight on the Tamagawa River

Artist

Andô Hiroshige

Physical Description

The dark color pallette and the moon indicate that the image is set at night. There are people standing in the water, bending over in search of fish. Others stand on the bank, helping with the fishing process. Also shown are the silhouettes of a bridge over the water and the mountains in the distance.

Artist Life Dates

1797-1858

Century

19th century

Object Creation Date

circa 1846

Accession Number

1948/1.137

Medium and Support

color woodblock print on paper

Secondary Keywords

transfer method

associated concepts

earth sciences concepts

objects we use

people and culture

physical activities

physical activities by location

physical activities by specific context

physical sciences concepts

prints

prints by process

prints by process or technique

relief prints

scientific concepts

visual works

visual works by medium or technique

visual works by subject type

water activities

Title

Tôto Meisho Series: White Rain on Nihon Bridge (Nihonbashi no shirazame)

Artist

Andô Hiroshige

Physical Description

Rainy scene in a village. There is a bridge in the foreground, with several figures walking across with umbrellas. Houses and mountains appear in the distance.

Artist Life Dates

1797-1858

Century

19th century

Object Creation Date

circa 1840-1841

Accession Number

1948/1.139

Medium and Support

color woodblock print on paper

Secondary Keywords

layout features

transfer method

upward

associated concepts

buildings and the land

components

components and systems

components by specific context

costume

costume accessories

costume accessories carried

descriptors

dwellings

earth sciences concepts

illustrations

illustrations by form

images and ornament

information form components

inorganic material

landforms

landforms and landform components

landforms by shape or position

landscapes (environments)

layout features

materials

materials by composition

natural landscapes

objects we use

people and culture

physical sciences concepts

precipitation

prints

prints by process

prints by process or technique

relief prints

residential structures

scientific concepts

settlements and landscapes

single built works

single built works by function

single built works by specific type

transportation structures

transportation structures by form

transportation vehicles

vehicles

visual works

visual works by medium or technique

watercraft

watercraft by general type

weather and related phenomena

weather-related phenomena

Title

FACSIMILE REPRODUCTION: Tôto Meisho Series: White Rain on Nihon Bridge (Nihonbashi no shirazame)

Artist

Andô Hiroshige

Physical Description

Vertical lines stream downward across the print indicate torrents of rain. Several travelers with umbrallas and straw hats are walking across the bridge over the river. A village alongside the river and mountains are shown in the background.

Artist Life Dates

1797-1858

Century

20th century?

Object Creation Date

circa 1920 - circa 1940

Accession Number

1948/1.140

Medium and Support

color woodblock print on paper

Secondary Keywords

scale

transfer method

associated concepts

buildings and the land

costume

costume accessories

costume accessories carried

dwellings

earth sciences concepts

objects we use

people

people (agents)

people and culture

people by activity

physical sciences concepts

precipitation

prints

prints by process

prints by process or technique

relief prints

residential structures

scientific concepts

settlements

settlements and landscapes

settlements by form

single built works

single built works by function

single built works by specific type

transportation structures

transportation structures by form

visual works

visual works by medium or technique

weather and related phenomena

weather-related phenomena

Title

Tôto Meisho Series: Flower-viewing at Asukayama

Artist

Andô Hiroshige

Physical Description

Landscape with water and mount Fuji in the background. People are wandering on the green grassland, having picnics, and enjoying the pleasant weather and the beauty of cherry blossoms.

Artist Life Dates

1797-1858

Century

19th century

Object Creation Date

circa 1833-1843

Accession Number

1948/1.141

Medium and Support

color woodblock print on paper

Secondary Keywords

associated concepts

buildings and the land

deciduous trees

earth sciences concepts

herbaceous plants

natural landscapes

people and culture

physical sciences concepts

plants

scientific concepts

seasons

settlements and landscapes

trees by leaf life

vegetation and vegetation components

vegetation components

woody plants

Title

Edo Meisho: Ochanomizu

Artist

Andô Hiroshige

Physical Description

A snow scene of the canal. Snow covers the house roofs, the boat shelters, and the trees. Three travelers in blue robes are walking in the snow, two of them are carrying umbrellas.

Artist Life Dates

1797-1858

Century

19th century

Object Creation Date

circa 1853

Accession Number

1948/1.142

Medium and Support

color woodblock print on paper

Secondary Keywords

transfer method

associated concepts

buildings and the land

costume

costume accessories

costume accessories carried

dwellings

earth sciences concepts

events

hydraulic structures

hydraulic structures by form

natural events

objects we use

people and culture

physical sciences concepts

precipitation

prints

prints by process

prints by process or technique

relief prints

residential structures

scientific concepts

seasons

single built works

single built works by function

single built works by specific type

transportation vehicles

vehicles

visual works

visual works by medium or technique

visual works by subject type

watercraft

watercraft by general type

weather and related phenomena

weather-related phenomena

Title

Edo Meisho: Yushima Shrine in the Snow (Yushima tenmangu, Yukihare no zu)

Artist

Andô Hiroshige

Physical Description

A snow scene of people walking up the stairs leading to the snow-covered shrine and temple complex.

Artist Life Dates

1797-1858

Century

19th century

Object Creation Date

circa 1853

Accession Number

1948/1.144

Medium and Support

color woodblock print on paper

Secondary Keywords

transfer method

architectural elements

associated concepts

buildings and the land

circulation elements

components

components and systems

components by specific context

earth sciences concepts

objects we use

people and culture

physical sciences concepts

precipitation

prints

prints by process

prints by process or technique

relief prints

religious buildings

religious structures

scientific concepts

seasons

single built works

single built works by function

single built works by specific type

stair components

stairs and stair components

steps and step components

visual works

visual works by medium or technique

weather and related phenomena

weather-related phenomena

woodcuts

Title

Gazing at Snow on Matsuchi Hill (center sheet from triptych, Fûryû Genji Awase)

Artist

Andô Hiroshige

Physical Description

The snow scene of a village under the mountain. The house roofs, the bridge over the river, the mountain and trees are all covered by the snow. Three birds fly above the riverbank, lingering around the snow-covered pine branches.

Artist Life Dates

1797-1858

Century

19th century

Object Creation Date

1853

Accession Number

1948/1.145

Medium and Support

color woodblock print on paper

Secondary Keywords

scale

transfer method

animals and creatures

associated concepts

buildings and the land

dwellings

earth sciences concepts

natural landscapes

objects we use

people and culture

physical sciences concepts

plants

precipitation

prints

prints by process

prints by process or technique

relief prints

residential structures

scientific concepts

settlements

settlements and landscapes

settlements by form

single built works

single built works by function

single built works by specific type

transportation structures

transportation structures by form

vegetation and vegetation components

vegetation components

visual works

visual works by medium or technique

weather and related phenomena

weather-related phenomena

woodcuts

woody plants

Title

Kintai Bridge, Province of Suô (Suô no kuni, Kintaibashi)

Artist

Katsushika Hokusai

Physical Description

The prints features an arch bridge that crosses over the water, with four figures walking over. In the foreground there are trees by several little houses. There is a mountain in the background, with cloud surrounding. The artist inscribed the title of the work along with his signature on the upper right-hand corner of the print.

Artist Life Dates

1760 - 1849

Century

19th century

Object Creation Date

circa 1831-1832

Accession Number

1948/1.151

Medium and Support

color woodblock print on paper

Secondary Keywords

upward

associated concepts

buildings and the land

descriptors

earth sciences concepts

inorganic material

landforms

landforms and landform components

landforms by shape or position

materials

materials by composition

natural landscapes

objects we use

people

people (agents)

people and culture

people by gender

physical sciences concepts

plants

scientific concepts

settlements and landscapes

single built works

single built works by function

single built works by specific type

transportation structures

transportation structures by form

vegetation and vegetation components

vegetation components

visual works

visual works by subject type

weather and related phenomena

weather-related phenomena

woody plants

Title

Surimono: The Lover in the Snow

Artist

Katsushika Hokusai

Physical Description

The print depicts a figure in black walking in the snow with an umbrella. The snow covers the road, the well and the trees. Inscriptions of two poems appear on the upper right-hand corner, and the artist's signature can be found on the bottom edge of the print.

Artist Life Dates

1760-1849

Century

19th century

Object Creation Date

circa 1817-1849

Accession Number

1948/1.152

Medium and Support

color woodblock print on paper

Secondary Keywords

associated concepts

buildings and the land

costume

costume accessories

costume accessories carried

descriptors

document genres

document genres by form

document genres for literary works

earth sciences concepts

image-making processes and techniques

information forms

landscapes (environments)

natural landscapes

objects we use

people and culture

physical sciences concepts

plants

precipitation

processes and techniques

processes and techniques by specific type

scientific concepts

seasons

settlements and landscapes

vegetation and vegetation components

vegetation components

visual works

visual works by subject type

weather and related phenomena

weather-related phenomena

woody plants

writing (processes)

Title

Autumn Wind, from the Furyu rokkasen (The Six Elegant Poets) series

Artist

Suzuki Harunobu

Physical Description

A young woman hurries across a bridge, using one of her sleeves to shield her head from the strong wind. Plants around her bend in the force of the wind, and tree branches lose their leaves. An Uta poem by Bunya-no-Yasuhide graces the top register.

Artist Life Dates

1725-1770

Century

18th century

Object Creation Date

circa 1768

Accession Number

1948/1.156

Medium and Support

chûban (medium size) nishiki-e (full-color woodblock print) on paper

Secondary Keywords

transfer method

associated concepts

buildings and the land

earth sciences concepts

objects we use

people

people (agents)

people and culture

people by gender

physical sciences concepts

prints

prints by process

prints by process or technique

relief prints

scientific concepts

single built works

single built works by function

single built works by specific type

transportation structures

transportation structures by form

visual works

visual works by medium or technique

weather and related phenomena

weather-related phenomena

Title

The Lord's Prayer, sheet 4 - Thy Kingdom Come, Thy Will Be Done on Earth, as It Is in Heaven (Das Vaterunser - Dein Reich komme, Dein Wille geschehe, Wie im Himmel, also auch auf Erden)

Artist

Max Pechstein

Physical Description

Three male figures dressed in dark clothing, with their backs to the viewer, stand on a shore facing the water as shafts of light break through dark clouds overhead. The figure at the viewer's left raises his hands in exultation. The man in the center stands with head tilted back; the figure at the viewer's righ looks down, as if at his hands. The words of the Lord's Prayer are presented in three lines of text, at the top, middle, and bottom of the composition.

Artist Life Dates

1881 - 1955

Century

20th century

Object Creation Date

1921

Accession Number

1948/1.426

Medium and Support

woodcut with hand-coloring on paper

Secondary Keywords

transfer method

associated concepts

components and systems

daylight

doctrinal concepts

document genres

document genres by form

document genres for literary works

earth sciences concepts

electromagnetic radiation

energy

energy and related concepts

european

european styles and periods

information forms

light (energy)

modern and contemporary art

modern european fine arts styles and movements

modern european styles and movements

movement

object groupings

object groupings and systems

object groupings by specific context

objects we use

people

people (agents)

people and culture

people by gender

physical sciences concepts

physics concepts

prints

prints by process

prints by process or technique

rays

relief prints

religions and religious concepts

religious concepts

scientific concepts

styles and periods

styles and periods by region

visual works

visual works by medium or technique

visual works groupings

weather and related phenomena

weather-related phenomena

Title

The Lord's Prayer, sheet 11 - The Power and the Glory (Das Vaterunser - Und die Kraft und die Herrlichkeit)

Artist

Max Pechstein

Physical Description

Positioned in the upper center, a large eye sits inside a black triangle from which five arms and hands radiate. Behind the triangle and extending to the viewer's right edge is a rainbow. Below the triangle is a stylized, mask-like face that radiates beams of light rom its eyes. On each side of this large face is a man's face in profile. In the far background, there are mountains and clouds.

Artist Life Dates

1881 - 1955

Century

20th century

Object Creation Date

1921

Accession Number

1948/1.433

Medium and Support

woodcut with hand-coloring on paper

Secondary Keywords

transfer method

architecture

arms

associated concepts

biological components

components

components and systems

components by specific context

document genres

document genres by form

document genres for literary works

earth sciences concepts

electromagnetic radiation

energy

energy and related concepts

european

european styles and periods

heads

human body

information forms

modern and contemporary art

modern european fine arts styles and movements

modern european styles and movements

monuments

movement

object groupings

object groupings and systems

object groupings by specific context

objects we use

people and culture

physical sciences concepts

physics concepts

prints

prints by process

prints by process or technique

relief prints

religions and religious concepts

religious concepts

scientific concepts

styles and periods

styles and periods by region

the human body

the natural world

upper body

visual works

visual works by medium or technique

visual works groupings

weather and related phenomena

weather-related phenomena

Title

Pre-Adamic Fruit (Fruit préadamite)

Artist

Hans Arp

Physical Description

A small, biomorphically abstract sculpture of bronze grows from a wooden base. Bulbous at the bottom, the shape stretches and narrows in the middle and then expands into a larger shape from which two rounded points rise.

Artist Life Dates

1886-1966

Century

20th century

Object Creation Date

1938

Accession Number

1948/2.26

Medium and Support

bronze with wood base

Secondary Keywords

visual arts

artistic concepts

associated concepts

biological concepts

concepts in the arts

copper alloy

copper and copper alloy

descriptors

forms of expression

genres

inorganic material

life

materials

materials by composition

materials by origin

metal

metal and metal products

metal by composition or origin

modern and contemporary art

movement

nonferrous metal

objects we use

people and culture

plant material

plants

scientific concepts

the natural world

visual works

visual works by medium or technique

Title

The Planets - The Sun (No. 4 of the series of 7 prints)

Artist

Hans Sebald Beham

Artist Life Dates

1500-1550

Century

16th century

Object Creation Date

1500-1550

Accession Number

1949/1.133

Medium and Support

woodcut on paper

Secondary Keywords

associated concepts

descriptors

design elements

earth sciences concepts

motifs

natural element motifs

objects

people and culture

physical sciences concepts

religions and religious concepts

religious concepts

scientific concepts

transportation

vehicles

Title

Boy

Artist

Ben Shahn

Physical Description

A boy stands at the front of the painting, arms crossed and face solemn. He is wearing an oversized white shirt that comes down to his knees. A figure, most likely a woman, stands behind him with her back turned. Her head is covered in a long black headscarf that is traditional to Jewish culture. Behind them is a blue horizon.

Artist Life Dates

American, born Lithuania, 1898-1969

Century

20th century

Object Creation Date

1944

Accession Number

1950/1.203

Medium and Support

tempera on cardboard

Secondary Keywords

associated concepts

descriptors

earth sciences concepts

figures (representations)

object genres

object genres by location, context or origin

objects we use

people

people (agents)

people and culture

people by age group

people by gender

physical activities

physical activities by general context

physical sciences concepts

scientific concepts

visual works

visual works by subject type

youth

Title

Fleeting Time Thou Hast Left Me Old

Artist

Ivan Albright

Artist Life Dates

1897-1983

Century

20th century

Object Creation Date

1946

Accession Number

1953/2.22

Medium and Support

lithograph on paper

Secondary Keywords

adults

associated concepts

figures

modern and contemporary art

objects

people

people (agents)

people and culture

people and occupations

people by age group

people by gender

physical activities

physical activities by general context

physical sciences concepts

physics concepts

scientific concepts

Title

Abstract Composition (Abstrakte Komposition)

Artist

László Moholy-Nagy

Physical Description

A spare and restrained abstract composition, built up out of layers of mostly translucent basic geometric forms. The grey tones of the background are created with large rectangle shapes. In the upper part of the piece is a light colored circle, with a brighter circle inside it. Both are crossed by an axis of bright, thin orange lines. On the left, the point of a triangle protrudes from the edge. It is covered by a faint gray trapezoidal shape. Three small black semi-circles are also visible: one along the lines inside the circles; the other two along the trapezoidal shape and just beneath the triangle.

Artist Life Dates

Hungary, 1895-1946

Century

20th century

Object Creation Date

circa 1925

Accession Number

1953/2.9

Medium and Support

watercolor, India ink, and collage on off-white wove paper

Secondary Keywords

visual arts

artistic concepts

associated concepts

coating (material)

coating by form

concepts in the arts

descriptors

european

european styles and periods

forms of expression

genres

geometric concepts

geometric figures

international post-1945 styles and movements

materials

materials by function

mathematical concepts

modern and contemporary art

modern european regional styles and movements

modern european styles and movements

modern german styles and movements

objects we use

paintings

paintings by material or technique

people and culture

plane figures

polygons

post-1945 fine arts styles and movements

scientific concepts

styles and periods

styles and periods by region

visual works

visual works by medium or technique

Title

Storm Clouds, Cape Cod (Strumwolken uber Cape Cod)

Artist

George Grosz

Physical Description

In the top left corner a house lies on top of a hill of sand dunes covered with grasses, with the ocean to the right and storm clouds swirling overhead

Artist Life Dates

1893-1959

Century

20th century

Object Creation Date

1949

Accession Number

1954/1.112

Medium and Support

lithograph on paper

Secondary Keywords

relation to water

associated concepts

buildings and the land

descriptors

dwellings

earth sciences concepts

eolian landforms

european

european styles and periods

events

geography

landforms

landforms and landform components

landforms by formation process

landforms by position

landforms by shape or position

materials

materials by origin

modern european fine arts styles and movements

modern european styles and movements

natural events

natural landscapes

people and culture

physical sciences concepts

plant material

residential structures

scientific concepts

settlements and landscapes

shores (landforms)

single built works

single built works by function

single built works by specific type

styles and periods

styles and periods by region

weather and related phenomena

weather-related phenomena

Title

Spring Landscape

Artist

Arthur Wesley Dow

Physical Description

Landscape painting depicting a dirt pathway with steps and a wooden railing cutting through the center of the composition leading to a house on a hill in the distance. On either side of the path are blooming trees bearing pink and white blossoms in a green meadow.

Artist Life Dates

1857 - 1922

Century

19th century

Object Creation Date

1892

Accession Number

1954/1.168

Medium and Support

oil on canvas

Secondary Keywords

associated concepts

atmospheric effects

buildings and the land

descriptors

dwellings

earth sciences concepts

image-making processes and techniques

materials

materials by origin

natural landscapes

open spaces

open spaces and site elements

open spaces by function

painting and painting techniques

painting techniques

painting techniques by medium

people and culture

physical sciences concepts

plant communities

plant material

plants

processes and techniques

processes and techniques by specific type

residential structures

roads

scientific concepts

seasons

settlements and landscapes

single built works

single built works by function

single built works by specific type

the natural world

vegetation and vegetation components

vegetation components

walkways

weather and related phenomena

weather-related phenomena

woody plants

Title

Sunset

Artist

George Inness

Physical Description

Landscape scene depicting trees silhouetted against a reddening sky with a dead fallen tree trunk lying diagonally across the foreground.

Artist Life Dates

1825-1894

Century

19th century

Object Creation Date

1886

Accession Number

1954/1.170

Medium and Support

oil on canvas, laid down on panel

Secondary Keywords

associated concepts

atmospheric effects

buildings and the land

cultural landscapes

cultural landscapes by location or context

earth sciences concepts

european

european styles and periods

landscapes (environments)

modern american styles and periods

modern european fine arts styles and movements

modern european styles and movements

modern north american fine arts styles and movements

modern north american styles and movements

natural landscapes

people and culture

physical sciences concepts

plants

scientific concepts

settlements and landscapes

styles and periods

styles and periods by region

the americas

the natural world

vegetation and vegetation components

vegetation components

wilderness

woods

woody plants

Title

Figure on Rock

Artist

William Blake

Physical Description

Clothed reclining figure on a rock. Swirling mist on the left of the image blends into the deep blue background above the figure and to the right.

Artist Life Dates

1757-1827

Century

18th-19th century

Object Creation Date

1757-1827

Accession Number

1954/1.210

Medium and Support

watercolor on white paper

Secondary Keywords

associated concepts

descriptors

earth sciences concepts

figures

inorganic material

materials

materials by composition

people and culture

people and occupations

physical sciences concepts

scientific concepts

the natural world

waterscapes

Title

Under the Bridges on the Schuylkill

Artist

Joseph Pennell

Physical Description

The print displays a scene from a perspective on the water, underneath the bridges. Three bridges can be seen. The first bridge is closer to the viewer, with a pier in the center left of the scene, and the truss barely visible, cutting through the top of the image at an angle. Behind the first bridge, more of the second bridge can be seen, with two piers and an arched truss. The thrid bridge is in the background, right-hand section of the scene. The bridge piers cast six shadows into the rippling water.

Artist Life Dates

1857-1926

Century

19th century

Object Creation Date

1884

Accession Number

1954/1.306

Medium and Support

etching and drypoint on paper

Secondary Keywords

associated concepts

bodies of water and components of bodies of water

bodies of water by size

bridges by form

buildings and the land

energy and related concepts

energy-related concepts

european

european styles and periods

landscapes (environments)

light-related concepts

modern british styles and movements

modern british styles by reign

modern european regional styles and movements

modern european styles and movements

natural landscapes

people and culture

physical sciences concepts

physics concepts

riverine bodies

scientific concepts

settlements and landscapes

single built works

single built works by function

single built works by specific type

styles and periods

styles and periods by region

transportation structures

transportation structures by form

Title

Battersea Morn

Artist

James McNeill Whistler

Physical Description

A stretch of water in the foreground and middle ground leads to a horizontal distant shore that is composed of a series of horizontal stepped recessions. The buildings on the far shore appear to be industrial buildings, with many smokestacks. At the bottom of the image are some lightly drawn boats.

Artist Life Dates

1834-1903

Century

19th century

Object Creation Date

1877

Accession Number

1954/1.362

Medium and Support

drypoint, printed in brown ink on laid paper

Secondary Keywords

associated concepts

earth sciences concepts

geography

people and culture

physical sciences concepts

scientific concepts

ships

the natural world

waterscapes

Title

Nocturne, from the "Twelve Etchings" or the "First Venice Set"

Artist

James McNeill Whistler

Physical Description

This is a nighttime view of a city on water. Along the horizon can be seen numerous buildings and ships. At center left is a three-masted ship at anchor; along the right side are buildings, incuding domes and a tall tower. Throughout the image, there is an importance given to reflections and the nocturnal setting.

Artist Life Dates

1834-1903

Century

19th century

Object Creation Date

1879-1880

Accession Number

1954/1.372

Medium and Support

etching and drypoint, printed in warm black ink on laid paper

Secondary Keywords

scale

architecture

associated concepts

buildings

buildings and the land

churches

earth sciences concepts

energy and related concepts

energy-related concepts

europe (continent)

geographic and political locations

italy (nation)

light-related concepts

objects we use

people and culture

physical sciences concepts

physics concepts

places of worship

scientific concepts

settlements

settlements and landscapes

settlements by form

study

transportation vehicles

vehicles

veneto (region)

venezia (province)

visual works

visual works by subject type

watercraft

watercraft by general type

Title

The Doorway, from the "Twelve Etchings", or the "First Venice Set"

Artist

James McNeill Whistler

Physical Description

A large ornate waterdoor faces onto a canal. On the threshold near the water, a woman bends down towards the surface of the canal. Behind the doorway stands another figure in the shadows and beyond is another opening to a small square or open-air workspace. The Doorway consists of a large lunette shaped transom light over the door and the portal is flanked on either side by large arched windows. The glazing is all fitted into a fine network of mullions in either square on diamond patterns. The door and windows are each framed by carved pilasters and engaged corinthian capitals. Below the windows are bands of rosettes and other carved ornaments that extends to the water level.

Artist Life Dates

1834-1903

Century

19th century

Object Creation Date

1879-1880

Accession Number

1954/1.375

Medium and Support

etching, drypoint, and roulette on laid paper on laid paper

Secondary Keywords

arches and arch components

architectural elements

associated concepts

buildings and the land

circulation elements

components

components and systems

components by specific context

energy and related concepts

energy-related concepts

europe (continent)

geographic and political locations

hydraulic structures

hydraulic structures by form

italy (nation)

light-related concepts

openings (architectural elements)

openings and opening components

openings by form

people and culture

physical activities

physical activities by general context

physical sciences concepts

physics concepts

scientific concepts

single built works

single built works by function

single built works by specific type

spanning and projecting structural elements

stair components

stairs and stair components

steps and step components

structural elements

structural elements and structural element components

veneto (region)

venezia (province)

windows and window components

Title

The Square House, Amsterdam

Artist

James McNeill Whistler

Physical Description

A street facing onto a canal is seen at a very slight angle. The three buildings each have balconies (some enclosed), banks of windows, and doors at the water's edge. A dense network of hatching lines describe the brick facades, balconies and windows, and reflecions.

Artist Life Dates

1834-1903

Century

19th century

Object Creation Date

1889

Accession Number

1954/1.404

Medium and Support

etching and drypoint, printed in brown ink on laid paper

Secondary Keywords

height

architectural elements

associated concepts

building divisions

buildings and the land

components

components and systems

components by specific context

dwellings

energy and related concepts

energy-related concepts

europe (continent)

geographic and political locations

hydraulic structures

hydraulic structures by form

light-related concepts

netherlands (nation)

north holland (province)

objects we use

openings (architectural elements)

openings and opening components

openings by form

people and culture

physical sciences concepts

physics concepts

residential structures

rooms and spaces

rooms and spaces by form

scientific concepts

single built works

single built works by form

single built works by function

single built works by specific type

visual works

visual works by subject type

windows and window components

Title

The Pierrot

Artist

James McNeill Whistler

Physical Description

A man stands in an apron and rolled sleeves in the water door of a building along a canal. Another figure is seen kneeling and reaching down to the water at the left edge of the water door. The building and its reflection fills the frame; the emphasis is on the figures in the darkened opening, along with their reflections, while the upper story of the building is only summarily indicated.

Artist Life Dates

1834-1903

Century

19th century

Object Creation Date

1889

Accession Number

1954/1.406

Medium and Support

etching and drypoint, printed in dark brown ink on wove paper

Secondary Keywords

architectural elements

associated concepts

bodies of water and components of bodies of water

buildings and the land

components

components and systems

components by specific context

energy and related concepts

energy-related concepts

europe (continent)

geographic and political locations

hydraulic structures

hydraulic structures by form

landscapes (environments)

light-related concepts

natural landscapes

netherlands (nation)

north holland (province)

openings (architectural elements)

openings and opening components

openings by form

people and culture

physical activities

physical activities by general context

physical sciences concepts

physics concepts

scientific concepts

settlements and landscapes

single built works

single built works by function

single built works by specific type

windows and window components

Title

Nocturne

Artist

James McNeill Whistler

Physical Description

Set at night, a man in a lighter or small boat is seen in the foreground; in the distance stands the silhouettes of various buildings, including smokestacks, a clock tower, and a church spire, all of which are reflected in the water's surface, as well as reflections of lights and smoke.

Artist Life Dates

1834-1903

Century

19th century

Object Creation Date

1878

Accession Number

1954/1.413

Medium and Support

lithotint with scraping on a prepared half-tint ground on blue-grey laid paper,

Secondary Keywords

architecture

associated concepts

bodies of water

bodies of water and components of bodies of water

bodies of water by size

buildings and the land

earth sciences concepts

geography

landscapes (environments)

natural landscapes

objects

objects we use

people and culture

physical sciences concepts

riverine bodies

scientific concepts

settlements and landscapes

streams

time

transportation vehicles

vehicles

watercraft

watercraft by general type

Title

Early Morning

Artist

James McNeill Whistler

Physical Description

Two men sit on a bench at the lower right. Behind them is a large expanse of water; barges ply the water while smokestacks and buildings are visible on the opposite shore. The overall impression is one of foggy weather and features are generally indistinct.

Artist Life Dates

1834-1903

Century

19th century

Object Creation Date

1878

Accession Number

1954/1.415

Medium and Support

lithotint with scraping on a prepared half-tint ground on wove paper

Secondary Keywords

architecture

associated concepts

bodies of water and components of bodies of water

buildings and the land

earth sciences concepts

landscapes (environments)

natural landscapes

objects

objects we use

people and culture

physical sciences concepts

scientific concepts

settlements and landscapes

the natural world

transportation vehicles

vehicles

watercraft

watercraft by general type

waterscapes

Title

Early Morning

Artist

James McNeill Whistler

Physical Description

Two men sit on a bench at the lower right. Behind them is a large expanse of water; barges ply the water while smokestacks and buildings are visible on the opposite shore. The overall impression is one of foggy weather and features are generally indistinct.

Artist Life Dates

1834-1903

Century

19th century

Object Creation Date

1878

Accession Number

1954/1.416

Medium and Support

lithotint on wove paper

Secondary Keywords

architecture

associated concepts

earth sciences concepts

objects

people and culture

people and occupations

physical sciences concepts

scientific concepts

the natural world

waterscapes

Title

Sunrise at Benten Shrine, Suzaki Cape

Artist

Katsushika Hokusai

Physical Description

Two geisha (itinerant musicians) are shown strolling in the countryside, with the roof of Benten Shintô shrine in the distance. The backdrop is the rising sun—the give-away that this is a New Year’s print—seen over distant mountains and a calm bay. One woman stoops to empty the ashes from her pipe, while the other draws her kimono closely about her. A poem lies just above the rising sun in the top left register of the morning sky.

Artist Life Dates

1760 - 1849

Century

19th century

Object Creation Date

1800-1820

Accession Number

1954/1.471

Medium and Support

koban surimono (privately published) color woodblock print (nishiki e) on paper

Secondary Keywords

associated concepts

bodies of water

bodies of water and components of bodies of water

bodies of water by size

buildings and the land

components of bodies of water

costume

costume by form

descriptors

document genres

document genres by form

document genres for literary works

earth sciences concepts

image-making processes and techniques

information forms

landscapes (environments)

main garments

natural landscapes

objects we use

people

people (agents)

people and culture

people by gender

people by occupation

people in service occupations

physical sciences concepts

processes and techniques

processes and techniques by specific type

riverine bodies

scientific concepts

settlements and landscapes

writing (processes)

Title

Sunrise at Susaki Point (New Year's Print)

Artist

Katsushika Hokusai

Physical Description

A geisha is shown strolling in the countryside, with her right hand over her forehead--as if looking into the distance--and a basket in her left hand. The backdrop is the rising sun-the give-away that this is a New Year’s print—seen over distant mountains. A poem lies on the left-hand side of the print.

Artist Life Dates

1760 - 1849

Century

19th century

Object Creation Date

circa 1800-1820

Accession Number

1954/1.472

Medium and Support

color woodblock print on paper

Secondary Keywords

animal material

animal material by form or function

associated concepts

buildings and the land

containers

containers by form

costume

costume by form

descriptors

earth sciences concepts

egg and egg components

image-making processes and techniques

landscapes (environments)

main garments

materials

materials by origin

natural landscapes

objects we use

people

people (agents)

people and culture

people by gender

people by occupation

people in service occupations

physical sciences concepts

plants

processes and techniques

processes and techniques by specific type

scientific concepts

settlements and landscapes

single built works

single built works by function

single built works by specific type

transportation structures

transportation structures by form

vegetation and vegetation components

vegetation components

woody plants

writing (processes)

Title

Landscape

Artist

John Francis Murphy

Physical Description

Landscape of flat terrain; water, perhaps a small stream, in the foreground; four leafless trees (two large, two small) right of center, and two leafless trees left of center, below a cloud-filled sky.

Artist Life Dates

1853 - 1921

Century

19th century

Object Creation Date

1880

Accession Number

1954/1.80

Medium and Support

oil on canvas

Secondary Keywords

associated concepts

bodies of water

bodies of water and components of bodies of water

bodies of water by size

buildings and the land

descriptors

design elements

earth sciences concepts

geography

inorganic material

materials

materials by composition

natural landscapes

ornament areas

people and culture

physical sciences concepts

plants

riverine bodies

scientific concepts

settlements and landscapes

the natural world

vegetation and vegetation components

vegetation components

waterscapes

weather and related phenomena

weather-related phenomena

wetlands

woody plants

Title

Food Will Win the War - You cam here seeking Freedom - You must now help to preserve it - Wheat is needed for the allies - Waste nothing

Artist

Charles Edward Chambers

Physical Description

Text: Food Will Win the War - You cam here seeking Freedom - You must now help to preserve it - Wheat is needed for the allies - Waste nothing - United States Food Administration

Artist Life Dates

1883-1941

Century

20th century

Object Creation Date

1917-1918

Accession Number

1954/2.35.17

Medium and Support

color lithograph on paper

Secondary Keywords

americas

armed conflicts

associated concepts

declaratory and advertising artifacts

descriptors

earth sciences concepts

events

figures

geography

how we live

information artifacts

information artifacts by function

information forms

locality

materials

materials by function

modern and contemporary art

new york

north & central america

objects we use

people and culture

people and occupations

physical sciences concepts

scientific concepts

ships

text-based art

united states

war

weather and related phenomena

weather-related phenomena

world wars