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1751 to 1800 of 1844 results
Showing results for "Etching" in Medium and Support.
- Title
- Pergusa Three
- Artist
- Frank Stella
- Artist Life Dates
- born 1936
- Century
- 20th century
- Object Creation Date
- 1982
- Accession Number
- 1983/1.157
- Medium and Support
- relief-printed woodcut and etching on TGL hand-made paper
- relevance
- rank 2.49759
- Title
- Abendgesellschaft (An evening party)
- Artist
- Max Beckmann
- Artist Life Dates
- 1884-1950
- Century
- 20th century
- Object Creation Date
- 1913
- Accession Number
- 2000/2.162
- Medium and Support
- etching and drypoint on medium thick smooth cream wove paper
- relevance
- rank 2.49759
- Title
- 'Les Petit Cavaliers' after a painting attributed to Vélasquez
- Artist
- Édouard Manet
- Artist Life Dates
- 1832-1883
- Century
- 19th century
- Object Creation Date
- 1862
- Accession Number
- 1985/1.191
- Medium and Support
- etching, drypoint, roulette, and aquatint, printed in brown ink on paper
- relevance
- rank 2.49759
- Title
- The Pierrot
- Artist
- James McNeill Whistler
- Physical Description
- A man stands in an apron and rolled sleeves in the water door of a building along a canal. Another figure is seen kneeling and reaching down to the water at the left edge of the water door. The building and its reflection fills the frame; the emphasis is on the figures in the darkened opening, along with their reflections, while the upper story of the building is only summarily indicated.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1889
- Accession Number
- 1954/1.406
- Medium and Support
- etching and drypoint, printed in dark brown ink on wove paper
- relevance
- rank 2.49759
- Title
- The Young Tree
- Artist
- James McNeill Whistler
- Physical Description
- Two children sit on the ground next to a young tree that stands supported by a stake. The tree's foliage fills the image at the upper right. A fence in the upper part of the image separates the children from buildings in the distance, seen through the tree's branches. Presumably the children are in a part adjacent to a residential neighborhood.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1887
- Accession Number
- 1954/1.397
- Medium and Support
- etching, printed in warm black ink on laid paper, trimmed to platemark
- relevance
- rank 2.47156
- Title
- Café Corazza, Paris
- Artist
- James McNeill Whistler
- Physical Description
- Three arched openings (windows flanking a central door) are obscured by the trunks and foliage of two slender trees positioned in front of the building. Neither the tree trunks nor the building facade are drawn completely down to the ground.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- circa 1892-1893
- Accession Number
- 1954/1.409
- Medium and Support
- etching, printed in black ink on laid Japan tissue, trimmed to platemark
- relevance
- rank 2.47156
- Title
- I Hope You Learned Your Lesson
- Artist
- William T. Wiley
- Physical Description
- Print made to resemble a wood framed chalk board; dated lower left 1974; at lower right, artist's insignia a capital W within a circle.
- Artist Life Dates
- Born 1937
- Century
- 20th century
- Object Creation Date
- 1974
- Accession Number
- 1992/1.122
- Medium and Support
- color etching, sugarlift and hand-burnished aquatint on J. Barcham Green paper
- relevance
- rank 2.47156
- Title
- Cameo, No. 1. (Mother and Child.)
- Artist
- James McNeill Whistler
- Physical Description
- A young woman, dressed in diaphanous and flowing drapery and a scarf or kerchief over her hair, is seen sitting with legs crossed before a bed in which a child is lying. The woman is in profile, leaning to the right as she bring her face close to that of the child. The child is summarily sketched except for the head.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1891
- Accession Number
- 1954/1.400
- Medium and Support
- etching, printed in dark brown ink on laid paper trimmed to platemark
- relevance
- rank 2.47156
- Title
- Battle of the Sea Gods
- Artist
- Daniel Hopfer
- Physical Description
- This black and white print depicts an animated and detailed scene of nude figures and mythical beasts on the surface of the sea.Two men, with seaweed hair and riding half horse/half fish creatures, strike out at each other. A man and a woman ride a beast with a scaly body and the head of a fierce dog. In the background, a man holding a trident stands with his back to the viewer. Action and motion are expressed with billowing drapery, flowing hair and moving waves. The wide mouthed expressions of the figures and animals suggest yelling and noise in this chaotic scene. Among the many details depicted by the artist is a plaque held by the woman that has his initials.
- Artist Life Dates
- ca. 1470-1536
- Century
- 16th century
- Object Creation Date
- early 16th century
- Accession Number
- 1996/2.1
- Medium and Support
- etching on iron on medium, slightly textured light beige laid paper
- relevance
- rank 2.47156
- Title
- Little Venice, One of the 'Twelve Etchings,' or the 'First Venice Set'
- Artist
- James McNeill Whistler
- Physical Description
- Seen from a distance with an expanse of water in the foreground, a city can be seen along the horizon line wtih towers, domes and sailing ships. Poles marking the channel stike out of the water and gondolas can be seen in the middle ground.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1955/1.122
- Medium and Support
- etching, printed in dark brown ink on laid paper, trimmed to platemark
- relevance
- rank 2.47156
- Title
- Nocturne: Furnace, One of the 'Twenty-six Etchings,' or the 'Second Venice Set'
- Artist
- James McNeill Whistler
- Physical Description
- Viewed at night from the water, a man works deep inside an interior that is brightly lit from an unseen light source. Surrounding the threshold are dark lines indicating the shadowy exterior space. To the left of the doorway is a window that is partly open to reveal a figure standing facing outward towards the viewer.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.392
- Medium and Support
- etching and drypoint, printed in brown ink on laid paper, trimmed to platemark
- relevance
- rank 2.47156
- Title
- The Little Lagoon, One of the 'Twelve Etchings,' or the 'First Venice Set'
- Artist
- James McNeill Whistler
- Physical Description
- Gondolas, striped poles, and channel markers all dot the open surface of water in this image. At the center is a two-masted ship at anchor. In the distance are low islands with buildings and ships in the distance under cloudy skies.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.374
- Medium and Support
- etching and drypoint, printed in black ink on laid paper, trimmed to platemark
- relevance
- rank 2.47156
- Title
- The Arch of the Notre-Dame Bridge (L'Arche du Pont Notre-Dame)
- Artist
- Charles Meryon
- Artist Life Dates
- 1821-1868
- Century
- 19th century
- Object Creation Date
- 1853
- Accession Number
- 1979/2.21
- Medium and Support
- etching and drypoint printed in dark brown ink on greenish laid paper
- relevance
- rank 2.47156
- Title
- Jupiter and Mercury in the House of Philemon and Baucis
- Artist
- Hendrik Goudt
- Physical Description
- Two lamps provide the only source of light in this nighttime interior and the scene is full of dark shadows and areas highlighted by white. Two men are seated at a table- one is a bearded man wearing long robes and the other has a staff and a hat with wings. They are looking at a woman, wearing a cloth headdress and a long dress, who stands before them. On the left is a man entering through a doorway. The features of the room are shown in great detail including the assortment of food, hanging vegetables and baskets, a wall tapestry, the rough wood planking and decorative designs on the bedding. There is a printed Latin inscription below this scene.
- Artist Life Dates
- 1585-1630
- Century
- 17th Century
- Object Creation Date
- 1612
- Accession Number
- 1995/2.30
- Medium and Support
- engraving and etching on thin, slightly textured dark cream laid paper
- relevance
- rank 2.47156
- Title
- Regent's Quadrant
- Artist
- James McNeill Whistler
- Physical Description
- Glimpsed through an entableture and single doric column, a busy boulevard is seen filled with horse-drawn carriages and cabs, as well as with pedestrians, mostly in the foreground. In the distance is a building with large windows.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1880-1881
- Accession Number
- 1954/1.394
- Medium and Support
- etching and drypoint, printed in black ink on laid paper, trimmed to platemark
- relevance
- rank 2.47156
- Title
- Fleur de Lys Passage
- Artist
- James McNeill Whistler
- Physical Description
- Figrues stand or sit in a narrow passgeway that leads back in space to a dark entrance, beyond which a brightly lit arched entry is visible. The flanking buildings that form the passageway are not described; the focus is on the scattering of figures and the entryway in the distance.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1887
- Accession Number
- 1954/1.396
- Medium and Support
- etching, printed in dark brown ink on laid paper, trimmed to platemark
- relevance
- rank 2.47156
- Title
- Whistler with the White Lock
- Artist
- James McNeill Whistler
- Physical Description
- Very loosely drawn image of a man's head and shoulders, the rest of the body is left undescribed. The man has a moustache and curly dark hair, wth the exception of a white patch right at the hairline at his forehead.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879
- Accession Number
- 1954/1.369
- Medium and Support
- etching and drypoint, printed in black ink on pale green laid paper
- relevance
- rank 2.47156
- Title
- La Vieille aux Loques
- Artist
- James McNeill Whistler
- Physical Description
- An old woman in a white cap sits in a cluttered interior. Positioned just inside the doorway, the woman is surrounded by piles of cloth with domestic objects on shelves and walls that gleam in the darkness.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1858
- Accession Number
- 1954/1.328
- Medium and Support
- etching and drypoint, printed in dark brown ink on green laid paper
- relevance
- rank 2.47156
- Title
- Warriors
- Artist
- Stanley William Hayter
- Artist Life Dates
- 1901-1988
- Century
- 20th century
- Object Creation Date
- 1953
- Accession Number
- 1958/1.134
- Medium and Support
- color engraving, soft-ground etching and scorper, heightened with white on paper
- relevance
- rank 2.47156
- Title
- The Cock and the Pump
- Artist
- James McNeill Whistler
- Physical Description
- An open public space dominates the foreground of the image. In that space are several groups of children, particularly at the lower left of the image, a rooster at the lower right, and a water pump at the far side of the square just before the fence. Beyond is a street that receeds into the distance; on either side of the street are picturesque older buildings that face onto the square with banks of windows, overhangs, and steeply pitched rooflines.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1887
- Accession Number
- 1954/1.398
- Medium and Support
- etching, printed in warm black ink on laid paper, trimmed to platemark
- relevance
- rank 2.47156
- Title
- Hotel de Ville, Loches
- Artist
- James McNeill Whistler
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1888
- Accession Number
- 1954/1.402
- Medium and Support
- etching, printed in dark brown ink on laid paper, trimmed to platemark
- relevance
- rank 2.47156
- Title
- Earth, from The Four Elements
- Artist
- Jan van de Velde
- Artist Life Dates
- active 1593-1641
- Century
- 17th century
- Object Creation Date
- circa 1620
- Accession Number
- 1994/2.40
- Medium and Support
- etching and engraving on medium weight, slightly textured, off-white laid paper
- relevance
- rank 2.47156
- Title
- Return to Tilbury, from the 'Jubilee' or the 'Naval Review' series
- Artist
- James McNeill Whistler
- Physical Description
- At some distance can be seen ships with tall masts and a distant shore.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1887
- Accession Number
- 1987/1.361
- Medium and Support
- etching, printed in dark brown ink on laid paper, trimmed to platemark
- relevance
- rank 2.47156
- Title
- Fire, from The Four Elements
- Artist
- Jan van de Velde
- Artist Life Dates
- active 1593-1641
- Century
- 17th century
- Object Creation Date
- circa 1620
- Accession Number
- 1994/2.42
- Medium and Support
- etching and engraving on medium weight, slightly textured, off-white laid paper
- relevance
- rank 2.47156
- Title
- Judith with the Head of Holofernes
- Artist
- Anonymous Dutch
- Century
- 17th century
- Object Creation Date
- 17th century
- Accession Number
- 1998/2.14
- Medium and Support
- etching printed in black ink on medium-weight cream laid paper
- relevance
- rank 2.47156
- Title
- San Giorgio, One of the 'Twenty-six Etchings,' or the 'Second Venice Set'
- Artist
- James McNeill Whistler
- Physical Description
- Ships at anchor in a lagoon is the focus of this image. Smaller boats are tied to the quay in the foreground and along the horizon line is a cityscape, leading to a large church at the left, with an impressive facade, dome and bell tower behind. A large ship is moored between the viewer and the church. Much of the foreground is occupied by water without boats, leaving the elements of the composition largely in the middle distance.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.386
- Medium and Support
- etching, printed in dark brown ink on laid paper, trimmed to platemark
- relevance
- rank 2.47156
- Title
- piccolo, Romano rosso
- Artist
- John Newman
- Artist Life Dates
- born 1952
- Century
- 20th century
- Object Creation Date
- 1988
- Accession Number
- 1989/2.2
- Medium and Support
- etching, aquatint, drypoint and softground on chine colle, mounted on Fabriano paper
- relevance
- rank 2.47156
- Title
- Mother and Children in Garden
- Artist
- Artist Unknown
- Physical Description
- Sticker added to front of the print stamped with the numbers "1345". Colors: green, blue, purple, peach, yellow. Paper size: lh 44 & rh 44 1/5cm x tw 61 2/5cm & bw 61 3/10cm. Plate & Image Size: lh 30 4/5cm & rh 30 3/5cm x tw 45 3/5cm & bw 45 2/5cm.
- Accession Number
- 2008/2.442
- Medium and Support
- color etching, aquatint and soft-ground on Arches beige laid paper
- relevance
- rank 2.47156
- Title
- The Traghetto, No. 2, One of the 'Twelve Etchings,' or the 'First Venice Set'
- Artist
- James McNeill Whistler
- Physical Description
- A dark passageway dominates the middle and left portions of the composition; to the right is a group of men seated outside at a table. The passageway has a view at the far end of a man seated while a gondola passes by. In front of the passageway re three young trees, the leaves of which fall in front of the passageway. To the left of the passageway is a child holding a baby. On either side of the passageway are windows that indicate the walls that fill the plate.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.377
- Medium and Support
- etching, printed in dark brown ink on laid paper, trimmed to platemark
- relevance
- rank 2.47156
- Title
- Upright Venice, One of the 'Twenty-six Etchings,' or the 'Second Venice Set'
- Artist
- James McNeill Whistler
- Physical Description
- Seen from an elevated vantage point, a quay in the foreground with boats anchored nearby and figures talking is balanced in the upper part of the image by a view of buildings along the canals, gondolas, shipping and, just left of center a large domed church.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.388
- Medium and Support
- etching and drypoint, printed in black ink on laid paper, trimmed to platemark
- relevance
- rank 2.47156
- Title
- La Melancholia
- Artist
- Giovanni Benedetto Castiglione
- Artist Life Dates
- 1609-1664
- Century
- 17th Century
- Object Creation Date
- circa 1647
- Accession Number
- 1994/2.12
- Medium and Support
- etching on thin, slightly textured, beige laid paper, trimmed to platemark
- relevance
- rank 2.47156
- Title
- A Dark Portrait
- Artist
- Jim Dine
- Artist Life Dates
- born 1935
- Century
- 20th century
- Object Creation Date
- 1979
- Accession Number
- 1996/1.77
- Medium and Support
- etching, drypoint and electric tools with hand-painting in oil and stop-out varnish on paper
- relevance
- rank 2.44607
- Title
- Old Battersea Bridge
- Artist
- James McNeill Whistler
- Physical Description
- Seen from the surface of a river, a segment of a wooden bridge carries both carriages and pedestrians across the span. The piers of the bridge are reinforced with horizontal boards to protect against collision. Between the piers the distant shore shows numerous buildings and dry-dock cranes. In the center span, a low boat with a sail is about to pass under the bridge, moving towards the viewer.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879
- Accession Number
- 1954/1.371
- Medium and Support
- etching and drypoint, printed in dark brown ink on laid paper, trimmed to platemark
- relevance
- rank 2.44607
- Title
- The Mast, One of the 'Twelve Etchings,' or the 'First Venice Set'
- Artist
- James McNeill Whistler
- Physical Description
- A long street receds at the center of the image. In the center is a flagpole surmounted by a winged lion (symbol of St. Mark, and therefore of Venice). In the foreground at lower left is a group of women seated working together making lace. Other than a man and boy at the right of the flagpole, the street is largely empty.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.383
- Medium and Support
- etching and drypoint printed in warm black ink on laid paper, trimmed to platemark
- relevance
- rank 2.44607
- Title
- Clothes-Exchange, Houndsditch, No. l
- Artist
- James McNeill Whistler
- Physical Description
- The work shows a view down a partly drawn street to a building at the end. The ground floor of the building is open to the street, creating a dark space behind the entrance. Figures are arranged down the street and at the threshold of the building at the end of the street.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1887
- Accession Number
- 1985/2.119
- Medium and Support
- etching and drypoint, printed in dark brown ink on laid paper, trimmed to platemark
- relevance
- rank 2.44607
- Title
- Carpet Menders, Paris
- Artist
- James McNeill Whistler
- Physical Description
- Three women sit just inside the doorway of a building shown frontally to the viewer. The doorway is framed by windows on either side within an archietctural framework that connects the windows and door with a dado under the windows. The women have a large piece of fabric laid over their laps on which they are working. The woman at the left is angled so that she is looking into the room; the other two look out at the viewer. The profile of a fourth woman is visible in the central window on the left side of the door.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1897-1898
- Accession Number
- 1954/1.408
- Medium and Support
- etching and drypoint, printed in warm black ink on laid paper, trimmed to plate
- relevance
- rank 2.44607
- Title
- San Biagio, One of the 'Twenty-six Etchings' or the 'Second Venice Set'
- Artist
- James McNeill Whistler
- Physical Description
- A large, two-story arched passageway leads from the foreground to a distant street. Viewed from the water of the canal that runs across the bottom of the image, the image concentrates on the dark barrel vault of the passage, the boats that occupy the foreground between the water and the walls of the building, and windows and balconies that animate the wall on either side of the archway.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1880
- Accession Number
- 1954/1.385
- Medium and Support
- etching and drypoint, printed in dark brown ink on laid paper, trimmed to platem
- relevance
- rank 2.44607
- Title
- Steps, Amsterdam
- Artist
- James McNeill Whistler
- Physical Description
- Seen frontally is a building along a canal. In front of the facade is a brick or cobble pavement; steps lead up to a triple doorway entrance while laundry and windows complete the second story. To either side of the central steps are doorways that lead down. In each of the doorways and on the pavement are grouped figures of women and children. The lower portion of the print shows the reflections of the building and figures.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1889
- Accession Number
- 1954/1.403
- Medium and Support
- etching and drypoint, printed in dark brown ink on laid paper, trimmed to platem
- relevance
- rank 2.44607
- Title
- Portrait de Stéphane Mallarmé
- Artist
- Paul Gauguin
- Physical Description
- A shoulder-length portrait of a man occupies the bottom half of the image. The upper portion of the image is untouched. The man's head is silhouetted against a very dark background created by dense marks and hatching that prints very dark. The man looks away from the viewer to the left; behind his head is a partially drawn crow or raven. The man has short hair, moustache and beard.
- Artist Life Dates
- 1848 - 1903
- Century
- 19th century
- Object Creation Date
- 1891
- Accession Number
- 2007/2.18
- Medium and Support
- etching, drypoint, engraving and aquatint, printed in brown ink on cream wove pa
- relevance
- rank 2.44607
- Title
- Sheep beside Five Leafless Trees
- Artist
- Charles Emile Jacque
- Artist Life Dates
- 1813-1894
- Century
- 19th century
- Object Creation Date
- 1868
- Accession Number
- 1954/1.299
- Medium and Support
- etching on chine collé on moderately thick, slightly textured cream wove paper
- relevance
- rank 2.44607
- Title
- The Riva, No. 2, One of the 'Twenty-six Etchings,' or the 'Second Venice Set'
- Artist
- James McNeill Whistler
- Physical Description
- A view of a city along the edge of water sweeps from the foreground towards the right in the distance. Along quays, bridges and promenades can be seen groupoings of people walking and in conversation. Boats populate the water's edge: smaller boats in the foreground, larger multi-masted ships in the distance.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.389
- Medium and Support
- etching and drypoint, printed in warm black ink on laid paper, trimmed to platem
- relevance
- rank 2.44607
- Title
- Vachere au Bord de l'Eau
- Artist
- Camille Pissarro
- Physical Description
- A woman sits at the left on a grassy bank looking at a group of cows standing in water. Behind are trees and a hill rising up in the distance.
- Possible watermark at center left (of verso); image shows a fleur de lis over a triangle. Paper size: lh 26 2/5cm & rh 26 1/2cm x w 19 1/2cm. Plate size: lh 19 7/10cm & rh 19 9/10cm x w 13 2/5cm. Image size: lh 19 1/10cm & rh 19cm x tw 12 2/5cm & bw 12 1/2cm.
- Artist Life Dates
- 1830-1903
- Accession Number
- 2008/2.401
- Medium and Support
- etching and drypoint printed in brown/black ink on light blue laid paper
- relevance
- rank 2.44607
- Title
- The Beggars, One of the 'Twelve Etchings,' or the 'First Venice Set'
- Artist
- James McNeill Whistler
- Physical Description
- A deep covered passageway dominates the composition. At the near end of the passage, to the right side stand a woman and young girl, both with heads covered and looking at the viewer. Looking down the passageway, light catches the timbered ceiling and figures can be seen walking at the far end, silhouetted against the bright light in the square or street beyond. A lantern hangs above the entrance at the near end of the passage.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.382
- Medium and Support
- etching and drypoint, printed in dark brown ink on laid paper, trimmed to platem
- relevance
- rank 2.44607
- Title
- Long Venice, One of the 'Twenty-six Etchings,' or the 'Second Venice Set'
- Artist
- James McNeill Whistler
- Physical Description
- A sweeping panorama shows a city and shipping along the water. The left side is more minutely described as large three-story buildings hug the water's edge. Just to the right of center is a large building with several domes. Several small boats and gondolas are visible to left of center. A cloudy and blustery sky occupies the top of the image.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.391
- Medium and Support
- etching and drypoint, printed in dark brown ink on laid paper, trimmed to platem
- relevance
- rank 2.44607
- Title
- Grand' Place, Brussels
- Artist
- James McNeill Whistler
- Physical Description
- A large building with an open square before it dominates the composition. The building has elaborate architectural elements and is clearly a public or official place and has an arched pediment, finials, pilasters, and extensive glazing. In the square before the building are groupings of figures.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1887
- Accession Number
- 1954/1.401
- Medium and Support
- etching and drypoint, printed in dark brown ink on old laid paper, trimmed to platemark
- relevance
- rank 2.44607
- Title
- Millbank, from 'Sixteen Etchings,' or the 'Thames Set'
- Artist
- James McNeill Whistler
- Physical Description
- An expansive riverscape moves across the middle of the image, from left to right. On the near bank are pilings and a retaining wall while on the opposite bank are factories and other buildings. In the foreground, two men stand on the embankment near the waterline; another man stands at the back of a boat or barge in the lower left corner.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1861
- Accession Number
- 1998/2.13
- Medium and Support
- etching and drypoint, printed in black ink on medium-weight tan laid paper
- relevance
- rank 2.44607
- Title
- Faneuses
- Artist
- Camille Pissarro
- Physical Description
- Paper Size: lh 25 2/5cm & rh 25cm x tw 19 4/5cm & bw 19 7/10cm. Plate size: h 19 7/10cm x w 13 2/5cm. Image size: h 19cm x w 12 3/5cm.
- Artist Life Dates
- 1830-1903
- Accession Number
- 2008/2.449
- Medium and Support
- etching and drypoint printed in brown/black ink on heavy beige laid paper
- relevance
- rank 2.44607
- Title
- Nocturne: Salute
- Artist
- James McNeill Whistler
- Physical Description
- This image shows structures and their reflections in the water, drawn largely through clusters of vertical lines. To the right in the distance are the masts of ships; at the right center is a small boat. More sketchily rendered are buildings or perhaps piers at the left of the image.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.393
- Medium and Support
- etching and drypoint, printed in dark brown ink on laid paper, trimmed to platem
- relevance
- rank 2.44607
- Title
- Cottage Door
- Artist
- James McNeill Whistler
- Physical Description
- Four girls stand in, adjacent to, or in front of a dark open doorway. The doorway is cropped at the top, focussing on the figures. To the right is the partial view of a window.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1886
- Accession Number
- 1954/1.395
- Medium and Support
- etching and drypoint, printed in dark brown ink on laid paper, trimmed to platemark
- relevance
- rank 2.44607
- Title
- The Palaces, One of the 'Twelve Etchings,' or the 'First Venice Set'
- Artist
- James McNeill Whistler
- Physical Description
- A series of buildings and gondolas are seen along the edge of a canal. The emphasis on the dark tile roofs is contrasted with the play of window tracery and balconies along the facades of the building.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1955/1.123
- Medium and Support
- etching, drypoint, and open bite, printed in black ink on laid paper, trimmed to platemark
- relevance
- rank 2.42110