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Showing results for "natural landscapes" in Secondary Keywords.
- Title
- White Mountains (Mount Washington from Sunset Hill, North Conway)
- Artist
- L. Luthy
- Physical Description
- Landscape painting with mountain peak at center and rolling mountains to either side; valley in foreground with houses hidden among trees in deep shadow and along hillside; blue sky above with wispy clouds.
- Artist Life Dates
- 1803 - 1863
- Century
- 19th century
- Object Creation Date
- circa 1854
- Accession Number
- 1895.44
- Medium and Support
- oil on canvas
- Secondary Keywords
- scale
- upward
- associated concepts
- atmospheric effects
- buildings and the land
- dwellings
- earth sciences concepts
- geography
- landforms
- landforms and landform components
- landforms by shape or position
- natural landscapes
- people and culture
- physical sciences concepts
- plants
- residential structures
- scientific concepts
- settlements
- settlements and landscapes
- settlements by form
- single built works
- single built works by function
- single built works by specific type
- the natural world
- vegetation and vegetation components
- vegetation components
- weather and related phenomena
- weather-related phenomena
- woody plants
- Title
- White Mountains in September, North Conway, New Hampshire
- Artist
- Sylvester Phelps Hodgdon
- Physical Description
- Landscape with trees in foreground, valley in middle ground dotted with minute figures of sheep and a farmer with a team of oxen pulling well-filled haywain. Mountains in distance with a snow-capped mountain in center background.
- Artist Life Dates
- 1830 - 1906
- Century
- 19th century
- Object Creation Date
- 1853
- Accession Number
- 1895.57
- Medium and Support
- oil on canvas
- Secondary Keywords
- downward
- upward
- americas
- animals and creatures
- associated concepts
- buildings and the land
- descriptors
- design elements
- earth sciences concepts
- freewheeled vehicles
- freewheeled vehicles by form or function
- geographic and political locations
- grass (plant material)
- land vehicles
- land vehicles by form
- landforms
- landforms and landform components
- landforms by shape or position
- locality
- mammals
- materials
- materials by origin
- natural landscapes
- north & central america
- north and central america (continent)
- objects we use
- ornament areas
- people
- people (agents)
- people and culture
- people and occupations
- people by occupation
- people in agriculture
- people in agriculture or natural resource occupations
- people in science-related occupations
- physical sciences concepts
- plant material
- plants
- scientific concepts
- scientists and people in science-related occupations
- service and utility vehicles
- settlements and landscapes
- the natural world
- transportation vehicles
- united states
- united states (nation)
- vehicles
- visual works
- visual works by subject type
- Title
- The Attack on an Emigrant Train
- Artist
- Charles Ferdinand Wimar
- Physical Description
- The painting depicts a group of American settlers attempting to defend themselves against attack by a band of Native Americans. A covered wagon pulled by two horses is at the center of the composition; at left, two Native Americans attack the wagon with war clubs and tomahawks; a figure on the lead horse points a pistol directly at the head of one of his attackers, while a figure at the rear of the wagon shoots another attacker. At right other warriors on horseback ride past the train shooting arrows and wielding tomahawks.
- Artist Life Dates
- 1828-1862
- Century
- 19th century
- Object Creation Date
- 1856
- Accession Number
- 1895.80
- Medium and Support
- oil on canvas
- Secondary Keywords
- american regions
- americas
- animals
- animals and creatures
- armed conflicts
- associated concepts
- atmospheric effects
- buildings and the land
- cargo vehicles
- cargo vehicles by form
- cutting equipment
- cutting tools
- earth sciences concepts
- edged weapons
- equipment
- equipment by process
- events
- fights
- firearms
- freewheeled vehicles
- freewheeled vehicles by form or function
- grassland
- how we live
- land vehicles
- land vehicles by form
- landscapes (environments)
- locality
- long guns
- mammals
- natural landscapes
- north & central america
- north american
- objects
- objects we use
- passenger vehicles
- people
- people (agents)
- people and culture
- people by activity
- physical activities
- physical activities by general context
- physical sciences concepts
- plant communities
- projectile launchers with nonexplosive propellant
- projectile weapons
- projectile weapons with explosive propellant
- projectile weapons with nonexplosive propellant
- projectiles with nonexplosive propellant
- scientific concepts
- settlements and landscapes
- small arms by form
- styles and periods
- styles and periods by region
- the americas
- the natural world
- tools and equipment
- transportation vehicles
- vegetation and vegetation components
- vegetation components
- vehicles
- war
- weaponry
- weapons
- weapons and ammunition
- Title
- Charity (La Charité)
- Artist
- William-Adolphe Bouguereau
- Physical Description
- Painting of a woman holding two sleeping nude babies, wearing white fabric draped over her head and shoulders with abundant blue-green fabric wrapped and loosely gathered around the rest of her body standing in front of a lush background with areas of blue sky peaking through the foliage.
- Artist Life Dates
- 1825-1905
- Century
- 19th century
- Object Creation Date
- 1859
- Accession Number
- 1895.96
- Medium and Support
- oil on canvas
- Secondary Keywords
- buildings and the land
- family
- genres
- how we live
- landscapes (environments)
- modern and contemporary art
- natural landscapes
- offspring
- parents
- people
- people (agents)
- people and culture
- people and occupations
- people by family relationship
- plants
- relationships
- religious figures
- settlements and landscapes
- vegetation and vegetation components
- vegetation components
- woods
- woody plants
- Title
- In the Mountain Fastness
- Artist
- Daniel Huntington
- Physical Description
- Dark landscape set atop a rocky mountain with sparse vegetation. There is a small boulder in the left foreground space with a dead tree standing beside it; in the right foreground there is what appears to be a small cave. A dead and broken tree lies across the bottom of the picture frame. There are mountains in the distance and a dark stormy sky above with a break in the clouds near the center of the canvas that reveals a sunny blue sky.
- Artist Life Dates
- 1816 - 1906
- Century
- 19th century
- Object Creation Date
- 1850
- Accession Number
- 1916.1
- Medium and Support
- oil on canvas
- Secondary Keywords
- upward
- artistic concepts
- associated concepts
- atmospheric effects
- buildings and the land
- concepts in the arts
- descriptors
- earth sciences concepts
- european
- european styles and periods
- events
- forms of expression
- geography
- inorganic material
- landform components
- landforms
- landforms and landform components
- landforms by shape or position
- materials
- materials by composition
- modern european styles and movements
- natural events
- natural landscapes
- people and culture
- physical sciences concepts
- plants
- scientific concepts
- settlements and landscapes
- styles and periods
- styles and periods by region
- the natural world
- vegetation and vegetation components
- vegetation components
- weather and related phenomena
- weather-related phenomena
- woody plants
- Title
- Scene in the Catskills
- Artist
- Thomas Cole
- Physical Description
- This landscape painting depicts a rocky hillside beneath a blue sky and towering cloud formations. In the foreground area, a stream flows between boulders and cascades over rocks. There is a large square boulder with the roots and stump of a dead tree. The right side of the painting has green vegetation along the edege of the stream and tall green-leafed trees further back on the side of the hill. On the left, beyond the hill, there is a glimpse of far distant mountains. This scene is painted in warm tones of green and brown in a realistic manner. Patches of sunlight highlight areas of the hillside, boulders and the stream.
- Artist Life Dates
- American, born England, 1801-1848
- Century
- 19th century
- Object Creation Date
- 1801-1848
- Accession Number
- 1919.2
- Medium and Support
- oil on board
- Secondary Keywords
- settlement area
- associated concepts
- atmospheric effects
- bodies of water and components of bodies of water
- buildings and the land
- components of bodies of water
- descriptors
- dwellings
- earth sciences concepts
- geography
- houses
- houses by location
- houses by location or context
- inorganic material
- landscapes (environments)
- materials
- materials by composition
- natural landscapes
- people and culture
- physical sciences concepts
- plants
- residential structures
- rural houses
- scientific concepts
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- the natural world
- vegetation and vegetation components
- vegetation components
- waterscapes
- weather and related phenomena
- weather-related phenomena
- woody plants
- Title
- Death and the Ploughman's Wife
- Artist
- William Strang
- Artist Life Dates
- 1859-1921
- Century
- 19th century
- Object Creation Date
- 1894
- Accession Number
- 1930.22
- Medium and Support
- etching on paper
- Secondary Keywords
- animal material
- animal material by form or function
- descriptors
- family
- how we live
- landscapes
- materials
- materials by origin
- objects we use
- people and occupations
- plants
- relationships
- skeleton and skeleton components
- skeleton components
- suns
- the natural world
- vessels
- Title
- Wild geese
- Artist
- Ohara Shôson (Koson)
- Artist Life Dates
- 1877-1945
- Century
- 20th century
- Object Creation Date
- 1926
- Accession Number
- 1930.67
- Medium and Support
- color woodblock print on paper
- Secondary Keywords
- animals
- birds
- geese
- landscapes
- the natural world
- Title
- Near Rome (Environs de Rome)
- Artist
- Jean-Baptiste-Camille Corot
- Physical Description
- The foreground is trees which frame, in the distance, a church-like structure. On the right are two tree trunks with little foliage. The left side from the bottom and halfway up is darkened area. There are 3 distinguishable trees near the center of the image that are full of foliage. Just to the right of those trees is a tree just as big as the church-like structure.
- Artist Life Dates
- 1796-1875
- Century
- 19th century
- Object Creation Date
- 1866
- Accession Number
- 1930.7
- Medium and Support
- etching on paper
- Secondary Keywords
- downward
- architecture
- buildings and the land
- descriptors
- inorganic material
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- materials
- materials by composition
- natural landscapes
- plants
- settlements and landscapes
- vegetation and vegetation components
- vegetation components
- woody plants
- Title
- Winter in Weehawken
- Artist
- Henry Reuterdahl
- Physical Description
- This winter landscape scene is painted in light pastel colors including, white, blue, pink and gray. The artist has used vigorous brushstrokes and the paint has been applied thickly on the canvas. The scenery is not painted in detail but done in an impressionistic manner.
- In the foreground, a snow-covered hill slopes downward from the upper right side of the composition to the lower left. There is one tall tree that frames the scene on the far right and several others clustered on the left. In the middleground area, seen through the branches of these trees, there are factories and buildings of a town. Also, there are figures ice skating on a pond, at the far left of the composition. In the far distance, seen over the edge of the slope, is the skyline of a city, the shapes of skyscrapers silhouetted against a cloudy sky.
- Artist Life Dates
- 1871-1925
- Century
- 20th century
- Object Creation Date
- 1907
- Accession Number
- 1931.15
- Medium and Support
- oil on canvas
- Secondary Keywords
- associated concepts
- atmospheric effects
- buildings and the land
- cultural landscapes
- cultural landscapes by location or context
- earth sciences concepts
- geography
- houses
- landscapes (environments)
- modern and contemporary art
- natural landscapes
- people and culture
- physical sciences concepts
- plants
- precipitation
- scientific concepts
- seasons
- settlements and landscapes
- the natural world
- vegetation and vegetation components
- vegetation components
- weather and related phenomena
- weather-related phenomena
- woody plants
- Title
- Flora
- Artist
- Richard James Wyatt
- Physical Description
- White marble sculpture of female figure, partially nude with a cloth draped loosely around her waist and over her left forearm. She holds a cluster of flowers in her left hand, and a single bloom in her right; a basket of flowers located on base to left and slightly behind figure.
- Artist Life Dates
- 1795 - 1850
- Century
- 19th century
- Object Creation Date
- 1850
- Accession Number
- 1931.17
- Medium and Support
- marble
- Secondary Keywords
- artistic concepts
- artistic devices
- associated concepts
- buildings and the land
- concepts in the arts
- european
- european styles and periods
- figures
- figures (representations)
- genres
- genres in the arts
- herbaceous plants
- landscapes (environments)
- literary, oral and motion picture genres
- modern european styles and movements
- natural landscapes
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- people by gender
- plants
- sculpture by subject type
- settlements and landscapes
- styles and periods
- styles and periods by region
- symbolism
- the natural world
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by medium or technique
- visual works by subject type
- woody plants
- Title
- Peasant Girls
- Artist
- Alessandro Mastro-Valerio
- Artist Life Dates
- 1887-1953
- Century
- early 20th century
- Object Creation Date
- 1887-1931
- Accession Number
- 1931.5
- Medium and Support
- drypoint on paper
- Secondary Keywords
- figures
- landscapes
- modern and contemporary art
- people and occupations
- the natural world
- Title
- The Sea is Making
- Artist
- Charles Herbert Woodbury
- Artist Life Dates
- 1864-1940
- Century
- 20th century
- Object Creation Date
- n.d.
- Accession Number
- 1935.29
- Medium and Support
- etching on paper
- Secondary Keywords
- buildings and the land
- descriptors
- events
- geography
- inorganic material
- landform components
- landforms and landform components
- landscapes (environments)
- materials
- materials by composition
- natural events
- natural landscapes
- objects we use
- people and culture
- settlements and landscapes
- the natural world
- transportation vehicles
- vehicles
- watercraft
- watercraft by general type
- waterscapes
- Title
- Workers of the World Unite
- Artist
- Rockwell Kent
- Artist Life Dates
- 1882-1971
- Century
- 20th century
- Object Creation Date
- 20th century
- Accession Number
- 1937.2
- Medium and Support
- woodcut on paper
- Secondary Keywords
- construction equipment
- earthmoving equipment
- equipment
- equipment by process
- landscapes
- objects
- objects we use
- shovels
- the natural world
- tools and equipment
- Title
- Tenant Farm
- Artist
- Ann Michalov
- Artist Life Dates
- Born 1904
- Century
- 20th century
- Object Creation Date
- 1904-1938
- Accession Number
- 1938.15
- Medium and Support
- lithograph on paper
- Secondary Keywords
- animals
- architecture
- birds
- chimneys
- countryside
- gardens
- landscapes
- mammals
- modern and contemporary art
- objects
- people and occupations
- plants
- the natural world
- wells
- Title
- Pont de l'Estacade
- Artist
- Stanislas Victor Edouard Lépine
- Physical Description
- This painting shows a view of the Seine river in Paris, including the wooden bridge, the Pont de l'Estacade. The foreground is filled is small boats and a dock winch, while the in the distance the bridge and buildings of Paris glow in late afternoon light.
- Artist Life Dates
- 1835-1892
- Century
- 19th century
- Object Creation Date
- circa 1880-1885
- Accession Number
- 1938.21
- Medium and Support
- oil on canvas
- Secondary Keywords
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- europe (continent)
- france (nation)
- geographic and political locations
- landscapes (environments)
- natural landscapes
- objects we use
- riverine bodies
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- transportation structures
- transportation structures by form
- transportation vehicles
- vehicles
- ville de paris, dèpartement de (department)
- visual works
- visual works by subject type
- watercraft
- watercraft by general type
- œle-de-france (region)
- Title
- Harvest by the Sea
- Artist
- William Wendt
- Artist Life Dates
- Germany, 1865-1946
- Century
- 19th-20th century
- Object Creation Date
- circa 1885-1938
- Accession Number
- 1938.24
- Medium and Support
- oil on canvas
- Secondary Keywords
- geography
- hay
- landscapes
- modern and contemporary art
- the natural world
- waterscapes
- Title
- (Landscape)
- Artist
- Ernest Albinson
- Artist Life Dates
- 1898-1971
- Century
- 20th century
- Object Creation Date
- 1898-1940
- Accession Number
- 1940.134
- Medium and Support
- linocut on paper
- Secondary Keywords
- architecture
- buildings and the land
- descriptors
- geography
- inorganic material
- materials
- materials by composition
- modern and contemporary art
- objects we use
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- the natural world
- transportation structures
- transportation structures by form
- transportation vehicles
- vehicles
- visual works
- visual works by subject type
- watercraft
- watercraft by general type
- waterscapes
- Title
- Mower Sharpening his Scythe (Faucheur aiguisant sa faux)
- Artist
- Jules Bastien-Lepage
- Artist Life Dates
- 1848-1884
- Century
- 19th Century
- Object Creation Date
- 1878
- Accession Number
- 1940.136
- Medium and Support
- etching and drypoint on paper
- Secondary Keywords
- landscapes
- the natural world
- Title
- In the Fog
- Artist
- Warren Lombard
- Physical Description
- The bottom half of this print's composition shows a rocky outcropping, with a triangular shadow in the center right. On the bottom left is some foliage. The top half of the composition shows three trees in the center right. The left-most tree is darker than the other two. The trees are set against a flat background.
- Artist Life Dates
- 1855-1939
- Century
- 20th century
- Object Creation Date
- 1923
- Accession Number
- 1940.21
- Medium and Support
- drypoint on paper
- Secondary Keywords
- upward
- associated concepts
- buildings and the land
- descriptors
- earth sciences concepts
- inorganic material
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- materials
- materials by composition
- modern and contemporary art
- natural landscapes
- people and culture
- physical sciences concepts
- plants
- scientific concepts
- settlements and landscapes
- vegetation and vegetation components
- vegetation components
- weather and related phenomena
- weather-related phenomena
- woody plants
- Title
- The Way to Deadman's Cove
- Artist
- Warren Lombard
- Physical Description
- This forest scene has three trees in the middle of the composition; a straight narrow tree lies in the middle, with a tree next to it leaning diagonally to the right, and a smaller tree in the background to the left. On either side of the composition are more trees. Behind the middle trees we can see the forest open up with a lighter space. The bottom third of the composition shows the forest floor, a faint path, and shadows cast by the trees.
- Artist Life Dates
- 1855-1939
- Century
- 20th century
- Object Creation Date
- 1926
- Accession Number
- 1940.36
- Medium and Support
- etching on paper
- Secondary Keywords
- associated concepts
- buildings and the land
- cultural landscapes
- cultural landscapes by location or context
- descriptors
- energy and related concepts
- energy-related concepts
- landscapes (environments)
- light-related concepts
- materials
- materials by origin
- modern and contemporary art
- natural landscapes
- open spaces
- open spaces and site elements
- open spaces by function
- people and culture
- physical sciences concepts
- physics concepts
- plant material
- plants
- scientific concepts
- settlements and landscapes
- vegetation and vegetation components
- vegetation components
- walkways
- wilderness
- woody plants
- Title
- Mount Hood from The Dalles
- Artist
- John Stanley
- Physical Description
- Landscape painting with white mountain peak in center background, body of water in foreground, and a Native American encampment to left.
- Artist Life Dates
- 1814-1872
- Century
- 19th century
- Object Creation Date
- 1871
- Accession Number
- 1940.426
- Medium and Support
- oil on canvas
- Secondary Keywords
- upward
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- components of bodies of water
- demountable buildings
- descriptors
- geography
- houses
- inorganic material
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- materials
- materials by composition
- natural landscapes
- people and culture
- plants
- portable buildings
- riverine bodies
- settlements and landscapes
- single built works
- single built works by design
- single built works by specific type
- styles and periods
- styles and periods by region
- tents
- the americas
- the natural world
- waterscapes
- Title
- Little Whitehead
- Artist
- Warren Lombard
- Physical Description
- This ocean scene shows a cliff on the left half of the composition, with the ocean and some birds on the right. The cliff is darker towards the bottom, and the strip of ocean is in the bottom third of the composition. There are five birds; three are more distinct, while the other two a smaller and fainter.
- Artist Life Dates
- 1855-1939
- Century
- 20th century
- Object Creation Date
- 1927
- Accession Number
- 1940.44
- Medium and Support
- drypoint on paper
- Secondary Keywords
- animals and creatures
- birds
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- descriptors
- gulls
- inorganic material
- landform components
- landforms and landform components
- landscapes (environments)
- marine bodies
- materials
- materials by composition
- modern and contemporary art
- natural landscapes
- settlements and landscapes
- Title
- Farm Scene
- Artist
- Joseph Shapiro
- Century
- 20th century
- Object Creation Date
- 1939
- Accession Number
- 1943.121
- Medium and Support
- lithograph on paper
- Secondary Keywords
- animals
- architecture
- buildings and the land
- business and industry
- geography
- how we live
- landscapes
- mammals
- modern and contemporary art
- open spaces
- open spaces and site elements
- open spaces by location or context
- organizations
- the natural world
- windmills
- yards
- Title
- Starvation
- Artist
- Bernard Steffen
- Artist Life Dates
- Born 1909
- Century
- 20th century
- Object Creation Date
- 1939
- Accession Number
- 1943.131
- Medium and Support
- lithograph on paper
- Secondary Keywords
- animals
- clothing
- figures
- geography
- hats
- how we live
- landscapes
- mammals
- modern and contemporary art
- objects
- organizations
- people and occupations
- rites of passage
- the natural world
- Title
- Beside the Lake
- Artist
- Anonymous American
- Century
- 20th century
- Object Creation Date
- circa 1935
- Accession Number
- 1943.150
- Medium and Support
- lithograph on paper
- Secondary Keywords
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- figures
- geography
- how we live
- lacustrine bodies
- landscapes (environments)
- modern and contemporary art
- natural landscapes
- objects we use
- organizations
- people
- people (agents)
- people and culture
- people and occupations
- people by gender
- physical activities
- physical activities by general context
- settlements and landscapes
- transportation vehicles
- vehicles
- visual works
- visual works by subject type
- watercraft
- watercraft by general type
- Title
- Village
- Artist
- Samuel Green
- Artist Life Dates
- Born 1909
- Century
- 20th century
- Object Creation Date
- 1938
- Accession Number
- 1943.45
- Medium and Support
- drypoint on paper
- Secondary Keywords
- scale
- architecture
- buildings
- buildings and the land
- houses
- how we live
- modern and contemporary art
- organizations
- places of worship
- plants
- settlements
- settlements and landscapes
- settlements by form
- the natural world
- Title
- Park Panorama
- Artist
- Ann Nooney
- Artist Life Dates
- Born 1900
- Century
- 20th century
- Object Creation Date
- 1939
- Accession Number
- 1943.96
- Medium and Support
- lithograph on paper
- Secondary Keywords
- architecture
- buildings and the land
- cityscapes
- how we live
- landscapes
- modern and contemporary art
- open spaces
- open spaces and site elements
- open spaces by function
- organizations
- plants
- the natural world
- Title
- Landscape
- Artist
- Alice Hunt
- Physical Description
- A stream with trees on either side. Rocks in and around the stream and a fence in the grass on the left side of the image.
- Artist Life Dates
- 1848-1930
- Century
- 20th century
- Object Creation Date
- 1848-1930
- Accession Number
- 1944.11
- Medium and Support
- watercolor on white paper
- Secondary Keywords
- biological components
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- components
- components and systems
- components by specific context
- descriptors
- inorganic material
- landscapes (environments)
- materials
- materials by composition
- natural landscapes
- objects we use
- plant components
- riverine bodies
- settlements and landscapes
- trees (components)
- visual works
- visual works by subject type
- Title
- The Edge of the Forest
- Artist
- N. Alizone(?)
- Artist Life Dates
- (active 19th century)
- Century
- 19th century
- Object Creation Date
- 19th century
- Accession Number
- 1946/2.3
- Medium and Support
- oil on panel
- Secondary Keywords
- associated concepts
- buildings and the land
- natural landscapes
- people and culture
- philosophical concepts
- plants
- settlements and landscapes
- the natural world
- vegetation and vegetation components
- vegetation components
- woody plants
- Title
- Hôeidô Tôkaidô Series: Dusk at Numazu
- Artist
- Andô Hiroshige
- Physical Description
- Several travellers are walking along the river. There are trees on both sides of the road. A big round moon is above the village houses in the distance. One the other side of the river is a lush forest.
- Artist Life Dates
- 1797-1858
- Century
- 19th century
- Object Creation Date
- 1833-1834
- Accession Number
- 1948/1.121
- Medium and Support
- color woodblock print on paper
- Secondary Keywords
- scale
- bodies of water and components of bodies of water
- buildings and the land
- components of bodies of water
- landscapes (environments)
- natural landscapes
- people
- people (agents)
- people and culture
- people by activity
- plants
- settlements
- settlements and landscapes
- settlements by form
- vegetation and vegetation components
- vegetation components
- woody plants
- Title
- Hôeido Tôkaidô Series: Night Snow at Kambara (Second state)
- Artist
- Andô Hiroshige
- Physical Description
- In this print, sophisticated use of soft lines, rounded forms, dark sky, and subtle tones convey the utter silence and weariness of the figures as they trudge through the night-time snow near Kambara.
- Artist Life Dates
- 1797-1858
- Century
- 19th century
- Object Creation Date
- 1833-1834
- Accession Number
- 1948/1.123
- Medium and Support
- color woodblock print on paper
- Secondary Keywords
- scale
- transfer method
- associated concepts
- buildings and the land
- dwellings
- earth sciences concepts
- landscapes (environments)
- natural landscapes
- objects we use
- people and culture
- physical sciences concepts
- plants
- precipitation
- prints
- prints by process
- prints by process or technique
- relief prints
- residential structures
- scientific concepts
- seasons
- settlements
- settlements and landscapes
- settlements by form
- single built works
- single built works by function
- single built works by specific type
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by medium or technique
- weather and related phenomena
- weather-related phenomena
- woody plants
- Title
- Hôeido Tôkaidô Series: Night Snow at Kambara (Second state)
- Artist
- Andô Hiroshige
- Physical Description
- In this print, sophisticated use of soft lines, rounded forms, dark sky, and subtle tones convey the utter silence and weariness of the figures as they trudge through the night-time snow near Kambara.
- Artist Life Dates
- 1797-1858
- Century
- 19th century
- Object Creation Date
- 1833-1834
- Accession Number
- 1948/1.124
- Medium and Support
- color woodblock print on paper
- Secondary Keywords
- scale
- transfer method
- associated concepts
- buildings and the land
- dwellings
- earth sciences concepts
- landscapes (environments)
- natural landscapes
- objects we use
- people and culture
- physical sciences concepts
- plants
- precipitation
- prints
- prints by process
- prints by process or technique
- relief prints
- residential structures
- scientific concepts
- seasons
- settlements
- settlements and landscapes
- settlements by form
- single built works
- single built works by function
- single built works by specific type
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by medium or technique
- weather and related phenomena
- weather-related phenomena
- woody plants
- Title
- Hôeidô Tôkaidô Series: Nissaka, Sayo Mountain Pass
- Artist
- Andô Hiroshige
- Physical Description
- A mountain path which forms a diagonal of the print. Several travelers are walking along the road with trees on both sides.
- Artist Life Dates
- 1797-1858
- Century
- 19th century
- Object Creation Date
- 1833-1834
- Accession Number
- 1948/1.126
- Medium and Support
- color woodblock print on paper
- Secondary Keywords
- transfer method
- upward
- buildings and the land
- descriptors
- inorganic material
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- materials
- materials by composition
- natural landscapes
- objects we use
- people
- people (agents)
- people and culture
- people by activity
- physical activities
- physical activities by general context
- plants
- prints
- prints by process
- prints by process or technique
- relief prints
- settlements and landscapes
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by medium or technique
- woody plants
- Title
- Hôeidô Tôkaidô Series: Kakegawa, Distant View of Mount Akiba
- Artist
- Andô Hiroshige
- Physical Description
- A bridge forms a diagonal on the print. Three travellers are passing the bridge, while two monks are walking down toward them. Landscape of water and mountains is shown in the background.
- Artist Life Dates
- 1797-1858
- Century
- 19th century
- Object Creation Date
- 1833-1834
- Accession Number
- 1948/1.127
- Medium and Support
- color woodblock print on paper
- Secondary Keywords
- transfer method
- upward
- bridges by function
- buildings and the land
- descriptors
- inorganic material
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- materials
- materials by composition
- natural landscapes
- objects we use
- people
- people (agents)
- people and culture
- people by activity
- prints
- prints by process
- prints by process or technique
- relief prints
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- transportation structures
- transportation structures by form
- visual works
- visual works by medium or technique
- visual works by subject type
- Title
- Hôeidô Tôkaidô Series: Mitsuke, Tenryû River
- Artist
- Andô Hiroshige
- Physical Description
- Two fishemen rest on a boat standed in the shallow water, facing the viewer with their backs. They are looking at another group of fishermen in the distance standing on the lakebank. There are more boats on the lake across the land.
- Artist Life Dates
- 1797-1858
- Century
- 19th century
- Object Creation Date
- 1833-1834
- Accession Number
- 1948/1.128
- Medium and Support
- color woodblock print on paper
- Secondary Keywords
- transfer method
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- descriptors
- inorganic material
- lacustrine bodies
- landscapes (environments)
- materials
- materials by composition
- natural landscapes
- objects we use
- prints
- prints by process
- prints by process or technique
- relief prints
- settlements and landscapes
- transportation vehicles
- vehicles
- visual works
- visual works by medium or technique
- watercraft
- watercraft by general type
- Title
- Hôeidô Tôkaidô Series: Sudden Shower at Shôno
- Artist
- Andô Hiroshige
- Physical Description
- Here, caught in a sudden downpour, people rush along the steep hillside. Bamboo bends under the force of wind and rain, and the people in the foreground mimic this downward motion in order to shield their eyes from the water streaming upon them in torrents. Masterfully depicted, the viewer can almost feel the bullets of rain, and sense of sympathy for these unfortunate travelers.
- Artist Life Dates
- 1797-1858
- Century
- 19th century
- Object Creation Date
- 1833-1834
- Accession Number
- 1948/1.130
- Medium and Support
- color woodblock print on paper
- Secondary Keywords
- associated concepts
- buildings and the land
- costume
- costume accessories
- costume accessories carried
- earth sciences concepts
- events
- landscapes (environments)
- natural events
- natural landscapes
- objects we use
- people and culture
- physical activities
- physical activities by general context
- physical sciences concepts
- plants
- scientific concepts
- settlements and landscapes
- vegetation and vegetation components
- vegetation components
- weather and related phenomena
- weather-related phenomena
- woody plants
- Title
- Hôeidô Tôkaidô Series: Ishibe, Megawa Village
- Artist
- Andô Hiroshige
- Physical Description
- The snow scene of a village. Several groups of tavellers are walking toward a house located on the side of the road. Two figures carrying heavy stuff are walking away along the path.
- Artist Life Dates
- 1797-1858
- Century
- 19th century
- Object Creation Date
- 1833-1834
- Accession Number
- 1948/1.131
- Medium and Support
- color woodblock print on paper
- Secondary Keywords
- transfer method
- associated concepts
- buildings and the land
- dwellings
- earth sciences concepts
- events
- landscapes (environments)
- natural events
- natural landscapes
- objects we use
- people and culture
- physical sciences concepts
- plants
- precipitation
- prints
- prints by process
- prints by process or technique
- relief prints
- residential structures
- scientific concepts
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by medium or technique
- weather and related phenomena
- weather-related phenomena
- woody plants
- Title
- Eight Views of Ômi: #1 Evening Snow on Mount Hira
- Artist
- Andô Hiroshige
- Physical Description
- The snowy mass of Mount Hira rises behind a snow-covered village and clumps of bamboo by an inlet of Lake Biwa. The attendant poem in the upper left corner reads:
- He who would see the beauty of the evening on the peaks of
- Hira must behold it after the snows have fallen and before the
- flowers are fully blown.
- Artist Life Dates
- 1797-1858
- Century
- 19th century
- Object Creation Date
- circa 1834
- Accession Number
- 1948/1.134
- Medium and Support
- color woodblock print on paper
- Secondary Keywords
- scale
- transfer method
- upward
- visual arts
- artistic concepts
- associated concepts
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- concepts in the arts
- earth sciences concepts
- forms of expression
- lacustrine bodies
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- natural landscapes
- objects we use
- people and culture
- physical sciences concepts
- precipitation
- prints
- prints by process
- prints by process or technique
- relief prints
- scientific concepts
- settlements
- settlements and landscapes
- settlements by form
- visual works
- visual works by medium or technique
- weather and related phenomena
- weather-related phenomena
- Title
- Eight Views of Ômi: #2 Night Rain at Karasaki
- Artist
- Andô Hiroshige
- Physical Description
- Vertical lines stream downward across the print indicate torrents of rain. The dark color pallette and black strip across the top indicate that the image is set at night. A giant tree on an island looms over the image, surrounded by water. A poem in the upper left corner reads:
- "Elsewhere will they talk of the music of the evening breeze
- that has made the pine of Karasaki famous; the voice of the
- wind is not heard through the sound of the rain in the night."
- Artist Life Dates
- 1797-1858
- Century
- 19th century
- Object Creation Date
- circa 1834
- Accession Number
- 1948/1.135
- Medium and Support
- color woodblock print on paper
- Secondary Keywords
- transfer method
- visual arts
- artistic concepts
- asian
- associated concepts
- buildings and the land
- concepts in the arts
- earth sciences concepts
- east asian
- evergreens
- forms of expression
- japanese
- japanese printmaking styles
- japanese styles
- natural landscapes
- objects we use
- people and culture
- physical sciences concepts
- plants
- precipitation
- prints
- prints by process
- prints by process or technique
- relief prints
- scientific concepts
- settlements and landscapes
- styles and periods
- styles and periods by region
- trees
- trees by leaf life
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by medium or technique
- weather and related phenomena
- weather-related phenomena
- woody plants
- Title
- Comparisons between Mountains and Seas: Mt. Rokuso in Kazusa Province, Kazusa Kanozan
- Artist
- Andô Hiroshige
- Physical Description
- The dark color pallette and black strip across the top indicate that the image is set at night. A mountain with pine trees and steps leading to the top loom over the image. The sea appears behind the mountain in the distance.
- Artist Life Dates
- 1797-1858
- Century
- 19th century
- Object Creation Date
- circa 1858
- Accession Number
- 1948/1.136
- Medium and Support
- color woodblock print on paper
- Secondary Keywords
- transfer method
- upward
- architectural elements
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- circulation elements
- components
- components and systems
- components by specific context
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- marine bodies
- natural landscapes
- objects we use
- plants
- prints
- prints by process
- prints by process or technique
- relief prints
- settlements and landscapes
- stair components
- stairs and stair components
- steps and step components
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by medium or technique
- woody plants
- Title
- Eight Views of Edo Suburbs: Fishing Boats Returning to Gyôtoku
- Artist
- Andô Hiroshige
- Physical Description
- The pyramid shaped hills in the background of this print are those of the boiling houses and salt piles of Gyôtoku’s salt industry. A ferry boat, or watashi-bune, carries passengers in the foreground of this picture. In this print a shipman steers using the large rudder located in the back of the boat.
- Artist Life Dates
- 1797-1858
- Century
- 19th century
- Object Creation Date
- circa 1835-1842
- Accession Number
- 1948/1.138
- Medium and Support
- color woodblock print on paper
- Secondary Keywords
- relation to water
- transfer method
- asian
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- early modern japanese periods
- east asian
- edo (japanese period)
- hunting and commercial fishing vessels
- japanese
- japanese periods
- japanese printmaking styles
- japanese styles
- landforms
- landforms and landform components
- landforms by position
- landforms by shape or position
- landscapes (environments)
- natural landscapes
- objects we use
- people and culture
- physical activities
- physical activities by location
- physical activities by specific context
- prints
- prints by process
- prints by process or technique
- relief prints
- riverine bodies
- settlements and landscapes
- styles and periods
- styles and periods by region
- transportation vehicles
- vehicles
- visual works
- visual works by medium or technique
- water activities
- watercraft
- watercraft by function
- watercraft by method of propulsion
- watercraft by specific type
- Title
- Tôto Meisho Series: White Rain on Nihon Bridge (Nihonbashi no shirazame)
- Artist
- Andô Hiroshige
- Physical Description
- Rainy scene in a village. There is a bridge in the foreground, with several figures walking across with umbrellas. Houses and mountains appear in the distance.
- Artist Life Dates
- 1797-1858
- Century
- 19th century
- Object Creation Date
- circa 1840-1841
- Accession Number
- 1948/1.139
- Medium and Support
- color woodblock print on paper
- Secondary Keywords
- layout features
- transfer method
- upward
- associated concepts
- buildings and the land
- components
- components and systems
- components by specific context
- costume
- costume accessories
- costume accessories carried
- descriptors
- dwellings
- earth sciences concepts
- illustrations
- illustrations by form
- images and ornament
- information form components
- inorganic material
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- layout features
- materials
- materials by composition
- natural landscapes
- objects we use
- people and culture
- physical sciences concepts
- precipitation
- prints
- prints by process
- prints by process or technique
- relief prints
- residential structures
- scientific concepts
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- transportation structures
- transportation structures by form
- transportation vehicles
- vehicles
- visual works
- visual works by medium or technique
- watercraft
- watercraft by general type
- weather and related phenomena
- weather-related phenomena
- Title
- Tôto Meisho Series: Flower-viewing at Asukayama
- Artist
- Andô Hiroshige
- Physical Description
- Landscape with water and mount Fuji in the background. People are wandering on the green grassland, having picnics, and enjoying the pleasant weather and the beauty of cherry blossoms.
- Artist Life Dates
- 1797-1858
- Century
- 19th century
- Object Creation Date
- circa 1833-1843
- Accession Number
- 1948/1.141
- Medium and Support
- color woodblock print on paper
- Secondary Keywords
- associated concepts
- buildings and the land
- deciduous trees
- earth sciences concepts
- herbaceous plants
- natural landscapes
- people and culture
- physical sciences concepts
- plants
- scientific concepts
- seasons
- settlements and landscapes
- trees by leaf life
- vegetation and vegetation components
- vegetation components
- woody plants
- Title
- Gazing at Snow on Matsuchi Hill (center sheet from triptych, Fûryû Genji Awase)
- Artist
- Andô Hiroshige
- Physical Description
- The snow scene of a village under the mountain. The house roofs, the bridge over the river, the mountain and trees are all covered by the snow. Three birds fly above the riverbank, lingering around the snow-covered pine branches.
- Artist Life Dates
- 1797-1858
- Century
- 19th century
- Object Creation Date
- 1853
- Accession Number
- 1948/1.145
- Medium and Support
- color woodblock print on paper
- Secondary Keywords
- scale
- transfer method
- animals and creatures
- associated concepts
- buildings and the land
- dwellings
- earth sciences concepts
- natural landscapes
- objects we use
- people and culture
- physical sciences concepts
- plants
- precipitation
- prints
- prints by process
- prints by process or technique
- relief prints
- residential structures
- scientific concepts
- settlements
- settlements and landscapes
- settlements by form
- single built works
- single built works by function
- single built works by specific type
- transportation structures
- transportation structures by form
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by medium or technique
- weather and related phenomena
- weather-related phenomena
- woodcuts
- woody plants
- Title
- Edo Meisho: Gotenyama, Cherry-blossom Viewing
- Artist
- Andô Hiroshige II
- Physical Description
- People are appreciating the beauty of the cherry blossoms and some are having picnics under the trees. Below the highland where the cherry trees and the people are, the land leads to the fields and hills in the distance. The sky appears to be red along the edge of the hill, suggesting the time as early evening.
- Artist Life Dates
- 1829-1869
- Century
- 19th century
- Object Creation Date
- mid 19th century
- Accession Number
- 1948/1.147
- Medium and Support
- color woodblock print on paper
- Secondary Keywords
- transfer method
- buildings and the land
- deciduous trees
- landscapes (environments)
- natural landscapes
- objects we use
- plants
- prints
- prints by process
- prints by process or technique
- relief prints
- settlements and landscapes
- trees by leaf life
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by medium or technique
- woodcuts
- woody plants
- Title
- Lake Suwa, Province of Shinano
- Artist
- Katsushika Hokusai
- Physical Description
- Two trees growing in different directions form the shape of a fork on an small island in the foreground. There is a tiny house and some plants behind the trees, a small boat on the lake, and mountains along the bank of the lake. The title of the work is inscribed on the upper left-hand corner, along with the artist's signature.
- Artist Life Dates
- 1760 - 1849
- Century
- 19th century
- Object Creation Date
- 1823-1829
- Accession Number
- 1948/1.148
- Medium and Support
- color woodblock print on paper
- Secondary Keywords
- upward
- buildings and the land
- dwellings
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- natural landscapes
- objects we use
- plants
- residential structures
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- transportation vehicles
- vegetation and vegetation components
- vegetation components
- vehicles
- visual works
- visual works by subject type
- watercraft
- watercraft by general type
- woody plants
- Title
- 36 Views of Mt. Fuji: The Great Wave off Kanagawa (Kanagawa oki nami ura)
- Artist
- Katsushika Hokusai
- Physical Description
- A great, claw-shaped wave which almost swampes the boats dominates the scene, . The Mount Fuji appears in the distance and seems much smaller compared to the waves. In the upper left-hand corner, the artist inscribed the title of the work along with his signature.
- Artist Life Dates
- 1760-1849
- Century
- 19th century
- Object Creation Date
- circa 1829-1833
- Accession Number
- 1948/1.149
- Medium and Support
- color woodblock print on paper
- Secondary Keywords
- asia (continent)
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- chubu (region)
- descriptors
- design elements
- geographic and political locations
- landscapes (environments)
- marine bodies
- natural landscapes
- objects we use
- patterns (design elements)
- patterns by specific type
- physical features
- settlements and landscapes
- transportation vehicles
- vehicles
- visual works
- visual works by subject type
- watercraft
- watercraft by general type
- Title
- A Solitary Fisherman at Kajikasawa, Kai Province (Kajikasawa, Kai)
- Artist
- Katsushika Hokusai
- Physical Description
- The print depicts a fisherman standing on a seaside cliff perfoming loneline fishing. There are great waves below him striking the cliff and there is a mountain in the background. The print mainly applies the color of white and shades of blue. The artist inscribed the title of the work along with his signature on the upper left-hand corner.
- Artist Life Dates
- 1760 - 1849
- Century
- 19th century
- Object Creation Date
- 1823-1829
- Accession Number
- 1948/1.150
- Medium and Support
- woodblock print on paper, ôban yoko-e size
- Secondary Keywords
- upward
- buildings and the land
- descriptors
- design elements
- hunting and commercial fishing vessels
- inorganic material
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- materials
- materials by composition
- natural landscapes
- objects we use
- patterns (design elements)
- patterns by specific type
- people and culture
- physical activities
- physical activities by location
- physical activities by specific context
- settlements and landscapes
- transportation vehicles
- vehicles
- water activities
- watercraft
- watercraft by function
- watercraft by specific type
- Title
- Kintai Bridge, Province of Suô (Suô no kuni, Kintaibashi)
- Artist
- Katsushika Hokusai
- Physical Description
- The prints features an arch bridge that crosses over the water, with four figures walking over. In the foreground there are trees by several little houses. There is a mountain in the background, with cloud surrounding. The artist inscribed the title of the work along with his signature on the upper right-hand corner of the print.
- Artist Life Dates
- 1760 - 1849
- Century
- 19th century
- Object Creation Date
- circa 1831-1832
- Accession Number
- 1948/1.151
- Medium and Support
- color woodblock print on paper
- Secondary Keywords
- upward
- associated concepts
- buildings and the land
- descriptors
- earth sciences concepts
- inorganic material
- landforms
- landforms and landform components
- landforms by shape or position
- materials
- materials by composition
- natural landscapes
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- physical sciences concepts
- plants
- scientific concepts
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- transportation structures
- transportation structures by form
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by subject type
- weather and related phenomena
- weather-related phenomena
- woody plants