Battle of the Sea Gods / Daniel Hopfer / After a member of the School of Andrea Mantegna (Italian, 1431-1506)

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Record Details

Accession Number
1996/2.1
Title
Battle of the Sea Gods
Artist
Daniel Hopfer
Artist Nationality
German
Artist Life Dates
ca. 1470-1536
Object Creation Date
early 16th century
Object Creation Place
Europe (continent)
Germany (nation)
Creation Place 1
Europe (continent)
Creation Place 2
Germany (nation)
Credit Line
Museum Purchase
Inscription
Inscribed in the image, in a tablet held by old woman in upper center, D H, flanking a pinecone; l.l., 97; verso, inscribed in black ink, u.l. corner, M[?] nit/ 7-87; in graphite, u.c., 30; l.l. corner, / [?] D.; BVIII. 485.47/ 64.9.7; in l.c., fr Sir T. Lawrences Coll.
Collector's marks: stamped in black ink, in the image, l.l.: T.L, surrounded by a double oval [monogram of Sir Thomas Lawrence, Lugt 2446]; verso, l.l., stamped in black ink, CDG, entwined [monogram of Dr. C.D. Ginsburg, Lugt 1145] Watermark: indecipherable
Dimensions
15.8 cm x 23.02 cm (6 1/4 in. x 9 1/16 in.)
Century
16th century
Primary Object Classification
Print
Primary Object Type
intaglio print
Secondary Object Classification
Print
Secondary Object Type
black and white print
Physical Description
This black and white print depicts an animated and detailed scene of nude figures and mythical beasts on the surface of the sea.Two men, with seaweed hair and riding half horse/half fish creatures, strike out at each other. A man and a woman ride a beast with a scaly body and the head of a fierce dog. In the background, a man holding a trident stands with his back to the viewer. Action and motion are expressed with billowing drapery, flowing hair and moving waves. The wide mouthed expressions of the figures and animals suggest yelling and noise in this chaotic scene. Among the many details depicted by the artist is a plaque held by the woman that has his initials.
Subject Matter
Daniel Hopfer was a 16th c. German etcher who was first trained as an armor maker and used thin iron plates for his prints - a process he invented. This print depicts one part of a larger composition by the sixteenth-century Northern Italian painter Andrea Mantegna (1430/31–1506), itself based on the relief (shallow) carving decorating a Roman sarcophagus. Mantegna frequently made reference to Roman relief sculpture in his work and his designs in turn inspired the work of engravers, whose prints provided a wider dissemination of his art. This image, in which nude figures astride fantastical creatures dominate, has been interpreted as an allegory on the theme of envy. This impression once belonged to the British painter Sir Thomas Lawrence (1769–1830), whose collector’s mark is visible at the lower left corner.
Rights
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Technical Details

Image Size
1295 x 884
File Size
160 KB
Record
1996/2.1
Link to this Item
https://quod.lib.umich.edu/m/musart/x-1996-sl-2.1/1996_2.1.jpg

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https://quod.lib.umich.edu/cgi/i/image/api/manifest/musart:1996-SL-2.1:1996_2.1.JPG

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"Battle of the Sea Gods; Daniel Hopfer; After a member of the School of Andrea Mantegna (Italian, 1431-1506)." In the digital collection University of Michigan Museum of Art. https://quod.lib.umich.edu/m/musart/x-1996-sl-2.1/1996_2.1.jpg. University of Michigan Library Digital Collections. Accessed April 22, 2024.
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