Jina and a devotee from a Digambara Jain manuscript / Artist Unknown, India

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Record Details

Accession Number
1975/2.174
Title
Jina and a devotee from a Digambara Jain manuscript
Artist Nationality
Indian
Object Creation Date
circa 18th century
Object Creation Place
Asia (continent)
India (nation)
Rajasthan (state)
Sirohi (inhabited place)
Creation Place 1
Asia (continent)
Creation Place 2
India (nation)
Creation Place 3
Rajasthan (state)
Creation Place 4
Sirohi (inhabited place)
Style/Group/Movement
Sirohi, Jain mss.
Dimensions
28.9 cm x 17.8 cm (11 3/8 in. x 7 in.)
Century
18th century
Primary Object Classification
Painting
Primary Object Type
album leaf
Secondary Object Classification
Books and Folios
Secondary Object Type
folio
Physical Description
Nude (Jina, center) and a devotees (nude on left, and other clothed figures) depicted in a folio of a Jain manuscript.
The image contains trees, lotus flowers and dark clouds. The the colors are composed of vivid reds, browns, yellows, greens and blues. The image is surrounded by a red and green pattereed border which resembles a chain.
Subject Matter
In the Jain religion, the practices surrounding book production reflects the integral relationship among the laity, monastic community, and the Jina, or enlightened Jain teacher. It was customary for a lay donor to commission a copy of a text for presentation to his spiritual teacher and ultimately to the temple library; this fulfilled/thus fulfilling the lay obligation of charity. Over the centuries, monastic libraries received great quantities of texts, which were employed in the instruction of monks and nuns, who were themselves discouraged from practicing the art of painting: one text expressly warns of the power of painting to arouse sensual feelings. Beholding a book, however, was believed to help the individual achieve the proper mental state for spiritual guidance.
These manuscript illustrations are from a famous Jain hymn. In the one on the left we see the Jina [or enlightened Jain teacher] standing on a lotus. The monk Manatunga stands to his side, his hands folded in worship, while two gods offer more lotuses. The hymn verse associated with this illustration explains that wherever the Jina steps, the gods offer lotuses for him to tread on. In the illustration on the right, flowers surround the central Jina; they are dropped by/come from two gods seated in celestial vimanas or floating palaces at the top of the painting. The related verse tells us that these flowers are from/are those of the heavenly wishing trees and are showered onto the Jina in worship.
Rights
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Technical Details

Image Size
825 x 1321
File Size
119 KB
Record
1975/2.174
Link to this Item
https://quod.lib.umich.edu/m/musart/x-1975-sl-2.174/1975_2.174.jpg

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Manifest
https://quod.lib.umich.edu/cgi/i/image/api/manifest/musart:1975-SL-2.174:1975_2.174.JPG

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Full citation
"Jina and a devotee from a Digambara Jain manuscript; Artist Unknown, India." In the digital collection University of Michigan Museum of Art. https://quod.lib.umich.edu/m/musart/x-1975-sl-2.174/1975_2.174.jpg. University of Michigan Library Digital Collections. Accessed April 16, 2024.
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