• Patricia Hall, Editor (University of Michigan, Ann Arbor)
  • Christi-Anne Castro, Associate Editor (University of Michigan, Ann Arbor)

Editorial Board

  • Paul Anderson (University of Michigan, Ann Arbor) Black studies, interactions between American music, social thought and literature.
  • Paul Attinello (University of Newcastle) Queer identities, music and AIDS.
  • Laura Basini (California State University, Sacramento) Nineteenth- and twentieth-century Italian nationalism, opera studies, film music.
  • Michael Beckerman (New York University) Music under communists, music and secrets, music and the Holocaust.
  • Andrea F. Bohlman (UNC Chapel Hill) Eastern Europe, music and activism, socialism, censorship and sonic media, Cold War historiography, song festivals and nationhood.
  • Timothy J. Cooley (University of California, Santa Barbara) Vernacular musical practices of Poland and the United States, music and sports, tourism, and identity politics.
  • James R. Currie (University at Buffalo) Critique of capitalism, Frankfurt School, music and negation, music and philosophy, Vienese Classics and Second Viennese School, aesthetics and politics in the discourse of modernity, disciplinary critique.
  • Dick Flacks (University of California, Santa Barbara) Music and social movements.
  • Shirli Gilbert (University of Southampton) Music and resistance, the Holocaust, apartheid South Africa.
  • Nancy Guy (University of California, San Diego) Musics of Taiwan and China, music and state power, music in environmental activism.
  • Áine Heneghan (University of Michigan, Ann Arbor) Irish traditional music, nationalism and commercialization of indigenous folk cultures, the Second Viennese School and early twentieth-century European musical thought.
  • Pamela Potter (University of Wisconsin-Madison) Music and German politics, music and national identity, history of musical institutions, music and global war.
  • Tricia Rose (Brown University) Black popular music, music and technology, hip hop, cross racial and gendered exchanges through music.
  • Silvio J. dos Santos (University of Florida) Notions of nationalism and multiculturalism in Latin American music, Brazilian music and poltical affairs.
  • Jeremy Smith (University of Colorado, Boulder) Elizabethan music, music and print culture, William Byrd, Thomas Morley and national affairs.
  • Joseph N. Straus (City University of New York) Feminist theory, the social and historical construction of disability.

Send submissions to: musicandpolitics@umich.edu.