CE SARE CANTU. U b4W~~ CV-SARE CANTT. ITALY, in the present half of the century, has been compara tively barren of remarkable writers. The chief source of this void may be traced to its late internal disturbances and present unsettled feeling; for, although war and foreign invasion may be said to promote literature by its consequent exaltation of patriotic sentiments; civil dissensions, on the other hand, and forebodings for the future can hardly tend to inspire an author or create an appreciation of him. This is especially true of all imaginative writing, although political controversies may be waged with greater heat than before.. Most of those who are now distin guished in letters had already gained a name, or at least formed their style, in the more quiet first half of the century. Canti, of whom we propose to treat, is a striking example of this. A fel low-writer with Manzoni, he now stands like a mighty oak, its companions fallen beside it, battling with the storms of irreligion, naturalism, and what-not that have invaded Italy. Brilliant and versatile, he has essayed the parts of poet, essayist, novelist, and historian, his success in these forming an ascending climax. It shall be our endeavor to estimate the value of his writings in the branches of fiction and history; for it would be impossible to treat in our limited space the complete works of one who has wandered in every field of literature, and who, as is said of Goldsmith, "nullum quod tetigit non ornavit." Nor can we outline even the matter of his historical labors, but, assuming the critic's license of selection, we will, after a preliminary sketch of his life, ascer tain the general merits of his histories, and conclude with an examination of his well-known romance. C6sare Cantii was born December 8, i807, of Lombard paren tage, in Brivio, a castle of the Milanese. His family being in reduced circumstances, he early assumed the ecclesiastical attire to enjoy a benefice, from the proceeds of which he was able to devote himself for several years at Milan to his studies. Before his eighteenth year, not feeling any vocation for the priesthood, he relinquished his stipend and became professor of literature successively in the lyceum of Sondrio and, at the age of twenty five, at Milan. His father dying, left him at the age of twenty-two with only the modest salary of a teacher to support his mother and family of six children and to give the latter what is called the i 886.] 525
Césare Cantú [pp. 525-534]
Catholic world. / Volume 43, Issue 256
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- New Pagan or Old Christian? - William Barry - pp. 433-448
- Avignon, and the Processions of the Gray Penitents - M. P. Thompson - pp. 449-463
- The Human Environments of the Catholic Faith - Rev. Walter Elliott - pp. 463-470
- The Tramp - Rev. Clarence A. Walworth - pp. 471-472
- Why Do Not Anglicans Become Catholics? - A. F. Marshall - pp. 473-484
- A Voice from the Wilderness - Rev. J. Talbot Smith - pp. 485-504
- A Modern Philosopher - Kate Vannah - pp. 504
- The School Question - Rev. Patrick F. McSweeny - pp. 505-512
- Novels and Novel-Writing - Francis Lavelle - pp. 513-522
- Publishing the Banns - Edith W. Cook - pp. 523-524
- Césare Cantú - James Austin Finch - pp. 525-534
- The Czar's Horses - E. L. Dorsey - pp. 535-548
- An Untimely Pilgrimage - W. T. Larned - pp. 549-556
- A Chat About New Books - Maurice F. Egan - pp. 556-568
- New Publications - pp. 569-576
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"Césare Cantú [pp. 525-534]." In the digital collection Making of America Journal Articles. https://name.umdl.umich.edu/bac8387.0043.256. University of Michigan Library Digital Collections. Accessed May 15, 2025.