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Title Author(s) Volume/Issue Date
A.A.S. Acoustic Ambience Simulator System Galante, Francesco vol. 1986 1986
aa-cell IN PRACTICE: AN APPROACH TO MUSICAL LIVE CODING Sorensen, Andrew; Brown, Andrew R. vol. 2007 2007
AALIVENET: An agent based distributed interactive composition environment. Spicer, Michael vol. 2004 2004
About 605k Barlow, Clarence vol. 1990 1990
About GRADIENT Ames, Charles vol. 1982 1982
About the Different Types of Listeners for Rating the Overall Listening Experience Schoeffler, Michael; Herre, Jürgen vol. 2014 2014
About this phasiness business Laroche, Jean; Dolson, Mark vol. 1997 1997
ABSTRACT BEHAVIORS FOR STRUCTURED MUSIC PROGRAMMING Dannenberg, Roger B. vol. 2007 2007
Abstract Time Warping of Compound Events and Signals Dannenberg, Roger B. vol. 1994 1994
Abstraction In A Unit-Based Audio Processing System Stoll, Thomas vol. 2010 2010
The Accelerando Project Pinkston, Russell F. vol. 1989 1989
Acceleration Sensor as an Input Device for Musical Environment Sawada, Hideyuki; Onoe, Naoyuki; Hashimoto, Shuji vol. 1996 1996
The Accordiatron: A Gestural Interface for Interactive Music Gurevich, Michael; von Muehlen, Stephan vol. 2001 2001
Accurate Computer Simulation of Acoustic space Manzara, Leonard vol. 1995 1995
An Accurate Signal Representation for Sound Resynthesis Utilizing a Time-Frequency Mapping of the DFT-Magnitude Hölderich, Robert R. vol. 1995 1995
ACE: A GENERAL-PURPOSE CLASSIFICATION ENSEMBLE OPTIMIZATION FRAMEWORK McKay, Cory; McEnnis, Daniel; Fiebrink, Rebecca; Fujinaga, Ichiro vol. 2005 2005
An Acousmatic Composition Environment Breinbjerg, Morten; Caprani, Ole; Lunding, Rasmus B.; Kramhøft, Line vol. 2006 2006
The Acousmographe, a Macintosh software for the graphical representation of sounds Koechlin, Olivier; Vinet, Hugues vol. 1991 1991
ACOUSTIC-AGGREGATE-SYNTHESIS Clift, Paul vol. 2012 2012
Acoustic Cues from Shapes between Spheres and Cubes Fontana, Federico; Rocchesso, Davide; Apollonio, Enzo vol. 2001 2001
Acoustic Quanta Nunn, Douglas; Purvis, Alan; Manning, Peter vol. 1996 1996
ACQUISITION OF VIOLIN INSTRUMENTAL GESTURES USING A COMMERCIAL EMF TRACKING DEVICE Maestre, Esteban; Bonada, Jordi; Blaauw, Merlijn; Pérez, Alfonso; Guaus, Enric vol. 2007 2007
Active Music Representations Roads, Curtis vol. 1989 1989
The Activities of CRM (Centro Ricerche Musicali) de Vitis, Alessandra vol. 1992 1992
ADAPTING GENERAL PURPOSE INTERFACES TO SYNTHESIS ENGINES USING UNSUPERVISED DIMENSIONALITY REDUCTION TECHNIQUES AND INVERSE MAPPING FROM FEATURES TO PARAMETERS Fasciani, Stefano; Wyse, Lonce vol. 2012 2012
ADAPTING POLYPHONIC PICKUP TECHNOLOGY FOR SPATIAL MUSIC PERFORMANCE Bates, Enda; Furlong, Dermot; Dennehy, Donnacha vol. 2008 August 2008
Adaptive Additive Synthesis of Sound Röbel, Axel vol. 1999 1999
Adaptive additive synthesis using spline based parameter trajectory models Röbel, Axel vol. 2001 2001
ADAPTIVE BOTTLE Adilôglu, K.; Anniés, R.; Obermayer, K.; Visell, Y.; Drioli, C. vol. 2008 August 2008
Adaptive Control of a Vocal Cord and Vocal Tract for Computerized Mechanical Singing Instruments Sawada, Hideyuki; Hashimoto, Shuji vol. 1996 1996
Adaptive High-level Classification of Vocal Gestures Within a Networked Sound Instrument Freeman, Jason; Ramakrishnan, C.; Varnik, Kristjan; Neuhaus, Max; Burk, Phil; Birchfield, David vol. 2004 2004
Adaptive Karaoke System: Human Singing Accompaniment Based on Speech Recognition Inoue, Wataru; Hashimoto, Shuji; Ohteru, Sadamu vol. 1994 1994
ADAPTIVE MELODIC SEGMENTATION AND MOTIVIC IDENTIFICATION Wilder, Greg vol. 2008 August 2008
Adaptive oscillator networks for partial tracking and piano music transcription Marolt, Matija vol. 2000 2000
Adaptive Pitch Compensation of Singing and Its Application Sasahira, Yoshinari; Hashimoto, Shuji vol. 1996 1996
Adaptive Timbre Control System Using Gesture Hartono, Pitoyo; Asano, Kazumi; Inoue, Wataru; Hashimoko, Shuji vol. 1994 1994
ADAPTIVE WHITENING FOR IMPROVED REAL-TIME AUDIO ONSET DETECTION Stowell, Dan; Plumbley, Mark vol. 2007 2007
Adding a Graphical User Interface to FORMES Boynton, Lee; Duthen, Jacques; Potard, Yves; Rodet, X. vol. 1986 1986
Adding Machine Cognition to a Web-based interactive composition Whalley, Ian vol. 2004 2004
Adding Vortex Noise to Wind Instrument Physical Models Chafe, Chris vol. 1995 1995
Additive Resynthesis of Sounds Using Continous Time-Frequency Analysis Techniques Guillemain, Philippe; Kronland-Martinet, R. vol. 1992 1992
The Additive Sinusoidal Plus Residual Model: A Statistical Analysis Irizarry, Rafael A. vol. 1998 1998
Additive Synthesis and Resynthesis: A Tentatively Objective Evaluation Bélanger, Louis N. vol. 1991 1991
Additive Synthesis with DIASS_M4C on Argonne National Laboratory’s IBM POWERparallel System (SP) Kaper, Hans; Ralley, David; Restrepo, Juan; Tipei, Sever vol. 1995 1995
ADDRESSING THE NETWORK: PERFORMATIVE STRATEGIES FOR PLAYING APART Schroeder, Franziska; Renaud, Alain B.; Rebelo, Pedro; Gualdas, Fernando vol. 2007 2007
The ADS 200 Advanced Digital Synthesizer Lieberman, Don vol. 1980 1980
Advanced issues in beat induction modeling: syncopation, tempo and timing Desain, Peter; Honing, Henkjan vol. 1994 1994
ADVANCED SOUND HYBRIDIZATIONS BY MEANS OF THE THEORY OF SOUND-TYPES Cella, Carmine Emanuele; Burred, Juan José vol. 2013 2013
Advances In The Parallelization Of Music And Audio Applications Battenberg, Eric; Freed, Adrian; Wessel, David vol. 2010 2010
ADVANCING EXPERT HUMAN-COMPUTER INTERACTION THROUGH MUSIC Smith, Benjamin; Garnett, Guy E. vol. 2012 2012
Advantages and Limitations of Simulating Percussion Gestures for Sound Synthesis Bouënard, Alexandre; Wanderley, Marcelo M.; Gibet, Sylvie vol. 2009 2009
The Aesthetic Integration of Computer-Composed Scores Koenig, Gottfried Michael vol. 1982 1982
The Aesthetics, History and Future Challenges of Interconnected Music Networks Weinberg, Gil vol. 2002 2002
Aesthetics of Designing an Adaptive Fuzzy System for Evaluation of Computer Music Milicevic, Mladen vol. 1999 1999
Aesthetics, Score Generation, and Sonification in a Game Piece Magnus, Cristyn vol. 2006 2006
AFFECTIVE JUKEBOX: A CONFIRMATORY STUDY OF EEG EMOTIONAL CORRELATES IN RESPONSE TO MUSICAL STIMULI Eaton, Joel; Williams, Duncan; Miranda, Eduardo vol. 2014 2014
After the first year of Rencon Hiraga, Rumi; Bresin, Roberto; Hirata, Keiji; Katayose, Haruhiro vol. 2003 2003
An Agent Based Approach to Interaction and Composition Pearse, Stephen; Moore, David vol. 2014 2014
Agents in ChucK: A Timely Programming Experience Spicer, Michael vol. 2006 2006
An AI Tool for the Analysis and Generation of Melodies Smith, Matt; Holland, Simon vol. 1992 1992
The AIMS Project: Creative Experiments in Musical Sonification Bain, Reginald vol. 2006 2006
Air Flow Related Improvements for Basic Physical Models of Brass Instruments Vergez, Ch.; Rodet, X. vol. 2000 2000
THE "AIR WORM": AN INTERFACE FOR REAL-TIME MANIPULATION OF EXPRESSIVE MUSIC PERFORMANCE Dixon, Simon; Goebl, Werner; Widmer, Gerhard vol. 2005 2005
AIRDUINO: AN INEXPENSIVE DIY MIDI WIND CONTROLLER Anderson, Timothy vol. 2012 2012
AISE: A Prototype Laboratory for Musical Research and the Development of Conceptual Tools McAdams, Stephen; Gladkoff, Serge; Keller, Jean-Pierre vol. 1984 1984
ALARM/WILL/SOUND: PERCEPTION, CHARACTERIZATION, ACOUSTIC MODELING, AND DESIGN OF MODIFIED CAR ALARMS Sigman, Alexander; Misdariis, Nicolas vol. 2014 2014
Algebraic Mozart by Tree Synthesis Hirata, Keiji; Tojo, Satoshi; Hamanaka, Masatoshi vol. 2014 2014
ALGOMUSIC: An Algorithm for the Genesis of Musical Structures Belfiore, Alfonso vol. 1982 1982
AN ALGORITHM FOR AUDIO SKEW COMPENSATION IN LOW LATENCY ENVIRONMENTS Werner, Stefan vol. 2005 2005
An Algorithm for Recognition of Chords Tanguiane, Andranick S. vol. 1988 1988
An Algorithmic Approach to Composing for Flexible Intonation Ensembles Devaney, Johanna vol. 2003 2003
An Algorithmic Approach to Composition based on Dynamic Hierarchical Assembly Punch, III, William F.; Sullivan, Mark; Koehler, Robert vol. 1991 1991
Algorithmic Approaches to Interactive Composition Nelson, Gary Lee vol. 1989 1989
Algorithmic Composition in Contrasting Music Styles McAuley, Tristan; Hingston, Philip vol. 2003 2003
An Algorithmic Composition Method Of Monophonic Pitches Based On The Frequency Relationship Of Melody Motion Lin, Hsin-Ming; Huang, Chih-Fang vol. 2010 2010
Algorithmic Composition: Quantum Mechanics and the Musical Domain Bain, Reginald vol. 1990 1990
Algorithmic Cross-Mixing And Rhythmic Derangement Baracskai, Zlatko vol. 2014 2014
Algorithmic Explorations of Juxtaposition and Simultaneity in Computer-aided Composition Jones, Kevin vol. 1990 1990
Algorithmic Generation of Temporal Forms: Hierarchical Organization of Stasis and Transition Dobrian, Christopher vol. 1995 1995
Algorithmic multi-genre classification of music: an empirical study Sanden, Chris; Zhang, John Z. vol. 2011 2011
The Algorithmic Muse: New Listening Paradigms and the Harmonies of Chaos Jones, Kevin vol. 1995 1995
Algorithmic Music Language Jurgens, Raymond F. vol. 1980 1980
Algorithmic Musical Improvisation From 2d Board Games Parson, Dale vol. 2010 2010
Algorithms Adapted from Chaos Theory: Compositional Consideration Harley, James vol. 1994 1994
Algorithms for Harmonic Pitch Structure Generation Matthews, Michael vol. 1981 1981
Algorithms for Music Composition by Neural Nets: Improved CBR Paradigms Lewis, J.P. vol. 1989 1989
ALGORITHMS TODAY: NOTES ON LANGUAGE DESIGN FOR JUST IN TIME PROGRAMMING Rohrhuber, Julian; de Campo, Alberto; Wieser, Renate vol. 2005 2005
Alias-Free Digital Synthesis of Classic Analog Waveforms Stilson, Timothy; Smith, Julius vol. 1996 1996
Alias-Free Synthesis by Stochastic Sampling Wold, Erling Henry; Dippé, Mark A. Z. vol. 1985 1985
Aligning Polyphonic Musical Scores with Audio using a Latent Tempo Process Raphael, Christopher vol. 2004 2004
Alignment of Monophonic and Polyphonic Music to a Score Orio, Nicola; Schwarz, Diemo vol. 2001 2001
All Natural Room Enhancement Spratt, Kyle; Abel, Jonathan S. vol. 2009 2009
The Alles Machine Revisited Nelson, Gary; Talbert, John vol. 1983 1983
ALLOTROPE: WORKS FOR SOLO TRUMPET, LAPTOP, PEDALS AND GUITAR AMPLIFIER Knight, Peter vol. 2012 2012
An Allpass Approach to Digital Phasing and Flanging Smith, Julius O. vol. 1984 1984
Alter Ego: A Generative Music Creation System Trützschler von Falkenstein, Jan; Tlalim, Tom vol. 2009 2009
Alteration of the Vibrato of a Recorded Voice Arfib, D.; Delprat, N. vol. 1999 1999
An Alternative Approach to Software for the DMX-1000 Marr, Alan; Pennycook, Bruce W. J. vol. 1982 1982
Alternative Voices for Electronic Sound: Spherical Speakers and Sensor-Speaker Arrays (SenSAs) Trueman, Dan; Bahn, Curtis; Cook, Perry R. vol. 2000 2000
ALTERNATIVES IN NETWORK TRANSPORT PROTOCOLS FOR AUDIO STREAMING APPLICATIONS Schiavoni, Flávio Luiz; Queiroz, Marcelo; Wanderley, Marcelo vol. 2013 2013
The Alternators of the Telharmonium, 1906 Weidenaar, Reynold vol. 1991 1991
Amber: A Granular Sampling Application for Mac OS X Bernard, Jennifer; McCabe, Matthew; Hoffmann, Kenneth vol. 2006 2006
Ambient culture: coping musically with the environment Maeder, Marcus vol. 2014 2014
Ambisonics-A Technique for Low-Cost, High-Precision, Three-Dimensional Sound Diffusion Malham, David G. vol. 1990 1990
AMBISONICS EQUIVALENT PANNING Neukom, Martin; Schacher, Jan C. vol. 2008 August 2008
Ambisonics Spatialization Tools for Max/MSP Schacher, Jan C.; Kocher, Philippe vol. 2006 2006
Ambisonics User Defined Opcodes for Csound Neukom, Martin vol. 2014 2014
AMPLIFYING COMPOSITIONAL INTELLIGENCE: CREATING WITH A PSYCHOLOGICALLY-INSPIRED GENERATIVE MUSIC SYSTEM Gifford, Toby; Brown, Andrew R.; Davidson, Robert vol. 2013 2013
ANALOGUE TO DIGITAL: AUTHENTICIY VS. SUSTAINABILITY IN STOCKHAUSEN’S MANTRA (1970) Pestova, Xenia; Marshall, Mark T.; Sudol, Jacob vol. 2008 August 2008
Analysis and Critical-Band-Based Group Wavetable Synthesis of Piano Tones Zheng, Hua; Beauchamp, James W. vol. 1999 1999
Analysis and Reconstruction of Interactive Electroacoustic Works for Obsolete Technology: Thea Musgrave's Narcissus Wetzel, David Brooke vol. 2004 2004
Analysis and Regularization of Inharmonic Sounds via Pitch-Synchronous Frequency Warped Wavelets Evangelista, Gianpaolo; Cavaliere, Sergio vol. 1997 1997
Analysis And Resynthesis Of Anemic Cinema Girol, Paolo vol. 2010 2010
Analysis and Resynthesis of Percussion Sounds: Two Methods Compared Beauchamp, James W. vol. 1999 1999
The Analysis and Resynthesis of Sustained Musical Signals in the Time Domain Hung, Roy; Yung, N. H. C.; Cheung, P. Y. S. vol. 1996 1996
The Analysis and Resynthesis of Tones via Spectral Interpolation Serra, Marie-Hélène; Rubine, Dean; Dannenberg, Roger B. vol. 1988 1988
Analysis and Synthesis of Hand Clapping Sounds Based on Adaptive Dictionary Ahmad, Wasim; Kondoz, Ahmet M. vol. 2011 2011
Analysis and Synthesis of Music Using a Model of the Auditory Transform Stautner, John P. vol. 1982 1982
Analysis and Synthesis of Palestrina-Style Counterpoint Using Markov Chains Farbood, Mary; Schoner, Bernd vol. 2001 2001
Analysis and Synthesis of Room Acoustics Using the MPEG-4 Scene Description Vôônônen, Riitta vol. 2001 2001
Analysis and synthesis of unusual friction-driven musical instruments Serafin, Stefania; Huang, Patty; Ystad, Sølvi; Chafe, Chris; Smith III, Julius O. vol. 2002 2002
The Analysis and Transcription of Musical Sound Piszczalski, Martin; Galler, Bernard A. vol. 1978 1978
Analysis by synthesis of the expressive intentions in musical performance Canazza, Sergio; De Poli, Giovanni; Rodà, Antonio; Vidolin, Alvise vol. 1997 1997
Analysis-by-Performance: Gesturally-Controlled Voice Synthesis as an Input for Modelling of Vibrato in Singing d’Alessandro, Nicolas; Dutoit, Thierry; Fels, Sidney; Ooge, Christophe vol. 2011 2011
An Analysis-by-Synthesis Approach to Sinusoidal Modeling Applied to the Analysis and Synthesis of Musical Tones George, E. Bryan; Smith, Mark J. T. vol. 1991 1991
Analysis of "Touch Effect" on the Transient of Pipe Organs with Mechanical Transmission Bazzanella, Laura; Debiasi, Giovanni B. vol. 1994 1994
ANALYSIS OF ELECTROACOUSTIC WORKS WITH MUSIC AND LANGUAGE INTERSECTIONS Segnini, Rodrigo; Ruviaro, Bruno vol. 2005 2005
An Analysis of Interviews with Composers From a Cognitive Styles Perspective Carter, Jenny; Eaglestone, Barry; Ford, Nigel; Holdridge, Peter vol. 2009 2009
Analysis of musical structure in Audio and MIDI signals using information rate Dubnov, Shlomo vol. 2006 2006
Analysis of Percussion for Timbre Measurement and Synthesis Lo, YeeOn; Hitt, Dan vol. 1999 1999
ANALYSIS OF SAXOPHONE PERFORMANCE FOR COMPUTER-ASSISTED TUTORING Robine, Matthias; Percival, Graham; Lagrange, Mathieu vol. 2007 2007
Analysis of Sound for Additive Synthesis: Tracking of Partials Using Hidden Markov Models Depalle, Ph.; Garcia, G.; Rodet, X. vol. 1993 1993
AN ANALYSIS OF STARTUP AND DYNAMIC LATENCY IN PHASE VOCODER-BASED TIME-STRETCHING ALGORITHMS Lee, Eric; Karrer, Thorsten; Borchers, Jan vol. 2007 2007
Analysis of the Simultaneity, Voice/layer Balance, and Rhythmic Phrasing in Works for Guitar by Rodrigo, Brouwer, and Villa-Lobos Freire, Sérgio; Nézio, Lucas; dos Reis, Anderson vol. 2014 2014
ANALYSIS-SYNTHESIS MODEL FOR TRANSIENT IMPACT SOUNDS BY STATIONARY WAVELET TRANSFORM AND SINGULAR VALUE DECOMPOSITION Ahmad, Wasim; Hacıhabiboğlu, Hüseyin; Kondoz, Ahmet M. vol. 2008 August 2008
Analysis-Synthesis of Flute Sounds Using a Non-Linear Digital Waveguide Model Ystad, Sølvi; Voinier, Thierry vol. 2001 2001
Analysis/Synthesis of Sound Using a Time-Varying Linear Model Therrien, Charles W.; Cristi, Roberto; Kjono, vol. 1994 1994
ANALYSIS, VISUALIZATION, AND TRANSFORMATION OF AUDIO SIGNALS USING DICTIONARY-BASED METHODS Sturm, Bob L.; Roads, Curtis; McLeran, Aaron; Shynk, John J. vol. 2008 August 2008
Analytical and Compositional Applications of a Network-Based Scale Model in music21 Ariza, Christopher; Cuthbert, Michael Scott vol. 2011 2011
Analytical Tools for Group Additive Synthesis Eaglestone, Barry; Oates, Shaun vol. 1990 1990
Analyzing the Moog VCF for Digital Implementation Stilson, Timothy; Smith, Julius vol. 1996 1996
Anchoring In Ubiquitous Musical Activities Keller, Damián; Barreiro, Daniel Luis; Queiroz, Marcelo; Pimenta, Marcelo Soares vol. 2010 2010
Andante: Composition and Performance with Mobile Musical Agents Ueda, Leo Kazuhiro; Kon, Fabio vol. 2004 2004
Anglia Polytechnic University ‒ Studio Report Nunn, Douglas vol. 1999 1999
ANIMAL-A Rapid Prototyping Environment for Computer Music Systems Lindemann, Eric vol. 1990 1990
ANIMATED MUSIC NOTATION ON THE IPAD Wyatt, Aaron; Hope, Cat vol. 2013 2013
Animated Scores for Electro-acoustic Tape/Live Performer Compositions Hoffman, Elizabeth vol. 1998 1998
Animating Timbre - A User Study Soraghan, Sean vol. 2014 2014
Anitoo: Some Analysis Tools Keller, Damián vol. 1996 1996
Annotated Music for Retrieval, Reproduction, and Sharing Hirata, Keiji; Matsuda, Shu; Kaji, Katsuhiko; Nagao, Katashi vol. 2004 2004
ANTESCOFO: ANTICIPATORY SYNCHRONIZATION AND CONTROL OF INTERACTIVE PARAMETERS IN COMPUTER MUSIC Cont, Arshia vol. 2008 August 2008
Antialiasing for Nonlinearities: Acoustic Modeling and Synthesis Applications Thornburg, Harvey vol. 1999 1999
Anton - A Rule-Based Composition System Boenn, Georg; Brain, Martin; De Vos, Marina; ffitch, John vol. 2011 2011
Appliance of Music Information Retrieval System for Arabian Woodwinds in Music Education Al-Ghawanmeh, Fadi M.; Al-Ghawanmeh, Mohammad T.; Haddad, Rami N. vol. 2009 2009
The Application of Differential Equations to the Modeling of Musical Change Leach, J. L.; Fitch, J. P. vol. 1995 1995
APPLICATION OF IMAGE SONIFICATION METHODS TO MUSIC Yeo, Woon Seung; Berger, Jonathan vol. 2005 2005
An Application of Interactive Computation and the Concrete Situated Approach to Real-time Composition and Performance Bello, Angelo vol. 1998 1998
Application of Mathematical Models to the Generation of Organic Musical Structure and Discourse in Composition: Research Summary Fischman, Rajmil vol. 2002 2002
Application of multi-agent whale modeling to an interactive saxophone and whales duet Kirke, Alexis; Freeman, Samuel; Miranda, Eduardo R. vol. 2011 2011
An Application of The System, "BodySuit" and "RoboticMusic" - Its Introduction and Aesthetics Goto, Suguro vol. 2006 2006
Application of Wave Field Synthesis in the composition of electronic music Baalman, M. A. J. vol. 2003 2003
Applications for an Integrated Computer Music Workstation Moore, F. Richard vol. 1986 1986
APPLICATIONS OF GEOSCIENTIFIC SONIFICATION: PRELIMINARY RESULTS – WHERE IS MY RESERVOIR? Brough, Samantha vol. 2008 August 2008
Applications of Linked Data Structures to Automated Composition Ames, Charles vol. 1985 1985
Applications of Principal Differential Analysis, to Data Reduction and Extraction of Musical Features of Sound Winsberg, Suzanne; DePalle, Phillippe vol. 1999 1999
Applications of the Processor Enhanced Memory Module for Music Signal Processing Trautmann, Steven; Cheung, Ngai-Man; Poletto, Christopher vol. 1999 1999
Applications of the Wavelet Transform at the Level of Pitch Contour Kussmaul, Clifton vol. 1991 1991
APPLICATIONS OF ULTRASONIC SOUND BEAMS IN PERFORMANCE AND SOUND ART Pampin, Juan; Kollin, Joel S.; Kang, Eunsu vol. 2007 2007
Applying Balanced Model Truncation to Sound Analysis/Synthesis Models Mackenzie, J. P.; Kale, I.; Cain, vol. 1995 1995
Applying ImprovisationBuilder to Interactive Composition with MIDI Piano Walker, William; Belet, Brian vol. 1996 1996
Applying Psychoacoustic Principles to Soundfield Reconstruction Trautmann, Steven vol. 1996 1996
Applying Root-Locus Techniques to the Analysis of Coupled Modes in Piano Strings Stilson, Timothy S. vol. 1997 1997
Applying STRAIGHT toward Music Systems - Accurate F0 Estimation and Application for Data-driven Synthesis Katayose, Haruhiro; Kawahara, Hideki vol. 1999 1999
An Approach to a Latin American Computer Music Fumarola, Martin Alejandro vol. 1996 1996
An Approach to an Artificial Music Expert Katayose, H.; Kato, H.; Imai, M.; Inokuchi, S. vol. 1989 1989
An Approach to Sound Morphing based on Physical Modeling Hikichi, Takafumi; Osaka, Naotoshi vol. 1999 1999
An approach to visualization of complex event data for generating sonic structures Bokesoy, Sinan; Thiebaut, Jean Baptiste vol. 2006 2006
Appropriated Musical Instruments: A4 MIDI Tool Box and Carnatic Violin Schiemer, Greg; Krishnakumar, B. vol. 1996 1996
Approximation and Syntactic Analysis of Amplitude and Frequency Functions for Digital Sound Synthesis Strawn, John vol. 1980 1980
The APS 1000 Series of Digital Audio Processors Zander, Helmut vol. 1986 1986
Architectural Overview of a System for Collaborative Music Composition Over the Web Wüst, Otto; Jordà, Sergi vol. 2001 2001
Architecture and Aesthetics: The Construction and the Objectives of Elektronikus Mozaïk Keane, David vol. 1985 1985
The Architecture and Musical Logic of Cmix Lansky, Paul vol. 1990 1990
An architecture for creating hosting plug-ins for use in digital audio workstations Gibson, Darrell; Polfreman, Richard vol. 2011 2011
The Architecture of a Musical Composition System Based on Constraint Resolution and Graph Rewriting Desainte-Catherine, Myriam vol. 1991 1991
Architecture of a Processor for the Digital Analysis/Synthesis of Sound Debiasi, Giovanni B.; Rubbazzer, Maurizio vol. 1982 1982
THE ARCHITECTURE OF AURACLE: A VOICE-CONTROLLED, NETWORKED SOUND INSTRUMENT Freeman, Jason; Ramakrishnan, Sekhar; Varnik, Kristjan vol. 2005 2005
ArcoNet: A Proposal for a Standard Network for Communication and Control in Real-Time Performance Allik, Kristi; Dunne, Shane; Mulder, Robert vol. 1986 1986
The Arcontinuo: A Performed-Centered Electronic Musical Instrument Bertin, Claudio; Cadiz, Rodrigo; De La Cuadra, Patricio; De Ioannes, Gabriel; Sylleros, Alvaro vol. 2010 2010
Arcsyn: An Expressive And Efficient Additive Synthesis Architecture Romblom, David vol. 2010 2010
ARE COGNITIVE STYLES AN IMPORTANT FACTOR IN THE DESIGN OF ELECTROACOUSTIC MUSIC SOFTWARE? Eaglestone, Barry; Ford, Nigel; Holdridge, Peter; Carter, Jenny vol. 2007 2007
AREM/ARMS - Reinterpretation of musical structures Calzón, Miguel vol. 1993 1993
Argos: An Open Source Application For Building Multi- Touch Musical Interfaces Diakopoulos, Dimitri; Kapur, Ajay vol. 2010 2010
Armadillo: Real Time and Non-Real Time Analysis of Musical Sounds on a Power Macintosh Madden, Timothy J.; Beauchamp, James W. vol. 1999 1999
Armenian Universal Structural-Analytical Catalogue of Musical Texts - UNSACAT Hosovsky, Vladimir; Mkrtoumian, Igor; Hakopian, Edward vol. 1978 1978
ArmKeyBoard: A Mobile Keyboard Instrument Based on Chord-scale System and Tonal Hierarchy Deng, Jun-qi; Chi Moon Lau, Francis; Kwok, Yu-kwong vol. 2014 2014
Arno: Constraints Programming in Common Music Anders, Torsten vol. 2000 2000
AROOOGA: An Audio Search Engine for theWorldWideWeb Knopke, Ian vol. 2004 2004
ARTABILITATION ICMC PANEL PAPER DENMARK 2007: NON-FORMAL REHABILITATION VIA IMMERSIVE INTERACTIVE MUSIC ENVIRONMENTS Brooks, Anthony; Eaglestone, Barry; Ellis, Phil; Gehlhaar, Rolf; Girão, Luis Miguel; Magee, Wendy; Miranda, Eduardo; Petersson, Eva; Rodrigues, Paulo vol. 2007 2007
Artaud's Snake: gesture, time and play - a composer's report on the use and development of the WiGI infra red wireless gestural system Scott, Richard vol. 2011 2011
The Articially Intelligent Computer Performer on the Macintosh II and a Pattern Matching Algorithm for Real-time Interactive Performance Baird, Bridget vol. 1989 1989
ARTICULATED NOISE Lyon, Eric vol. 2008 August 2008
Articulation Rules For Automatic Music Performance Bresin, Roberto vol. 2001 2001
An Artificial Neural Net for Harmonizing Melodies Gang, Dan; Lehmann, Daniel vol. 1995 1995
An Artificial Perception Model and Its Application to Music Recognition Tanguiane, Andranick vol. 1993 1993
The Artificially Intelligent Computer Performer and Parallel Processing Baird, Bridget vol. 1991 1991
THE ARTISTIC PLAY OF SPATIAL ORGANIZATION: SPATIAL ATTRIBUTES, SCENE ANALYSIS AND AUDITORY SPATIAL SCHEMATA Kendall, Gary S. vol. 2007 2007
The ArtsSync Project: Methods and Architectures for Mapping Foreground, Middle-ground and Background Musical Structures to Visual Images Keyes, Christopher J.; Wierckx, Marcel vol. 2006 2006
The Arugula Computer-Music Score Editor Maverick, Vance vol. 1991 1991
AscoGraph: A User Interface for Sequencing and Score Following for Interactive Music Coffy, Thomas; Cont, Arshia; Giavitto, vol. 2014 2014
ASDF: AUDIO SCENE DESCRIPTION FORMAT Geier, Matthias; Spors, Sascha vol. 2008 August 2008
Aspects of gesture in Digital Musical Instrument Design Brent, William vol. 2011 2011
Aspects of Pitch-Tracking and Timbre Separation: Feature Detection in Digital Audio Using Adapted Local Trigonometric Bases and Wavelet Packages Popovic, Igor; Coifman, Ronald; Berger, Jonathan vol. 1995 1995
Aspects of second order feedback AM synthesis Lazzarini, Victor; Kleimola, Jari; Timoney, Joseph; Välimäki, Vesa vol. 2011 2011
Aspects of Stochastic Music Berhörster, Conrad vol. 1999 1999
ASPEN/EXPLORE: A Multiprocessing Assistant for Electroacoustic Music Composers Field, Ambrose vol. 1999 1999
ASSISTANCE FOR NOVICE USERS ON CREATING SONGS FROM JAPANESE LYRICS Fukayama, Satoru; Saito, Daisuke; Sagayama, Shigeki vol. 2012 2012
Association of Sound movements in space to Takete and Maluma de Götzen, Amalia vol. 2014 2014
AN ASSOCIATIVE APPROACH TO COMPUTER-ASSISTED MUSIC COMPOSITION Dahan, Kevin vol. 2005 2005
ATK Reaper: The Ambisonic Toolkit as JSFX plugins Lossius, Trond; Anderson, Joseph vol. 2014 2014
ATS: a Lisp Environment for Spectral Modeling Pampin, Juan vol. 1999 1999
ATS: A System for Sound Analysis Transformation and Synthesis Based on a Sinusoidal plus Critical-Band Noise Model and Psychoacoustics Pampin, Juan vol. 2004 2004
ATS User Interfaces Pampin, Juan; di Liscia, Oscar Pablo; Moss, William 'Pete'; Norman, Alex vol. 2004 2004
Audibility of Inharmonicity in String Instrument Sounds, and Implications to Digital Sound Synthesis Jôrvelôinen, Hanna; Vôlimôki, Vesa; Karjalainen, Matti vol. 1999 1999
Audibility of Initial Pitch Glides in String Instrument Sounds Jôrvelôinen, Hanna; Vôlimôki, Vesa vol. 2001 2001
The Audicle: A Context-Sensitive, On-the-fly Audio Programming Environ/mentality Wang, Ge; Cook, Perry R. vol. 2004 2004
Audience-Participation Techniques Based on Social Mobile Computing Oh, Jieun; Wang, Ge vol. 2011 2011
Audification: The Use of Sound to Display Multivariate Data Kramer, Gregory; Ellison, Stephen vol. 1991 1991
AUDIO ANALOGIES: CREATING NEW MUSIC FROM AN EXISTING PERFORMANCE BY CONCATENATIVE SYNTHESIS Simon, Ian; Basu, Sumit; Salesin, David; Agrawala, Maneesh vol. 2005 2005
Audio Analysis for Content-Based Retrieval Keislar, Douglas; Blum, Thom; Wheaton, James; Wold, Erling vol. 1995 1995
Audio Analysis for Rhythmic Structure Tait, Crawford vol. 1995 1995
Audio and Gesture Latency Measurements on Linux and OSX Wright, Matthew; Cassidy, Ryan J.; Zbyszyński, Michael F. vol. 2004 2004
Audio and User Directed Sound Synthesis Cardle, Marc; Brooks, Stephen; Robinson, Peter vol. 2003 2003
An Audio-based Real-time Beat Tracking System and Its Applications Goto, Masataka; Muraoka, Yoichi vol. 1998 1998
The Audio Browser - An Audio Database Navigation Tool in a Virtual Environment Whitehead, John F. vol. 1994 1994
The Audio Composition System at The Defense and Civil Institute for Environmental Medicine Pennycook, Bruce W. vol. 1982 1982
Audio Descriptors and Descriptor Schemes in the Context of MPEG-7 Herrera, Perfecto; Serra, Xavier; Peeters, Geoffroy vol. 1999 1999
An Audio-Driven Perceptually Meaningful Timbre Synthesizer Jehan, Tristan; Schoner, Bernd vol. 2001 2001
Audio Game Interactive Performance Matheus, Silvia; Keller, Tom vol. 1995 1995
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