Browse International Computer Music Conference Proceedings
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There are 3863 items in this collection
Browsing Titles starting with V.
 
Author / [Publication date] Title
Michael Clarke Valuing Our Heritage: Exploring Spatialisation Through Software Emulation of Stockhausen’s Oktophonie
Laura Bianchini Varèse-Le Corbusier. Scenes from a rebellious thought. Reconstruction of the Poème Electronique
Richard Dobson VARÈSE'S POÈME ÉLECTRONIQUE REGAINED: EVIDENCE FROM THE VEP PROJECT
James Bulley Variable 4: A Dynamical Composition For Weather Systems
Seionshin Yamagishi "Variations for WWW": Network Music by MAX and the WWW
Michael Burroughs Variatons: A Hypermedia Project Providing Integrated Access to Music Information
Charles Nichols The vBow: A Four Degrees of Freedom Haptic Musical Controller Human-Computer Interface
Charles Nichols The vBow: A Haptic Musical Controller Human-Computer Interface
Paul E. Dworak A Vector Field Model of Compositional Creativity
Stephan Dunkelman Vertically Read Notation
Knut Guettler VICTORIA COUNTS – A CASE STUDY WITH ELECTRONIC VIOLIN BOW
John Young Victoria University of Wellington Electroacoustic Music Studios
Dean Rubine The VideoHarp
Dionysios V. Politis VIDI - A Voice Instrument Digital Interface for Byzantine Music
Julius Orion Smith, III Viewpoints on the History of Digital Synthesis
D. Andrew Stewart Vigorous Music-Making: The Inherent “Liveliness” Of A T-Stick Instrumentalist
Nils Peters VIMIC - A NOVEL TOOLBOX FOR SPATIAL SOUND PROCESSING IN MAX/MSP
Antoine Allombert Virage : Designing An Interactive Intermedia Sequencer From Users Requirements And Theorical Background
Judith Shatin The Virginia Center for Computer Music
Riitta Vôônônen Virtual Acoustics Rendering in MPEG-4 Multimedia Standard
Thomas Musil VIRTUAL AUDIO REPRODUCTION ENGINE FOR SPATIAL ENVIRONMENTS
Hans Peter Stubbe Teglbjaerg Virtual Bass-Clarinet In Modalys
Philippe Depalle A Virtual Castrato (!?)
Rami Hänninen Virtual Concert Performance - Synthetic Animated Musicians Playing in an Acoustically Simulated Room
Guy E. Garnett Virtual Conducting Practice Environment
Vincenzo Lombardo THE VIRTUAL ELECTRONIC POEM (VEP) PROJECT
Jyri Huopaniemi Virtual Instruments in Virtual ooms - A Real-Time Binaural Room Simulation Environment for Physical Models of Musical Instruments
Mark Bolas Virtual Mutant Theremin
Jehan-Julien Filatriau VIRTUAL OBJECTS AS MEDIATION BETWEEN SONIC TEXTURES AND INTERACTIVE GESTURES
Roger B. Dannenberg A Virtual Orchestra for Human-Computer Music Performance
David Blythe Virtual Patch-Cords for the Katosizer
Roger B. Dannenberg A VIRTUAL PATCHBAY FOR ROBUST DISTRIBUTED INTERACTIVE MUSIC SYSTEMS
Brad Garton Virtual Performance Modelling
Haruhro Katayose Virtual Performer
Brent Gillespie The Virtual Piano Action: Design and Implementation
David A. Jaffe A Virtual Piano Concerto - Coupling of the Mathews/Boie Radio Drum and the Yamaha Disklavier Grand Piano in the "The Seven Wonders of the Ancience World"
Robin Bargar Virtual Sound Compostion for the CAVE
Riccardo Bianchini Virtual Sound On Line - Computer Music Courses on the Internet
Jürgen Killian VISCO ‒ Visual SALIERI Components
Benjamin Schroeder The Visible String, a Direct Audiovisual Model
Charlotte Truchet Visual and Adaptive Constraint Programming in Music
Jean-Julien Filatriau VISUAL AND SOUND GENERATION DRIVEN BY BRAIN, HEART AND RESPIRATION SIGNALS
Naotoshi Osaka Visual Manipulation Environment for Sound Synthesis, Modification, and Performance
Enrique Moreno A Visual Model for Embedded Chroma Spaces: Theory and Software Applications
Bernhard Wagner A Visual Programming Environment for Composing Interactive Performance Systems
Glendon R. Diener A Visual Programming Environment for Music Notation
Gérard Assayag Visual Programming in Music
Shu Matsuda A Visual-to-Sound Interactive Computer Performance System ’Edge’
Pierre Hanna VISUALISATION OF MUSICAL STRUCTURE BY APPLYING IMPROVED EDITING ALGORITHMS
David Rossiter Visualization and Manipulation of 3D Digital Waveguide Structures for Sound Experimentation
Jeff Pressing Visualization and Predictive Modelling of Musical Signals using Embedding Techniques
J. Ashley Burgoyne VISUALIZATION OF LOW DIMENSIONAL STRUCTURE IN TONAL PITCH SPACE
Matthew Wright VISUALIZATION TOOLS FOR MUSICAL TIMING APPLIED TO AFRO-CUBAN PERCUSSION
Rumi Hiraga Visualized Music Experssions in an Object-Oriented Environment
Jonathan Foote Visualizing Musical Structure and Rhythm via Self-Similarity
Satoru Morita Visualizing Sound Environment during Orchestra Performance based on Time Frequency Analysis
Marilyn Taft Thomas Vivace: A Rule Based Al System for Composition
Mark Kahrs VLSI and the Design of Real-Time Digital Sound Processors
John Wawrzynek A VLSI Approach to Sound Synthesis
David Rivas VLSI for a Physical Model of Musical Instruments Oscillations
John Wawrzynek VLSI Parallel Processing for Musical Sound Synthesis
Gabriel Maldonado VMCI, an Interface to Control Csound in Real-time Under Windows
Alex McLean VOCABLE SYNTHESIS
Ken-Ichi Sakakibara Vocal Fold and False Vocal Fold Vibrations in Throat Singing and Synthesis of Khöömei
Tracy Lind Petersen Vocal Tract Modulation of Instrumental Sounds by Digital Filtering
John Michael Clarke VOCEL: New implementations fo the FOF synthesis method
Mark Marshall The Vodhran - Design and Development of a Virtual Instrument
Karen Eliot Kahn Voice and Speech in Computer Music Composition
Shuilin Liu Voice Creation and the Chinese Folk Music
Pedro Cano Voice Morphing System for Impersonating in Karaoke Applications
Gil Weinberg "Voice Networks" - Exploring the Human Voice as a Creative Medium for Musical Collaboration
Yoshinari Sasahira Voice Pitch Changing by Linear Predictive Coding Method to Keep the Singer’s Personal Timbre
Anna Jordanous VOICE SEPARATION IN POLYPHONIC MUSIC: A DATA-DRIVEN APPROACH
David Rossiter Voice Source and Acoustic Output Qualities for Singing Synthesis
Tamara Smyth VOICE SYNTHESIS USINGTHE GENERALIZED PRESSURE-CONTROLLED VALVE
Eduardo Reck Miranda Voices of Artificial Life: On Making Music with Computer Models of Nature
Arnold Kaup Volumetric Modeling of Acoustic Fields in CNMAT's Sound Spatialization Theatre
David Topper VScore: A Real-time Visual Application for Scoring Music
David Topper VScore: A Real-time Visual Application for Scoring Music, Version 1.1