Browse Options

Browse by Title

Title Author(s) Volume/Issue Date
UDI: A Unified DSP Interface for Sound Signal Analysis and Synthesis Depalle, Philippe; Rodet, Xavier vol. 1990 1990
UDKOSC: An immersive musical environment Hamilton, Robert vol. 2011 2011
Un Modele Informatique pour la Transformation Continue de Sons Inharmoniques Riotte, André vol. 1984 1984
Una teoria neurale della musica e tecniche compositive derivate Melzi, Giovanni; Ozzola, Vito vol. 1982 1982
An Unconference Unsession On Computer Music Performance Baguyos, Jeremy C; Nanou, Chryssie; Wetzel, David; Boyle, Mcgregor vol. 2010 2010
Unconventional Computing for Music: Sound Synthesis with Slime Mould Miranda, Eduardo R.; Adamatzky, Andrew; Jones, Jeff vol. 2011 2011
”UNDERGROUND SOUNDS” EXPERIMENTING WITH THE SOUNDS OF EARTHQUAKES Saranti, Anna; Meier, Manuela vol. 2008 August 2008
Understanding and Learning Musical Expression Widmer, Gerhard vol. 1993 1993
Understanding and Tuning Mass-Interaction Networks Through Their Modal Representation Villeneuve, Jerome; Cadoz, Claude vol. 2014 2014
UNDERSTANDING EMOTION IN RAAG: AN EMPIRICAL STUDY OF LISTENER RESPONSES Chordia, Parag; Rae, Alex vol. 2007 2007
Understanding Music with AI Laske, Otto E. vol. 1991 1991
Understanding Supersaturation: A Musical Phenomenon Affecting Perceived Time Horenstein, Stephen vol. 2004 2004
Understanding the Mathematics of the Frequency Transform: An Interactive Tutorial for Computer Musicians Pietrusko, R. Gerard; Boulanger, Richard C. vol. 2004 2004
A Unified Approach to the Editing of Time-Ordered Events Decker, Shawn L.; Kendall, Gary S. vol. 1985 1985
A UNIFIED MODEL FOR AUDIOAND CONTROL SIGNALS IN PWGLSYNTH Norilo, Vesa; Laurson, Mikael vol. 2008 August 2008
A Unified Set of Software Tools for Computer-Assisted Set-Theoretic and Serial Analysis of Contemporary Music Harris, Craig; Brinkman, Alexander vol. 1986 1986
UniSon: A Real-time Interactive System for Digital Sound Synthesis Bate, John A. vol. 1990 1990
Unisoner: An Interactive Interface for Derivative Chorus Creation from Various Singing Voices on the Web Tsuzuki, Keita; Nakano, Tomoyasu; Goto, Masataka; Yamada, Takeshi; Makino, Shoji vol. 2014 2014
Unit-Generator Implementation on the NeXT DSP Chip Smith, Julius O. vol. 1989 1989
UNIT-GENERATORS CONSIDERED HARMFUL (FOR MICROSOUND SYNTHESIS): A NOVEL PROGRAMMING MODEL FOR MICROSOUND SYNTHESIS IN LCSYNTH NISHINO, Hiroki; OSAKA, Naotoshi; NAKATSU, Ryohei vol. 2013 2013
Universal Classification Applied to Musical Sequences Dubnov, Shlomo; Assayag, Gerard; El-Yaniv, Ran vol. 1998 1998
A Universal Recorder for the IRCAM Musical Workstation Smith, Bennett K. vol. 1990 1990
University College Bretton Hall - Studio Report Landy, Leigh; de Paor, Paschall vol. 1994 1994
The University Music Technology Lab Hinderlie, Sanford vol. 2006 2006
University of Cincinnati College Conservatory of Music Center for Computer Music Helmuth, Mara; Watts, Chris; Bukvic, Ico vol. 2001 2001
University of Cincinnati, College-Conservatory of Music Center for Computer Music - (ccm)² in 2004 Helmuth, Mara; Schedel, Margaret; Bernard, Jennifer; Bukvic, Ivica Ico; Ding, Shiau-uen vol. 2004 2004
University of Helsinki Electronic Music Studio Lassfolk, Kai; Tiits, Kalev vol. 1994 1994
University of Helsinki Music Research Laboratory and Electronic Music Studio - A Studio Report Lassfolk, Kai vol. 2002 2002
University of Helsinki Music Research Laboratory and Electronic Music Studio – The first 50 years and beyond Lassfolk, Kai; Ojanen, Mikko vol. 2014 2014
University of Leeds Interdisciplinary Centre for Scientific Research in Music Ng, Kia vol. 2004 2004
The University of Texas Accelerando Project: An Update Pinkston, Russell vol. 1992 1992
Unnecessary Constraints: A Challenge to Some Assumptions of Digital Musical Instrument Design Linson, Adam vol. 2011 2011
Unruhige Räume - Spatial Electro-Acoustic Composition Through A Collaborative Artistic Research Process Baltazar, Pascal; Habbestad, Bjørnar vol. 2010 2010
Unsampled Digital Synthesis: Computing the Output of Implicit and Non-Linear Systems Medine, David vol. 2015 2015
Untitled: An Interactive Installation Kuivila, Ronald vol. 1985 1985
Untouchable instruments and Performances Nagashima, Yoichi vol. 2011 2011
UPIC Special Session Pape, Gerard; Rocton, Didier vol. 1993 1993
Urban Corridor: Accumulation and Interaction as Form-Bearing Process Keller, Damián; Capasso, Ariadna; Wilson, Scott R. vol. 2002 2002
Urmus - An Environment For Mobile Instrument Design And Performance Essl, Georg vol. 2010 2010
Ursound -- Live Patching Of Audio And Multimedia Using A Multi-Rate Normed Single-Stream Data-Flow Engine Essl, Georg vol. 2010 2010
THE USABILITY OF MUSIC THEORY SOFTWARE: THE ANALYSIS OF TWELVE-TONE MUSIC AS A CASE STUDY Ilomôki, Tuukka vol. 2007 2007
The Use of 3-D Audio in a Synthetic Environment: An Aural Renderer for a Distributed Virtual Reality System Pope, Stephen Travis; Fahlen, Lennart E. vol. 1993 1993
The use of active tactile and force feedback in timbre controlling electronic instruments Bongers, Bert vol. 1994 1994
The Use of Apprenticeship Learning Via Inverse Reinforcement Learning for Generating Melodies Messer, Orry; Ranchod, Pravesh vol. 2014 2014
Use of Decision Tree to Detect GTTM Group Boundaries Miura, Yuji; Hamanaka, Masatoshi; Hirata, Keiji; Tojo, Satoshi vol. 2009 2009
The Use of Hierarchy and Instance in a Data Structure for Computer Music Buxton, William; Reeves, William; Baecker, Ronald; Mezei, Leslie vol. 1978 1978
Use of High-Speed Microprocessors for Digital Synthesis Allouis, J.F. vol. 1978 1978
The Use of Interpolating Memories for Music Processing by Microcomputer Noetzel, Andrew vol. 1985 1985
The Use of Mel-frequency Cepstral Coefficients in Musical Instrument Identification Loughran, Róisín; Walker, Jacqueline; O’Neill, Michael; O’Farrell, vol. 2008 August 2008
The Use of Melodic Segmentation for Content-based Retrieval of Musical Data Melucci, Massimo; Orio, Nicola vol. 1999 1999
Use of Microprocessor in Real-Time Synthesis of Sounds Sapir, Sylviane; Kronland-Martinet, Ricard vol. 1982 1982
Use of physical-model synthesis for developing experimental techniques in ethnomusicology - The case of the Ouldémé flute de la Cuadra, Patricio; Vergez, Christophe; Caussé, René vol. 2002 2002
The use of Prony's Method for the Analysis of Musical Sounds. Application to Percussive Sounds Laroche, Jean; Rodet, Xavier vol. 1989 1989
The Use of Rhythmograms in the Analysis of Electroacoustic Music, with Application to Normandeau’s Onomatopoeias Cycle Hirst, David vol. 2014 2014
The Usefulness of Qualitative Theories of Musical Perception Widmer, Gerhard vol. 1990 1990
A User Friendly Synthesizer by Means of a Touch Input Wide LCD Graphic Display Radier, J. C.; Deforeit, Ch.; Provost, D. vol. 1986 1986
User-Guided Evolution Of Granular Synthesis Coia, Corrado; Ross, Brian vol. 2010 2010
User Interfaces in Music-Notation Systems Byrd, Donald vol. 1986 1986
User Software for Realtime Input by a Musical Instrument Chabot, Xavier vol. 1985 1985
USING A 3D MODELLING PROGRAM AS A MUSICAL CONTROLLER Berry, Rodney vol. 2007 2007
Using a Grammar for a Reliable Full Score Recognition System Coüasnon, Bertrand; Rétif, Bernard vol. 1995 1995
USING A PERCEPTUALLY BASED TIMBRE METRIC FOR PARAMETER CONTROL ESTIMATION IN PHYSICAL MODELING SYNTHESIS Terasawa, Hiroko; Berger, Jonathan; Smith, Julius O. vol. 2005 2005
Using Advanced GUIDO as a Notation Interchange Format Hoos, Holger H.; Hamel, Keith A.; Renz, Kai vol. 1999 1999
Using Circulant Markov Chains to Generate Waveforms for Music Zuckerman, Mark; Steiglitz, Kenneth vol. 1975 1975
USING CODES: COOPERATIVE MUSIC PROTOTYPING AND EDUCATIONAL PERSPECTIVES Miletto, Evandro Manara; Pimenta, Marcelo Soares; Vicari, Rosa Maria vol. 2005 2005
Using Concatenative Synthesis for Expressive Performance in Jazz Saxophone Maestre, Esteban; Hazan, Amaury; Ramirez, Rafael; Perez, Alfonso vol. 2006 2006
Using Csound as a Sound Engine for Interactive WWW Content Yasaka, Kenji vol. 1998 1998
Using Fractals in Timbre Construction: An Exploratory Study Waschka, II., Rodney; Kurepa, Alexandra vol. 1989 1989
Using gaming engine for virtual prototyping and impact assessment of complex interactive art installations Ico Bukvic, Ivica; Betz, Scott vol. 2011 2011
Using Haptics for Digital Audio Navigation Chu, Lonny L. vol. 2002 2002
Using Hierarchical Thinking Strategies in Creative Behavior Dworak, Paul E. vol. 1981 1981
Using HyperInstruments for the Redistribution of the Performance Control Interface Anderson, Tim; Hearn, Debbie vol. 1994 1994
Using Java to stream audio over ATM Malloch, Stephen; Arnold, Stephen; Pflicke, Torsten vol. 1997 1997
USING LUA FOR AUDIOVISUAL COMPOSTION Wakefield, Graham; Smith, Wesley vol. 2007 2007
Using Motiongrams in the Study of Musical Gestures Jensenius, Alexander Refsum vol. 2006 2006
Using natural language to specify sound parameters Milde, Jan-Torsten vol. 2014 2014
Using Pd as a score language Puckette, Miller vol. 2002 2002
Using Physically-Based Models and Genetic Algorithms for Functional Composition of Sound Signals, Synchronized to Animated Motion Takala, Tapio; Hahn, James; Gritz, Larry; Geigel, Joe; Lee, Jong Won vol. 1993 1993
Using Real-time Csound MIDI With Windows Maldonado, Gabriel vol. 1998 1998
Using Regular Expressions to Express Bowing Patterns for String Players Hall, Cordelia V.; O’Donnell, John T. vol. 2009 2009
Using Relative Interval Slope in Music Information Retrieval Lemström, Kjell; Laine, Pauli; Perttu, Sami vol. 1999 1999
Using Self-Similiarity for Sound/Music Synthesis Yadegari, Shahrokh David vol. 1991 1991
Using Singing Voice Vibrato as a Control Parameter in a Chamber Opera Einarsson, Anna; Friberg, Anders vol. 2015 2015
Using State-of-the-Art Technologies to Investigate the Cognitive Mapping of Musical Intention to Performance Norris, Mary Ann vol. 1991 1991
Using Streetlights To Generate Sound: Hidden And The Use Of Non-Incandescent Light Sources For Sound Generation Goeringer, Lyn vol. 2010 2010
USING TECHNOLOGY TO RIDE THE REFLEX/VOLITIONAL CONTINUUM IN IMPROVISED MUSICAL PERFORMANCE Sayer, Tim vol. 2007 2007
Using the Computer in a Search for New Aspects of Timbre Organisation and Composition Saariaho, Kaija vol. 1983 1983
USING THE CORDIS-ANIMA FORMALISM FOR THE PHYSICAL MODELING OF THE GREEK ZOURNAS SHAWM Kontogeorgakopoulos, Alexandros; Tzevelekos, Panagiotis; Cadoz, Claude; Kouroupetroglou, Georgios vol. 2008 August 2008
Using the iPhone for live-electronics in my composition Irrgaerten for two pianos Tutschku, Hans vol. 2011 2011
Using the PLATO/TI980A Music Synthesis System: The PLACOMP Language Murray, David J.; Beauchamp, James; Loitz, Gary vol. 1978 1978
Using the Sound Description Interchange Format within the SMS Applications de Boer, Maarten; Bonada, Jordi; Serra, Xavier vol. 2000 2000
Using the SSSP System: Reflections on One Composer's Experience Montgomery, James vol. 1980 1980
Using the Web for Live Interactive Music Young, John P. vol. 2001 2001
USING TIMBRE IN A COMPUTER-BASED IMPROVISATION SYSTEM Hsu, William vol. 2005 2005
Using Wavelet Based Analysis and Resynthesis to Uncover the Past Berger, Jonathan; Nichols, Charles vol. 1994 1994