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Title Author(s) Volume/Issue Date
The P-G-G Environment for Music Composition Oppenheim, Daniel Vincent vol. 1987 1987
P300 Harmonies: A Brain-Computer Musical Interface Vamvakousis, Zacharias; Ramirez, Rafael vol. 2014 2014
PadMaster: An Improvisation Environment for Real Time Performance Lopez-Lezcano, Fernando vol. 1995 1995
PadMaster: Banging on Algorithms with Alternative Controllers Lopez-Lezcano, Fernando vol. 1996 1996
PAGE TURNING AND IMAGE SIZE IN A DIGITAL MUSIC STAND Bell, Tim; Church, Annabel; McPherson, John; Bainbridge, David vol. 2005 2005
Palette: An Environment for Developing an Individualized Set of Psychophysically Scaled Trimbres Martens, William L. vol. 1985 1985
Panel Discussion: Algorithmic Music vol. 1993 1993
Panel: New directions in Music Information Retrieval Dannenberg, Roger; Foote, Jonathan; Tzanetakis, George; Weare, Christopher vol. 2001 2001
Panel: Standards from the Computer Music Community Wright, Matthew; Dannenberg, Roger; Pope, Stephen; Rodet, Xavier; Serra, Xavier; Wessel, David vol. 2004 2004
PANEL: THE NEED OF FORMATS FOR STREAMING AND STORING MUSIC-RELATED MOVEMENT AND GESTURE DATA Jensenius, Alexander Refsum; Camurri, Antonio; Castagné, Nicolas; Maestre, Esteban; Malloch, Joseph; McGilvray, Douglas; Schwarz, Diemo; Wright, Matthew vol. 2007 2007
Panel: Touched by Machine? Composition and Performance in the Digital Age vol. 1994 1994
PAPAGEI: An Extensible Automatic Accompaniment System for Live Instrumental Improvisation Bakht, Salman; Barlow, Clarence vol. 2009 2009
Paradiddle: a code-free meta-GUI for musical performance with Pure Data Lindsay, Adam T.; Parkes, Alan P. vol. 2003 2003
A Paradigm for Physical Interaction with Sound in 3-D Audio Space Wozniewski, Mike; Settel, Zack; Cooperstock, Jeremy R. vol. 2006 2006
A Paradigm Shift for Modelling Sound Sensation Mourjopoulos, John N. vol. 2014 2014
Parallel Execution of Csound ffitch, John vol. 2009 2009
A Parallel-Formant Speech Synthesizer in Max/MSP Ma, Michael Kexin; Fels, Sidney; Pritchard, Robert vol. 2006 2006
Parallel Transform Method for Lossless Compression on Analog Data Crandell, R.; Minnick, M. vol. 1991 1991
PARAMETER CONTROLLED REMOTE PERFORMANCE (PCRP): PLAYING TOGETHER DESPITE HIGH DELAY Hadjakos, Aristotelis; Aitenbichler, Erwin; Mühlhäuser, Max vol. 2008 August 2008
Parameter estimation for dual-polarization plucked string models Nackaerts, Axel; De Moor, Bart; Lauwereins, Rudy vol. 2001 2001
Parameter Estimation of a Plucked String Synthesis Model with Genetic Algorithm Riionheimo, Janne; Vôlimôki, Vesa vol. 2002 2002
Parameter Estimation of Non-Linear Physical Models by Simulated Evolution - Application to the Flute Model Vuori, Jarkko; Välimäki, Vesa vol. 1993 1993
Parameter Estimation of Virtual Musical Instrument Synthesizers Itoyama, Katsutoshi; Okuno, Hiroshi G. vol. 2014 2014
Parameters Estimation for Non-linear Resynthesis Methods with the Help of a Time-Frequency Analysis for Real Sounds Kronland-Martinet, Richard; Guillermain, Philippe; Delprat, Nathalie vol. 1990 1990
A Parametric Model of Expressiveness in Musical Performance Based on Perceptual and Acoustic Analysis Canazza, Sergio; Rodà, Antonio; Orio, Nicola vol. 1999 1999
Parametric Spectrumization Parent, Nil vol. 1991 1991
PARSHL: An Analysis/Synthesis Program for Non-Harmonic Sounds Based on a Sinusoidal Representation Smith, Julius O.; Serra, Xavier vol. 1987 1987
Parsing Real-Time Musical Imputs and Spontaneously Generating Musical Forms: Hierarchical Form Generator (HFG) Rosenboom, David vol. 1992 1992
Partial-Balancing Instruments with Dynamically Refreshed Wavetables Orton, Richard; Kirk, Ross; Hunt, Andy vol. 1995 1995
PARTIAL TRACKING IN TWO STEPS Siska, Ádám vol. 2012 2012
Participation and Response in Movement-Sensing Installations Winkler, Todd vol. 2000 2000
PAT-PROC: An Interactive, Pattern-Process, Algorithmic Composition Program Winsor, Phil vol. 1991 1991
The Patcher Puckette, Miller vol. 1988 1988
Patchmix: A C++ X Graphical Interface to Cmix Helmuth, Mara vol. 1990 1990
Patchmix: a Cmix Instrument-Builder Helmuth, Mara vol. 1999 1999
Patchmix and StochGran: Two Graphical Interfaces Helmuth, Mara vol. 1991 1991
Patchwork: a Graphic Language in preFORM Laurson, Mikael; Duthen, Jacques vol. 1989 1989
Patenting Your Computer Music Algorithms in the U.S. Miele, Anthony L. vol. 1991 1991
Path Difference Learning for Guitar Fingering Problem Radisavljevic, Aleksander; Driessen, Peter vol. 2004 2004
PATHS ON STERN-BROCOT TREE AND WINDING NUMBERS OF MODES Vicinanza, Domenico vol. 2005 2005
Paths to a Point in a Musical Landscape Chadabe, Joel vol. 1981 1981
Pathways from the Dream Spell Series Bestor, Charles vol. 1990 1990
Pattern Matching as an Engine for the Computer Simulation of Musical Style Cope, David vol. 1990 1990
Pattern Processing in Music Rowe, Robert; Li, Tang-Chun vol. 1994 1994
Pattern Recognition of Emotional States During Musical Performance from Physiological Signals Jaimovich, Javier; Knapp, R. Benjamin vol. 2009 2009
PATTERN-SPECIFIC PIANO EXERCISE RETRIEVAL Yoo, Min-Joon; Lee, In-Kwon vol. 2008 August 2008
PAWN & SPAWN: Portable and Semi-Portable Audio Workstation Topper, David vol. 2000 2000
PD SPECTRAL TOOLKIT Baker, Cooper; Erbe, Tom vol. 2013 2013
PDa: Real Time Signal Processing and Sound Generation on Handheld Devices Geiger, Günter vol. 2003 2003
Peacock: A Non-Haptic 3D Performance Interface Miyama, Chikashi vol. 2010 2010
PEAK EXTRACTION AND PARTIAL TRACKING OF MUSIC SIGNALS USING KALMAN FILTERING Satar-Boroujeni, Hamid; Shafai, Bahram vol. 2005 2005
peerSynth: A P2P Multi-User Software Synthesizer with new techniques for integrating latency in real time collaboration Stelkens, Jörg vol. 2003 2003
Pegasus-2: Real-Time Composing Environment with Chaotic Interaction Model Nagashima, Yoichi; Katayose, Haruhiro; Inokuchi, Seiji vol. 1993 1993
A PEN-BASED MUSICAL SCORE EDITOR Macé, Sébastien; Anquetil, Eric; Garrivier, Elodie; Bossis, Bruno vol. 2005 2005
Perception and Critique: Ecological Acoustics, Critical Theory and Music Clarke, Eric vol. 1997 1997
Perception And Interpretation Of Concurrent Aural Shapes Using Dream Interface Bukvic, Ivica Ico; Kim, Ji-Sun vol. 2010 2010
Perception-based control of vibrato parameters in string instrument synthesis Jôrvelôinen, Hanna vol. 2002 2002
Perception Based Multi-Genre Labeling On Music Data Sanden, Chris; Befus, Chad R. vol. 2010 2010
Perception-Based Musical Pattern Discovery Lartillot, Olivier vol. 2003 2003
Perception of Concurrent Timbres and Implications for Orchestration Sandell, Gregory J. vol. 1989 1989
Perception of Interactive Vibrotactile Cues on the Acoustic Grand and Upright Piano Fontana, Federico; Avanzini, Federico; Järveläinen, Hanna; Papetti, Stefano; Zanini, Francesco; Zanini, Valerio vol. 2014 2014
Perceptual and Analytical Analysis of the effect of the Hammer Impact on the Piano Tones Bensa, Julien; Jensen, Kristoffer; Kronland-Martinet, Richard; Ystad, Sølvi vol. 2000 2000
PERCEPTUAL ATOMIC NOISE Jensen, Kristoffer vol. 2005 2005
PERCEPTUAL CATEGORIZATION OF MOVING SOUNDS FOR SYNTHESIS APPLICATIONS Merer, Adrien; Ystad, Solvi; Kronland-Martinet, Richard; Aramaki, Mitsuko; Besson, Mireille; Velay, Jean-Luc vol. 2007 2007
Perceptual Characterization of a Tactile Display for a Live-Electronics Notification System Frid, Emma; Giordano, Marcello; Schumacher, M. Marlon; Wanderley, Marcelo M. vol. 2014 2014
The Perceptual Factoring of Acoustic Sequences into Musical Streams McAdams, Stephen E.; Bregman, Albert S. vol. 1978 1978
Perceptual Matching of Low Order Models to Room Transfer Functions Mrozek, Eric M.; Wakefield, Gregory H. vol. 1996 1996
Perceptual Organization in Music Listening Piszczalski, M.; Galler, B. A. vol. 1981 1981
Perceptual Parameters-Their Specification, Scoring and Control within Two Software Composition Systems Oppenheim, Daniel V.; Anderson, Tim; Kirk, Ross vol. 1993 1993
Perceptual Wavetable Matching for Synthesis of Musical Instrument Tones Wun, Cheuk-Wai; Horner, Andrew; Ayers, Lydia vol. 2003 2003
Perceptual Wavetable Matching for Synthesis of Musical Instrument Tones Wun, Cheuk-Wai; Horner, Andrew; Ayers, Lydia vol. 2001 2001
A perceptually based onset detector for real-time and offline audio parsing Brent, William vol. 2011 2011
Perceptually Based Pitch Scales in Cepstral Techniques for Percussive Timbre Identification Brent, William vol. 2009 2009
Perceptually Motivated Sonification of Moving Images Pelletier, Jean-Marc vol. 2009 2009
PerfComp: A Heuristic-Based Program for Analysis of MIDI Performance Files Walker, Timothy M. vol. 2006 2006
PERFORMANCE CONTROL OF A FLUTE PHYSICAL MODEL USING FUZZY LOGIC de la Cuadra, Patricio; Cádiz, Rodrigo F.; Fabre, Benoît; Montgermont, Nicolas vol. 2007 2007
Performance Expression in Commuted Waveguide Synthesis of Bowed Strings Jaffe, David A.; Smith, III, Julius O. vol. 1995 1995
Performance Factors in Control of High-Dimensional Space Garrett, Guy E.; Goudeseune, Camille vol. 1999 1999
A Performance Instrument for Lighting Demers, Louis-Philippe vol. 1991 1991
A Performance Literature for Computer Music: Some Problems from Personal Experience Rolnick, Neil B. vol. 1986 1986
Performance Rules for Melodies. Origin, Functions, Purposes Frydén, Lars; Sundberg, Johan vol. 1984 1984
Performance with Electronics: Gesture Interfaces and Software Toolkit Chabot, Xavier vol. 1989 1989
The Performance Worm: Real Time Visualisation of Expression based on Langner's Tempo-Loudness Animation Dixon, Simon; Goebl, Werner; Widmer, Gerhard vol. 2002 2002
Performer Adaptive Scores: An Introduction Frank, Robert J. vol. 2006 2006
The Performer-Instrument Interaction: A Sensory Motor Perspective O'Modhrain, M. Sile; Chafe, Chris vol. 2000 2000
A Performer's Musicological Research in Performing Interactive Computer Music ‒ The performance of Jean-Claude Risset: Duet for One Pianist‒Eight Sketches for MIDI Piano and Computer (Max program) (1989) Li, Wuan-chin vol. 2004 2004
PERFORMING ALGORITHMIC COMPUTER MUSIC: REAL-TIME SCORE INTERPRETATION OF DAVID BIRCHFIELD'S COMMUNITY ART: RESONANT ENERGY Esler, Robert vol. 2005 2005
PERFORMING ARTICULATION AND EXPRESSION THROUGH A HAPTIC INTERFACE Hayes, Lauren vol. 2012 2012
Performing the City: An Urban Performance Workshop Barrett, G. Douglas; Gagliardi, Francesco vol. 2008 August 2008
PERMUTATION GROUPS AND CHORD TESSELATIONS Jedrzejewski, Franck vol. 2005 2005
Personal-Computer Microworlds for Learning About Signals and Sound Dolson, Mark; Singer, Abe; Rivas, David vol. 1987 1987
A Personal Computer, Musical Knowledge-Based System Using Active Objects Morris, Stephen vol. 1985 1985
PETRI NETS APPLICABILITY TO MUSIC ANALYSIS AND COMPOSITION Baratè, Adriano; Haus, Goffredo; Ludovico, Luca A. vol. 2007 2007
Petrol: Reactive Pattern Language For Improvised Music Mclean, Alex; Wiggins, Geraint vol. 2010 2010
PHANTASMAGORIA: A Chronicle of Computer-Assisted Composition/Performance Austin, Larry vol. 1982 1982
Phase 1 de l’implantation d’un centre d’accèss multi-média à PRIM Roy, Myke vol. 1991 1991
Phase-bashed packet synthesis: a musical test Puckette, Miller vol. 2006 2006
PHASE BASHING FOR SAMPLE-BASED FORMANT SYNTHESIS Puckette, Miller vol. 2005 2005
Phase Models to Control Roughness in Additive Synthesis Tind, Erling; Jensen, Kristoffer vol. 2004 2004
Phase Modulation with Interpolated Time Functions: Synthesis by Formants Cavaliere, S.; Piccialli, A. vol. 1986 1986
THE PHASE PROJECT : HAPTIC AND VISUAL INTERACTION FOR MUSIC EXPLORATION Rodet, Xavier; Lambert, Jean-Philippe; Cahen, Roland; Gosselin, Florian; Mobuchon, Pascal vol. 2005 2005
A Phase Vocoder Graphical Interface for Timbral Manipulation of Cellular Automata and Fractal Landscape Mappings Katrami, A. I.; Kirk, R.; Myatt, A. vol. 1991 1991
PhaVoRIT: A Phase Vocoder for Real-Time Interactive Time-Stretching Karrer, Thorsten; Lee, Eric; Borchers, Jan vol. 2006 2006
Phenomenology of Musical Communication Tedde, Giorgio vol. 1986 1986
Phenomenology, Spatial Music and the Composer: prelude to a phenomenology of space in acousmatic music Macedo, Frederico vol. 2011 2011
PheroMusic: Navigating a Musical Space for Active Music Experiences Nymoen, Kristian; Chandra, Arjun; Glette, Kyrre; Torresen, Jim; Voldsund, Arve; Refsum Jensenius, Alexander vol. 2014 2014
PhinGen: A Physically Informed Stochastic Synthesis Generator Döbereiner, Luc vol. 2011 2011
PHRASE BOUNDARY ESTIMATION IN MUSIC PERFORMANCE WITH HMM-BASED UNSUPERVISED LEARNING Kim, Tae Hun; Weinzierl, Stefan vol. 2012 2012
Phrase Structure in Computer Music Hiller, Lejaren vol. 1978 1978
Phthong - An Interactive System for Music Composition Blum, Thomas vol. 1982 1982
PHYSICAL AND BEHAVIORAL CIRCUIT MODELING OF THE SP-12 SAMPLER Yeh, David T.; Nolting, John; Smith, Julius O. vol. 2007 2007
Physical Interaction Design for Music Gurevich, Michael; Verplank, Bill; Wilson, Scott vol. 2003 2003
The Physical Model as Metaphor for Musical Creation: "pico..TERA", a piece generated by physical model Cadoz, Cladue vol. 2002 2002
A Physical Model of Lips and Trumpet Depalle, Philippe; Rodet, Xavier vol. 1992 1992
A Physical Model of Recorder-Like Instruments Verge, M. P.; Caussé, R.; Hischberg, A. vol. 1995 1995
Physical model of the plucking process in the classical guitar Cuzzocoli, Guiseppe; Lombardo, Vincenzo vol. 1997 1997
A Physical Model of the Sho and Its Application to Articulation Synthesis Hikichi, Takafumi; Osaka, Naotoshi; Ikatura, Fumitada vol. 2002 2002
Physical Model Synthesis and Performance Mappings of Bowl Resonators Wilkerson, Carr; Serafin, Stefania; Ng, Carmen vol. 2002 2002
Physical Modeling by Directly Solving Wave PDE Palumbi, Marco; Seno, Lorenzo vol. 1999 1999
Physical modeling for sound synthesis with particle-interaction Networks: Study of the percussion phenomena and conception of a generic module for percussion Fourcade, Patrick; Cadoz, Claude vol. 2001 2001
Physical Modeling of Aeroacoustic Sources in Flute-like Instruments Verge, Marc-Pierre vol. 1996 1996
Physical Modeling Simulation of the ancient Greek Elgin Auloi Tsahalinas, K.; Tzedaki, K.; Cook, P.; Psaroudakes, S.; Kamarotos, D.; Rikakis, T. vol. 1997 1997
Physical Modeling with the 2-D Digital Waveguide Mesh Van Duyne, Scott A.; Smith III, Julius O. vol. 1993 1993
PHYSICAL MODELLING AS A PROPOSED FRAMEWORK FOR THE CONCEPTION, THE DESIGN AND THE IMPLEMENTATION OF SOUND TRANSFORMATIONS Kontogeorgakopoulos, Alexandros; Cadoz, Claude vol. 2007 2007
Physical Modelling of a Stiff String by Numerical Integration Kurz, Michael; Feiten, Bernhard vol. 1996 1996
Physical Models for Music and Animated Image: The Use of CORDIS-ANIMA in "ESQUISSES"; a Music Film by ACROE Cadoz, Claude; Lucianni, Annie; Florens, Jean-Loup vol. 1994 1994
Physical Models of Instruments: A Modular Approach, Application to Strings Adrien, Jean-Marie; Rodet, Xavier vol. 1985 1985
Physical Models of Trumpet-like Instruments, Detailed Behavior and Model Improvements Rodet, Xavier; Vergez, Christophe vol. 1996 1996
Physical Models That Learn Szilas, Nicolas; Cadoz, Claude vol. 1993 1993
Physical Motion as a Metaphor for Timing in Music: The Final Ritard Desain, Peter; Honing, Henkjan vol. 1996 1996
A Physical Piano Model for Music Performance Borin, Gianpaolo; Rocchesso, Davide; Scalcon, Francesco vol. 1997 1997
A Physical String Model with a Twist Trautmann, Steven D. vol. 1995 1995
Physical Thinking: two approached to mechanical sound design Pigott, Jon; Kontogeorgakopoulos, Alexandros vol. 2011 2011
Physicality and Feedback: A Focus on the Body in the Performance of Electronic Music Bahn, Curtis; Hahn, Tomie; Trueman, Dan vol. 2001 2001
Physically-based realtime synthesis of contact sounds Avanzini, Federico; Rath, Matthias; Rocchesso, Davide vol. 2002 2002
A physically informed model of a musical toy: the singing tube Serafin, Stefania; Kojs, Juraj vol. 2004 2004
Physically Informed Sonic Modeling (PhISM): Percussive Synthesis Cook, Perry vol. 1996 1996
A PHYSICALLY INTUITIVE HAPTIC DRUMSTICK Berdahl, Edgar; Verplank, Bill; Smith III, Julius O.; Niemeyer, Günter vol. 2007 2007
Physiological Measurement of Performers' Tension and its Utilization for Media Control Katayose, Haruhiro; Hirai, Shigeyuki; Kanamori, Tsutomu; Kato, Hirokazu; Inokuchi, Seiji vol. 1998 1998
PHYSMISM: RE-INTRODUCING PHYSICAL MODELLING FOR ELECTRONIC MUSICAL EXPLORATION Böttcher, Niels; Gelineck, Steven; Serafin, Stefania vol. 2007 2007
Piano Arrangement System Based On Composers' Arrangement Processes Onuma, Sho; Hamanaka, Masatoshi vol. 2010 2010
Piano Case, Keyboard, And Strings: Separation-Derived Musical Instruments In An Interactive Composition Kojs, Juraj vol. 2005 2005
A PIANO LEARNING SUPPORT SYSTEM CONSIDERING MOTIVATION Fukuya, Yuto; Takegawa, Yoshinari; Yanagi, Hidekatsu vol. 2013 2013
A PIANO LEARNING SUPPORT SYSTEM CONSIDERING RHYTHM Takegawa, Yoshinari; Terada, Tsutomu; Tsukamoto, Masahiko vol. 2012 2012
Piano Master Classes via the Internet Young, John P.; Fujinaga, Ichiro vol. 1999 1999
Piano Training System on the Use of a Micro-Computer of the Characteristic Extraction of the Learners' Playing a Fundamental Etude Kitagaki, Ikuo; Suetake, Kunihiro vol. 1981 1981
A ’Pick and Mix’ Approach to the Integration of Composition Tools Eaglestone, Barry; Lundén, Peter vol. 1996 1996
PIECE: A Music Language Editor Synchronized with Graphical Views Nishimura, Satoshi vol. 1999 1999
PinnaWorks: a NeXT Application for Three-Dimensional Sound Processing in Real-Time Kendall, Gary S. vol. 1993 1993
Pitch Perception of Time-Varying Notched Noise - Hearing the absent frequencies Oishi, Satoshi; Hashimoto, Shuji vol. 2004 2004
PITCH: the Percussion Instruments' Tinbral Classification Hierarchy Bell, Robert vol. 1994 1994
The place and meaning of computing in a sound relationship of man, machines, and environment Di Scipio, Agostino vol. 2014 2014
PLACEMENT OF SOUND SOURCES IN THE STEREO FIELD USING MEASURED ROOM IMPULSE RESPONSES Haines, William D.; Vernon, Jesse R.; Dannenberg, Roger B.; Driessen, Peter F. vol. 2007 2007
Plane Tessellation With Musical Scale Tiles And Bidimensional Automatic Composition Cicconet, Marcelo; Franco, Tertuliano; Carvalho, Paulo Cezar vol. 2010 2010
The Planet CCRMA software collection Lopez-Lezcano, Fernando vol. 2002 2002
Planning Human-Computer Improvisation Nika, Jérôme; Echeveste, José; Chemillier, Marc; Giavitto, Jean-Louis vol. 2014 2014
A Platform for Real-Time Perceptually-Based Audio Data Reduction Maglione, Tom; Vercoe, Barry vol. 1991 1991
Play-Along Mapping of Musical Controllers Fiebrink, Rebecca; Cook, Perry R. vol. 2009 2009
A PLAYABLE SYNTHESIS MODEL AND CONTROLLER FOR BOWED STRING INSTRUMENTS Takala, Tapio vol. 2007 2007
PLAYING THE NETWORK: THE USE OF TIME DELAYS AS MUSICAL DEVICES Cáceres, Juan-Pablo; Renaud, Alain B. vol. 2008 August 2008
PLAYING WITH LIGHTS: MUSIC GENERATION USING THE LED CUBE Jackowski, Dariusz; Stępniewicz, Jakub vol. 2012 2012
PLAYING WITH TIME: MANIPULATION OF TIME AND RATE IN A MULTI-RATE SIGNAL PROCESSING PIPELINE Essl, Georg vol. 2012 2012
PLOrk: The Princeton Laptop Orchestra, Year 1 Trueman, Daniel; Cook, Perry; Smallwood, Scott; Wang, Ge vol. 2006 2006
Plucking - One Aspect of Plucked String Synthesis and its Realization by Computer and a Musical Application Wright, Maurice vol. 1978 1978
PLYMOUTH BRAIN-COMPUTER MUSIC INTERFACE PROJECT: INTELLIGENT ASSISTIVE TECHNOLOGY FOR MUSIC-MAKING Miranda, Eduardo Reck; Brouse, Andrew; Boskamp, Bram; Mullaney, Hilary vol. 2005 2005
PMML: A Music Description Language Supporting Algorithmic Representation of Musical Expression Nishimura, Satoshi vol. 1998 1998
pmpd : Physical modelling for Pure Data Henry, Cyrille vol. 2004 2004
POCKET GAMELAN: A BLUEPRINT FOR PERFORMANCE USING WIRELESS DEVICES Schiemer, Greg; Havryliv, Mark vol. 2005 2005
Pocket Gamelan: a J2ME environment for just intonation Schiemer, Greg; Sabir, Kenny; Havryliv, Mark vol. 2004 2004
Pocket gamelan: developing the instrumentarium for an extended harmonic universe Schiemer, Greg; Alves, Ball; Taylor, Stephen James; Havryliv, Mark vol. 2003 2003
Pocket Gamelan: mobile media for microtonal performance Schiemer, Greg; Havryliv, Mark vol. 2006 2006
POCO: An Environment for Analysing, Modifying and Generating Expression in Music Honing, Henkjan vol. 1990 1990
POLISphone: Creating and performing with a flexible soundmap Lopes, Filipe; Rodrigues, Paulo vol. 2014 2014
Polymorphic Transformations in Kyma Scaletti, Carla vol. 1992 1992
Polyphonic Audio Matching for Score Following and Intelligent Audio Editors Dannenberg, Roger B.; Hu, Ning vol. 2003 2003
Polyphonic Embouchure on an Intricately Expressive Musical Keyboard Formed by an Array of Water Jets Mann, Steve; Janzen, Ryan vol. 2009 2009
POLYPHONIC NOTE TRACKING USING MULTIMODAL RETRIEVAL OF MUSICAL EVENTS Quested, Garry; Boyle, Roger; Ng, vol. 2008 August 2008
Polyphonic Pitch Identification and Bayesian Inference Cemgil, Ali Taylan vol. 2004 2004
Polyphonic Timbral Construction in “Androgyny” Truax, Barry vol. 1978 1978
Polyphonic Velocity-Sensitive Keyboard Interface McKay, Blair D.; Wills, Barry L.; Carr, Davd W. vol. 1980 1980
Polytempo Network: A System for Technology-Assisted Conducting Kocher, Philippe vol. 2014 2014
pOM: Linking Pen Gestures to Computer-Aided Composition Processes Garcia, Jérémie; Leroux, Philippe; Bresson, Jean vol. 2014 2014
The POOLman Project Bernardini, Nicola; Tisato, Graziano; Manfrin, Michele vol. 1995 1995
POPULARITY OF MUSIC PLAYER PARAMETERS AND FEATURES Holm, Jukka vol. 2008 August 2008
A Portable “Walsh” Synthesizer Haus, Goffredo; Malcangi, Mario vol. 1982 1982
PortAudio - an Open Source Cross Platform Audio API Bencina, Ross; Burk, Phil vol. 2001 2001
Position Paper for Music Representation Panel Dyer, Lounette M. vol. 1989 1989
Position Papers for the Second Panel on Algorithmic Music Tanaka, Atau; Austin, Larry; Cope, David; Herman, Martin; Laske, vol. 1993 1993
Post-Processing Fiddle~: A Real-Time Multi-Pitch Tracking Technique Using Harmonic Partial Subtraction for Use within Live Performance Systems Robertson, Andrew N.; Plumbley, Mark D. vol. 2009 2009
PostFormalism: Fields, Kenneth vol. 1999 1999
Potential Applications of MIDI Software in Improvised Musical Performance Tobenfeld, Emile vol. 1990 1990
Power-Scaled Spectral Flux and Peak-Valley Group-Delay Methods for Robust Musical Onset Detection Su, Li; Yang, Yi-Hsuan vol. 2014 2014
POWERpv: A Suite of Sound Processors Lyon, Eric vol. 1996 1996
PPP - A Framework or Algorithmic Composition Neuhaus, Thomas vol. 1995 1995
Practical Aspects of a MIDI Conducting System Dannenberg, Roger B.; Bookstein, Kenneth vol. 1991 1991
A PRACTICE-BASED APPROACH TO USING ACOUSTICS AND TECHNOLOGY IN MUSICIANSHIP TRAINING Young, John Fariselli; Picinali, Lorenzo; Moraitis, Dimitris vol. 2007 2007
PRAESCIO-II: Amnesia Toward Dynamic Tapeless Performance Pennycook, Bruce W. vol. 1988 1988
A Pragmatic Approach to Set-Based Algorithmic Composition Ricks, Steven L.; Quigley, Morgan L. vol. 2004 2004
Pragmatic Considerations in Mixed Music: a Case Study of La Rage Tremblay, Pierre Alexandre vol. 2006 2006
The Pre-Production Process of New York Counterpoint for Clarinet and Tape Written by Steve Reich Pras, Amandine; Féron, François-Xavier; Demers, Kaïs vol. 2009 2009
PRECISE PITCH CONTROL IN REAL TIME CORPUS-BASED CONCATENATIVE SYNTHESIS Einbond, Aaron; Trapani, Christopher; Schwarz, Diemo vol. 2012 2012
PRECOMP/GT -- A Graphic Tool for Learning Topics in Computer-Assisted Composition Kufrin, Richard vol. 1987 1987
PrediBase - Controlling Semantics of Symbolic Structures in Music Zahorka, Oliver vol. 1995 1995
Predicting Chords in Jazz Thom, Belinda; Dannenberg, Roger vol. 1995 1995
Predicting Reinforcement of Pitch Sequences via LSTM and TD Franklin, Judy A. vol. 2004 2004
Preface Howe, Jr., Hubert S. vol. 1980 1980
Preface Roads, Curtis vol. 1978 1978
The Prefiguration of a Musical Composition: Model of a Computer Graphics Program Goldberg, Theo vol. 1985 1985
Preliminary Results on Spectral Shape Perceptions and Discrimination of Musical Sounds by Normal Hearing Subjects and Cochlear Implantees Stainsby, Thomas H.; McDermott, Hugh J.; McKay, Colette M.; Clark, Graeme M. vol. 1997 1997
The Premise Is That There Be Music Brün, Herbert vol. 1985 1985
Preparation for Improvised Performance in Collaboration with a Khyal Singer Wessel, David; Wright, Matthew; Khan, Shafqat Ali vol. 1998 1998
Preparation for Interactive Live Computer Performance in Collaboration with a Symphony Orchestra Madden, Timothy; Sith, Ronald Bruce; Wright, Matthew; Wessel, David vol. 2001 2001
Preprocessing for the Automated Transcription of Polyphonic Music: Linking Wavelet Theory and Auditory Filtering Wöhrmann, Rolf; Solbach, Ludger vol. 1995 1995
THE PRESENCE OF A TRI-POLAR DYNAMIC IN SONIC ART INSTALLATION Horseman, Samantha vol. 2012 2012
PRESENTING ‘COSMOSF’ AS A CASE STUDY OF AUDIO APPLICATION DESIGN IN OPENFRAMEWORKS Bokesoy, Sinan vol. 2012 2012
PRESERVING THE STRUCTURE OF THE MOOG VCF IN THE DIGITAL DOMAIN Fontana, Federico vol. 2007 2007
Presic of the Standard Music Description Language Sloan, Donald vol. 1989 1989
Princeton Sound Kitchen Open Source Software Report Cook, Perry; Leider, Colby; Park, Tae Hong; Tzaneatakis, George vol. 2001 2001
Principal Components Analysis and Resynthesis of Spectral Cues to Perceived Direction Martens, William L. vol. 1987 1987
Principles of Visual Design for Computer Music Wang, Ge vol. 2014 2014
Printing Music by Computer: A 16 Millimeter Sound Film Smith, Leland vol. 1980 1980
Prioritizing Audio Features Selection Using Analysis Hierarchy Process As A Mean To Extend User Control In Concatenative Sound Synthesis Norowi, Noris Mohd; Miranda, Eduardo vol. 2011 2011
PRISM: Pattern Recognition in Sound and Music Mont-Reynaud, Bernard; Gresset, Emmanuel vol. 1990 1990
Probabilistic harmonization with fixed intermediate chord constraints Kaliakatsos–Papakostas, Maximos; Cambouropoulos, Emilios vol. 2014 2014
A Probabilistic Model of Melodic Similarity Hu, Ning; Dannenberg, Roger B.; Lewis, Ann L. vol. 2002 2002
PROBABILISTIC PREDICTION OF RHYTHMIC CHARACTERISTICS IN MARKOV CHAIN-BASED MELODIC SEQUENCES Kim, Bongjun; Yeo, Woon Seung vol. 2013 2013
PROBABILISTIC PREDICTION OF RHYTHMIC CHARACTERISTICS IN MARKOV CHAIN-BASED MELODIC SEQUENCES Kim, Bongjun; Yeo, Woon Seung vol. 2013 2013
PROBADO MUSIC: A MULTIMODAL ONLINE MUSIC LIBRARY Thomas, Verena; Damm, David; Fremerey, Christian; Clausen, Michael; Kurth, Frank; Müller, Meinard vol. 2012 2012
Problems to be faced by Developers of Computer-based Automatic Music Recognisers Clarke, Alastair; Brown, Malcolm; Thorne, Michael vol. 1990 1990
Procedural Composition Greenberg, Gary vol. 1987 1987
A Procedural Control Language for a Digital Signal Processor Berg, Paul vol. 1984 1984
The Procedural Sounds and Music of ECHO::Canyon Hamilton, Robert vol. 2014 2014
PROCEEDING FROM PERFORMANCE: AN ETHNOGRAPHY OF THE BIRMINGHAM LAPTOP ENSEMBLE Booth, Graham; Gurevich, Michael vol. 2012 2012
A Process Algebra for Stochastic Music Composition Ross, Brian J. vol. 1995 1995
The Process of Entrainment and its Application to Computer Music O’Brien, Donal; Knapp, R. Benjamin vol. 2009 2009
Processes and tools used in the sound design for computer games Gal, V.; Le Prado, C.; Merland, J.B.; Natkin, S.; Vega, L. vol. 2002 2002
Processing Sound And Music Description Data Using Openmusic Bresson, Jean; Agon, Carlos vol. 2010 2010
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