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Title Author(s) Volume/Issue Date
o.io: a Unified Communications Framework for Music, Intermedia and Cloud Interaction Freed, Adrian; DeFilippo, David; Gottfried, Rama; MacCallum, John; Lubow, Jeff; Razo, Derek; Wessel, David vol. 2014 2014
Object-Based Sound Synthesis Sarti, Augusto; Tubaro, Stefano vol. 2001 2001
An Object-Oriented Approach to the Combination of Rule-Based and Generative Algorithmic Composition Methods for Real-Time Interactive Applications Myatt, Tony vol. 1996 1996
An Object Oriented ARTMAP System for Classifying Pitch Taylor, Ian; Greenhough, Mike vol. 1993 1993
An Object Oriented Model for the Representation of Temporal Data in the Integra Framework Bullock, Jamie; Frisk, Henrik vol. 2009 2009
An Object-Oriented Model of the Xenakis Sieve for Algorithmic Pitch, Rhythm, and Parameter Generation Ariza, Christopher vol. 2004 2004
An Object Oriented Visual Environment For Musical Composition Assayag, Gérard; Agon, Carlos; Fineberg, Joshua; Hanappe, Peter vol. 1997 1997
Objects, Time and Constraints in OpenMusic Agon, Carlos; Assayag, Gérard; Delerue, Olivier; Rueda, Camilo vol. 1998 1998
“OBJED” and the Design of Timbral Resources Buxton, W.; Patel, S.; Reeves, W.; Baecker, R. vol. 1980 1980
The Oculus Ranae Collinge, D.J.; Parkinson, S.M. vol. 1988 1988
The Oculus Ranae Collinge, Douglas J.; Parkinson, Stephen M. vol. 1986 1986
Old World, New World, Third World Studios Wyman, Daniel; Bräuninger, Jürgen vol. 1992 1992
OLW: An Extension to MSP for the Implementation of Overlap-Windowing Techniques Thibault, Francois; Depalle, Philippe vol. 2002 2002
On Acoustic Ecology and "Integral Art" Gerwin, Thomas vol. 1997 1997
On Artistic Research in the Context of the Project Embodied Generative Music Eckel, Gerhard; Pirrò, David vol. 2009 2009
On Automatic Pattern Recognition and Acquisition of Printed Music Andronico, Alfio; Ciampa, Alberto vol. 1982 1982
On Bimodal Guitar-Chord Recognition Cicconet, Marcelo; Carvalho, Paolo Cezar; Velho, Luiz vol. 2010 2010
On Contextually Adaptive Timbres Buxton, W.; Hull, S.; Fournier, A. vol. 1981 1981
On Continuous Musical Control of Discrete Musical Objects Desain, Peter; Honing, Henkjan vol. 1993 1993
On Convincing Human/Machine Improvisation Castle, Harry; Walton, Scott vol. 1998 1998
On Finding Rhythmic Patterns in Musical Lines Mont-Reynaud, Bernard; Goldstein, Mark vol. 1985 1985
On Identification of Violin Strokes in a Real-Time Performance System Sinkevičiùte, Birute; Sondeckis, Saulius; Medonis, Artūras vol. 1986 1986
An On-Line Algorithm for Real-Time Accompaniment Dannenberg, Roger B. vol. 1984 1984
On Mapping N Articulation Onto M Synthesiser-control Parameters Bowler, Ian; Purvis, Alan; Manning, Peter; Bailey, Nick vol. 1990 1990
On Musical Scale Rationalization Grôf, Albert vol. 2006 2006
On Perfoming a Listener: What is Missing, Paganini? Choi, Insook vol. 1995 1995
On Searching the Model Parameters Of Digital Waveguide Filters By Using Error Backpropagation Methods Su, Alvin W.Y. vol. 1997 1997
On SOM based time-series analysis and motivation of generic methods of musical pattern recognition Tiits, Kalev vol. 2002 2002
On tempo tracking: Tempogram Representation and Kalman filtering Cemgil, Ali Taylan; Kappen, Bert; Desain, Peter; Honing, Henkjan vol. 2000 2000
On the Choice of Transducer Technologies for Specific Musical Functions Wanderley, Marcelo M.; Viollet, Jean-Philippe; Isart, Fabrice; Rodet, Xavier vol. 2000 2000
On the Development of a System for Gesture Control of Spatialization Marshall, M. T.; Peters, N.; Jensenius, A. R.; Boissinot, J.; Wanderley, M. M.; Braasch, J. vol. 2006 2006
On the importance of phase information in additive analysis/synthesis of binaural sounds Anderson, Tue Haste; Jensen, Kristoffer vol. 2001 2001
On the Mechanism of ’Hypersonic Effect’ Oohashi, Tsutomu; Nishina, Emi; Fuwamoto, Yoshitaka; Kawai, Norie vol. 1993 1993
ON THE NON-COCHLEARITY OF THE SOUNDS THEMSELVES Riddoch, Malcolm vol. 2012 2012
On the Perception of Transients: Applying Psychophysical Constraints to Improve Audio Analysis and Synthesis Wakefield, Gregory H.; Heller, Laurie M.; Carney, Laurel H.; Mellody, Maureen vol. 2000 2000
On the Perceptual Optimization of Synthetic Acoustical Systems Runkle, Paul; Wakefield, Gregory vol. 1996 1996
ON THE PLAYING OF MONODIC PITCH IN DIGITAL MUSIC INSTRUMENTS Goudard, Vincent; Genevois, Hugues; Feugère, Lionel vol. 2014 2014
On the Realization of NoaNoa and Près, Two Pieces for Solo Instruments and Ircam Signal Processing Workstation Chabot, X.; Saariaho, K.; Barrière, J. B. vol. 1993 1993
ON THE RELATIVE INFLUENCE OF EVEN AND ODD HARMONICS IN CLARINET TIMBRE Barthet, Mathieu; Guillemain, Philippe; Kronland-Martinet, Richard; Ystad, Solvi vol. 2005 2005
On the Scheduling of Multiple Parallel Processors Executing Synchronously Loy, Gareth vol. 1987 1987
On the Specification of Scope in Interactive Score Editors Buxton, W.; Patel, S.; Reeves, W.; Baecker, R. vol. 1980 1980
On the Use of an Effective Boltzmann Machine for Musical Style Recognition and Harmonisation Bellgard, Mathew; Tsang, Chi-Ping vol. 1996 1996
On the Use of Cepstral Representation in Synthesis From Reduced Performance Information Rudolph, Mark vol. 1989 1989
On the Use of Computer Systems in Contemporary Music Becker, Barbara; Eckel, Gerhard vol. 1996 1996
On the Use of Schrodinger's Equation in the Analytic Determination of Horn Reflectance Berners, David vol. 1994 1994
On the Use of Weighted Sample Methods in Digitizing the Clarinet Equations Avanzini, Federico vol. 2000 2000
ON TIMBRE BASED PERCEPTUAL FEATURE FOR SINGER IDENTIFICATION Khine, Swe Zin Kalayar; Nwe, Tin Lay; Li, Haizhou vol. 2007 2007
On timbre stamps and other frequency-domain filters Puckette, Miller vol. 2007 2007
ON WAVE FIELD SYNTHESIS AND ELECTRO-ACOUSTIC MUSIC - STATE OF THE ART 2007 Baalman, Marije A. J. vol. 2007 2007
One and Two Mass Model Oscillations for Voice and Instruments Rodet, X. vol. 1995 1995
One Example of How Artificial Intelligence Can Be Useful in Music Fields Rousseaux, Francis vol. 1990 1990
Online Correction of Dispersion Error in 2D Waveguide Meshes Fontana, Federico; Rocchesso, Davide vol. 2000 2000
An Online Interactive Course on Computer Music Dannenberg, Roger B.; Stiles, Jesse; Li, Yuezhang; Zhang, Qiao vol. 2015 2015
Onset Detection in Musical Audio Signals Hainsworth, Stephen; Macleod, Malcolm vol. 2003 2003
ONTOLOGY MANAGEMENT FOR PRESERVATION OF INTERACTIVE MULTIMEDIA PERFORMANCES Ng, Kia; Mikroyannidis, Alexander; Ong, Bee; Bonardi, Alain; Barthélemy, Jérôme; Ciavarella, Raffaele vol. 2008 August 2008
An Open Architecture for Real-time Music Software Chaudhary, Amar; Freed, Adrian; Wright, Matthew vol. 2000 2000
An Open Multiprocessing Architecture for Realtime Music Performance Nieberle, Rupert C.; Modler, Paul vol. 1988 1988
Open SoundControl: A New Protocol for Communicating with Sound Synthesizers Wright, Matthew; Freed, Adrian vol. 1997 1997
OPEN-SOURCE MATLAB TOOLS FOR INTERPOLATION OF SDIF SINUSOIDAL SYNTHESIS PARAMETERS Wright, Matthew; Smith III, Julius O. vol. 2005 2005
OPENDRAMA: Networking Opera: a report of a project in progress Tariffi, Flavio; Cuomo, Stefano; Boehm, Carola; Bailey, Nick; Kerr, Phil; Short, Barry vol. 2002 2002
Opening Address Xenakis, Iannis vol. 1978 1978
OpenMusic Architecture Assayag, Gérard; Agon, Carlos vol. 1996 1996
OpenSoundEdit: An Interactive Visualization and Editing Framework for Timbral Resources Chaudhary, Amar; Freed, Adrian; Rowe, Lawrence A. vol. 1998 1998
OPERAcraft: Blurring the Lines between Real and Virtual Ico Bukvic, Ivica; Cahoon, Cody; Wyatt, Ariana; Cowden, Tracy; Dredger, Katie vol. 2014 2014
Operating Systems Latency Measurement and Analysis for Sound Synthesis and Processing Applications Freed, Adrian; Chaudhary, Amar; Davila, Brian vol. 1997 1997
Operations on Timbre: Perspectives and Problems Slawson, Wayne vol. 1984 1984
Ophidian and the Uncanny Valley Bessell, David vol. 2011 2011
Optical Music Recognition - progress report Wolman, Amnon; Yaeger, Tad vol. 1994 1994
Optical Music Recognition: Progress Report Fujinaga, Ichiro; Alphonce, Bo; Pennycook, Bruce; Hogan, Kharim vol. 1991 1991
Optimal Acoustic Reverberation Evaluation of Byzantine Chanting in Churches Mourjopoulos, John; Papadakos, Charalambos; Kamaris, Gavriil; Chryssochoidis, Georgios; Kouroupetoglou, Georgios vol. 2014 2014
Optimal Filtering of an Instrument Sound in a Mixed Recording Given Approximate Pitch Prior Ben-Shalom, Adiel; Dubnov, Shlomo vol. 2004 2004
OPTIMAL POSITIONING IN LOW-DIMENSIONAL CONTROL SPACES USING CONVEX OPTIMIZATION Kassakian, Peter; Wessel, David vol. 2005 2005
Optimisations of the FOF Algorithm for VLSI Implementation Spanier, Jonathan Robert; Johnson, Simon; Purvis, Alan vol. 1996 1996
Optimized Real-Time Simulation of Objects for Musical Synthesis and Animated Image Synthesis Florens, Jean-Loup; Razafindrakoto, Aime; Luciani, Annie; Cadoz, Claude vol. 1986 1986
Optimizing Software Synthesis Performance Thompson, Nicholas; Dannenberg, Roger B. vol. 1995 1995
Optrix: A New Method of Human Coupling with Electronic Media in Live Performance Vance, Scott vol. 1980 1980
The ORA Project: Audio-Visual Live Electronics and the Pipe Organ d’Alessandro, Christophe; Noisternig, Markus; Le Beux, Sylvain; Picinali, Lorenzo; Katz, Brian FG; Jacquemin, Christian; Ajaj, Rami; Planes, Bertrand; Strurmel, Nicolas; Delprat, Nathalie vol. 2009 2009
ORB3 - MUSICAL ROBOTS WITHIN AN ADAPTIVE SOCIAL COMPOSITION SYSTEM Livingstone, Dan; Miranda, Eduardo vol. 2005 2005
Orchestra Spatialization Using The AUDIENCE Engine Thomaz, Leandro F.; Faria, Regis Rossi A.; Zuffo, Marcelo K.; Zuffo, João Antônio vol. 2006 2006
Orchestral Accompaniment for a Reproducing Piano Raphael, Christopher; Gu, Yupeng vol. 2009 2009
Orchestral Instruments: Analysis of Performed Transitions Strawn, John vol. 1985 1985
Orchestral Musical Accompaniment from Synthesized Audio Raphael, Christopher vol. 2003 2003
Orchestrating wall reflections in space by icosahedral loudspeaker: findings from first artistic research exploration Sharma, Gerriet K.; Zotter, Franz; Frank, Matthias vol. 2014 2014
Organic Oscillator: Experiments using Natural Oscillation Sources from Audiences Fan, Yuan-Yi vol. 2014 2014
Organization of Clang-tint Roads, Curtis vol. 1993 1993
The Organization of Microtonal Sets in Computer Music Ciardi, Fabio Cifariello vol. 1986 1986
Organization of Sounds with Neural Nets Feiten, Bernhard; Frank, Roland; Ungvary, Tamas vol. 1991 1991
Organizing Mass-Interaction Physical Models: the CORDIS-ANIMA Musical Instrumentarium Tache, Olivier; Cadoz, Claude vol. 2009 2009
Organizing the parameter space of physical models with sounds feature maps Feiten, Bernhard; Behles, Gerhard vol. 1994 1994
Ornament as Data Structure: An Algorithmic Model based on Micro-Rhythms of Csángó Laments and Funeral Music Ariza, Christopher vol. 2003 2003
Orpheus: A Graphical Composition Environment Buckley, Paul E. J.; Lewis, Andrew vol. 1990 1990
ORPHEUS: A Music Notation Program Cook, Diane Joyce vol. 1987 1987
Orthogonal Transforms for Sound Synthesis Lake, R. B.; Cherubini, R. vol. 1975 1975
OSC-NETLOGO: A TOOL FOR EXPLORING THE SONIFICATION OF COMPLEX SYSTEMS USING NETLOGO Cadiz, Rodrigo; Colasso, Marco vol. 2012 2012
OSCTHULHU: APPLYING VIDEO GAME STATE-BASED SYNCHRONIZATION TO NETWORK COMPUTER MUSIC McKinney, Curtis; McKinney, Chad vol. 2012 2012
Otoacoustic Emissions As A Compositional Tool Kirk, Jonathon vol. 2010 2010
OUNK - AN AUDIO SCRIPTING ENVIRONMENT FOR SIGNAL PROCESSING AND MUSIC COMPOSITION Bélanger, Olivier vol. 2008 August 2008
OUR RESEARCH FOR LOST ROUTE TO ROOT Barthélemy, Jérôme; Bonardi, Alain; Boutard, Guillaume; Ciavarella, Raffaele vol. 2008 August 2008
OUT OF SYNC: A SIMPLE SCORE BASED GUI FOR QUICK CORRECTION IN PERFORMER COMPUTER INTERACTION Chowning, John vol. 2008 August 2008
Overlap-Add Synthesis of NonStationary Sinusoids Goodwin, Michael; Kogon, Alex vol. 1995 1995
THE OVERTONE VIOLIN: A NEW COMPUTER MUSIC INSTRUMENT Overholt, Dan vol. 2005 2005
An Overview Demonstration of the SSSP System Buxton, William vol. 1981 1981
Overview of the NeXT Music Kit Jaffe, David A. vol. 1989 1989
AN OVERVIEW OF THE RESEARCH APPROACHES ON MUSICAL PERFORMANCE ROBOTS Solis, Jorge; Takanishi, Atsuo vol. 2007 2007
An Overview of the Structured Sound Synthesis Project Buxton, W.; Fedorkow, G.; Baecker, R.; Reeves, W.; Smith, K.C.; Ciamaga, G.; Mezei, L. vol. 1978 1978
OWT: A REAL-TIME OPTIMAL TUNING APPLICATION Pan, Wei; Johnson, Micah K.; Polansky, Larry; Rockmore, Daniel; Repetto, Douglas vol. 2008 August 2008