Browse International Computer Music Conference Proceedings
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There are 3863 items in this collection
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Author / [Publication date] Title
Stephen David Beck THE LAB FOR CREATIVE ARTS & TECHNOLOGIES 2008 STUDIO REPORT
Adolfo Nuñez The Laboratorio de Informatica y Electronica Musical of CDMC Madrid
Stephen David Beck THE LABORATORY FOR CREATIVE ARTS & TECHNOLOGIES - STUDIO REPORT
Yann Orlarey Lambda Calculus and Music Calculi
Dan Hitt A Language for Composition
Roger B. Dannenberg A Language for Interactive Audio Applications
Mark Zadel Laptop Performance: Techniques, Tools, and a New Interface Design
Jason Freeman LARGE AUDIENCE PARTICIPATION, TECHNOLOGY, AND ORCHESTRAL PERFORMANCE
Mark Feldmeier Large Group Musical Interaction using Disposable Wireless Motion Sensors
Kimmo Kuitunen Large-Scale Duration Organization in 'Hodoi tô Ergô'
Gerhard Widmer Large-scale Induction of Expressive Performance Rules: First Quantitative Results
Howard Jonathan Frederics Lars-Gunnar Bodin's "Anima": Intervallic Symmetry as Metaphor for A Cybernetic Age
Àlex Loscos LARYNXOPHONE: USING VOICE AS A WIND CONTROLLER
Teemu Môki-Patola Latency Tolerance for Gesture Controlled Continuous Sound Instrument without Tactile Feedback
Francois Déchelle Latest Evolutions of the jMax Real-time Engine: Typing, Scoping, Threading, Compiling
Colin Raffel The Lattice Harp: A New Hybrid Instrument And Controller
Christopher Burns LATTICE: STRATEGIES FOR AND AGAINST CONTROL IN AN IMPROVISATION INSTRUMENT
Stuart Favilla The LDR Controller
Michael Spicer The Learning Agent Based Interactive Performance System
Masatoshi Hamanaka Learning-Based Jam Session System for A Guitar Trio
Masatoshi Hamanaka A Learning-Based Quantization: Unsupervised Estimation of the Model Parameters
Gerhard Widmer Learning Expression at Multiple Structural Levels
Rafael Ramirez Learning Expressive Performance Rules in Jazz
Belinda Thom Learning Models for Interactive Melodic Improvisation
Dominik Hörnel Learning Musical Structure and Style by Recognition, Prediction and Evolution
Rafael Ramirez Learning Sets of Musical Rules
A. de Götzen LEARNING SOUNDING GESTURES
Emir Kapanci Learning Style-Specific Rhythmic Structures
Luc Steels Learning the Craft of Musical Composition
John ffitch Learning to Play and Perform on Synthetic Instruments
J. Solis Learning to Play the Flute with an Anthropomorphic Robot
Andrew Choi A Least-Square Algorithm for Fundamental Frequency Estimation
Perry R. Cook LECTOR: An Ecclesiastical Latin Control Language for the SPASM/singer Instrument
Ewan Stefani Leeds University Electronic Studio: Studio Report
Kelly Fitz Lemur - A Tool for Timbre Manipulation
Jamie Bullock LIBINTEGRA: A SYSTEM FOR SOFTWARE-INDEPENDENT MULTIMEDIA MODULE DESCRIPTION AND STORAGE
Gregory J. Sandell A Library of Orchestral Instrument Spectra
Jamie Bullock LIBXTRACT: A LIGHTWEIGHT LIBRARY FOR AUDIO FEATURE EXTRACTION
Stephen Benzel LIE POISSON SYNTHESIS
Adolfo Núñez LIEM-CDMC, STUDIO REPORT
Graziano Bertini The Light Baton: A System for Conducting Computer Music Performance
Carla Scaletti Lightweight Classes without Programming
Lippold Haken Lime* Music Notation Software for the Macintosh
Reginald Bain Linguistics and Music Composition: Logical Structures
Steve Shihong Chen Linking Different Cultures with Computers
Ivica Ico Bukvic Linux as a Mature Digital Audio Workstation in Academic Electroacoustic Studios - Is Linux Ready for Prime Time?
Francisco Kropfl LIPM Studio Report
Anders Friberg A Lisp Environment for Creating and Applying Rules for Musical Performance
Amar Chaudhary Listener Evaluation of Reduction Strategies for Sinusoidal and Resonance Models
Eliot Handelman Listening Simulations: Concepts, Design and an Application to Virtual Reality
Roger B. Dannenberg Listening to "Naima": An Automated Structural Analysis of Music from Recorded Audio
Niall Griffith LiteFoot - A Floor Space for Recording Dance and Controlling Media
Peter Castine LITTER MUTATORS: MOVING MORPHOLOGICAL MUTATION INSIDE TIME
IOhannes m zmölnig LIVE CODING: AN OVERVIEW
Larry Polansky Live Interactive Intelligent Computer Music: Notes on Pieces Done in HMSL, 1984-91
Stuart Favilla Live Performance and Virtuosic Pitch-blend Technique for the Synthesizer
Kingsley Michael Ash LiveCell: Real-Time Score Generation Through Interactive Generative Composition
Donald Ruffcorn Livestep: Editing Step Quantized Music from Libraries of Live Performance
Emilios Cambouropoulos The Local Boundary Detection Model (LBDM) and its Application in the Study of Expressive Timing
Simon Emmerson 'Local/field': towards a typology of live electroacoustic music
Robert Sazdov Localisation of Subwoofers in Concert Hall Environment
Peter Desain LOCO: Composition Microworlds in LOGO
Rafael Ramirez A Logic-based Language for Modeling and Verifying Musical Processes
Doug Van Nort The LoM Mapping Toolbox for Max/MSP/Jitter
Cort Lippe A Look at Performer/Machine Interaction Using Real-Time Systems
John Gibson Loop-based Composition with RTcmix and Hula
Noam Amir Losses in Tubular Acoustic Systems - Theory and Experiment in the Sampled Time and Frequency Domains
Scott A. Van Duyne A Lossless, Click-free, Pitchbend-able Delay Line Loop Interpolation Scheme
Jan Chomyszyn Loudness as a Cue in Distance Perception
Patty Huang Loudness-Based Display and Analysis Applied to Artificial Reverberation
Jan Chomyszyn Loudness of musical sounds in a reverberant environment
Jesse Guessford Loudness Scaling in a Digital Synthesis Library
Jacques Duthen Le_Loup, an Object-Oriented Extension of Le_Lisp for an Integrated Computer Music Environment
Stephen F. Hoge A Low-Cost Development System for Digital Audio Signal Processing
Alexandre Parodi Low Cost Sound Analysis/Synthesis Technique
Peter Lucas Hulen A LOW-COST SPHERICAL LOUDSPEAKER ARRAY FOR ELECTROACOUSTIC MUSIC
Richard Blum A Low Cost, Real-time, Frequency Modulation Hardware Module for Mini and Micro Computers
Alex Loscos Low-Delay Singing Voice Alignment to Text
Miller Puckette Low-dimensional parameter mapping using spectral envelopes
Eli Brandt Low-latency Music Software Using Off-the-shelf Operating Systems
James A. Moorer The Lucasfilm Audio Signal Processing Station
William Reeves Ludwig: an Example of Interactive Computer Graphics in a Score Editor
Eric Nichols Lyric-Based Rhythm Suggestion
Uri Shimony LZW Compression of Musical Files