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Title Author(s) Volume/Issue Date
THE LAB FOR CREATIVE ARTS & TECHNOLOGIES 2008 STUDIO REPORT Beck, Stephen David vol. 2008 August 2008
The Laboratorio de Informatica y Electronica Musical of CDMC Madrid Nuñez, Adolfo vol. 1990 1990
THE LABORATORY FOR CREATIVE ARTS & TECHNOLOGIES - STUDIO REPORT Beck, Stephen David vol. 2005 2005
Lambda Calculus and Music Calculi Orlarey, Yann; Fober, Dominique; Lezt, Stéphane; Bilton, Mark vol. 1994 1994
Laminae: A stochastic modeling-based autonomous performance rendering system that elucidates performer characteristics Okumura, Kenta; Sako, Shinji; Kitamura, Tadashi vol. 2014 2014
Landmark Detection in Hindustani Music Melodies Gulati, Sankalp; Serrà, Joan; Ganguli, Kaustuv K.; Serra, Xavier vol. 2014 2014
A Language for Composition Hitt, Dan; On Lo, Yee vol. 1990 1990
A Language for Interactive Audio Applications Dannenberg, Roger B. vol. 2002 2002
Laptop Performance: Techniques, Tools, and a New Interface Design Zadel, Mark; Scavone, Gary vol. 2006 2006
LARGE AUDIENCE PARTICIPATION, TECHNOLOGY, AND ORCHESTRAL PERFORMANCE Freeman, Jason vol. 2005 2005
Large Group Musical Interaction using Disposable Wireless Motion Sensors Feldmeier, Mark; Paradiso, Joseph A.; Malinowski, Mateusz vol. 2002 2002
Large-Scale Duration Organization in 'Hodoi tô Ergô' Kuitunen, Kimmo; Kuuskankare, Mika; Laurson, Mikael vol. 2005 2005
Large-scale Induction of Expressive Performance Rules: First Quantitative Results Widmer, Gerhard vol. 2000 2000
Lars-Gunnar Bodin's "Anima": Intervallic Symmetry as Metaphor for A Cybernetic Age Frederics, Howard Jonathan vol. 2000 2000
LARYNXOPHONE: USING VOICE AS A WIND CONTROLLER Loscos, Àlex; Celma, Óscar vol. 2005 2005
Latency Tolerance for Gesture Controlled Continuous Sound Instrument without Tactile Feedback Môki-Patola, Teemu; Hômôlôinen, Perttu vol. 2004 2004
Latest Evolutions of the jMax Real-time Engine: Typing, Scoping, Threading, Compiling Déchelle, Francois; Borghesi, Riccardo; De Cecco, Maurizio; Maggi, Enzo; Rovan, Butch; Schnell, Norbert vol. 1998 1998
The Lattice Harp: A New Hybrid Instrument And Controller Raffel, Colin; Kruge, Nick; Douglas, Diane; Berdahl, Edgar; Ju, Wendy vol. 2010 2010
LATTICE: STRATEGIES FOR AND AGAINST CONTROL IN AN IMPROVISATION INSTRUMENT Burns, Christopher vol. 2005 2005
LC: A New Computer Music Programming Language with Three Core Features NISHINO, Hiroki; OSAKA, Naotoshi; NAKATSU, Ryohei vol. 2014 2014
LC : A STRONGLY-TIMED PROTOTYPE-BASED PROGRAMMING LANGUAGE FOR COMPUTER MUSIC NISHINO, Hiroki; OSAKA, Naotoshi; NAKATSU, Ryohei vol. 2013 2013
The LDR Controller Favilla, Stuart vol. 1994 1994
Leap Motion As Expressive Gestural Interface Ritter, Martin; Aska, Alyssa vol. 2014 2014
The Learning Agent Based Interactive Performance System Spicer, Michael; Tan, B. T. G.; Tan, Chew Lim vol. 2003 2003
Learning-Based Jam Session System for A Guitar Trio Hamanaka, Masatoshi; Goto, Masataka; Otsu, Nobuyuki vol. 2001 2001
A Learning-Based Quantization: Unsupervised Estimation of the Model Parameters Hamanaka, Masatoshi; Goto, Masataka; Asoh, Hideki; Otsu, Nobuyuki vol. 2003 2003
Learning Expression at Multiple Structural Levels Widmer, Gerhard vol. 1994 1994
Learning Expressive Performance Rules in Jazz Ramirez, Rafael; Hazan, Amaury vol. 2004 2004
Learning Models for Interactive Melodic Improvisation Thom, Belinda vol. 1999 1999
Learning Musical Contour on a Tabletop Franceschini, Andrea; Laney, Robin; Dobbyn, Chris vol. 2014 2014
Learning Musical Structure and Style by Recognition, Prediction and Evolution Hörnel, Dominik; Ragg, Thomas vol. 1996 1996
Learning Sets of Musical Rules Ramirez, Rafael vol. 2003 2003
LEARNING SOUNDING GESTURES de Götzen, A.; Mion, L.; Avanzini, F.; Serafin, Stefania vol. 2007 2007
Learning Style-Specific Rhythmic Structures Kapanci, Emir; Pfeiffer, Avi vol. 2003 2003
Learning the Craft of Musical Composition Steels, Luc vol. 1986 1986
Learning to Play and Perform on Synthetic Instruments ffitch, John; Padget, Julian vol. 2002 2002
Learning to Play the Flute with an Anthropomorphic Robot Solis, J.; Bergamasco, M.; Isoda, S.; Chida, K.; Takanishi, A. vol. 2004 2004
A Least-Square Algorithm for Fundamental Frequency Estimation Choi, Andrew vol. 1995 1995
LECTOR: An Ecclesiastical Latin Control Language for the SPASM/singer Instrument Cook, Perry R. vol. 1991 1991
Leeds University Electronic Studio: Studio Report Stefani, Ewan; Ng, Kia; Cooper, David vol. 1996 1996
Lemur - A Tool for Timbre Manipulation Fitz, Kelly; Haken, Lippold; Holloway, Bryan vol. 1995 1995
LIBINTEGRA: A SYSTEM FOR SOFTWARE-INDEPENDENT MULTIMEDIA MODULE DESCRIPTION AND STORAGE Bullock, Jamie; Frisk, Henrik vol. 2007 2007
A Library of Orchestral Instrument Spectra Sandell, Gregory J. vol. 1991 1991
LIBXTRACT: A LIGHTWEIGHT LIBRARY FOR AUDIO FEATURE EXTRACTION Bullock, Jamie vol. 2007 2007
LIE POISSON SYNTHESIS Benzel, Stephen vol. 2005 2005
LIEM-CDMC, STUDIO REPORT Núñez, Adolfo vol. 2005 2005
The Light Baton: A System for Conducting Computer Music Performance Bertini, Graziano; Carosi, Paolo vol. 1992 1992
Light Sensor Piano Huang, Ping-Jui; Tseng, Yu-Chung vol. 2013 2013
Lightweight Classes without Programming Scaletti, Carla vol. 1991 1991
Lime* Music Notation Software for the Macintosh Haken, Lippold vol. 1991 1991
Linguistics and Music Composition: Logical Structures Bain, Reginald vol. 1988 1988
Linking Different Cultures with Computers Chen, Steve Shihong; Dennis, J. Richard vol. 1993 1993
Linux as a Mature Digital Audio Workstation in Academic Electroacoustic Studios - Is Linux Ready for Prime Time? Bukvic, Ivica Ico vol. 2004 2004
LIPM Studio Report Kropfl, Francisco vol. 1991 1991
A Lisp Environment for Creating and Applying Rules for Musical Performance Friberg, Anders; Sundberg, Johan vol. 1986 1986
Listener Evaluation of Reduction Strategies for Sinusoidal and Resonance Models Chaudhary, Amar; Wessel, David; Rowe, Lawrence A. vol. 2001 2001
LISTENING OTHERWISE: PLAYING WITH SOUND VIBRATION Criton, Pascale vol. 2014 2014
Listening Simulations: Concepts, Design and an Application to Virtual Reality Handelman, Eliot vol. 1993 1993
Listening to "Naima": An Automated Structural Analysis of Music from Recorded Audio Dannenberg, Roger B. vol. 2002 2002
LiteFoot - A Floor Space for Recording Dance and Controlling Media Griffith, Niall; Fernström, Mikael vol. 1998 1998
LITTER MUTATORS: MOVING MORPHOLOGICAL MUTATION INSIDE TIME Castine, Peter vol. 2007 2007
Little Drummer Bot: Building, Testing, and InterfacingWith a New Expressive Mechatronic Drum System Murphy, Jim; Carnegie, Dale A.; Kapur, Ajay vol. 2014 2014
LIVE CODING: AN OVERVIEW zmölnig, IOhannes m; Eckel, Gerhard vol. 2007 2007
Live Interactive Intelligent Computer Music: Notes on Pieces Done in HMSL, 1984-91 Polansky, Larry vol. 1991 1991
LIVE NOTATION: ACOUSTIC RESONANCE? Mclean, Alex; Reeve, Hester vol. 2012 2012
Live Performance and Virtuosic Pitch-blend Technique for the Synthesizer Favilla, Stuart vol. 1994 1994
LiveCell: Real-Time Score Generation Through Interactive Generative Composition Ash, Kingsley Michael; Stavropoulos, Niko vol. 2011 2011
Livestep: Editing Step Quantized Music from Libraries of Live Performance Ruffcorn, Donald vol. 1992 1992
The Local Boundary Detection Model (LBDM) and its Application in the Study of Expressive Timing Cambouropoulos, Emilios vol. 2001 2001
'Local/field': towards a typology of live electroacoustic music Emmerson, Simon vol. 1994 1994
Localisation of Subwoofers in Concert Hall Environment Sazdov, Robert vol. 2009 2009
LOCATIVE SONIFICATION: PLAYING THE WORLD THROUGH CITYGRAM Park, Tae Hong; Turner, Johnathan; Jacoby, Christopher; Marse, Alex; Musick, Michael; Kapur, Ajay; He, Jingyin vol. 2013 2013
LOCO: Composition Microworlds in LOGO Desain, Peter; Honing, Henkjan vol. 1986 1986
A Logic-based Language for Modeling and Verifying Musical Processes Ramirez, Rafael vol. 2006 2006
The LoM Mapping Toolbox for Max/MSP/Jitter Van Nort, Doug; Wanderley, Marcelo M. vol. 2006 2006
A Look at Performer/Machine Interaction Using Real-Time Systems Lippe, Cort vol. 1996 1996
Loop-based Composition with RTcmix and Hula Gibson, John vol. 2004 2004
Lose control, gain influence - Concepts for Metacontrol de Campo, Alberto vol. 2014 2014
Losses in Tubular Acoustic Systems - Theory and Experiment in the Sampled Time and Frequency Domains Amir, Noam; Rosenhouse, Giora; Shimony, Uri; Shelef, Itai vol. 1993 1993
A Lossless, Click-free, Pitchbend-able Delay Line Loop Interpolation Scheme Van Duyne, Scott A.; Jaffe, David A.; Scandalis, Gregory Pat; Stilson, Timothy S. vol. 1997 1997
Loudness as a Cue in Distance Perception Chomyszyn, Jan vol. 1992 1992
Loudness-Based Display and Analysis Applied to Artificial Reverberation Huang, Patty; Smith III, Julius O. vol. 2004 2004
Loudness Normalisation: Paradigm Shift or Placebo for the Use of Hyper-Compression in Pop Music? Ronan, Malachy; Sazdov, Robert; Ward, Nicholas vol. 2014 2014
Loudness of musical sounds in a reverberant environment Chomyszyn, Jan vol. 1994 1994
Loudness Scaling in a Digital Synthesis Library Guessford, Jesse; Kaper, Hans; Tipei, Sever vol. 2004 2004
Le_Loup, an Object-Oriented Extension of Le_Lisp for an Integrated Computer Music Environment Duthen, Jacques; Potard, Yves vol. 1987 1987
A Low-Cost Development System for Digital Audio Signal Processing Hoge, Stephen F.; Agnello, Anthony vol. 1985 1985
Low Cost Sound Analysis/Synthesis Technique Parodi, Alexandre vol. 1981 1981
A LOW-COST SPHERICAL LOUDSPEAKER ARRAY FOR ELECTROACOUSTIC MUSIC Hulen, Peter Lucas vol. 2008 August 2008
A Low Cost, Real-time, Frequency Modulation Hardware Module for Mini and Micro Computers Blum, Richard vol. 1978 1978
Low-Delay Singing Voice Alignment to Text Loscos, Alex; Cano, Pedro; Bonada, Jordi vol. 1999 1999
Low-dimensional parameter mapping using spectral envelopes Puckette, Miller vol. 2004 2004
Low-latency Music Software Using Off-the-shelf Operating Systems Brandt, Eli; Dannenberg, Roger B. vol. 1998 1998
Low-Level Topology of Spatial Texture Nyström, Erik vol. 2015 2015
LUC FERRARI, TAUTOLOGOS 1: THE CRUCIAL REPETITION Battista, Alba Francesca; Meacci, Damiano vol. 2013 2013
The Lucasfilm Audio Signal Processing Station Moorer, James A. vol. 1981 1981
Ludwig: an Example of Interactive Computer Graphics in a Score Editor Reeves, William; Buxton, William; Pike, Robert; Baecker, Ron vol. 1978 1978
Lyric-Based Rhythm Suggestion Nichols, Eric vol. 2009 2009
LZW Compression of Musical Files Shimony, Uri; Elroy, Noam; Hamami, Ehud vol. 1989 1989