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Title Author(s) Volume/Issue Date
I-MAESTRO: TECHNOLOGY-ENHANCED LEARNING FOR MUSIC Ng, Kia; Weyde, Tillman; Nesi, Paolo vol. 2008 August 2008
i-score, an Interactive Sequencer for the Intermedia Arts Baltazar, Pascal; de la Hogue, Théo; Desainte-Catherine, Myriam vol. 2014 2014
IANA: A Real-Time Environment for Analysis and Extraction of Frequency Components of Complex Orchestral Sounds and its Application within a Musical Realization Todoroff, Todor; Daubresse, Eric; Fineberg, Joshua vol. 1995 1995
IBM Computer Music Center - Studio Report Wright, James; Oppenheim, Daniel vol. 1996 1996
The IBM Computer Music Centre: Studio Report Jameson, David vol. 1994 1994
ICAST: TRIALS & TRIBULATIONS OF DEPLOYING LARGE SCALE COMPUTER-CONTROLLED SPEAKER ARRAYS Beck, Stephen David; Willkie, Brian; Patrick, Joseph vol. 2007 2007
ICE - towards distributed networked computermusic ensemble Ritsch, Winfried vol. 2014 2014
The ICMC 92 CD Stack Tincher, Russell; Strange, Allen vol. 1993 1993
Icon Notation for Electroacoustic and Computer Music Shimony, Uri; Markel, Shlomo; Tal, Josef vol. 1988 1988
Iconic Programming for HMSL Burk, Phil; Marsanyi, Robert vol. 1992 1992
Identity and Ambiguity: The Construction and Use of Trimbral Transitions and Hybrids Vandenheede, Jan; Harvey, Jonathan vol. 1985 1985
An Idiom-independent Representation of Chords for Computational Music Analysis and Generation Cambouropoulos, Emilios; Kaliakatsos-Papakostas, Maximos; Tsougras, Costas vol. 2014 2014
Idiomatic Instruments Rolnick, Neil B. vol. 1981 1981
Idiosyncrasies Of Spatial Perception In Multi- Loudspeaker Reproduction Kendall, Gary vol. 2010 2010
iEAR Studios Rensselaer Polytechnic Institute Dobrian, Christopher vol. 1995 1995
iEAR Studios: Integrated Electronic Arts at Rensselaer Polytechnic Institute Bahn, Curtis vol. 2000 2000
iEAR Studios: Studio Report Povall, Richard M. vol. 1992 1992
IF I HAD A HAMMER: DESIGN AND THEORY OF AN ELECTROMAGNETICALLY-PREPARED PIANO Berdahl, Edgar; Backer, Steven; Smith III, Julius O. vol. 2005 2005
IGDIS (Instrument for Greek DIction and Singing): A Modern Greek Text to Speech/Singing Program for the SPASM/Singer Instrument Cook, Perry; Kamarotos, Dimitris vol. 1993 1993
IKLAX : A NEW MUSICAL AUDIO FORMAT FOR INTERACTIVE MUSIC Gallot, Fabien; Lagadec, Owen; Desainte- Catherine, Myriam; Marchand, Sylvain vol. 2008 August 2008
ILEARN: AN ITUNES AUDIO INDEXING PLUG-IN FOR EDUCATION McAllister, G.; Taylor, P.S.; Rodgers, M. vol. 2005 2005
The Image and Audio Systems Audio Workstation Pennycook, Bruce; Kulick, Jeffrey; Dove, Dave vol. 1985 1985
IMAGE-BASED SPATIALIZATION Lyon, Eric vol. 2012 2012
Imaginal Listening and Phenomena of Sound-Images in Electroacoustic Music Kim, Suk-Jun vol. 2009 2009
Imagination and Linear Prediction Lansky, Paul vol. 1980 1980
Imaging Sonic Structure Cogan, Robert vol. 1986 1986
Immersion : An immersive digital application for creative interaction with sound art archives Taylor, J_Milo vol. 2007 2007
IMMERSIVE AUDIO AND MUSIC IN THE ALLOSPHERE Amatriain, Xavier; Höllerer, Tobias; Kuchera-Morin, JoAnn; Pope, Stephen T. vol. 2007 2007
The Immersive Computer-controlled Audio Sound Theater: Experiments in multi-mode sound diffusion systems for electroacoustic music performance Beck, Stephen David; Patrick, Joseph; Willkie, Brian; Malveaux, Kenley vol. 2006 2006
ImmLib - A new library for immersive spatial composition Cerdeira Negrão, Miguel vol. 2014 2014
IMP-CAM: Improvising with Cellular Automata Music Wong, Kam Wah vol. 2004 2004
The Impact of Computer Music on the Small Liberal Arts College in the United States Zahler, Noel vol. 1986 1986
The Impact of Fractals, Chaos, and Complexity Theory on Computer Music Composition Milicevic, Mladen vol. 1996 1996
Impact of MIDI on Electroacoustic Art Music Igoudin, Alex Lane vol. 1997 1997
The Impact of MIDI upon Compositional Methodology Yavelow, Christopher vol. 1986 1986
IMPLEMENTATION AND APPLICATIONS OF OPEN SOUND CONTROL TIMESTAMPS Schmeder, Andy; Freed, Adrian vol. 2008 August 2008
Implementation and Evaluation of Real-Time Interactive User Interface Design in Self-learning Singing Pitch Training Apps Lin, Kin Wah Edward; Anderson, Hans; Hamzeen, M.H.M.; Lui, Simon vol. 2014 2014
Implementation and Performance Issues with OpenSound Control Wright, Matthew vol. 1998 1998
An Implementation of a 3D Binaural Audio System within an Integrated Virtual Reality Environment Bidlack, Rick; Blaszczak, Dorota; Kendall, Gary vol. 1993 1993
Implementation of a Highly Diffusing 2-D DigitalWaveguide Mesh with a Quadratic Residue Diffuser Lee, Kyogu; Smith, Julius O. vol. 2004 2004
Implementation of a Variable Pick-Up Point on a Waveguide String Model with FM/AM Applications Van Duyne, Scott A.; Smith, Julius O. vol. 1992 1992
Implementation of an 8-Channel Real-Time Spontaneous-Input Time Expander/Compressor Keyes, Christopher vol. 2003 2003
Implementation of An Analysis/Synthesis System on a DSPG56001 for General Purpose Sound Processing Nieberle, Rupert C.; Warstat, Michael vol. 1992 1992
The Implementation of Nyquist, A Sound Synthesis Language Dannenberg, Roger B. vol. 1993 1993
An Implementation of Real-time Granular Synthesis on a Multi-Processor Network Itagaki, Takebumi; Manning, Peter D.; Purvis, Alan vol. 1995 1995
Implementation of the KL Synthesis Algorithm Under Real-Time Control Weeks, W. Brent; Schloss, W. Andrew; Kirlin, R. Lynn vol. 1991 1991
Implementations of the Leap Motion in sound synthesis, effects modulation and assistive performance tools Hantrakul, Lamtharn; Kaczmarek, Konrad vol. 2014 2014
Implementing algebraic methods in OpenMusic. Andreatta, Moreno; Agon, Carlos vol. 2003 2003
Implementing Efficient Frequency Variation in Coupled-Mode Synthesis and Other Cosine-Frequency Systems Stilson, Timothy; Van Duyne, Scott A. vol. 1998 1998
Implementing Temporal Type Constructors for Music Programming Brandt, Eli vol. 2001 2001
The implications of commercial 5.1 and 7.1 surround formats for computer music sound design: an environmental approach to aesthetics and practical techniques Field, Ambrose vol. 2002 2002
IMPLICIT PATCHING FOR DATAFLOW-BASED AUDIO ANALYSIS AND SYNTHESIS Bray, Stuart; Tzanetakis, George vol. 2005 2005
IMPLICIT PHYSIOLOGICAL INTERACTION FOR THE GENERATION OF AFFECTIVE MUSICAL SOUNDS Le Groux, Sylvain; Valjamae, Aleksander; Manzolli, Jonatas; Verschure, Paul FMJ vol. 2008 August 2008
THE IMPORTANCE OF HUSSERL’S PHENOMENOLOGY OF INTERNAL TIME-CONSCIOUSNESS FOR MUSIC ANALYSIS AND COMPOSITION Boenn, Georg vol. 2008 August 2008
IMPORTANCE OF INHARMONICITY IN THE ACOUSTIC GUITAR Jôrvelôinen, Hanna; Karjalainen, Matti vol. 2005 2005
IMPROTEK: INTEGRATING HARMONIC CONTROLS INTO IMPROVISATION IN THE FILIATION OF OMAX Nika, Jérôme; Chemillier, Marc vol. 2012 2012
An Improved Additive Analysis Method Using Parametric Modelling of the Short-Time Fourier Transform Depalle, Philippe; Tromp, Laurent vol. 1996 1996
An Improved Algorithm for Spacing a Line of Music Renz, Kai vol. 2002 2002
An Improved Cepstral Method for Deconvolution of Source-Filter Systems with Discrete Spectra: Application to Musical Sound Signals Galas, Thierry; Rodet, Xavier vol. 1990 1990
An Improved Digital Waveguide Model of Flute - Implementation Issues Välimäki, Vesa; Hänninen, Rami; Karjalainen, vol. 1996 1996
Improved Score Following for Acoustic Performances Pardo, Bryan; Birmingham, William vol. 2002 2002
IMPROVEMENTS OF SYMBOLIC KEY FINDING METHODS Robine, Matthias; Rocher, Thomas vol. 2008 August 2008
Improving accompanied Flamenco singing voice transcription by combining vocal detection and predominant melody extraction Kroher, Nadine; Gómez, Emilia vol. 2014 2014
Improving and Adapting Finite State Transducer Methods for Musical Accompaniment Forsyth, Jonathan P.; Bittner, Rachel M.; Musick, Michael; Bello, Juan P. vol. 2015 2015
Improving Instrumental Sound Synthesis by Modeling the Effects of Performer Gesture Wanderley, Marcelo M.; Depalle, Philippe; Warusfel, Olivier vol. 1999 1999
Improving score to audio alignment: Percussion alignment and Precise Onset Estimation Rodet, Xavier; Escribe, Joseph; Durigon, Sébastien vol. 2004 2004
Improving the Extended Kalman Filter Method for the Restoration of Electro-Acoustic Music Bari, Andrea; Canazza, Sergio; De Poli, Giovanni; Mian, Gian Antonio vol. 2000 2000
Improving the Musical Expressiveness of Tesla Coils with Software Long, Jason; Bailey, Josh; McVay, James; Carnegie, Dale A.; Kapur, Ajay vol. 2015 2015
Improving the Sound Quality of Recordings Through Communication between Musicians and Sound Engineers Pras, Amandine; Guastavino, Catherine vol. 2009 2009
Improving Upon Musical Analyses Of Conducting Gestures Using Computer Vision Nakra, Teresa; Tilden, Daniel; Salgian, Andrea vol. 2010 2010
An Improvisation Environment for Generating Rhythmic Structures Based on North Indian "Tal" Patterns Wright, Matthew; Wessel, David vol. 1998 1998
Improvisation with Highly Interactive Real-Time Performance Systems Wessel, David vol. 1991 1991
An Improvisational Accompaniment System Observing Performer's Musical Gesture Aono, Yushi; Katayose, Haruhiro; Inokuchi, Seiji vol. 1995 1995
Improvisational Builder: Improvisation as Conversation Walker, William; Hebel, Kurt; Martirano, Salvatore; Scaletti, Carla vol. 1992 1992
Improvising with Computers: A Personal Survey (1989-2001) Jordà, Sergi vol. 2001 2001
Imroved Modelling of Attack Transients in Music Analysis-Resynthesis Masri, Paul; Bateman, Andrew vol. 1996 1996
IMUTUS - AN EFFECTIVE PRACTICING ENVIRONMENT FOR MUSIC TUITION Raptis, Spyros; Chalamandaris, Aimilios; Baxevanis, Alexandros; Askenfelt, Anders; Schoonderwaldt, Erwin; Falkenberg Hansen, Kjetil; Fober, Dominique; Letz, Stéphane; Orlarey, Yann vol. 2005 2005
IMUTUS SCORE PROCESSING COMPONENTS Fober, D.; Letz, S.; Orlarey, Y. vol. 2005 2005
In and Out, Over and Under: An Interactive Audio-Visual Installation Responding to Percy Grainger’s Free Music and the Grainger Museum Alsop, Roger vol. 2015 2015
An In-Depth Analysis of Real-Time MIDI Performance Thom, Belinda; Nelson, Mark vol. 2004 2004
IN FLUX – A NEW APPROACH TO SOUND DIFFUSION PERFORMANCE PRACTICE FOR FIXED MEDIA MUSIC Berezan, David vol. 2008 August 2008
In, Out, But Not Thru: The Current State of Electro-Acoustic Music Education in Canada Wraggett, R. D. vol. 1991 1991
In-phase corrections for Ambisonics Monro, Gordon vol. 2000 2000
In the Intimacy of a Sound Arfib, Daniel vol. 1990 1990
Inclusive Interconnections: Retaining Diversity in Networked Laptop Performance Booth, Graham vol. 2011 2011
Index vol. 1980 1980
INDIRECT ACQUISITION OF FINGERINGS OF HARMONIC NOTES ON THE FLUTE Kereliuk, Corey; Scherrer, Bertrand; Verfaille, Vincent; Depalle, Philippe; Wanderley, Marcelo M. vol. 2007 2007
Inductive Learning of General and Robust Local Expression Principles Widmer, Gerhard vol. 2001 2001
Inductive Logic Programming and Music Ramirez, Rafael vol. 2004 2004
An Inexpensive Composer Work Station Featuring High Quality Real Time Sound Synthesis Boesch, Rainer; Weiss, Daniel vol. 1986 1986
Inexpensive Computer Music Scoring: newly available hardware Stickney, Kimball P. vol. 1980 1980
An Inexpensive Digital Sound Synthesizer Alles, H.G. vol. 1978 1978
Inferring Descriptions and Similarity for Music from Community Metadata Whitman, Brian; Lawrence, Steve vol. 2002 2002
The Infinite Delay Line: Granulation as an In-Line Effect Ovans, Russell; Murphy, David; Bartoo, Timothy vol. 1995 1995
Infinite length windows for short-time Fourier transform Tassart, S. vol. 1998 1998
Infinite Suite: Computers and Musical Form Pozzati, Guillermo vol. 2009 2009
Influence of Attack Parameters on the Playability of a Virtual Bowed String Instrument Serafin, Stefania; Smith III, Julius O. vol. 2000 2000
THE INFLUENCE OF BODY MORPHOLOGY ON PREFERRED DANCE TEMPOS Dahl, Sofia; Huron, David vol. 2007 2007
Influence of Expressive Coupling in Ensemble Performance on Musicians’ Body Movement Mota, Davi; Loureiro, Maurício; Laboissière, Rafael vol. 2014 2014
Influence of Frequency Modulating Jitter on Higher Order Moments of Sound Residual with Applications to Synthesis and Classification Dubnov, Shlomo; Tishby, Naftali; Cohen, Dalia vol. 1996 1996
Influence of phase effects on roughness modeling Pressnitzer, Daniel; McAdams, Stephen vol. 1997 1997
Influence of Sensory Interactions between Vision and Audition on the Perceptual Characterisation of Room Acoustics Nathanail, Chrysanthy; Lavandier, Catherine; Polack, Jean-Dominique; Warusfel, Olivier vol. 1997 1997
The influence of sub-woofer frequencies within a multi-channel loudspeaker configuration on the perception of spatial attributes in a concert hall environment Sazdov, Robert vol. 2011 2011
Influence of timbre, presence/absence of tonal hierarchy and musical training on the perception of musical tension and relaxation schemas Paraskeva, Stella; McAdams, Stephen vol. 1997 1997
INFNO: GENERATING SYNTH POP AND ELECTRONIC DANCE MUSIC ON DEMAND Collins, Nick vol. 2008 August 2008
Infrared vs. Ultrasonic Finger Detection on a Virtual Piano Keyboard De Pra, Yuri; Fontana, Federico; Tao, Linmi vol. 2014 2014
Infuriating Nonlinear Reverberator Puckette, Miller vol. 2011 2011
Initial Survey Results from The LilyPond Consortium Solomon, Michael; Liska, Urs; Bača, Trevor vol. 2015 2015
INNER ROOM EXTENSION OF A GENERAL MODEL FOR SPATIAL PROCESSING OF SOUNDS Yadegari, Shahrokh vol. 2005 2005
Innovation, Interaction, experience and imagination in computer music education Cipriani, Alessandro; Giri, Maurizio vol. 2011 2011
Innovative Programming Method for Sound Waveform Production: A Plucked String Sound Stewart, David N. vol. 1981 1981
InSpect and ReSpect: Spectral Modeling, Analysis and Real-time Synthesis Software Tools for Researchers and Composers Marchand, Sylvain; Strandh, Robert vol. 1999 1999
AN INSTANCE BASED MODEL FOR GENERATING EXPRESSIVE PERFORMANCE DURING COMPOSITION Kirke, Alexis; Miranda, Eduardo R. vol. 2008 August 2008
Instantaneous Detection and Classification of Impact Sound: Turning Simple Objects into Powerful Musical Control Interfaces Stefanakis, Nikolaos; Mastorakis, Yannis; Mouchtaris, Athanasios vol. 2014 2014
The Institute of Electroacoustics and Experimental Music at the Vienna University of Music Ungvary, Tamas; Mechtler, Peter vol. 1995 1995
Instruction and Thread Level Parallelism in PWGLSynth 2 Norilo, Vesa; Laurson, Mikael vol. 2009 2009
Instruction of Computer Music for Computer Engineering Students and Professionals Camurri, Antonio; de Poli, Giovanni; Dannenberg, Roger; Smith, Julius O. vol. 1994 1994
Instructional Applications of Computer Music Peelle, Howard A.; Smith, Stuart vol. 1980 1980
Instrument Recognition Beyond Separate Notes - Indexing Continuous Recordings Livshin, Arie A.; Rodet, Xavier vol. 2004 2004
Instrument Sound Description in the Context of MPEG-7 Peeters, Geoffroy; McAdams, Stephen; Herrera, Perfecto vol. 2000 2000
Instrumental Gesture Modeling by Identification with Time-varying Mechanical Models Gibet, Sylvie; Florens, Jean-Loup vol. 1988 1988
Instrumental Gestures and Musical Composition Cadoz, Claude vol. 1988 1988
Instruments, Cybernetics, and Computer Music Grossman, Gary vol. 1987 1987
INT.LIB - A GRAPHICAL PRESET INTERPOLATOR FOR MAX MSP Larkin, Oliver vol. 2007 2007
The Integra Framework for rapid modular audio application development Bullock, Jamie; Frisk, Henrik vol. 2011 2011
THE INTEGRAL MUSIC CONTROLLER: INTRODUCING A DIRECT EMOTIONAL INTERFACE TO GESTURAL CONTROL OF SOUND SYNTHESIS Knapp, R. Benjamin; Cook, Perry R. vol. 2005 2005
Integrated Arts Technology: New Facilities at the University of Michigan Chambers, Evan vol. 1994 1994
Integrated Development Environment for Computer Music Composition Drummond, Jon vol. 1997 1997
An Integrated Environment for Music Education Arnold, Stephen; Duffy, Celia vol. 1995 1995
INTEGRATED MULTIMODAL SCORE-FOLLOWING ENVIRONMENT Ritter, Martin; Hamel, Keith; Pritchard, Bob vol. 2013 2013
An Integrated Music Information Processing System: PSB-er Matsushima, Toshiaki; Ohteru, Sadamu; Hashimoto, Shuji vol. 1989 1989
INTEGRATED RECOGNITION SYSTEM FOR MUSIC SCORES Capela, Artur; Cardoso, Jaime S.; Rebelo, Ana; Guedes, Carlos vol. 2008 August 2008
Integrated System for Cross-Platform/Cross-Application Education on Sound Synthesis and Signal Processing Cipriani, Alessandro; Giri, Maurizio vol. 2006 2006
Integrating Bayesian Networks with Logic Programs for Music Morales, R.; Morales, E.; Sucar, L.E. vol. 2000 2000
Integrating complementary spectral models in the design of a musical synthesizer Serra, Xavier; Bonada, Jordi; Herrera, Perfecto; Loureiro, Ramon vol. 1997 1997
INTEGRATING MOBILE MUSIC WITH PERCUSSION PERFORMANCE PRACTICE Martin, Charles vol. 2013 2013
Integrating Tempo Tracking and Quantization using Particle Filtering Cemgil, Ali Taylan; Kappen, Bert vol. 2002 2002
Integration of Aid to Composition and Performance Environments: Experiences of Interactions between Patchwork and Max-ISPW Barrière, J.B.; Chabot, X. vol. 1993 1993
INTEGRATION OF MACHINE LEARNING ALGORITHMS IN THE COMPUTER-ACOUSTIC COMPOSITION GOLDSTREAM VARIATIONS Deal, Scott; Sanchez, Javier vol. 2013 2013
Integration of Music and Graphics through Algorithmic Congruence Evans, Brian vol. 1987 1987
Integration of Physical Modeling for Synthesis and Animation Cook, Perry R. vol. 1995 1995
The Integration of Real-Time Synthesis into HMSL, the Hierarchical Music Specification Language Burk, Phil vol. 1991 1991
INTEGRATION OF SOUND AND IMAGE IN TWO WORKS FOR PIANO AND COMPUTER Kim-Boyle, David vol. 2005 2005
An Intelligent Ear-Training Lesson Gross, Dorothy vol. 1984 1984
Intelligent Exploration of Sound Spaces Using Decision Trees and Evolutionary Approach Kreković, Gordan; Petrinović, Davor vol. 2014 2014
AN INTELLIGENT MULTI-TRACK AUDIO EDITOR Dannenberg, Roger B. vol. 2007 2007
An Intelligent Music Repository Eaglestone, Barry M.; Verschoor, Albert vol. 1991 1991
Intelligent Rhythm Tracking Rosenthal, David vol. 1992 1992
Intelligent Scripting in ENP using PWConstraints Kuuskankare, Mika; Laurson, Mikael vol. 2004 2004
An Intelligent SP-MIDI Polyphonic Reduction Algorithm Lui, Simon; Horner, Andrew; Ayers, Lydia vol. 2006 2006
Intelligent Synthesis Control with Applications to a Physical Model of Acoustic Guitar Jánosy, Zoltán; Karjalainen, Matti; Välimäki, vol. 1994 1994
The Interaction of Sound Identities in Electroacoustic Music Young, John vol. 2002 2002
Interaction typologies : traditional music instruments versus digital music instruments Ferreira-Lopes, Paulo vol. 2008 August 2008
The Interactive Arts System: Introduction to a Real Time Performance Tool Allik, Kristi; Mulder, Robert vol. 1989 1989
INTERACTIVE AUDIO SIGNAL SCRIPTING Lazzarini, Victor vol. 2008 August 2008
AN INTERACTIVE AURAL APPROACH TO THE ANALYSIS OF COMPUTER MUSIC Clarke, Michael vol. 2005 2005
An Interactive Beat Tracking and Visualisation System Dixon, Simon vol. 2001 2001
AN INTERACTIVE BIO-MUSIC IMPROVISATION SYSTEM Tahiroğlu, Koray; Drayson, Hannah; Erkut, Cumhur vol. 2008 August 2008
An Interactive Cellular Automata Music Application in Cocoa Millen, Dale vol. 2004 2004
Interactive Composing as the Expression of Autonomous Machine Motivations Beyls, Peter vol. 2009 2009
Interactive Composing: An Overview Chadabe, Joel vol. 1983 1983
INTERACTIVE COMPOSITION AND IMPROVISATION ON THE HYPER-FLUTE Palacio-Quintin, Cléo; Zadel, Mark vol. 2008 August 2008
Interactive Composition: Sharing the Creative Process on the Internet Popat, Sita; Ng, Kia; Popat, Kris; Smith-Autard, Jacqueline vol. 2000 2000
Interactive Compositional Algorithms Ghent, Emmanuel vol. 1977 1977
Interactive Dance/Music Systems Camurri, Antonio vol. 1995 1995
Interactive Digital Composition Petersen, Tracy Lind vol. 1978 1978
The Interactive Event Manager (IEM): A Performer’s Approach to Interactive System Design Wetzel, David Brooke vol. 2009 2009
Interactive GenJam: Integrating Real-time Performance with a Genetic Algorithm Biles, John A. vol. 1998 1998
Interactive High Performance Computing for Music Smith, Benjamin D.; Garnett, Guy E. vol. 2011 2011
Interactive Immersive Environments: A Composer's Journey Deane Berman, Anne vol. 2004 2004
The Interactive Multi-media Computer System using SGI and NeXT/ISPW computers Takashiro, Osamu; Rai, Takayuki vol. 1997 1997
Interactive Multimodal Mobile Robot for Musical Performance Suzuki, Kenji; Ohashi, Takeshi; Hashimoto, Shuji vol. 1999 1999
Interactive Music Composer Based on Neural Networks Nishijima, Maskao; Watanabe, Kazuyuki vol. 1992 1992
Interactive Music Composition with a Minimum of Input States Shuttleworth, Justin R. vol. 1991 1991
Interactive Music for Instrumented Dancing Shoes Paradiso, Joseph; Hsaio, Kai-Yuh; Hu, Eric vol. 1999 1999
INTERACTIVE MUSIC SUMMARIZATION BASED ON INTERVAL DISTANCE PROFILE Min-Joon, Yoo; In-Kwon, Lee vol. 2007 2007
Interactive Optical Music Recognition Fujinaga, Ichiro; Alphonce, Bo; Pennycook, Bruce; Diener, Glendon R. vol. 1992 1992
Interactive Orchestration Based on Score Analysis Roads, C. vol. 1982 1982
Interactive Paths Through Tree Music Shatin, Judith vol. 2004 2004
Interactive Performance Chadabe, Joel vol. 1995 1995
Interactive Performance Systems Conceptual interacting strategies in forming electroacoustic sound identities Kalodiki, Georgia vol. 2014 2014
Interactive Performance withWireless PDAs McAllister, Graham; Alcorn, Michael; Strain, Philip vol. 2004 2004
INTERACTIVE PHYSICAL DESIGN AND HAPTIC PLAYING OF VIRTUAL MUSICAL INSTRUMENTS Leonard, James; Castagné, Nicolas; Cadoz, Claude; Florens, Jean-Loup vol. 2013 2013
An Interactive Real-time System for the Control of Sound Localization Bosi, Marina vol. 1990 1990
Interactive Signal Processing for Acoustic Instruments Winkler, Todd vol. 1991 1991
INTERACTIVE SOUNDSCAPE DESIGN WITH EVOLUTIONARY SOUND PROCESSING Fornari, José; Maia Jr., Adolfo; Manzolli, Jônatas vol. 2007 2007
INTERACTIVE SWARM ORCHESTRA A GENERIC PROGRAMMING ENVIRONMENT FOR SWARM BASED COMPUTER MUSIC Bisig, Daniel; Neukom, Martin; Flury, John vol. 2008 August 2008
INTERACTIVE SWARM ORCHESTRA AN ARTIFICIAL LIFE APPROACH TO COMPUTER MUSIC Bisig, Daniel; Neukom, Martin; Flury, John vol. 2008 August 2008
Interactive Synthesis Without Obscure Diagnostics Bridwell, Nelson J. vol. 1978 1978
An Interactive System for Musical Improvisation Giomi, Francesco; Ligabue, Marco vol. 1988 1988
Interactive Video In Performance Martyne, Krista; Salvail, Julien- Robert L. vol. 2010 2010
Interactive Virtual Soundscapes: A Research Report Çamcı, Dr. Anıl; Özcan, Zeynep; Pehlevan, Damla vol. 2015 2015
Interactive Works: New Problems and Potentials Horenstein, Stephen vol. 1995 1995
INTERCHANGE FORMATS AND THE ART OF SPATIAL AUDIO Kendall, Gary S. vol. 2008 August 2008
INTERCHANGE FORMATS FOR SPATIAL AUDIO Pope, Stephen Travis vol. 2008 August 2008
INTERCULTURAL EXPLORATION: THE COMPUTER AND TRADITIONAL MUSIC CULTURES Helmuth, Mara vol. 2008 August 2008
The Interdisciplining of Computer Music Fields, Kenneth vol. 2000 2000
Interface Decoupled Applications for Geographically Displaced Collaboration in Music Barbosa, Álvaro; Kaltenbrunner, Martin; Geiger, Günter vol. 2003 2003
An interface to support creative studio practice King, Andrew vol. 2011 2011
INTERFACING THE NETWORK: AN EMBEDDED APROACH TO NETWORK INSTRUMENT CREATION Davis, Tom; Geistweidt, Jason; Renaud, Alain; Dixon, Jason vol. 2012 2012
The International Digital Electro-Acoustic Music Archive Bauman, Marcia L. vol. 1992 1992
The International Digital Electroacoustic Music Archive Bauman, Marcia L.; Gerwin, Thomas vol. 1995 1995
The International Digital Electroacoustic Music Archive Bauman, Marcia L.; Diener, Glendon R.; Mathews, vol. 1991 1991
The International Digital ElectroAcoustic Music Archive - A new source for research into the history of electroacoustic music Gerwin, Thomas vol. 1993 1993
The international sound art festival in Mexico City: Sound, its relationship to the art disciplines and to the new technologies Iturbide, Manuel Rocha vol. 2001 2001
An Internet Browser Plug-in for Real-time Sound Synthesis using Pure Data Alonso, Marcos; Geiger, Günter; Jordà, Sergi vol. 2004 2004
INTEROPERABILITY AND THE MARSYAS 0.2 RUNTIME Tzanetakis, G.; Jones, R.; Castillo, C.; Martins, L.G.; Teixeira, L.F.; Lagrange, M. vol. 2008 August 2008
Interpolation Error in Waveform Table Lookup Dannenberg, Roger B. vol. 1998 1998
The Interpretation of MIDI Velocity Dannenberg, Roger B. vol. 2006 2006
An Interpreted Language for Real Time Signal Processing Geiger, Guenter vol. 2002 2002
Interprocess Communication and Timing in Real-Time Computer Music Performance Puckette, Miller vol. 1986 1986
Interval Scale as Group Generators Tanaka, Tsubasa; Furukawa, Kiyoshi vol. 2014 2014
INTRA-NOTE FEATURES PREDICTION MODEL FOR JAZZ SAXOPHONE PERFORMANCE Ramirez, Rafael; Hazan, Amaury; Maestre, Esteban vol. 2005 2005
The Intrinsic Value of Timbre in Doppelganger Blokkum Flø, Asbjørn; Wilmers, Hans vol. 2015 2015
Introducing and Analyzing the Electro-Acoustic Bottle Penttinen, Henri vol. 2004 2004
INTRODUCING ASANNOTATION: A TOOL FOR SOUND ANALYSIS AND ANNOTATION Bogaards, Niels; Yeh, Chunghsin; Burred, Juan José vol. 2008 August 2008
Introducing Belle, Bonne, Sage Burnson, William vol. 2010 2010
Introducing Fuzzy Logic And Computing With Words Paradigms In Realtime Processes For Performance Arts Bonardi, Alain; Truck, Isis vol. 2010 2010
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INTRODUCING TaCEM AND THE TIAALS SOFTWARE Clarke, Michael; Dufeu, Frédéric; Manning, Peter vol. 2013 2013
Introducing the ElectroAcoustic Resource Site (EARS) Landy, Leigh; Atkinson, Simon vol. 2003 2003
Introducing the Zirkonium MK2 System for Spatial Composition Wagner, David; Brümmer, Ludger; Dipper, Götz; Otto, Jochen Arne vol. 2014 2014
INTRODUCING VIDEO FEATURES AND SPECTRAL DESCRIPTORS IN THE OMAX IMPROVISATION SYSTEM Bloch, Georges; Dubnov, Shlomo vol. 2008 August 2008
Introduction of Computer Music Studio of Sonology Departmen Kunitachi College of Music Rai, Takayuki vol. 1997 1997
Introduction of Computer Music Studio of Sonology Department, Kunitachi College of Music Rai, Takayuki; Matsunuma, K.; Takasaki, K.; Mokushou, S. vol. 1993 1993
Introduction of DIPS Programming Technique Miyama, Chikashi; Rai, Takayuki; Matsuda, Shu; Ando, Daichi vol. 2003 2003
INTRODUCTION OF DIPS3 (VERSION 2) FOR MAX/MSP Rai, Takayuki; Miyama, Chikashi; Matsuda, Shu; Hamano, Takayuki; Fukuda, Takuto; Morimoto, Yota vol. 2007 2007
An Introduction of Musical Structure Using Correlation Vantomme, Jason D. vol. 1995 1995
An Introduction to Eco-Structuralism Opie, Timothy; Brown, Andrew R. vol. 2006 2006
AN INTRODUCTION TO MUSICAL SEMANTICS: THE GESTURE IN MODELIZATION Kühl, Ole vol. 2007 2007
AN INTRODUCTION TO SLIPPERY CHICKEN Edwards, Michael vol. 2012 2012
Introduction to the Interactor Language Coniglio, Mark vol. 1992 1992
Introduction to the Mshell Pope, Stephen T. vol. 1982 1982
An Introduction to the SSSP Digital Synthesizer Buxton, William; Fogels, E.A.; Fedorkow, Guy; Sasaki, Lawrence; Smith, K.C. vol. 1978 1978
Intuitive and Dynamic Control of Synthesized Sounds by Voice Gibson, I.S.; Howard, D.M. vol. 1995 1995
An Intuitive Control Structure for the Generation of Computer-Synthesized Musical Sound Baczewski, Philip; Scott, Dan W. vol. 1981 1981
INVENTING NEW INSTRUMENTS BASED ON A COMPUTATIONAL "HACK" TO MAKE AN OUT-OF-TUNE OR UNPITCHED INSTRUMENT PLAY IN PERFECT HARMONY Mann, Steve; Janzen, Ryan; Lo, Raymond; Aimone, Chris vol. 2007 2007
Inverse Performance Theory Mazzola, Guerino vol. 1995 1995
Inversion of a Physical Model of a Trumpet Hélie, T.; Vergez, C.; Levine, J.; Rodet, X. vol. 1999 1999
INVESTIGATING ARTISTIC POTENTIAL OF THE DREAM INTERFACE: THE AURAL PAINTING Bukvic, Ivica Ico; Gracanin, Denis; Quek, vol. 2008 August 2008
INVESTIGATING THE PERFORMANCE OF A VIOLIN PHYSICAL MODEL: RECENT REAL PLAYER STUDIES Young, Diana; Serafin, Stefania vol. 2007 2007
AN INVESTIGATION INTO THE PERCEPTION OF SPATIAL TECHNIQUES USED IN MULTI-CHANNEL ELECTROACOUSTIC MUSIC Lynch, Hugh; Sazdov, Robert vol. 2013 2013
THE INVESTMENT OF PLAY: EXPRESSION AND AFFORDANCES IN DIGITAL MUSICAL INSTRUMENT DESIGN Cannon, Joanne; Favilla, Stuart vol. 2012 2012
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