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Title Author(s) Volume/Issue Date
HAILE - AN INTERACTIVE ROBOTIC PERCUSSIONIST Weinberg, Gil; Driscoll, Scott; Parry, Mitchell vol. 2005 2005
A HAND DRUMMING DATASET FOR PHYSICAL MODELING Jones, Randy; Lagrange, Mattieu; Schloss, Andrew vol. 2007 2007
Handling Asynchrony in Audio-Score Alignment Devaney, Johanna; Ellis, Daniel P. W. vol. 2009 2009
The Hands: A Set of Remote MIDI-Controllers Waisvisz, Michel vol. 1985 1985
Handwritten Music Manuscript Recognition Ng, Kai; Cooper, David; Boyle, Roger vol. 1996 1996
Haptic Feedback for Different Strokes Using DIMPLE Zadel, Mark; Sinclair, Stephen; Wanderley, Marcelo M. vol. 2009 2009
Haptic Feedback in a Computer Music Performance Interface Chu, Lonny vol. 1996 1996
HAPTIC THEREMIN: DEVELOPING A HAPTIC MUSICAL CONTROLLER USING THE SENSABLE PHANTOM OMNI Moss, William 'Pete'; Cunitz, Bryan vol. 2005 2005
Hard Sync Without Aliasing Brandt, Eli vol. 2001 2001
Hardware, Software, and Compositional Tools for a Real Time Improvised Solo Trumpet Work Morrill, Dexter; Cook, Perry R. vol. 1989 1989
Harmonic Analysis Using Neural Networks Tsui, Vincent; MacLean, James vol. 2002 2002
The Harmonic Matrix: Exploring the geometry of Pitch Bond, Daryn vol. 2011 2011
HARMONIC, MELODIC, AND FUNCTIONAL AUTOMATIC ANALYSIS Illescas, Plácido R.; Rizo, David; Iñesta, José M. vol. 2007 2007
Harmonic Visualizations of Tonal Music Sapp, Craig Stuart vol. 2001 2001
The “Harmonic Walk”: an Interactive Educational Environment to Discover Musical Chords. Mandanici, Marcella; Rodà, Antonio; Canazza, Sergio vol. 2014 2014
Harmonization of Musical Progressions with Genetic Algorithms Horner, Andrew; Ayers, Lydia vol. 1995 1995
Harmonizations of time with non periodic ordered structures in discrete geometry and astronomy Escudero, Juan García vol. 2004 2004
Harmonizing in Real-Time with Neural Networks Höthker, Karin; Hörnel, Dominik vol. 2000 2000
Harmonizing Melodies in Real-Time: the Connectionist Approach Gang, Dan; Lehmann, Daniel; Wagner, Naftali vol. 1997 1997
Harmonizing Music as a Discipline in Constraint Logic Programming Tsang, C.P.; Aitken, M. vol. 1991 1991
HarmonyMixer: Mixing the Character of Chords among Polyphonic Audio Fukayama, Satoru; Goto, Masataka vol. 2014 2014
Has Structure Any Meaning in Computer Music? Lunell, Hans vol. 1991 1991
Head Tracking For 3d Audio Using The Nintendo Wii Remote Ubilla, Mauricio; Mery, Domingo; Cadiz, vol. 2010 2010
Hear Me Now: the implication and significance of the female composer's voice as sound source in her electroacoustic music Hinkle-Turner, Elizabeth vol. 2006 2006
HEARING EMERGENCE: TOWARDS SOUND-BASED SELF-ORGANISATION Davis, Tom; Rebelo, Pedro vol. 2005 2005
Hegel, Heidegger and Borgmann's Substantive Implications for Music and Technology Ramstrum, Momilani vol. 2002 2002
Heightening Access and Cohesion within the Worlds of Electroacoustic Music: The Promotion of Triangulation in Creativity, Development and Scholarship Landy, Leigh vol. 1999 1999
HELO: The Laptop Ensemble As An Incubator For Individual Laptop Performance Hewitt, Scott; Tremblay, Pierre Alexander; Freeman, Samuel; Booth, Graham vol. 2010 2010
Helsinki Music Tools Kervinen, Jukka-Pekka; Lassfolk, Kai vol. 1993 1993
HETEROGENEOUSLY-COUPLED FEEDBACK SYSTEMS: THE |. (BAR DOT) PROJECT Sanfilippo, Dario; Valle, Andrea vol. 2012 2012
Hidden City: ‘Being with’ in Improvised Performance Whittington, Stephen; Harrald, Luke vol. 2009 2009
A Hierarchical Analysis of Ruggles' Portals Polansky, Larry vol. 1978 1978
A Hierarchical Approach to Onset Detection Kapanci, Emir; Pfeffer, Avi vol. 2004 2004
Hierarchical Markov Modeling for Generative Music Thornton, Chris vol. 2009 2009
Hierarchical Real Time Interapplication Communications Orlarey, Yann vol. 1991 1991
A Hierarchical System for Controlling Synthesis by Phyical Modeling Cook, Perry R. vol. 1995 1995
Hierarchical Waveguide Networks Garnett, Guy E.; Mont-Reynaud, Bernard M. vol. 1988 1988
High-frequency compensation of low sample-rate audio files: A wavelet-based spectral excitation algorithm Cheng, Corey I. vol. 1997 1997
High-Level Control of Granular Synthesis Using the Concepts of Inheritance and Social Interaction Bowcott, Peter vol. 1990 1990
High Level Musical Control of Sound Synthesis in OpenMusic Agon, Carlos; Stroppa, Marco; Assayag, Gérard vol. 2000 2000
A High-Level Review of Mappings in Musical iOS Applications Kell, Thor; Wanderley, Marcelo M. vol. 2014 2014
A High-Level System for Music Composition Camurri, Antonio; Canepa, Corrado; Frixione, Marcello; Innocenti, Carlo; Massucco, Claudio; Zaccaria, Renato vol. 1991 1991
HIGH-PERFORMANCE AUDIO COMPUTING —A POSITION PAPER Dobson, Richard; ffitch, John; Bradford, Russell vol. 2008 August 2008
A High-Performance Dylan Implementation Bachrach, Jonathan vol. 1993 1993
High Quality Music Notation: Interactive Editing and Input by Piano Keyboard Müller, Giovanni; Giulietti, Raffaello vol. 1987 1987
High Quality Synthesis-by-Rule of Consonants Rodet, Xavier; Depalle, Phillippe vol. 1985 1985
Higher-level Composition Control in Music Sketcher: Modifiers and Smart Harmony Abrams, Steven; Oppenheim, Daniel V.; Pazel, Don; Wright, James vol. 1999 1999
Higher Order Ambisonic Systems for the Spatialisation of Sound Malham, D.G. vol. 1999 1999
HIGHER-ORDER CONSTRAINT APPLICATORS FOR MUSIC CONSTRAINT PROGRAMMING Anders, Torsten; Miranda, Eduardo R. vol. 2008 August 2008
An Highly Parallel Architecture for Real-time Music Synthesis and Digital Signal Processing Application Bailey, Nicholas J.; Purvis, Alan; Bowler, Ian; Manning, Peter vol. 1990 1990
THE HISSTOOLS IMPULSE RESPONSE TOOLBOX: CONVOLUTION FOR THE MASSES Harker, Alexander; Tremblay, Pierre Alexandre vol. 2012 2012
History of electroacoustic music through filmed sources: an example at IRCAM Bossis, Bruno vol. 2011 2011
A History of Emerging Paradigms in EEG for Music Christopher, Kameron R.; Kapur, Ajay; Carnegie, Dale A.; Grimshaw, Gina M. vol. 2014 2014
A HISTORY OF ROBOTIC MUSICAL INSTRUMENTS Kapur, Ajay vol. 2005 2005
HMM-BASED AUTOMATIC ARRANGEMENT FOR GUITARS WITH TRANSPOSITION AND ITS IMPLEMENTATION Hori, Gen; Sagayama, Shigeki vol. 2014 2014
HMSL (Hierarchical Music Specification Language): A Real-Time Environment for Formal, Perceptual and Compositional Experimentation Rosenboom, David; Polansky, Larry vol. 1985 1985
HMSL: Overview (Version 3.1) and Notes on Intelligent Instrument Design Polansky, Larry; Rosenboom, David; Burk, Phil vol. 1987 1987
The HOA library, review and prospects Anne, Sèdes; Pierre, Guillot; Eliott, Paris vol. 2014 2014
Hogeschool voor de Kunsten Utrecht Studio Report: Centrum voor Muziek en Informatica (CMI) den Biggelaar, Johan C. M. vol. 1986 1986
HOME CONDUCTING - CONTROL THE OVERALL MUSICAL EXPRESSION WITH GESTURES Friberg, Anders vol. 2005 2005
The Horizontal Spacing of Graphical Notation Solomon, Mike vol. 2011 2011
How blue is Mozart? Non verbal sensory scales for describing music qualities Murari, Maddalena; Rodà, Antonio; Da Pos, Osvaldo; Canazza, Sergio; De Poli, Giovanni; Sandri, Marta vol. 2014 2014
HOW COMPUTER MUSIC MODELING AND RETRIEVAL INTERFACE WITH MUSIC-AND-MEANING STUDIES: OVERVIEW OF PANELISTS' SUGGESTIONS FOR DISCUSSION TOPICS Grund, Cynthia M. vol. 2007 2007
HOW MUSICAL ARE IMAGES? FROM SOUND REPRESENTATION TO IMAGE SONIFICATION: AN ECO SYSTEMIC APPROACH Thiebaut, Jean-Baptiste; Bello, Juan Pablo; Schwarz, Diemo vol. 2007 2007
How To Articulate A Regional Space For Research And Creation In Latin America Oliver, Jamie E. vol. 2010 2010
HOW TO BE LOST: PRINCIPLED PRIMING AND PRUNING WITH PARTICLES IN SCORE FOLLOWING Fox, Charles; Quinn, John vol. 2007 2007
How To Conduct A Laptop Orchestra: Issues Of Coordination In Computer Music Reinecke, David vol. 2010 2010
How to Feed Musical Gestures into Compositions Mahling, Andreas vol. 1991 1991
HOW TO MAKE YOUR WIFE LISTEN: THE PORTRAYAL OF WOMEN IN MUSIC TECHNOLOGY PUBLICATIONS Burns, Kristine H. vol. 2008 August 2008
How to Produce Chinese Folk Music Using Regular MIDI Equipment Liu, Shuilin; Gong, Junping vol. 1999 1999
Hrtfearly and Hrtfreverb: Flexible Binaural Reverberation Processing Carty, Brian; Lazzarini, Victor vol. 2010 2010
An HTTP Interface to Common Music Taube, Heinrich; Kunze, Tobias vol. 1997 1997
An HTTP Interface to Salieri Renz, Kai; Hoos, Holger H. vol. 1998 1998
http://Web.La.Radia: Comments on the Social, Economic, and Political Aspects of Media Art and Art Technology Pope, Stephen Travis vol. 1997 1997
Hugh Le Caine's 1948 Sackbut Synthesizer: Performance Mode of Electronic Instruments Young, Gayle vol. 1984 1984
Human Engineering in a Portable Music Notation System Byrd, Donald vol. 1980 1980
A Human Factors Approach to Computer Music Systems User-Interface Design Polfreman, Richard; Sapsford-Francis, John vol. 1995 1995
Human Perception of the Soundscape in a Metropolis through the Phenomenology of Neural Networks Santucci, Enrica; Ludovico, Luca A. vol. 2014 2014
Human Voice Treatments in Various Types of Electroacoustic Music Hettergott, Alexandra vol. 1999 1999
The Hybrid: A Music Performance System Kramer, Gregory; Moog, Robert; Peevers, Alan vol. 1989 1989
A Hybrid Guitar Physical Model Controller: The BladeAxe Michon, Romain; III Smith, Julius O. vol. 2014 2014
The Hyperbow: A Precision Violin Interface Young, Diana vol. 2002 2002
Hyperinstruments: Musically Intelligent and Interactive Performance and Creativity Systems Machover, Tod; Chung, Joe vol. 1989 1989
Hypermusic and the Sighting of Sound - A Nomadic Studio Report Impett, Jonathan; Bongers, Bert vol. 2001 2001
Hypothesis for the foundation of a laptop orchestra Gasperini, Marco vol. 2011 2011