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Title Author(s) Volume/Issue Date
F0 ESTIMATION OF INHARMONIC PIANO TONES USING PARTIAL FREQUENCIES DEVIATION METHOD Rauhala, Jukka; Vôlimôki, Vesa vol. 2007 2007
FABRICATING AURAL LANDSCAPES: SOME COMPOSITIONAL IMPLICATIONS OF TROMPE L'OREILLE Batchelor, Peter vol. 2007 2007
A Factored Language Model of Quantized Pitch and Duration Li, Xiao; Ji, Gang; Bilmes, Jeff vol. 2006 2006
The Fairlight CMI and Its Uses in Advanced Laser Graphics McLean, Barton vol. 1981 1981
The Fairlight Computer Musical Instrument Levine, Steve; Mauchly, J. William vol. 1980 1980
Fantasy Birds in Yazi's Dream Ayers, Lydia vol. 2006 2006
A Fast Communication-Interface to the CAMP-DSP-Subsystem for general purpose Sound-Synthesis, Analysis and Processing Nieberle, Rupert C. vol. 1991 1991
A Fast Data Structure for Disk-Based Audio Editing Mazzoni, Dominic; Dannenberg, Roger B. vol. 2001 2001
FAST SOUND TEXTURE SYNTHESIS USING OVERLAP-ADD Fröjd, Martin; Horner, Andrew vol. 2007 2007
FATTA: FULL AUTOMATIC TIME-SPAN TREE ANALYZER Hamanaka, Masatoshi; Hirata, Keiji; Tojo, Satoshi vol. 2007 2007
The FCurve Sound Generator with Granular Synthesis Helmuth, Mara; Ibrahim, Aladin vol. 1995 1995
THE FEATSYNTH FRAMEWORK FOR FEATURE-BASED SYNTHESIS: DESIGN AND APPLICATIONS Hoffman, Matthew; Cook, Perry R. vol. 2007 2007
Feature-Based Synthesis: Mapping Acoustic and Perceptual Features onto Synthesis Parameters Hoffman, Matt; Cook, Perry R. vol. 2006 2006
Feature Classification and Related Response in a Real-time Interactive Music System Rowe, Robert vol. 1990 1990
Feature Extraction and Database Design for Music Software Pope, Stephen Travis; Holm, Frode; Kouznetsov, Alexandre vol. 2004 2004
The feature extraction based hypersampler in Il grifo nelle perle nere: a bridge between player and instrument paradigm Marinoni, Marco vol. 2014 2014
FEATURE MODULATION SYNTHESIS (FMS) Park, Tae Hong; Biguenet, Jonathan; Li, Zhiye; Richardson, Conner; Scharr, Travis vol. 2007 2007
Features extraction and temporal segmentation of acoustic signals Rossignol, S.; Rodet, X.; Soumagne, J.; Collete, J.-L.; Depalle, P. vol. 1998 1998
Federazione CEMAT and Centres of Computer Music Research and Production in Italy Belgeri, Gisella; Di Giugno, Guiseppe vol. 1999 1999
Feedback in Musical Computer Applications Laine, Pauli; Lassfolk, Kai vol. 1999 1999
FEEDBACK INSTRUMENTS: GENERATING MUSICAL SOUNDS, GESTURES, AND TEXTURES IN REAL TIME WITH COMPLEX FEEDBACK SYSTEMS Morris, Jeffrey M. vol. 2007 2007
Feel the Music: Narration in Touch and Sound O'Modhrain, Maura Sile vol. 1997 1997
Feeping Creatures Berry, Rodney vol. 1999 1999
Felix-The DIEM Multiple DSP Box - Still in Progress Brandorff, Steffen; Caprani, Ole; Møller-Nielson, Peter; Lave, Morton vol. 1995 1995
FFTease: a collection of spectral signal processors for Max/MSP Penrose, Christopher; Lyon, Eric vol. 2000 2000
FIFTY YEARS OF COMPUTER MUSIC: IDEAS OF THE PAST SPEAK TO A FUTURE‒IMMERSED IN RICH DETAIL Chowning, John vol. 2007 2007
Filter Design Using Second-Order Peaking and Shelving Sections Abel, Jonathan S.; Berners, David P. vol. 2004 2004
FINDING SUBSEQUENCES OF MELODIES IN MUSICAL PIECES Adiloğlu, Kamil; Obermayer, Klaus vol. 2005 2005
Fine-tuned Control of Concatenative Synthesis with CATART Using the BACH Library for MAX Einbond, Aaron; Trapani, Christopher; Agostini, Andrea; Ghisi, Daniele; Schwarz, Diemo vol. 2014 2014
“The Fingers” – A Tribute to “The Hands” Overholt, Dan vol. 2009 2009
A FINITE DIFFERENCE PLATE MODEL Bilbao, Stefan; van Walstijn, Maarten vol. 2005 2005
The First Buchla 300 Series Electronic Music Box Millen, Dale vol. 1998 1998
The First Retrospective of Mexican Electroacustic Music Rocha Iturbide, Manuel vol. 2004 2004
Flavors Band: Beyond Computer Improvisation and/or A Meta-Composition Language Fry, Christopher vol. 1983 1983
Fleece: Graphical 3-D Trajectory Specification Software for Spatialization in Live Performance Castle, Harry D. vol. 2000 2000
FLEXIBILITY, SUBTLETY AND SPONTANEITY IN NEW INSTRUMENT DESIGN: THE FEEDBACK JOYPAD Mudd, Tom vol. 2012 2012
A Flexible Acoustic Ambience Simulator Stautner, J. P.; Hale, R. L. vol. 1982 1982
A Flexible Analysis-Synthesis Method for Transients Thornburg, Harvey; Gouyon, Fabien vol. 2000 2000
A Flexible And Dynamic C++ Framework And Library For Digital Audio Signal Processing Place, Timothy; Lossius, Trond; Peters, Nils vol. 2010 2010
A flexible and modular crosslingual voice conversion system Machado, Anderson Fraiha; Queiroz, Marcelo vol. 2014 2014
A FLEXIBLE AUTHORING TOOL FOR WAVE FIELD SYNTHESIS Bleda, S.; López, J.J.; Escolano, J.; Pueo, B. vol. 2005 2005
FLEXIBLE CONTROL OF COMPOSITE PARAMETERS IN MAX/MSP Place, Timothy; Lossius, Trond; Jensenius, Alexander Refsum; Peters, Nils vol. 2008 August 2008
A Flexible Real-Time Software Synthesis System Dannenberg, Roger; Brandt, Eli vol. 1996 1996
Flexible Scheduling for DataFlow Audio Processing Burroughs, Neil; Parkin, Adam; Tzanetakis, George vol. 2006 2006
Flexible Sound Effects Wyse, Lonce vol. 1997 1997
Flexible spatial design for dance performance Otondo, Felipe vol. 2011 2011
Flexible Yet Controllable Physical Models: A Nonlinear Dynamics Approach Rodet, Xavier vol. 1993 1993
Flocking: A Framework for Declarative Music-Making on theWeb Clark, Colin; Tindale, Adam vol. 2014 2014
Flocking in the Time/Dissonance Plane Wilson, Adam James vol. 2009 2009
Flood Tide See Further: Sonification as Musical Performance Eacott, John vol. 2011 2011
FOCUS-PLUS-CONTEXT DISPLAYS FOR AUDIO INTERACTION Gerhard, David; Ellis, Jarrod vol. 2007 2007
Following an Improvisation in Real Time Dannenberg, Roger B.; Mont-Reynaud, Bernard vol. 1987 1987
FOMUS, a Music Notation Software Package for Computer Music Composers Psenicka, David vol. 2006 2006
Foot-tapping: a brief intoduction to beat induction Desain, Peter; Honing, Henkjan vol. 1994 1994
For an Intelligent Use of Computers in Music Composition Tipei, Sever vol. 1995 1995
For Jean-Claude: [re]Presenting Duet for One Pianist Nanou, Chryssie; Hamilton, Robert vol. 2009 2009
Forest Fire Dynamics In Sonic Organisation Jones, Daniel; D'inverno, Mark vol. 2010 2010
Forests and Trees: distinguishing many from few with a video camera Kuivila, Ronald vol. 2000 2000
Forêt profonde by Francis Dhomont - Representation of the Unconscious Rubin, Anna vol. 2000 2000
A Formal Composition System Based on the Theory of Time Trees Arcela, Aluizio; Ramalho, Gerber vol. 1991 1991
A FORMAL EVALUATION FRAMEWORK FOR SOUND MORPHING Caetano, Marcelo; Osaka, Naotoshi vol. 2012 2012
Formal Processes of Timbre Composition Challenging the Dualistic Paradigm of Computer Music Di Scipio, Agostino vol. 1994 1994
Formal Representation of Basic Blocks for Sound Synthesis Santoiemma, M. vol. 1982 1982
FORMAL SEMANTICS FOR MUSIC NOTATION CONTROL FLOW Jin, Zeyu; Dannenberg, Roger vol. 2013 2013
FORMAL SEMANTICS FOR MUSIC NOTATION CONTROL FLOW Jin, Zeyu; Dannenberg, Roger vol. 2013 2013
FORMAL TIMING ANALYSIS OF MIXED MUSIC SCORES Fanchon, Léa; Jacquemard, Florent vol. 2013 2013
Formalizing the Concept of Sound Kaper, Hans G.; Tipei, Sever vol. 1999 1999
Forward-Going Wave Extraction in Acoustic Tubes Stilson, Tim vol. 1995 1995
Found Sound, Found Structure Summary Harris, Craig vol. 1991 1991
Foundations for Artificial Intelligence Research of Western Tonal Music Balaban, Mira vol. 1985 1985
FOUNDATIONS FOR ON-THE-FLY LEARNING IN THE CHUCK PROGRAMMING LANGUAGE Fiebrink, Rebecca; Wang, Ge; Cook, Perry R. vol. 2008 August 2008
FOUNDATIONS OF INTERACTIVE SOUND DESIGN FOR TRADITIONAL STORYTELLING Wyse, Lonce; Subramanian, Srikumar vol. 2012 2012
Founding Of The Asia Computer Music Project Osaka, Naotoshi; Shin, Seongah; Wyse, Lonce vol. 2010 2010
A Four-Channel Reverberation Network Stautner, John; Vercoe, Barry; Puckette, Miller vol. 1981 1981
Fourier Oracles for Computer-Aided Improvisation Amiot, Emmanuel; Noll, Thomas; Andreatta, Moreno; Agon, Carlos vol. 2006 2006
Fourms, University Of Oslo - Lab Report Jensenius, Alexander Refsum; Glette, Kyrre; Godøy, Rolf Inge; Hovin, Mats; Nymoen, Kristian; Skogstad, Ståle A.; Torresen, Jim vol. 2010 2010
Fractal Additive Synthesis: A Pitch-Synchronous Extension of the Method for the Analysis and Synthesis of Natural Voiced-Sounds Polotti, Pietro vol. 2002 2002
Fractal Depth Structure of Tonal Harmony Noll, Thomas vol. 1995 1995
Fractal Structures and Formalized Composition Eldénius, Magnus vol. 1995 1995
A fractional delay application: time-varying propagation speed in waveguides Tassart, S.; Msallam, R.; Depalle, Ph.; Dequidt, S. vol. 1997 1997
Fractional Delay Lines using Lagrange Interpolators Depalle, Philippe; Tassart, Stephan vol. 1996 1996
Fractured Sounds, Fractured Meanings: A Glove-Controlled Spectral Instrument Litke, David vol. 2007 2007
FRACTURING THE ACOUSMATIC: MERGING IMPROVISATION WITH DISASSEMBLED ACOUSMATIC MUSIC. Moore, Adrian vol. 2008 August 2008
A Framework for Developing Signal Processing and Synthesis Algorithms for the Motorola 56001 Hebel, Kurt J. vol. 1991 1991
A framework for music analysis/resynthesis based on matrix factorization Burred, Juan José vol. 2014 2014
A FRAMEWORK FOR PERSONALIZATION OF INTERACTIVE SOUND SYNTHESIS Gerhard, David; Hepting, Daryl H. vol. 2005 2005
A Framework for Representing and Manipulating Tonal Music Abrams, Steven; Fuhrer, Robert; Oppenheim, Daniel V.; Pazel, Don P.; Wright, James vol. 2000 2000
A FRAMEWORK FOR THE CHOREOGRAPHY OF SOUND Eckel, Gerhard; Rumori, Martin; Pirrò, David; González-Arroyo, Ramón vol. 2012 2012
Frankenstein: A Low-Cost Multip-DSP Computer Engine for the Music Kit Putnam, William; Stilson, Timothy vol. 1996 1996
Free Sound Within Culturally Specific Practice Gluck, Robert J. vol. 2005 2005
FREEDOM IN TAPESTREA! VOICE-AWARE TRACK MANIPULATIONS Lieber, Tom; Misra, Ananya; Cook, Perry vol. 2008 August 2008
FREEDOM WITHIN STRUCTURAL CONSTRAINTS IN THE DARKRIDE COMPOSITION HARRICAN DAY England, Robert vol. 2005 2005
A Frequency-Dependent Bilinear Time-Frequency Distribution for Improved Event Detection Sterian, Andrew; Wakefield, Gregory H. vol. 1997 1997
Frequency Dependent Waveshaping De Poli, Giovanni vol. 1984 1984
Frequency Scheduling: Realtime Scheduling in Multiprocessing Systems Holm, Frode vol. 1989 1989
Frequency Shaping of Audio Signals Penrose, Christopher vol. 2001 2001
Friction and Application to Real-time Physical Modeling of a Violin Serafin, Stefania; Vergez, Christophe; Rodet, Xavier vol. 1999 1999
From Automatic Sound Analysis of Gameplay Footage [Echos] to the Understanding of Player Experience [Ethos]: an Interdisciplinary Approach to Feedback- Based Gameplay Metrics Marczak, Raphael; Hanna, Pierre; Rouas, Jean-Luc; van Vught, Jasper; Schott, Gareth vol. 2014 2014
FROM BOULEZ TO BALLADS: TRAINING IRCAM'S SCORE FOLLOWER Schwarz, Diemo; Cont, Arshia; Schnell, Norbert vol. 2005 2005
FROM CONTROLLER TO SOUND: TOOLS FOR COLLABORATIVE DEVELOPMENT OF DIGITAL MUSICAL INSTRUMENTS Malloch, Joseph; Sinclair, Stephen; Wanderley, Marcelo M. vol. 2007 2007
From Digital ‘Echos’ to virtual ‘ethos’: Ethical aspects of Music Technology Kosteletos, George; Georgaki, Anastasia vol. 2014 2014
FROM EMULATION TO INSTIGATION: REVISING THE NOTION OF ETUDE AS COMPOSITIONAL FORM IN LIVE COMPUTER MUSIC Cancino, Juan Parra vol. 2013 2013
From Expressive Notation to Model-Based Sound Synthesis: a Case Study of the Acoustic Guitar Laurson, Mikael; Hiipakka, Jarmo; Erkut, Cumhur; Karjalainen, Matti; Vôlimôki, Vesa; Kuuskankare, Mika vol. 1999 1999
FROM FUX TO RAGAS‒MORPHING CONTRAPUNTAL WORLDS Junod, Julien; Mazzola, Guerino vol. 2007 2007
From Kafka to K...: Documenting an Electronic Opera Ramstrum, Momilani vol. 2004 2004
From Music Score to Sound: A Rule System for Musical Performance of Melodies Fryden, L.; Sundberg, J.; Askenfelt, A. vol. 1982 1982
FROM MUSICAL SCORE TO GRAPHIC PLAN: THE DEVELOPMENT OF SUM AS A DESIGN TOOL Kuuskankare, Mika; Adhitya, Sara vol. 2013 2013
From Piano String Vibrations to the Acoustic Field Radiated by the Soundboard Aramaki, Mitsuko; Guillemain, Philippe; Hoeb, Nathalie; Roure, Alain vol. 2001 2001
From Piano to Computer to Piano Risset, Jean-Claude vol. 1990 1990
From Score to Unit Generator: A Hierarchical View of MIDAS Anderson, Tim M.; Hunt, A.; Kirk, Ross; McGilly, P.; Orton, Richard; Watkinson, Sean vol. 1992 1992
From Score-Based Approach Towards Real-Time Control in PWGLSynth Laurson, Mikael; Norilo, Vesa; Penttinen, Henri vol. 2006 2006
From Small Beginnings Kitching, L. K. vol. 1987 1987
"From song of birds to extended virtual reed instruments": Physical Modeling of Birds' Vocal Tracks and Application to a New Kind of Sound Sustain Virtual Instruments Cadoz, Claude; Gubain, Sylvain vol. 1999 1999
From Technological Investigation and Software Emulation to Music Analysis: An integrated approach to Barry Truax’s Riverrun Clarke, Michael; Dufeu, Frédéric; Manning, Peter vol. 2014 2014
From the concept of sections to events in Csound Kröger, Pedro vol. 2003 2003
From the Physics of Piano Strings to Digital Waveguides Bensa, Julien; Bilbao, Stefan; Kronland-Martinet, Richard; Smith III, Julius O. vol. 2002 2002
From the visualization of sound to real-time sonification: different prototypes in the Max/MSP/Jitter environment Sedes, Anne; Courribet, Benoit; Thiébaut, Jean-Baptiste vol. 2004 2004
From Timbre Modulation Method to Research the Relation Between Electronic Music and Chinese Musical Tradition Censong, Leng vol. 1999 1999
The Frox Digital Audio System Loy, Gareth; Freed, Daniel J. vol. 1992 1992
FTM ‒ COMPLEX DATA STRUCTURES FOR MAX Schnell, Norbert; Borghesi, Riccardo; Schwarz, Diemo; Bevilacqua, Frederic; Müller, Remy vol. 2005 2005
Fugue: Composition and Sound Synthesis with Lazy Evaluation and Behavioral Abstraction Dannenberg, Roger; Fraley, Christopher Lee vol. 1989 1989
FugueGenerator - Collaborative Melody Composition Based on a Generative Approach for Conveying Emotion in Music Klügel, Niklas; Hagerer, Gerhard; Groh, Georg vol. 2014 2014
The Fujara: A Physical Model of The Bass Pipe Instrument in An Interactive Composition Kojs, Juraj; Serafin, Stefania vol. 2006 2006
A Full-body Gesture Recognition System and its Integration in the Composition “3rd. Pole” Ciglar, Miha vol. 2008 August 2008
Full Circle: Composing a Cathartic Experience with Digital Technology Hinkle-Turner, Elizabeth vol. 1998 1998
A Functional Approach to Real-Time Control Dannenberg, Roger B.; McAvinney, Paul vol. 1984 1984
Functional Integration of Complex Instrumental Sounds in Musical Writing Malherbe, Claudy; Assayag, Gérard; Castellengo, Michèle vol. 1985 1985
Functional Specification of a Distributed and Mobile Architecture for Virtual Sound Space Systems Schaeffer, Florent; Natkin, Stéphane; Topol, Alexandre vol. 2001 2001
Functors for Music: The Rubato Composer System Mazzola, Guerino; Milmeister, Gérard vol. 2006 2006
Fundamental Frequency Estimation Using a New Harmonic Matching Method Rodet, Xavier; Doval, Boris vol. 1991 1991
Further Experiments with Non-linear Dynamic Systems: Composition and Digital Synthesis Di Scipio, Agostino vol. 1991 1991
Further Studies in Compositional Algorithms Ghent, Emmanuel vol. 1978 1978
The Future of Spatial Computer Music Lyon, Eric vol. 2014 2014
THE FUZZINESS OF ‘EXPRESSION’ IN RELATION TO ALGORITHMIC MUSIC. Suiter, Wendy vol. 2013 2013
A Fuzzy Hierarchical System Model for Real-time Visual Interpretation in Musical Experiences Schwede, Gary W. vol. 1977 1977
Fuzzy Logic Control Tool Kit: Real-time Fuzzy Control for Max/MSP and Pd Cádiz, Rodrigo F.; Kendall, Gary S. vol. 2006 2006
A fuzzy logic model for compositional approaches to audio-visual media Cádiz, Rodrigo F. vol. 2004 2004
FUZZY RULES IN COMPUTER-ASSISTED MUSIC INTERPRETATION Kiseliova, Tatiana; Kiendl, Harro; Rambinintsoa, Yves vol. 2005 2005
A Fuzzy-Set-Theoretic Frame Work Towards Computer Generation of "AALAP", Patterns in Hindustani Music Chelpa, L. M. vol. 1991 1991
A Fuzzy Syntactic Approach to Recognising Hand-written Music Watkins, Greg vol. 1994 1994
FZERO~: FUNDAMENTAL ESTIMATION FOR MAX 6 Zbyszyński, Michael; Zicarelli, David; Collecchia, Regina vol. 2013 2013