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Author / [Publication date] Title
Tim Anderson E-SCAPE: An Extendable Sonic Composition and Performance Environment
Allan Schindler The Eastman School of Music Computer Music Studio
Darnián Keller Ecologically-based Granular Synthesis
Hugh Lynch An ecologically valid experiment for the comparison of established spatial techniques
Oliver Bown Ecosystem Models for Real-Time Generative Music: A Methodology and Framework
Yann Geslin Ecrins: an audio-content description environment for sound samples
Bret Battey EDITING STRATEGIES FOR BÉZIER-MODELED CONTINUOUS EXPRESSION CURVES
Hans Timmermans Education On Music And Technology, A Program For A Professional Education
Hans Timmermans Education on Music and Technology, A Programme for a Professional Education.
Juan Reyes Education with Computer Music in Colombia
Matthew Bruns THE EFFECT OF AIR TURBULENCE ON SOUND AND ITS APPLICATION TO MUSICAL SIGNAL PROCESSING
Hanna Jôrvelôinen The effect of inharmonicity on pitch in string instrument sounds
Mathieu Barthet THE EFFECT OF TIMBRE IN CLARINET INTERPRETATION
Kwan Kim The Effect of Visual Modalities on Human Perception of Emotion from Music
Gary Kendall The Effects of Multi-Channel Signal Decorrelation in Audio Reproduction
John Huddleston EFFECTS OF MUSICALLY MEANINGFUL OPERATORS IN EVOLUTIONARY COMPOSITION
Kathleya Afanador EFFECTS OF TEMPO ON THE PERCEIVED SPEED OF HUMAN MOVEMENT
Scott Levine Effects Processing on Audio Subband Data
Riitta Vôônônen Efficient and Parametric Reverberator for Room Acoustics Modeling
David A. Jaffe Efficient Dynamic Resource Management on Multiple DSPs as Implemented in the NeXT Music Kit
Michael Goodwin Efficient Fourier Synthesis of Nonstationary Sinusoids
Andrew Schmeder Efficient Gesture Storage and Retrieval for Multiple Applications Using a Relational Data Model of Open Sound Control
Sergio Cavaliere An Efficient Method to Implement Amplitude Modulation: A Hardware Realization
Jean-Marc Jot Efficient models for reverberation and distance rendering in computer music and virtual audio reality
Bee Suan Ong AN EFFICIENT OFF-LINE BEAT TRACKING METHOD FOR MUSIC WITH STEADY TEMPO
Patricio de la Cuadra Efficient Pitch Detection Techniques for Interactive Music
Yann Orlarey An Efficient Scheduling Algorithm for Real-time Musical Systems
Julius O. Smith Efficient Simulation of the Reed-Bore and Bow-String Mechanisms
Julius O. Smith III Efficient Synthesis of Stringed Musical Instruments
Steve Mann The electric hydraulophone: A hyperacoustic instrument with acoustic feedback
Naoya Takahashi ELECTRIC KOTO BY VIBRATING BODY
Christopher Burns THE ELECTRO-ACOUSTIC MUSIC CENTER AT THE UNIVERSITY OF WISCONSIN-MILWAUKEE
Ivar Frounberg The Electro-acoustic Music Studio at the Royal Academy of Music, Copenhagen
Louise Gariepy The Electro-Acoustics Unit of the Faculty of Music of the University of Montreal
Ricardo Dal Farra Electroacoustic and Computer Music in Latin America
Robert J. Gluck Electroacoustic, Creative, and Jazz: Musicians Negotiating Boundaries
Nick Cope Electroacoustic Movies - Towards A Post-Acousmatic Music
Alfonso Garcia de la Torre Ray Electroacoustic Music Laboratory Jesús Guridi Conservatoire of Music Studio Report
Kevin Dahan Electroacoustic Music: Overcoming Analysis Paralysis
Andrés Melo ELECTROACOUSTIC PERFORMANCE INTERFACES THAT LEARN FROM THEIR USERS
Leigh Landy THE ELECTROACOUSTIC RESOURCE SITE (EARS) APPROACHES ITS NEXT PHASE: GOING GLOBAL AND ADDRESSING THE YOUNG
Tim M. Anderson Electroacoustic Scoring with Phase-Vocoding Instruments Using the E-Scape Composition System
Per Bloland THE ELECTROMAGNETICALLY-PREPARED PIANO AND ITS COMPOSITIONAL IMPLICATIONS
McGregor Boyle Electronic and Computer Music at the Peabody Conservatory
Geoffrey Wright Electronic and Computer Music at The Peabody Conservatory
M. Greenhough The Electronic Music Studio at University College, Cardiff
Chia-Chun Chen Electronic Music: An Interactive CD-ROM for Yong People
Naotoshi Osaka An Electronic Timbre Dictionary and 3D Timbre Display
M. A. J. Baalman ELEVATION PROBLEMS IN THE AURALISATION OF SOUND SOURCES WITH ARBITRARY SHAPE WITH WAVE FIELD SYNTHESIS
Vesa Välimäki Elimination of Transients in Time-Varying Allpass Fractional Delay Filteres with Applications to Digital Waveguide Modeling
Yann Orlarey Elody: a Java+MidiShare based Music Composition Environment
Brad Garton Elthar - A Signal Processing Expert that Learns
Avrum Hollinger An Embedded Hardware Platform For Fungible Interfaces
Insook Choi Embedding a sensory data retrieval system in a movement-sensitive space and a surround sound system
Kia Ng Embracing the Composer: Optical Recognition of Handwritten Manuscripts
John Strawn eMerge: Toward a Knowledge-Based Spectral Editor
Christopher Burns Emergent Behavior from Idiosyncratic Feedback Networks
Alexis Kirke Emergent Construction of melodic pitch and hierarchy through agents communicating emotion without melodic intelligence
Ian Whalley Emotion, Theme And Structure: Enhancing Computer Music Through System Dynamics Modelling.
Hans Lunell EMS Studio Report
Dana C. Massie The Emulator II Computer Music Environment
Guillaume Potard Encoding 3D sound scenes and music in XML
Victor A. Abramian Encyclopedia of Classical Music
Lorin Grubb Enhanced Vocal Performance Tracking Using Multiple Information Sources
Atau Tanaka Enhancing Musical Experience through Proximal Interaction
Brian Evans Enhancing Scientific Animations with Sonic Maps
Alexandre Topol Enhancing sound description in VRML
Rob Goodman THE ENIGMA OF VITRUVIAN RESONATING VASES AND THE RELEVANCE OF THE CONCEPT FOR TODAY
Michael Clarke Enmeshed: live in 3D fog~
Mika Muuskankare ENP EXPRESSION DESIGNER: A VISUAL TOOL FOR CREATING ENP-EXPRESSIONS
Mika Kuuskankare ENP-Expressions, Score-BPF as a Case Study
Mika Kuuskankare ENP: Musical Notation Library based on Common Lisp and CLOS
Michael McNabb Ensemble: An Extensible Real-time Music Performance Environment
Lounette M. Dyer ENSEMBLE: An Object-oriented Real-time Perfomance System
Forrest Tobey The Ensemble Member and the Conducted Computer
David A. Jaffe Ensemble Timing in Computer Music
Paul E. Dworak Envelope Control with an Optical Keyboard
Haruhiro Katayose An Environment for Interactive Art - Sensor Integration and Applications
Leandro Costalonga EQUIPPING ARTIFICIAL GUITAR PLAYERS WITH BIOMECHANICAL CONSTRAINS: A CASE STUDY OF PRECISION AND SPEED
Nick Collins ERRANT SOUND SYNTHESIS
Aad te Bokkel The Errant Syncretizer
Feng Yin ESATM: An Experimental System For Analyzing The Tonality of Melodies
Pierre-François Baisnée ESQUISSE: A Compositional Environment
Axel Röbel Estimating partial frequency and frequency slope using reassignment operators
Tamara Smyth Estimating the Reed Pulse from Clarinet Recordings
Sook Young Won ESTIMATING TRANSFER FUNCTION FROM AIR TO BONE CONDUCTION USING SINGING VOICE
Jan-Markus Holm Estimation of frequency dependent damping and implementation for physical modeling sound synthesis of violin
Solvi Ystad Estimation of Parameters Corresponding to A Propagative Synthesis Model Through the Analysis of Real Sounds
Axel Roebel Estimation of partial parameters for non stationary sinusoids
Wolfgang Chico-Töpfer Etna - a New Advanced Graphical Tree Representation of Music
Leigh M. Smith Evaluating and Extending Computational Models of Rhythmic Syncopation in Music
Ville Pulkki Evaluating spatial sound with binaural auditory model
Chris Kiefer EVALUATING THE WIIMOTE AS A MUSICAL CONTROLLER
Paul Modler Evaluation of Architectures for Sound Generation Systems with Respect to Interactive Gestural Control and Realtime Performance
Roed Vetegaal An evaluation of input devices for use in the ISEE human-synthesizer interface
Joseph Timoney AN EVALUATION OF WARPING TECHNIQUES APPLIED TO PARTIAL ENVELOPE ANALYSIS
Massimo Melucci An Evaluation Study on Music Perception for Music Content-based Information Retrieval
Ian Taylor Evaluations of Artificial-Neural-Network Types for the Determination of Pitch
Stuart Favilla Evolution And Embodiment: Playable Instruments for Free Music
Jeffrey S. Risberg Evolution of Interactive Control and Real-time Synthesis in a Digtital Music System
Bruno Degazio Evolution of Musical Organisms
Enzo Maggi The Evolution of the Graphic Editing Environment for the IRCAM Musical Workstation
Kurt Thywissen Evolutionary Based Algorithmic Composition: A Demonstration of Recent Developments in GeNotator
Marcelo Caetano Evolutionary Spectral Envelope Morphing by Spectral Shape Descriptors
Peter Beyls Evolutionary Strategies for Spontaneous Man-Machine Interaction
Daniel R. Tuohy An Evolved Neural Network/HC Hybrid for Tablature Creation in GA-based Guitar Arranging
Peter Beyls EVOLVING ADAPTIVE SENSORS IN A SYNTHETIC LISTENER
Assaf K. Talmudi Evolving Decentralized Musical Instruments Using Genetic Algorithms
Cristyn Magnus Evolving electroacoustic music: the application of genetic algorithms to time-domain waveforms
Charles Parker Examining Synthetic Databases in Melodic Retrieval Testing
Timothy Stilson Examples of Using Amplitude Control Systems in Music Synthesis
Nelson Lee EXCITATION SIGNAL EXTRACTION FOR GUITAR TONES
Ichiro Fujinaga Exemplar-based Learning in Adaptive Optical Music Recognition System
Avi Parash An Expandable Real-Time Transputer Sound Generator
Pauline Oliveros The Expanded Instrument System (EIS)
David Gamper The Expanded instrument System: Recent Developments
Amaury Hazan EXPECTATION ALONG THE BEAT: A USE CASE FOR MUSIC EXPECTATION MODELS
Malcolm C. Harrison Experience with a Harmony-Learning Program
Franciso Gómez AN EXPERIMENTAL COMPARISON OF FORMAL MEASURES OF RHYTHMIC SYNCOPATION
Gareth Loy An Experimental Music Composition Language With Real-Time Capabilities
Vincent Rioux An experimental SDIF-sampler in Max/MSP
Y. Potard Experimenting with Models of Resonance Produced by a New Technique for the Analysis of Impulsive Sounds
R.W. Berry Experiments in Computer Controlled Acoustic Modelling (A Step Backwards??)
David Cope Experiments in Music Intelligence (EMI)
Shigeru Igarashi Experiments on Computerized Piano Accompaniment
George W. Logemann Experiments with a Gestural Controller
Richard Dobson Experiments with Chaotic Oscillators
Richard Dobson Experiments with Non-Linear Filters
Kemal Ebcioglu An Expert System for Harmonizing Four-Part Chorales
Kemal Ebcioğlu An Expert System for Schenkerian Synthesis of Chorales in the Style of J. S. Bach
Roger Dannenberg An Expert System for Teaching Piano to Novices
Miller Puckette EXPLODE: A User Interface for Sequencing and Score Following
Rui Pedro Paiva EXPLOITING MELODIC SMOOTHNESS FOR MELODY DETECTION IN POLYPHONIC AUDIO
Matthias Rath AN EXPLORATION INTO POTENTIAL RELEVANCE OF DIFFERENCES OF INDIVIDUAL SOUNDS IN DRUM PATTERNS
Matti Karjalainen Explorations of Wind Instruments Using Digital Signal Processing and Physical Modeling Techniques
Janis Libeks Exploring “Artist Image” Using Content-Based Analysis Of Promotional Photos
Adam Lockhart Exploring Cognitive Process Through Music Composition
Gregory Wakefield Exploring Instrument Constancy Through a New Method for the Design of Synthetic Instruments
Alcides Lanza Exploring Language
Roger D. Dannenberg Exploring Meaning And Intention In Music Conducting
E. Cupellini EXPLORING MUSICAL MAPPINGS AND GENERATING ACCOMPANIMENT WITH CHAOTIC SYSTEMS
Vladimir Tomberg Exploring the potential of the dedicated XML syntax for diatonic harmonica tablatures
Christopher McClelland EXPORING NEW COMPOSER/PERFORMER INTERACTIONS USING REAL-TIME NOTATION
Alfonso Perez EXPRESSIVE IRISH FIDDLE PERFORMANCE MODEL INFORMED WITH BOWING
Marco Fabiani EXPRESSIVE MODIFICATIONS OF MUSICAL AUDIO RECORDINGS: PRELIMINARY RESULTS
Sergio Canazza Expressive Processing of Audio and MIDI Performances in Real Time
Tapio Takala An Expressive Synthesis Model for Bowed String Instruments
Henkjan Honing Expresso, a Strong and Small Editor for Expression
David Topper Extended Applications of the Wireless Sensor Array (WISEAR)
David Topper Extended Applications of the Wireless Sensor Array (WISEAR)
Barry Vercoe Extended Csound
John Young The Extended Environment
James Beauchamp Extended Nonlinear Waveshaping Analysis/Synthesis Technique
Simon Wun EXTENDED PRINCIPAL COMPONENTS ANALYSIS MATCHING WITH SPECTRAL WEIGHTING FOR WAVETABLE SYNTHESIS
Hans Lunell An Extendible Tool for CAC
Andrew R. Brown EXTENDING DYNAMIC STOCHASTIC SYNTHESIS
Christopher Penrose Extending Musical Mixing: Adaptive Composite Signal Processing
Tamara Smyth EXTENDING THE GENERALIZED REED MODEL WITH MEASURED REFLECTION FUNCTIONS
David D. Zicarelli An Extensible Real-time Signal Processing Environment for Max
Diemo Schwarz Extensions and Applications of the SDIF Sound Description Interchange Format
Martin D. Wilde Externalization Mediates Changes in the Perceived Roughness of Sound Signals with Jittered Fundamental Frequency
Abbas Pirnia EXTRACTING THE MELODY OF AN IMAGE USING MATE-SIMILARITY GENETIC ALGORITHM
Forrest Tobey Extraction of Conducting Gestures in 3D Space
Doug Van Nort EXTRACTION OF GESTURAL MEANING FROM A FABRIC-BASED INSTRUMENT
Osamu Ishikawa Extraction of Musical Performance Rules Using a Modified Algorithm of Multiple Regression Analysis
Sam Bailey Eye.Breathe.Music: A Multimeadia Controller That Uses Eye Movement And Breathing