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Title Author(s) Volume/Issue Date
DARRT: Distributed Audio Rendering & Retrieval using Triana - Experiments in applying Grid Computing technologies for audio processing Taylor, Ian; Al-Shakarchi, Eddie; Beck, Stephen David vol. 2006 2006
DATA ANTICIPATION FOR GESTURE RECOGNITION IN THE AIR PERCUSSION Goudard, Vincent; Havel, Christophe; Marchand, Sylvain; Desainte-Catherine, Myriam vol. 2005 2005
Data Association Techniques for a Robust Partial Tracker of Music Signals Satar-Boroujeni, Hamid; Shafai, Bahram; Wolfe, Patrick J. vol. 2006 2006
Data Auditorio: Towards Intense Interaction, an Interactive Hyper-Directional Sound for Play and Ubiquity Misawa, Daichi; Odai, Kiyomitsu vol. 2014 2014
Data Compression of Sinusoidal Modeling Parameters Based on Psychoacoustic Masking Garcia, Guillermo; Pampin, Juan vol. 1999 1999
Data driven identification and computer animation of bowed string model Serafin, Stefania; Smith III, Julius O.; Thornburg, Harvey; Mazzella, Frederic; Tellier, Arnaud; Thonier, Guillaume vol. 2001 2001
Data-driven Modeling and Synthesis of Acoustical Instruments Schoner, Bernd; Cooper, Chuck; Douglas, Chris; Gershenfeld, Neil vol. 1998 1998
DATA-DRIVEN RECOMPOSITION USING THE HIERARCHICAL DIRICHLET PROCESS HIDDEN MARKOV MODEL Hoffman, Matthew D.; Cook, Perry R.; Blei, vol. 2008 August 2008
Data-Driven Stastical Modeling of Violin Bowing Gesture Parameter Contours Maestre, Esteban vol. 2009 2009
DATA JOCKEY, A TOOL FOR META-DATA ENHANCED DIGITAL DJING AND ACTIVE LISTENING Norman, Alex; Amatriain, Xavier vol. 2007 2007
Data Reduction and Resynthesis of Connected Solo Passages using Frequency, Amplitude, and “Brightness” Detection and the Nonlinear Synthesis Technique Beauchamp, James W. vol. 1981 1981
Data Reduction of Musical Signals Wilson, Timothy A. vol. 1985 1985
A Data Structure for Computer Analysis of Musical Scores Brinkman, Alexander R. vol. 1984 1984
Data Structures for a Music-11 Preprocessor Brinkman, Alexander R. vol. 1981 1981
Data Structures in the Note Processor Dydo, J. Stephen vol. 1987 1987
A Database Environment for Musician-Machine Interaction Experimentation Eaglestone, Barry M. vol. 1988 1988
A Database System For Organising Musique Concrete Bailey, Christopher vol. 2010 2010
DBAP – Distance-Based Amplitude Panning Lossius, Trond; Baltazar, Pascal; de la Hogue, Théo vol. 2009 2009
December Variations (on a Theme by Earle Brown) Hoadley, Richard vol. 2014 2014
Decentralizing Music, Its Performance, And Processing Berndt, Axel vol. 2010 2010
The Decibel ScorePlayer: New Developments and Improved Functionality Hope, Cat; Wyatt, Aaron; Vickery, Lindsay vol. 2015 2015
Declarative Composition and Reactive Control in Marsyas Leben, Jakob; Tzanetakis, George vol. 2014 2014
Decomposing Autumn: A Component-Wise Recomposition Casal, David Plans vol. 2010 2010
DECONCERT: BATHING IN THE LIGHT, SOUND, AND WATERS OF THE MUSICAL BRAINBATHS Mann, Steve; Fung, James; Garten, Ariel vol. 2007 2007
Defining Spectral Surfaces Bargar, Robin; Holloway, Bryan; Rodet, Xavier; Hartman, Chris vol. 1995 1995
Degrees of Interpretation in Computer Aided Algorithmic Composition Aslan, Jessica vol. 2014 2014
THE DELEUZE-IAN/GUATTARIAN PERFORMANCE: PERFORMANCING AT N-1 DIMENSIONS Schroeder, Franziska vol. 2005 2005
Delimitation of Compositive Constants in Electroacoustic Music from the Interior of Argentina Fumarola, Martin vol. 2001 2001
Demo: Using Jamama’s MVC features to design an audio effect interface Lossius, Trond; Wolek, Nathan; de la Hogue, Theo; Baltazar, Pascal vol. 2014 2014
Demonstrating MMorph: A System for Morphing Music in Real-Time Oppenheim, Daniel V. vol. 1995 1995
A Demonstration of Bow Articulation Recognition with Wekinator and K-Bow Schedel, Margaret; Fiebrink, Rebecca vol. 2011 2011
Demonstration of Concerto Accompanist, a Program for the Macintosh Computer Weinstock, Frank vol. 1993 1993
DEMONSTRATION OF FAUST SIGNAL PROCESSING LANGUAGE Orlarey, Yann; Fober, Dominique; Letz, Stephane vol. 2005 2005
Demonstration of Gesture Sensors for the Shakuhachi Katayose, Haruhiro; Kanamori, Tsutomu; Shimura, Satoshi; Inokuchi, Seiji vol. 1994 1994
A Demonstration of the aXiǿ Controller Cariou, Brad vol. 1995 1995
Demonstration: Using SynthBuilder for the Creation of Physical Models Porcaro, Nick; Scandalis, Pat; Jaffe, David; Smith, Julius vol. 1996 1996
Demudi: The Debian Multimedia Distribution Déchelle, François; Geiger, Günter; Phillips, Dave vol. 2001 2001
Denodulated Vector (DVQ), and Real time Music Synthesis via DVQ Codebooks Medovich, Mark J, vol. 1989 1989
Department of Music, University of California, San Diego Otto, Peter; Puckette, Miller vol. 1995 1995
Deriving a Quarter-Tone Harmonic Language Using Harmonic Spectra and their Formant Regions as a Model for Chord Voicings Smith, Ronald B. vol. 1991 1991
Deriving Psychophysical Relations for Timbre Freed, Daniel J.; Martens, William L. vol. 1986 1986
Description of an interactive, sound making, online computer music tutorial web book. Available for any browser on a Windows or Apple platform. Burk, Phil; Polansky, Larry; repetto, douglas; Rockmore, Daniel; Roberts, Mary Lee vol. 2002 2002
Design and Analysis of Virtual Musical Environments (VME) Hwang, Jaein; Kim, Gerard Jounghyun vol. 2000 2000
DESIGN AND DEVELOPMENT OF AN INTERACTIVE SONIFICATION INTERFACE FOR HEARING IMAGES O'Neill, Charles; Ng, Kia vol. 2008 August 2008
Design and Implementation of a Multimedia Opera Oliverio, James; Pair, Jarrell vol. 1996 1996
Design and Implementation of a Piano Practice Support System using a Real-Time Fingering Recognition Technique Takegawa, Yoshinari; Tsukamoto, Masahiko; Terada, Tsutomu vol. 2011 2011
Design and Implementation of a platform independent Guido Notation Engine Renz, Kai vol. 2000 2000
The Design and Implementation of a Processing System of Qin Score (Jianzipu) QinS(1.0) Sixin, Li vol. 1999 1999
Design and Implementation of a Real-Time Fingering Detection System for Piano Performance Takegawa, Yoshinari; Terada, Tsutomu; Nishio, Shojiro vol. 2006 2006
The Design and Implementation of an Integrated High Performance Computer Music System for Research and Postgraduate Teaching at the University of York, UK Myatt, Tony vol. 1999 1999
Design and Implementation of an object-oriented Media Composition Framework Ackermann, Philipp vol. 1994 1994
DESIGN AND IMPLEMENTATION OF AUTOMATIC EVALUATION OF RECORDER PERFORMANCE IN IMUTUS Schoonderwaldt, Erwin; Askenfelt, Anders; Falkenberg Hansen, Kjetil vol. 2005 2005
DESIGN AND IMPLEMENTATION OF CNMAT'S PEDAGOGICAL SOFTWARE Zbyszynski, Michael; Wright, Matthew; Campion, Edmund vol. 2007 2007
Design and Implementation of Stetho: Network Sonificiation System Kimoto, Masahiko; Ohno, Hiroyuki vol. 2002 2002
Design Considerations for Computer Music Systems Walsh, John P. vol. 1977 1977
Design Considerations for Computer-Assisted Music Instruction Clements, Peter J. vol. 1982 1982
A design exploration on the effectiveness of vocal imitations Monache, Stefano Delle; Baldan, Stefano; Mauro, Davide A.; Rocchesso, Davide vol. 2014 2014
A Design for a Single Pass Scanner for the DARMS Music Coding Language Brinkman, Alexander R. vol. 1983 1983
The Design of a C++ Library for MIDI Applications Punch, III, William F.; Sepesi, Greg vol. 1991 1991
Design of a Flute Interface to Control Synthesis Models Ystad, Sølvi; Voinier, Thierry vol. 1999 1999
DESIGN OF A GENERATIVE MODEL FOR SOUNDSCAPE CREATION Birchfield, David; Mattar, Nahla; Sundaram, Hari vol. 2005 2005
The Design of a Pen-based Music Notation System Garnett, Guy; Leroy, Annick; Müller, Giovanni vol. 1994 1994
The Design of a Portable Translator for DARMS McLean, Bruce vol. 1980 1980
Design of an Intelligent Tutoring System in Harmony Sorisio, Linda vol. 1987 1987
Design process for interactive sound installations: the designer, the interactor and the system Le Prado, Cécile; Natkin, Stéphane vol. 2014 2014
Designing a Computer Music Workstation from Musical Imperatives Loy, D. Gareth vol. 1986 1986
Designing a Generalized Sonification Environment de Campo, Alberto; Frauenberger, Christopher; Höldrich, Robert vol. 2004 2004
Designing a virtual theatrical listening space Bianchini, Laura vol. 2000 2000
Designing an Audio Interaction Modeling Language: Some Basic Concepts and Techniques Zannos, Ioannis vol. 1998 1998
Designing an Integrated Environment for the Composer and Teacher Albers, Brad vol. 1981 1981
Designing an Operating Environment for a Realtime Performance Processing System Loy, D. Gareth vol. 1985 1985
DESIGNING AND CONTROLLING A SOURCE-FILTER MODEL FOR NATURALISTIC AND EXPRESSIVE SINGING VOICE SYNTHESIS Bélanger, Olivier; Traube, Caroline; Piché, Jean vol. 2007 2007
DESIGNING AND IMPLEMENTING THE CHUCK PROGRAMMING LANGUAGE Wang, Ge; Cook, Perry R.; Misra, Ananya vol. 2005 2005
Designing for Emergent Behavior: a John Cage realization Burns, Christopher vol. 2004 2004
DESIGNING GESTURAL INTERFACES FOR LIVE SOUND DIFFUSION Johnson, Bridget; Murphy, Jim; Kapur, Ajay vol. 2013 2013
DESIGNING INTERACTIVE AUDIENCE PARTICIPATION USING SMART PHONES IN A MUSICAL PERFORMANCE Hödl, Oliver; Kayali, Fares; Fitzpatrick, Geraldine vol. 2012 2012
DESIGNING NEW INSTRUMENTS FOR THE HUMAN TOUCH – CASE SORMINA Räisänen, Juhani vol. 2008 August 2008
Designing Sound Tracks for Coin-op Games or Computer Music for Under $65.00 Schmidt, Brian vol. 1989 1989
Designing Synthetic Reverberators in Kronos Norilo, Vesa vol. 2011 2011
Detachable Polyphonic Pickup for Bowed Stringed Instruments McMillen, Keith; Holt, Ken vol. 2009 2009
Detecting Motives and Recurring Patterns in PolyphonicMusic Utgoff, Paul E.; Kirlin, Phillip B. vol. 2006 2006
Detection and modeling of fast attack transients Rodet, Xavier; Jaillet, Florent vol. 2001 2001
Detection of Random Spectral Alterations of Sustained Musical Instrument Tones in Repeated Note Contexts Lee, Chung; Horner, Andrew vol. 2014 2014
The Detection of Rhythmic Repetition Using a Self-Organising Neural Network Roberts, Simon; Greenhough, Mike vol. 1994 1994
Detection of Sinusoidal Components in Sounds Using Statistical Analysis of Intensity Fluctuations Hanna, Pierre; Desainte-Catherine, Myriam vol. 2002 2002
Deterministic Chaos, Iterative Models, Dynamical Systems and Their Application in Algorithmic Composition Herman, Martin vol. 1993 1993
DEVELOPING A CHROMATIC INTERFACE FOR REAL-TIME DIGITAL HARMONISATION OF SAXOPHONE PERFORMANCE Savage, James vol. 2013 2013
Developing a Socio-Historical Model for Electro-Acoustic Music Analysis: The Challenge from an Adornian Perspective You, Jaeseong; Telichan, Andrew; Hong Park, Tae vol. 2015 2015
Developing a user-relative motion detection interface for mobile devices Benatan, Matt; Symonds, Ian; Ng, Kia vol. 2011 2011
Developing a Windows and Macintosh Graphical User Interface for the Mathews Radio-Baton System Boulanger, Richard; Choi, Young Jun; Castelli, Luigi vol. 2000 2000
Developing Analysis Criteria Based on Denis Smalley's Timbre Theories Hirst, David vol. 2003 2003
DEVELOPING AND COMPOSING FOR A ROBOTIC MUSICIAN USING DIFFERENT MODES OF INTERACTION Bretan, Mason; Cicconet, Marcelo; Nikolaidis, Ryan; Weinberg, Gil vol. 2012 2012
DEVELOPING CHINESE STYLE ALGORITHMIC COMPOSITION USING MARKOV CHAINS ‒ FROM THE CLASSICAL CHINESE-POETRY PERSPECTIVE Ren, Jenny; Winsor, Phil; Huang, Chih-Fang vol. 2007 2007
DEVELOPING CROSS-PLATFORM AUDIO AND MUSIC APPLICATIONS WITH THE CLAM FRAMEWORK Amatrian, Xavier; Arumí, Pau vol. 2005 2005
Developing Jazz Improvisional Skills with the Use of Music Sequencing Software Thurmond, Dennis vol. 1993 1993
Developing methods for computer programming by musical performance and composition Kirke, Alexis; Miranda, Eduardo R. vol. 2011 2011
Developing Systems For Improvisation Based On Listening Van Nort, Doug; Oliveros, Pauline; Braasch, Jonas vol. 2010 2010
DEVELOPING TOOLS FOR STUDYING MUSICAL GESTURES WITHIN THE MAX/MSP/JITTER ENVIRONMENT Refsum Jensenius, Alexander; Godøy, Rolf Inge; Wanderley, Marcelo M. vol. 2005 2005
A Development Environment for String Hyperinstruments Chung, Joseph T. vol. 1991 1991
The Development of a Computer Music Facility at The American University Harnden, Eric N.; Massaro, Ron; Gibian, Gary L. vol. 1987 1987
The Development of a Piano Player Hayashi, Eiji; Ishikawa, Tatsuya; Yamamoto, Kazuhiro; Yamane, Masami; Mori, Hajime vol. 1993 1993
The Development of a Practical Live-Performance Music Language Bartlett, Martin vol. 1985 1985
DEVELOPMENT OF A REAL-TIME GESTURAL INTERFACE FOR HANDS-FREE MUSICAL PERFORMANCE CONTROL Petersen, Klaus; Solis, Jorge; Takanishi, vol. 2008 August 2008
Development of a Versatile Interactive Performance System Geers, Douglas; Cerar, Maja vol. 2006 2006
Development of an Anthropomorphic Flutist Robot WF-3RIV Takanishi, Atsuo; Maeda, Manabu vol. 1998 1998
The Development of an Automatic Bagpipe Playing Device Ohta, Hiroshisa; Akita, Hiroshi; Ohtami, Motomu; Ishikado, Satoshi; Yamane, Masami vol. 1993 1993
The Development of an Automatic Drum Playing Device Sekiguchi, Koichi; Amemiya, Ryoji; Kubota, Hiroshi; Yamane, Masami vol. 1993 1993
The Development of an Intelligent Composer's Assistant: Interactive Graphics Tools and Knowledge Representation for Music Pope, Stephen T. vol. 1986 1986
The Development of Context Sensitivity in the Midiforth Computer Music System Degazio, Bruno vol. 1988 1988
The Development of GiST, a Granular Synthesis Toolkit Based on an Extension of the FOF Generator Eckel, Gerhard; Iturbide, Manuel Rocha vol. 1995 1995
DEVELOPMENT TOOLS FOR PWGLSYNTH Norilo, Vesa; Laurson, Mikaelo vol. 2007 2007
Developments for the Commuted Piano Van Duyne, Scott A.; Smith, III, Julius O. vol. 1995 1995
Developments in Audio File Formats Dobson, Richard W. vol. 2000 2000
Did Beethoven use the Enneadecaphonic Algorithm? Gagliardo, E.; Ghislandi, M. vol. 1982 1982
DIEM Multi DSP Box for Live Performance Steffensen, Kim; Slipsager, Bjarne; Folmer, Mads; Brandorff, Steffen vol. 1993 1993
DIEM: Studio Report Siegel, Wayne vol. 2004 2004
Diem: Studio Report Siegel, Wayne vol. 1998 1998
DIEM Studio Report Siegel, Wayne vol. 1990 1990
DIEM Studio Report Siegel, Wayne vol. 1989 1989
DIEM (The Danish Institute of Electroacoustic Music) Studio Report Siegel, Wayne vol. 1993 1993
DIEM, The Danish Institute of Electroacoustic Music, Studio Report Siegel, Wayne vol. 1996 1996
Differential PCM Representation of Acoustic Instruments and Wavetable Synthesis Trautmann, Steven vol. 2002 2002
Diffusing Diffusion: A History of the Technological Advances in Spatial Performance Johnson, Bridget; Norris, Michael; Kapur, Ajay vol. 2014 2014
DIGITAL ADAPTIONS OF THE SCORES FOR CAGE VARIATIONS I, II AND III Vickery, Lindsay vol. 2012 2012
Digital Autonomy In Electroacoustic Music Performance: Re-Forging Stockhausen Esler, Robert vol. 2006 2006
The Digital Baton: a Versatile Performance Instrument Teresa, Marrin; Paradiso, Joseph vol. 1997 1997
Digital Instruments and Players: Part II-Diversity, Freedom and Control Jordà, Sergi vol. 2004 2004
Digital Modeling of the Vintage Telephone Sound Oksanen, Sami; Välimäki, Vesa vol. 2011 2011
DIGITAL MUSIC COLLECTIONS: A PLACE OF KNOWLEDGE EMERGENCE? Rousseaux, Francis; Bonardi, Alain; Roadley, Benjamin vol. 2008 August 2008
DIGITAL MUSIC INSTRUMENTS AND SOUND EXPRESSION Ferreira-Lopes, Paulo; Jensen, Filipe vol. 2008 August 2008
Digital Music Research Group (Bristol, UK) Studio Report Canagarajah, Nishan; Masri, Paul; Laird, Joel vol. 1999 1999
Digital Notation Representation and Online Retrieval of Musical Information: A Discussion of Current Options and Practices Hinkle-Turner, Elizabeth vol. 1996 1996
The Digital Piano and the Patch Control Language System Teitelbaum, Richard vol. 1984 1984
DIGITAL PRESERVATION OF INTERACTIVE MULTIMEDIA PERFORMANCES Ng, Kia; Pham, Tran Vu; Ong, Bee; Barthélemy, Jérôme; Bonardi, Alain; Giaretta, David vol. 2007 2007
A Digital Signal Multiprocessor and its Musical Application Barrière, Jean-Baptsite; Baisnée, Pierre-François; Freed, Adrian; Baudot, Marie-Dominique vol. 1989 1989
A Digital Signal Processing System and A Graphic Editor for Synthesis Algorithms Tarabella, Leonello; Bertini, Graziano vol. 1989 1989
Digital Simulation of the Piano Rogers, J. vol. 1982 1982
A Digital Sound Synthesizer Roy, John; Glorioso, Robert M. vol. 1975 1975
Digital Synthesis of Complex Spectra by means of Multiplication of Non-linear Distorted Sine Waves Arfib, Daniel vol. 1978 1978
Digital Synthesis of Complex Spectra by Means of Non-linear Distortion of Sine Waves and Amplitude Modulation Arfib, Daniel vol. 1977 1977
DIGITAL TIME: COMPLEXITY AND PERCEPTION Tanzi, Dante vol. 2008 August 2008
Digital Transformations in 'Tides' Smalley, Denis vol. 1985 1985
A Digital Version of the Photosonic Instrument Arfib, D.; Dudon, J. vol. 1999 1999
Digital Waveguide Modeling of Flared Acoustical Tubes van Walstijn, Maarten; Vôlimôki, Vesa vol. 1997 1997
Digital Waveguide Modeling of the Non-Linear Excitation of Single-Reed Woodwind Instruments Scavone, Gary P. vol. 1995 1995
Digital Waveguide Modeling of Wind Instrument Bores constructed of Truncated Cones Välimäki, Vesa; Karjalainen, Matti vol. 1994 1994
Digital Waveguide Modeling of Woodwind Toneholes Scavone, Gary P.; Smith III, Julius O. vol. 1997 1997
Digital Waveguide Modelling of Reed Woodwinds: An Interactive Development Hirschman, Suzanne; Cook, Perry R.; Smith, III, Julius O. vol. 1991 1991
Digitally Extending the Optical Soundtrack Dupuis, Alexander; Dominguez, Carlos vol. 2014 2014
Digitizing North Indian Performance Kapur, Ajay; Davidson, Philip; Cook, Perry R.; Driessen, Peter F.; Schloss, W. Andrew vol. 2004 2004
DIMI-6000: An Early Musical Microcomputer by Erkki Kurenniemi Lassfolk, Kai; Suominen, Jari; Ojanen, Mikko vol. 2014 2014
The Diphone program: New features, new synthesis methods and experience of musical use Rodet, Xavier; Lefèvre, Adrien vol. 1997 1997
Diphone Sound Synthesis Based on Spectral Envelopes and Harmonic/Noise Excitation Functions Rodet, X.; Depalle, P.; Poirot, G. vol. 1988 1988
DIPS for Linux and Mac OS X Matsuda, Shu; Miyama, Chikashi; Ando, Daichi; Rai, Takayuki vol. 2002 2002
DIPS : the real-time digital image processing objects for Max environment Matsuda, Shu; Rai, Takayuki vol. 2000 2000
DIPS5 FOR MAX: Digital Image Processing with Sound, version 5 Rai, Takayuki; Matsuda, Shu; Morimoto, Yota; Takahashi, Keitaro; Fukuda, Takyuto vol. 2013 2013
DIRECT DESIGN OF PARALLEL SECOND-ORDER FILTERS FOR INSTRUMENT BODY MODELING Bank, Balázs vol. 2007 2007
Directed Transitional Composition for Gaming and Adaptive Music Using Q-Learning Cullimore, Jason; Hamilton, Howard; Gerhard, David vol. 2014 2014
Directional Sound Processing in Stereo Reproduction Kendall, Gary S. vol. 1992 1992
DISCO: An Object-Oriented System for Music Composition and Sound Design Kaper, Hans G.; Tipei, Sever; Wright, Jeff M. vol. 2000 2000
Discrete Cepstrum Coefficients as Perceptual Features D'haes, Wim; Rodet, Xavier vol. 2003 2003
Discrete Summation Synthesis and Hybrid Sampling-Wavetable Synthesis of Acoustic Instruments with Genetic Algorithms Chan, San-Kuen; Yuen, Jennifer; Horner, Andrew vol. 1996 1996
Discrimination of Sustained Musical Instrument Sounds Resynthesized with Randomly Altered Spectra Horner, Andrew; Beauchamp, James vol. 2003 2003
DISCRIMINATION OF SUSTAINED MUSICAL INSTRUMENT TONES RESYNTHESIZED WITH PIECEWISE-LINEAR APPROXIMATION OF HARMONIC AMPLITUDE ENVELOPES Lee, Chung; Horner, Andrew; Beauchamp, James; Ayers, Lydia vol. 2013 2013
Disorder Sounds in Order: Theory and Practice in Instrument Simulaton Comerford, Peter; Kitching, Lucy vol. 1990 1990
A Dispersive Resonator in Real Time on MARS Workstation Paladin, Andrea; Rocchesso, Davide vol. 1992 1992
DISSCO: A Unified Approach to Sound Synthesis and Composition Kaper, Hans G.; Tipei, Sever vol. 2005 2005
Dissemination Of Computer Music Theory Outside Academia Porres, Alexandre T. vol. 2010 2010
DISSONANCE, SEX AND NOISE: (RE)BUILDING (HI)STORIES OF ELECTROACOUSTIC MUSIC Álvarez Fernández, Miguel vol. 2005 2005
Distal Learning of Musical Instrument Control Parameters Casey, Michael A. vol. 1993 1993
Distance in Pitch Sensitive Time-span Tree Matsubara, Masaki; Hirata, Keiji; Tojo, Satoshi vol. 2014 2014
A Distributed Interactive Music Application using Harmonic Constraint Pazel, Donald P.; Abrams, Steven; Fuhrer, Robert M.; Oppenheim, Daniel V.; Wright, James vol. 2000 2000
A Distributed Memory For Networked Livecoding Performance Sorensen, Andrew vol. 2010 2010
Distributed Musical Rehearsal Konstantas, Dimitri; Orlarey, Yann; Gibbs, Simon; Carbonel, Olivier vol. 1997 1997
A Distributed, Object-Oriented Framework for Sound Synthesis Behles, Gerhard; Lundén, Peter vol. 1996 1996
The Distributed Real-Time Groove Network: A System for Real-Time Musical Collaboration on the Internet Moller, Matthew; Zicarelli, David vol. 1995 1995
A Distributed Real-time System for Interactive Music Mapping with Multiple Inputs Ng, Kia; Scott, Jon vol. 2002 2002
Dixieland-Gamelan Band? Encounters of an Algorithmic Kind Harley, James vol. 1999 1999
DJ SPAT: SPATIALIZED INTERACTIONS FOR DJS Marentakis, Georgios; Peters, Nils; McAdams, Stephen vol. 2007 2007
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DO MOBILE PHONES DREAM OF ELECTRIC ORCHESTRAS? Wang, Ge; Essl, Georg; Penttinen, Henri vol. 2008 August 2008
DO YOU SOUND LIKE YOUR FRIENDS? EXPLORING ARTIST SIMILARITY VIA ARTIST SOCIAL NETWORK RELATIONSHIPS AND AUDIO SIGNAL PROCESSING Fields, Ben; Casey, Michael; Jacobson, Kurt; Sandler, Mark vol. 2008 August 2008
THE DOME: A CASE STUDY FOR GENERATIVE SOUND IN PUBLIC ART Birchfield, David; Cuthbertson, Aaron; Lundquist, Laurie; Smith, Roger vol. 2007 2007
DRAWING ELECTROACOUSTIC MUSIC Thiebaut, Jean-Baptiste; Healey, Patrick G. T.; Kinns, Nick Bryan vol. 2008 August 2008
DRUM CIRCLE: INTELLIGENT AGENTS IN MAX/MSP Eigenfeldt, Arne vol. 2007 2007
DRUM'N'BAYES: ON-LINE VARIATIONAL INFERENCE FOR BEAT TRACKING AND RHYTHM RECOGNITION Fox, Charles; Rezek, Iead; Roberts, Stephen vol. 2007 2007
DRUMTRACK: BEAT INDUCTION FROM AN ACOUSTIC DRUM KIT WITH SYNCHRONISED SCHEDULING Collins, Nick vol. 2005 2005
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DSP Based Reliable Pitch-to-MIDI Converter by Harmonic Matching Casajús-Quiros, Francisco J.; Fernandez-Cid, Pablo vol. 1994 1994
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Dynamic Audio Mixing Pachet, François; Delerue, Olivier; Hanappe, Peter vol. 2000 2000
Dynamic Chord Analysis for Symbolic Music Rocher, Thomas; Robine, Matthias; Hanna, Pierre; Strandh, Robert vol. 2009 2009
Dynamic, Instance-based, object-oriented programming in Max/MSP using open sound control message delegation Freed, Adrian; MacCallum, John; Schmeder, Andrew vol. 2011 2011
Dynamic Intonation for Keyboard Instruments Munck-Fairwood, Roger vol. 1994 1994
DYNAMIC LARGE-SCALE GESTURAL CONTROL IN SUPERCOLLIDER SERVER Parmenter, Joshua vol. 2007 2007
Dynamic Message-Oriented Middleware with Open Sound Control and Odot MacCallum, John; Gottfried, Rama; Rostovtsev, Ilya; Bresson, Jean; Freed, Adrian vol. 2015 2015
A Dynamic Model of Metric Rhythm in Electroacoustic Music Morris, Jeff vol. 2004 2004
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A Dynamic Modelling Approach to Music Recognition Dixon, Simon vol. 1996 1996
Dynamic Models for Musical Interaction in Virtual Reality Beyls, Peter vol. 1992 1992
Dynamic Patches: Implementation and Control in the SUN-Mercury Workstation Rodet, Xavier; Eckel, Gerhard vol. 1988 1988
Dynamic Playlist Generation: A Case Study Wagner, Chad vol. 2010 2010
A Dynamic Spatial Sound Movement Toolkit Lezcano, Fernando López vol. 1994 1994
Dynamical Modeling of the Grand Piano Action Gillespie, Brent vol. 1992 1992
Dynamically Configurable Feedback/Delay Networks: A Virtual Instrument Composition Model Hamman, Michael vol. 1994 1994
The Dysfunctions of MIDI Moore, F. Richard vol. 1987 1987