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Title Author(s) Volume/Issue Date
BACH: AN ENVIRONMENT FOR COMPUTER-AIDED COMPOSITION IN MAX Agostini, Andrea; Ghisi, Daniele vol. 2012 2012
BACK TO THE SEA: A SOFTWARE REALIZATION OF DEXTER MORRILL'S SEA SONGS Hamilton, Robert vol. 2007 2007
Background Music Generaton Based on Scene Analysis Onoe, Naoyuki; Hashimoto, Shuji; Chang, Dingding vol. 1996 1996
THE BALLANCER ‒GESTURALLY CONTROLLED PHYSICS-BASED SOUND Rath, Matthias vol. 2005 2005
Banded Waveguides on Circular Topologies and of Beating Modes: Tibetan Singing Bowls and Glass Harmonicas Essel, Georg; Cook, Perry R. vol. 2002 2002
Banded Waveguides: Towards Physical Modeling of Bowed Bar Percussion Instruments Essl, Georg; Cook, Perry R. vol. 1999 1999
Bandwidth Enhanced Sinusoidal Modeling in Lemur Fitz, Kelly; Haken, Lippold vol. 1995 1995
The Banff Centre Media Arts Program: Studio Report and Artistic Retrospective Centruy, Michael vol. 1989 1989
Bassline Pitch Prediction for Real-Time Performance Systems Robertson, Andrew vol. 2014 2014
Bayesian Real-time Adaptation for Interactive Performance Systems Cemgil, Ali Taylan; Kappen, Bert vol. 2001 2001
Bayesian Spectral Matching: Turning Young MC into MC Hammer via MCMC Sampling Hoffman, Matthew D.; Cook, Perry R.; Blei, David M. vol. 2009 2009
A Bayesian Technique for Distinguishing Between Melody Notes and Grace Notes in Recorded Performances MacLean, W. James vol. 2002 2002
The BBCut Library Collins, Nick vol. 2002 2002
The Beast's glove: The tactile and the digital in computer music Richard, Dominique vol. 1997 1997
Because We Are Falling Down. Physics, Gesture And Relative Realities Klien, Volkmar; Grill, Thomas vol. 2010 2010
BEGINNER'S MIND: AN ENVIRONMENT FOR SONIC IMPROVISATION Ciufo, Thomas vol. 2005 2005
A Behavioral or Actor-Based Paradigm of Sound Production and Studio Composition Elliot, Kevin vol. 1993 1993
Being There & Being With: The Philosophical and Cognitive Notions of Presence and Embodiment in Virtual Instruments Luciani, Annie vol. 2014 2014
BESSIE: A Real Time Interactive Computer Tutorial on Frequency Modulation Synthesis for the NeXT Computer Holland, Anthony G. vol. 1991 1991
BETWEEN MAPPING, SONIFICATION AND COMPOSITION: RESPONSIVE AUDIO ENVIRONMENTS IN LIVE PERFORMANCE Salter, Christopher L.; Baalman, Marije A. J.; Moody-Grigsby, Daniel vol. 2007 2007
Between Technology and Creativity, Challenges and Opportunity for Music Technology in Higher Education Boehm, Carola vol. 2002 2002
Beyond Concatenation: Some Ideas for the Creative Use of Corpus-Based Sonic Material Stoll, Thomas M. vol. 2009 2009
Beyond MIDI: Knowledge-based Support for Computer-Aided Composition Bocker, Heinz-Dieter; Mahling, Andreas; Wehinger, Rainer vol. 1990 1990
BEYOND PYTHAGORAS Sundin, Paulina; Adkins, Monty; Gierakowski, Adrian vol. 2013 2013
Beyond the Beat: Towards Metre, Rhythm and Melody Modelling with Hybrid Oscillator Networks Lambert, Andrew; Weyde, Tillman; Armstrong, Newton vol. 2014 2014
Beyond the Query-By-Example Paradigm: New Query Interfaces for Music Information Retrieval Tzanetakis, George; Ermolinskyi, Andreye; Cook, Perry vol. 2002 2002
THE BIGBANG RUBETTE: GESTURAL MUSIC COMPOSITION WITH RUBATO COMPOSER Thalmann, Florian; Mazzola, Guerino vol. 2008 August 2008
Binary Decision Tree Classification of Musical Sounds Jensen, Kristoffer; Arnspang, Jens vol. 1999 1999
Binaural Navigation for the Visually Impaired with a Smartphone Tae Hoon, Lee; Reddy Vuyyuru, Manish; Ananda Kumar, T; Lui, Simon vol. 2015 2015
A Binaural Recording and Playback System for the Reproduction of Virtual Concert Halls Soulodre, Gilbert A.; Stammen, Dale R. vol. 1993 1993
The Biniou Machine Barbaud, P.; Brown, F.; Lengagne, R. vol. 1986 1986
A Binomial Representation of the Pitch Parameter for Computer Processing of Musical Data Brinkman, Alexander R. vol. 1980 1980
Bioinformatic Response Data as a Compositional Driver Hamilton, Robert vol. 2006 2006
Biosensorfusion: New Interfaces for Interactive Multimedia Art Nagashima, Yoichi vol. 1998 1998
BIOSPHERE SOUNDSCAPES: THE RAINFORESTS OF BRAZIL TO THE COASTLINES OF AUSTRALIA Barclay, Leah vol. 2013 2013
BIOTOOLS: INTRODUCING A HARDWARE AND SOFTWARE TOOLKIT FOR FAST IMPLEMENTATION OF BIOSIGNALS FOR MUSICAL APPLICATIONS Pérez, Miguel Angel Ortiz; Knapp, R. Benjamin vol. 2007 2007
The Black Swan: Probable and Improbable Communcation Over Local and Geographically Displaced Networked Connections as a Musical Performance System Aska, Alyssa vol. 2014 2014
Blending "Traditional" off-line Algorithmic Textual Input with Realtime Interaction and Graphics Oppenheim, Daniel vol. 1994 1994
Blind Decomposition of Concurrent Sounds Ueda, Mamoru; Hashimoto, Shuji vol. 1994 1994
"Blip, Buzz, Blurp": The Challenge of Teaching New Ways to Listen Miksch, Bonnie; Couch III, Leon W. vol. 1999 1999
BLOCK-BASED PHYSICAL MODELING FOR DIGITAL SOUND SYNTHESIS OF MEMBRANES AND PLATES Petrausch, Stefan; Rabenstein, Rudolf vol. 2005 2005
The ’Blues-o-Matic’ Real-time Interactive Performance Model Garton, Brad; Horowitz, Damon vol. 1993 1993
The Bluetooth Radio Ball Interface (BRBI): A Wireless Interface for Music/Sound Control And Motion Sonification Yeo, Woon Seung vol. 2006 2006
Body Modeling Techniques for String Instrument Synthesis Karjalainen, Matti; Smith, Julius vol. 1996 1996
Body Representations in the Electroacoustic Music Garcia, Denise vol. 2000 2000
'Bodycoder': A Sensor Suit and Vocal Performance Mechanism for Real-time Performance Bromwich, Mark A.; Wilson, Julie A. vol. 1998 1998
Boris: An Application of the Fujitsu MB8764 DSP Chip Smith, Bennett K.; Chervin, Paul vol. 1986 1986
BoSSA: The Deconstructed Violin Reconstructed Trueman, Dan; Cook, Perry R. vol. 1999 1999
A Bottom-Up Approach to Chord Detection Sailer, Christian; Rosenbauer, Katja vol. 2006 2006
A BOWED STRING PHYSICAL MODEL INCLUDING FINITE-WIDTH THERMAL FRICTION AND HAIR DYNAMICS Maestre, Esteban; Spa, Carlos; Smith III, Julius O. vol. 2014 2014
Bowed string synthesis with force feedback gesture interaction Florens, Jean-Loup; Henry, Cyrille vol. 2001 2001
Bowing Models for String Players Hall, Cordelia V.; O’Donnell, John T.; Findlay, Bill vol. 2009 2009
Bowsense – An Open Wireless Motion Sensing Platform Wilmers, Hans vol. 2009 2009
The Bradford Musical Instrument Simulator Cornerford, P. J. vol. 1986 1986
Brain-Computer Interfaces and Their Application as an Audiovisual Instrument de Quay, Yago; Beira, João vol. 2015 2015
Brass Tone Synthesis by Spectrum Evolution Matching with Nonlinear Functions Beauchamp, James vol. 1978 1978
BRASS: Visualizing Scores for Assisting Music Learning Watanabe, Fumiko; Hiraga, Rumi; Fujishiro, Issei vol. 2003 2003
The Breath Engine: Challenging Biological and Technological Boundaries through the Use of NK Complex Adaptive Systems Cantrell, Joe; Zyskowski, Colin; Ceccato, Drew vol. 2014 2014
The Bregman Electronic Music Studio at Dartmouth College Lyon, Eric vol. 2000 2000
Bricoleur and Engineer in Computer Music Okkels, Ingeborg; Conrad, Anders vol. 2000 2000
A BRIDGE FROM NOWHERE (8’44’’) vol. 2013 2013
Bridges for Networked Musical Ensembles Wyse, Lonce; Mitani, Norikazu vol. 2009 2009
Bridging the Gulf Between Music and Listener: Effect of Style Label and Descriptive Notes on Listeners' Ratings of Understanding, Liking, and Artistic Merit of Computer Music Frank, Robert J.; Steinke, Willi vol. 2000 2000
A Brief Survey of Mapping in Algorithmic Composition Doornbusch, Paul vol. 2002 2002
A Brief Survey of the Current Applications of ENP Kuuskankare, Mika; Laurson, Mikael vol. 2006 2006
Bring Your Own Control to Additive Synthesis Freed, Adrian vol. 1995 1995
Broadening Telematic Electroacoustic Music by Affective Rendering and Embodied Real-time Data Sonification Whalley, Ian vol. 2014 2014
Brooklyn College Center for Computer Music Geers, Douglas; R. Nelson, Nicholas; Wierenga, Red vol. 2015 2015
The Brooklyn College Center For Computer Music, City University Of New York Geers, Douglas; Brumner, George; Cohen, Douglas; Nelson, Nicholas vol. 2010 2010
BROWSING MUSIC AND SOUND USING GESTURES IN A SELF-ORGANIZED 3D SPACE Odowichuk, Gabrielle; Tzanetakis, George vol. 2012 2012
Building a Gamelan from Bricks NGIAO, Tzu-En vol. 2014 2014
Building a Harmonically Ecosystemic Machine: Combining Sonic Ecosystems with Models of Contemporary Harmonic Language Musick, Michael; Forsyth, Jonathan P.; Bittner, Rachel vol. 2015 2015
Building the Erbe-Verb: Extending the Feedback Delay Network Reverb for Modular Synthesizer Use Erbe, Tom vol. 2015 2015
Business Model, For Violin, Cello And Live Electronic Nuono, Gilbert vol. 2010 2010