Browse International Computer Music Conference Proceedings
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Author / [Publication date] Title
Robert Hamilton BACK TO THE SEA: A SOFTWARE REALIZATION OF DEXTER MORRILL'S SEA SONGS
Naoyuki Onoe Background Music Generaton Based on Scene Analysis
Matthias Rath THE BALLANCER ‒GESTURALLY CONTROLLED PHYSICS-BASED SOUND
Georg Essel Banded Waveguides on Circular Topologies and of Beating Modes: Tibetan Singing Bowls and Glass Harmonicas
Georg Essl Banded Waveguides: Towards Physical Modeling of Bowed Bar Percussion Instruments
Kelly Fitz Bandwidth Enhanced Sinusoidal Modeling in Lemur
Michael Centruy The Banff Centre Media Arts Program: Studio Report and Artistic Retrospective
Ali Taylan Cemgil Bayesian Real-time Adaptation for Interactive Performance Systems
Matthew D. Hoffman Bayesian Spectral Matching: Turning Young MC into MC Hammer via MCMC Sampling
W. James MacLean A Bayesian Technique for Distinguishing Between Melody Notes and Grace Notes in Recorded Performances
Nick Collins The BBCut Library
Dominique Richard The Beast's glove: The tactile and the digital in computer music
Volkmar Klien Because We Are Falling Down. Physics, Gesture And Relative Realities
Thomas Ciufo BEGINNER'S MIND: AN ENVIRONMENT FOR SONIC IMPROVISATION
Kevin Elliot A Behavioral or Actor-Based Paradigm of Sound Production and Studio Composition
Anthony G. Holland BESSIE: A Real Time Interactive Computer Tutorial on Frequency Modulation Synthesis for the NeXT Computer
Christopher L. Salter BETWEEN MAPPING, SONIFICATION AND COMPOSITION: RESPONSIVE AUDIO ENVIRONMENTS IN LIVE PERFORMANCE
Carola Boehm Between Technology and Creativity, Challenges and Opportunity for Music Technology in Higher Education
Thomas M. Stoll Beyond Concatenation: Some Ideas for the Creative Use of Corpus-Based Sonic Material
Heinz-Dieter Bocker Beyond MIDI: Knowledge-based Support for Computer-Aided Composition
George Tzanetakis Beyond the Query-By-Example Paradigm: New Query Interfaces for Music Information Retrieval
Florian Thalmann THE BIGBANG RUBETTE: GESTURAL MUSIC COMPOSITION WITH RUBATO COMPOSER
Kristoffer Jensen Binary Decision Tree Classification of Musical Sounds
Gilbert A. Soulodre A Binaural Recording and Playback System for the Reproduction of Virtual Concert Halls
P. Barbaud The Biniou Machine
Alexander R. Brinkman A Binomial Representation of the Pitch Parameter for Computer Processing of Musical Data
Robert Hamilton Bioinformatic Response Data as a Compositional Driver
Yoichi Nagashima Biosensorfusion: New Interfaces for Interactive Multimedia Art
Miguel Angel Ortiz Pérez BIOTOOLS: INTRODUCING A HARDWARE AND SOFTWARE TOOLKIT FOR FAST IMPLEMENTATION OF BIOSIGNALS FOR MUSICAL APPLICATIONS
Daniel Oppenheim Blending "Traditional" off-line Algorithmic Textual Input with Realtime Interaction and Graphics
Mamoru Ueda Blind Decomposition of Concurrent Sounds
Bonnie Miksch "Blip, Buzz, Blurp": The Challenge of Teaching New Ways to Listen
Stefan Petrausch BLOCK-BASED PHYSICAL MODELING FOR DIGITAL SOUND SYNTHESIS OF MEMBRANES AND PLATES
Brad Garton The ’Blues-o-Matic’ Real-time Interactive Performance Model
Woon Seung Yeo The Bluetooth Radio Ball Interface (BRBI): A Wireless Interface for Music/Sound Control And Motion Sonification
Matti Karjalainen Body Modeling Techniques for String Instrument Synthesis
Denise Garcia Body Representations in the Electroacoustic Music
Mark A. Bromwich 'Bodycoder': A Sensor Suit and Vocal Performance Mechanism for Real-time Performance
Bennett K. Smith Boris: An Application of the Fujitsu MB8764 DSP Chip
Dan Trueman BoSSA: The Deconstructed Violin Reconstructed
Christian Sailer A Bottom-Up Approach to Chord Detection
Jean-Loup Florens Bowed string synthesis with force feedback gesture interaction
Cordelia V. Hall Bowing Models for String Players
Hans Wilmers Bowsense – An Open Wireless Motion Sensing Platform
P. J. Cornerford The Bradford Musical Instrument Simulator
James Beauchamp Brass Tone Synthesis by Spectrum Evolution Matching with Nonlinear Functions
Fumiko Watanabe BRASS: Visualizing Scores for Assisting Music Learning
Eric Lyon The Bregman Electronic Music Studio at Dartmouth College
Ingeborg Okkels Bricoleur and Engineer in Computer Music
Lonce Wyse Bridges for Networked Musical Ensembles
Robert J. Frank Bridging the Gulf Between Music and Listener: Effect of Style Label and Descriptive Notes on Listeners' Ratings of Understanding, Liking, and Artistic Merit of Computer Music
Paul Doornbusch A Brief Survey of Mapping in Algorithmic Composition
Mika Kuuskankare A Brief Survey of the Current Applications of ENP
Adrian Freed Bring Your Own Control to Additive Synthesis
Douglas Geers The Brooklyn College Center For Computer Music, City University Of New York
Gilbert Nuono Business Model, For Violin, Cello And Live Electronic