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Author / [Publication date] Title
Francesco Galante A.A.S. Acoustic Ambience Simulator System
Andrew Sorensen aa-cell IN PRACTICE: AN APPROACH TO MUSICAL LIVE CODING
Michael Spicer AALIVENET: An agent based distributed interactive composition environment.
Clarence Barlow About 605k
Charles Ames About GRADIENT
Jean Laroche About this phasiness business
Roger B. Dannenberg ABSTRACT BEHAVIORS FOR STRUCTURED MUSIC PROGRAMMING
Roger B. Dannenberg Abstract Time Warping of Compound Events and Signals
Thomas Stoll Abstraction In A Unit-Based Audio Processing System
Russell F. Pinkston The Accelerando Project
Hideyuki Sawada Acceleration Sensor as an Input Device for Musical Environment
Michael Gurevich The Accordiatron: A Gestural Interface for Interactive Music
Leonard Manzara Accurate Computer Simulation of Acoustic space
Robert R. Hölderich An Accurate Signal Representation for Sound Resynthesis Utilizing a Time-Frequency Mapping of the DFT-Magnitude
Cory McKay ACE: A GENERAL-PURPOSE CLASSIFICATION ENSEMBLE OPTIMIZATION FRAMEWORK
Morten Breinbjerg An Acousmatic Composition Environment
Olivier Koechlin The Acousmographe, a Macintosh software for the graphical representation of sounds
Federico Fontana Acoustic Cues from Shapes between Spheres and Cubes
Douglas Nunn Acoustic Quanta
Esteban Maestre ACQUISITION OF VIOLIN INSTRUMENTAL GESTURES USING A COMMERCIAL EMF TRACKING DEVICE
Curtis Roads Active Music Representations
Alessandra de Vitis The Activities of CRM (Centro Ricerche Musicali)
Enda Bates ADAPTING POLYPHONIC PICKUP TECHNOLOGY FOR SPATIAL MUSIC PERFORMANCE
Axel Röbel Adaptive Additive Synthesis of Sound
Axel Röbel Adaptive additive synthesis using spline based parameter trajectory models
K. Adilôglu ADAPTIVE BOTTLE
Hideyuki Sawada Adaptive Control of a Vocal Cord and Vocal Tract for Computerized Mechanical Singing Instruments
Jason Freeman Adaptive High-level Classification of Vocal Gestures Within a Networked Sound Instrument
Wataru Inoue Adaptive Karaoke System: Human Singing Accompaniment Based on Speech Recognition
Greg Wilder ADAPTIVE MELODIC SEGMENTATION AND MOTIVIC IDENTIFICATION
Matija Marolt Adaptive oscillator networks for partial tracking and piano music transcription
Yoshinari Sasahira Adaptive Pitch Compensation of Singing and Its Application
Pitoyo Hartono Adaptive Timbre Control System Using Gesture
Dan Stowell ADAPTIVE WHITENING FOR IMPROVED REAL-TIME AUDIO ONSET DETECTION
Lee Boynton Adding a Graphical User Interface to FORMES
Ian Whalley Adding Machine Cognition to a Web-based interactive composition
Chris Chafe Adding Vortex Noise to Wind Instrument Physical Models
Philippe Guillemain Additive Resynthesis of Sounds Using Continous Time-Frequency Analysis Techniques
Rafael A. Irizarry The Additive Sinusoidal Plus Residual Model: A Statistical Analysis
Louis N. Bélanger Additive Synthesis and Resynthesis: A Tentatively Objective Evaluation
Hans Kaper Additive Synthesis with DIASS_M4C on Argonne National Laboratory’s IBM POWERparallel System (SP)
Franziska Schroeder ADDRESSING THE NETWORK: PERFORMATIVE STRATEGIES FOR PLAYING APART
Don Lieberman The ADS 200 Advanced Digital Synthesizer
Peter Desain Advanced issues in beat induction modeling: syncopation, tempo and timing
Eric Battenberg Advances In The Parallelization Of Music And Audio Applications
Alexandre Bouënard Advantages and Limitations of Simulating Percussion Gestures for Sound Synthesis
Gottfried Michael Koenig The Aesthetic Integration of Computer-Composed Scores
Gil Weinberg The Aesthetics, History and Future Challenges of Interconnected Music Networks
Mladen Milicevic Aesthetics of Designing an Adaptive Fuzzy System for Evaluation of Computer Music
Cristyn Magnus Aesthetics, Score Generation, and Sonification in a Game Piece
Rumi Hiraga After the first year of Rencon
Michael Spicer Agents in ChucK: A Timely Programming Experience
Matt Smith An AI Tool for the Analysis and Generation of Melodies
Reginald Bain The AIMS Project: Creative Experiments in Musical Sonification
Ch. Vergez Air Flow Related Improvements for Basic Physical Models of Brass Instruments
Simon Dixon THE "AIR WORM": AN INTERFACE FOR REAL-TIME MANIPULATION OF EXPRESSIVE MUSIC PERFORMANCE
Stephen McAdams AISE: A Prototype Laboratory for Musical Research and the Development of Conceptual Tools
Alfonso Belfiore ALGOMUSIC: An Algorithm for the Genesis of Musical Structures
Stefan Werner AN ALGORITHM FOR AUDIO SKEW COMPENSATION IN LOW LATENCY ENVIRONMENTS
Andranick S. Tanguiane An Algorithm for Recognition of Chords
Johanna Devaney An Algorithmic Approach to Composing for Flexible Intonation Ensembles
William F. Punch, III An Algorithmic Approach to Composition based on Dynamic Hierarchical Assembly
Gary Lee Nelson Algorithmic Approaches to Interactive Composition
Tristan McAuley Algorithmic Composition in Contrasting Music Styles
Hsin-Ming Lin An Algorithmic Composition Method Of Monophonic Pitches Based On The Frequency Relationship Of Melody Motion
Reginald Bain Algorithmic Composition: Quantum Mechanics and the Musical Domain
Kevin Jones Algorithmic Explorations of Juxtaposition and Simultaneity in Computer-aided Composition
Christopher Dobrian Algorithmic Generation of Temporal Forms: Hierarchical Organization of Stasis and Transition
Chris Sanden Algorithmic multi-genre classification of music: an empirical study
Kevin Jones The Algorithmic Muse: New Listening Paradigms and the Harmonies of Chaos
Raymond F. Jurgens Algorithmic Music Language
Dale Parson Algorithmic Musical Improvisation From 2d Board Games
James Harley Algorithms Adapted from Chaos Theory: Compositional Consideration
Michael Matthews Algorithms for Harmonic Pitch Structure Generation
J.P. Lewis Algorithms for Music Composition by Neural Nets: Improved CBR Paradigms
Julian Rohrhuber ALGORITHMS TODAY: NOTES ON LANGUAGE DESIGN FOR JUST IN TIME PROGRAMMING
Timothy Stilson Alias-Free Digital Synthesis of Classic Analog Waveforms
Erling Henry Wold Alias-Free Synthesis by Stochastic Sampling
Christopher Raphael Aligning Polyphonic Musical Scores with Audio using a Latent Tempo Process
Nicola Orio Alignment of Monophonic and Polyphonic Music to a Score
Kyle Spratt All Natural Room Enhancement
Gary Nelson The Alles Machine Revisited
Julius O. Smith An Allpass Approach to Digital Phasing and Flanging
Jan Trützschler von Falkenstein Alter Ego: A Generative Music Creation System
D. Arfib Alteration of the Vibrato of a Recorded Voice
Alan Marr An Alternative Approach to Software for the DMX-1000
Dan Trueman Alternative Voices for Electronic Sound: Spherical Speakers and Sensor-Speaker Arrays (SenSAs)
Reynold Weidenaar The Alternators of the Telharmonium, 1906
Jennifer Bernard Amber: A Granular Sampling Application for Mac OS X
David G. Malham Ambisonics-A Technique for Low-Cost, High-Precision, Three-Dimensional Sound Diffusion
Martin Neukom AMBISONICS EQUIVALENT PANNING
Jan C. Schacher Ambisonics Spatialization Tools for Max/MSP
Xenia Pestova ANALOGUE TO DIGITAL: AUTHENTICIY VS. SUSTAINABILITY IN STOCKHAUSEN’S MANTRA (1970)
Hua Zheng Analysis and Critical-Band-Based Group Wavetable Synthesis of Piano Tones
David Brooke Wetzel Analysis and Reconstruction of Interactive Electroacoustic Works for Obsolete Technology: Thea Musgrave's Narcissus
Gianpaolo Evangelista Analysis and Regularization of Inharmonic Sounds via Pitch-Synchronous Frequency Warped Wavelets
Paolo Girol Analysis And Resynthesis Of Anemic Cinema
James W. Beauchamp Analysis and Resynthesis of Percussion Sounds: Two Methods Compared
Roy Hung The Analysis and Resynthesis of Sustained Musical Signals in the Time Domain
Marie-Hélène Serra The Analysis and Resynthesis of Tones via Spectral Interpolation
Wasim Ahmad Analysis and Synthesis of Hand Clapping Sounds Based on Adaptive Dictionary
John P. Stautner Analysis and Synthesis of Music Using a Model of the Auditory Transform
Mary Farbood Analysis and Synthesis of Palestrina-Style Counterpoint Using Markov Chains
Riitta Vôônônen Analysis and Synthesis of Room Acoustics Using the MPEG-4 Scene Description
Stefania Serafin Analysis and synthesis of unusual friction-driven musical instruments
Martin Piszczalski The Analysis and Transcription of Musical Sound
Sergio Canazza Analysis by synthesis of the expressive intentions in musical performance
Nicolas d’Alessandro Analysis-by-Performance: Gesturally-Controlled Voice Synthesis as an Input for Modelling of Vibrato in Singing
E. Bryan George An Analysis-by-Synthesis Approach to Sinusoidal Modeling Applied to the Analysis and Synthesis of Musical Tones
Laura Bazzanella Analysis of "Touch Effect" on the Transient of Pipe Organs with Mechanical Transmission
Rodrigo Segnini ANALYSIS OF ELECTROACOUSTIC WORKS WITH MUSIC AND LANGUAGE INTERSECTIONS
Jenny Carter An Analysis of Interviews with Composers From a Cognitive Styles Perspective
Shlomo Dubnov Analysis of musical structure in Audio and MIDI signals using information rate
YeeOn Lo Analysis of Percussion for Timbre Measurement and Synthesis
Matthias Robine ANALYSIS OF SAXOPHONE PERFORMANCE FOR COMPUTER-ASSISTED TUTORING
Ph. Depalle Analysis of Sound for Additive Synthesis: Tracking of Partials Using Hidden Markov Models
Eric Lee AN ANALYSIS OF STARTUP AND DYNAMIC LATENCY IN PHASE VOCODER-BASED TIME-STRETCHING ALGORITHMS
Wasim Ahmad ANALYSIS-SYNTHESIS MODEL FOR TRANSIENT IMPACT SOUNDS BY STATIONARY WAVELET TRANSFORM AND SINGULAR VALUE DECOMPOSITION
Sølvi Ystad Analysis-Synthesis of Flute Sounds Using a Non-Linear Digital Waveguide Model
Charles W. Therrien Analysis/Synthesis of Sound Using a Time-Varying Linear Model
Bob L. Sturm ANALYSIS, VISUALIZATION, AND TRANSFORMATION OF AUDIO SIGNALS USING DICTIONARY-BASED METHODS
Christopher Ariza Analytical and Compositional Applications of a Network-Based Scale Model in music21
Barry Eaglestone Analytical Tools for Group Additive Synthesis
Timothy Stilson Analyzing the Moog VCF for Digital Implementation
Damián Keller Anchoring In Ubiquitous Musical Activities
Leo Kazuhiro Ueda Andante: Composition and Performance with Mobile Musical Agents
Douglas Nunn Anglia Polytechnic University ‒ Studio Report
Eric Lindemann ANIMAL-A Rapid Prototyping Environment for Computer Music Systems
Elizabeth Hoffman Animated Scores for Electro-acoustic Tape/Live Performer Compositions
Damián Keller Anitoo: Some Analysis Tools
Keiji Hirata Annotated Music for Retrieval, Reproduction, and Sharing
Arshia Cont ANTESCOFO: ANTICIPATORY SYNCHRONIZATION AND CONTROL OF INTERACTIVE PARAMETERS IN COMPUTER MUSIC
Harvey Thornburg Antialiasing for Nonlinearities: Acoustic Modeling and Synthesis Applications
Georg Boenn Anton - A Rule-Based Composition System
Fadi M. Al-Ghawanmeh Appliance of Music Information Retrieval System for Arabian Woodwinds in Music Education
J. L. Leach The Application of Differential Equations to the Modeling of Musical Change
Woon Seung Yeo APPLICATION OF IMAGE SONIFICATION METHODS TO MUSIC
Angelo Bello An Application of Interactive Computation and the Concrete Situated Approach to Real-time Composition and Performance
Rajmil Fischman Application of Mathematical Models to the Generation of Organic Musical Structure and Discourse in Composition: Research Summary
Alexis Kirke Application of multi-agent whale modeling to an interactive saxophone and whales duet
Suguro Goto An Application of The System, "BodySuit" and "RoboticMusic" - Its Introduction and Aesthetics
M. A. J. Baalman Application of Wave Field Synthesis in the composition of electronic music
F. Richard Moore Applications for an Integrated Computer Music Workstation
Samantha Brough APPLICATIONS OF GEOSCIENTIFIC SONIFICATION: PRELIMINARY RESULTS – WHERE IS MY RESERVOIR?
Charles Ames Applications of Linked Data Structures to Automated Composition
Suzanne Winsberg Applications of Principal Differential Analysis, to Data Reduction and Extraction of Musical Features of Sound
Steven Trautmann Applications of the Processor Enhanced Memory Module for Music Signal Processing
Clifton Kussmaul Applications of the Wavelet Transform at the Level of Pitch Contour
Juan Pampin APPLICATIONS OF ULTRASONIC SOUND BEAMS IN PERFORMANCE AND SOUND ART
J. P. Mackenzie Applying Balanced Model Truncation to Sound Analysis/Synthesis Models
William Walker Applying ImprovisationBuilder to Interactive Composition with MIDI Piano
Steven Trautmann Applying Psychoacoustic Principles to Soundfield Reconstruction
Timothy S. Stilson Applying Root-Locus Techniques to the Analysis of Coupled Modes in Piano Strings
Haruhiro Katayose Applying STRAIGHT toward Music Systems - Accurate F0 Estimation and Application for Data-driven Synthesis
Martin Alejandro Fumarola An Approach to a Latin American Computer Music
H. Katayose An Approach to an Artificial Music Expert
Takafumi Hikichi An Approach to Sound Morphing based on Physical Modeling
Sinan Bokesoy An approach to visualization of complex event data for generating sonic structures
Greg Schiemer Appropriated Musical Instruments: A4 MIDI Tool Box and Carnatic Violin
John Strawn Approximation and Syntactic Analysis of Amplitude and Frequency Functions for Digital Sound Synthesis
Helmut Zander The APS 1000 Series of Digital Audio Processors
Otto Wüst Architectural Overview of a System for Collaborative Music Composition Over the Web
David Keane Architecture and Aesthetics: The Construction and the Objectives of Elektronikus Mozaïk
Paul Lansky The Architecture and Musical Logic of Cmix
Darrell Gibson An architecture for creating hosting plug-ins for use in digital audio workstations
Myriam Desainte-Catherine The Architecture of a Musical Composition System Based on Constraint Resolution and Graph Rewriting
Giovanni B. Debiasi Architecture of a Processor for the Digital Analysis/Synthesis of Sound
Jason Freeman THE ARCHITECTURE OF AURACLE: A VOICE-CONTROLLED, NETWORKED SOUND INSTRUMENT
Kristi Allik ArcoNet: A Proposal for a Standard Network for Communication and Control in Real-Time Performance
Claudio Bertin The Arcontinuo: A Performed-Centered Electronic Musical Instrument
David Romblom Arcsyn: An Expressive And Efficient Additive Synthesis Architecture
Barry Eaglestone ARE COGNITIVE STYLES AN IMPORTANT FACTOR IN THE DESIGN OF ELECTROACOUSTIC MUSIC SOFTWARE?
Miguel Calzón AREM/ARMS - Reinterpretation of musical structures
Dimitri Diakopoulos Argos: An Open Source Application For Building Multi- Touch Musical Interfaces
Timothy J. Madden Armadillo: Real Time and Non-Real Time Analysis of Musical Sounds on a Power Macintosh
Vladimir Hosovsky Armenian Universal Structural-Analytical Catalogue of Musical Texts - UNSACAT
Torsten Anders Arno: Constraints Programming in Common Music
Ian Knopke AROOOGA: An Audio Search Engine for theWorldWideWeb
Anthony Brooks ARTABILITATION ICMC PANEL PAPER DENMARK 2007: NON-FORMAL REHABILITATION VIA IMMERSIVE INTERACTIVE MUSIC ENVIRONMENTS
Richard Scott Artaud's Snake: gesture, time and play - a composer's report on the use and development of the WiGI infra red wireless gestural system
Bridget Baird The Articially Intelligent Computer Performer on the Macintosh II and a Pattern Matching Algorithm for Real-time Interactive Performance
Eric Lyon ARTICULATED NOISE
Roberto Bresin Articulation Rules For Automatic Music Performance
Dan Gang An Artificial Neural Net for Harmonizing Melodies
Andranick Tanguiane An Artificial Perception Model and Its Application to Music Recognition
Bridget Baird The Artificially Intelligent Computer Performer and Parallel Processing
Gary S. Kendall THE ARTISTIC PLAY OF SPATIAL ORGANIZATION: SPATIAL ATTRIBUTES, SCENE ANALYSIS AND AUDITORY SPATIAL SCHEMATA
Christopher J. Keyes The ArtsSync Project: Methods and Architectures for Mapping Foreground, Middle-ground and Background Musical Structures to Visual Images
Vance Maverick The Arugula Computer-Music Score Editor
Matthias Geier ASDF: AUDIO SCENE DESCRIPTION FORMAT
William Brent Aspects of gesture in Digital Musical Instrument Design
Igor Popovic Aspects of Pitch-Tracking and Timbre Separation: Feature Detection in Digital Audio Using Adapted Local Trigonometric Bases and Wavelet Packages
Victor Lazzarini Aspects of second order feedback AM synthesis
Conrad Berhörster Aspects of Stochastic Music
Ambrose Field ASPEN/EXPLORE: A Multiprocessing Assistant for Electroacoustic Music Composers
Kevin Dahan AN ASSOCIATIVE APPROACH TO COMPUTER-ASSISTED MUSIC COMPOSITION
Juan Pampin ATS: a Lisp Environment for Spectral Modeling
Juan Pampin ATS: A System for Sound Analysis Transformation and Synthesis Based on a Sinusoidal plus Critical-Band Noise Model and Psychoacoustics
Juan Pampin ATS User Interfaces
Hanna Jôrvelôinen Audibility of Inharmonicity in String Instrument Sounds, and Implications to Digital Sound Synthesis
Hanna Jôrvelôinen Audibility of Initial Pitch Glides in String Instrument Sounds
Ge Wang The Audicle: A Context-Sensitive, On-the-fly Audio Programming Environ/mentality
Jieun Oh Audience-Participation Techniques Based on Social Mobile Computing
Gregory Kramer Audification: The Use of Sound to Display Multivariate Data
Ian Simon AUDIO ANALOGIES: CREATING NEW MUSIC FROM AN EXISTING PERFORMANCE BY CONCATENATIVE SYNTHESIS
Douglas Keislar Audio Analysis for Content-Based Retrieval
Crawford Tait Audio Analysis for Rhythmic Structure
Matthew Wright Audio and Gesture Latency Measurements on Linux and OSX
Marc Cardle Audio and User Directed Sound Synthesis
Masataka Goto An Audio-based Real-time Beat Tracking System and Its Applications
John F. Whitehead The Audio Browser - An Audio Database Navigation Tool in a Virtual Environment
Bruce W. Pennycook The Audio Composition System at The Defense and Civil Institute for Environmental Medicine
Perfecto Herrera Audio Descriptors and Descriptor Schemes in the Context of MPEG-7
Tristan Jehan An Audio-Driven Perceptually Meaningful Timbre Synthesizer
Silvia Matheus Audio Game Interactive Performance
Zack Settel Audio Graffiti: A Location Based Audio-Tagging and Remixing Environment
Stephen Sinclair Audio-Haptic Interaction with the Digital Waveguide Bowed String
G. David Peters Audio Interfacing of the PLATO Computer-Assisted Instructional System for Music Performance Judging
Karl MacMillan Audio Latency Measurements of Desktop Operating Systems
Nicola Orio AUDIO MATCHING FOR THE PHILOLOGICAL ANALYSIS OF ELECTROACOUSTIC MUSIC
Shlomo Dubnov AUDIO ORACLE: A NEW ALGORITHM FOR FAST LEARNING OF AUDIO STRUCTURES
Shlomo Dubnov Audio Segmentation by Singular Value Clustering
Cornelius Poepel AUDIO SIGNAL DRIVEN SOUND SYNTHESIS
Ye Wang Audio Signal Representation and Processing in Time-Frequency Domain
Paul Oehlers Audio Technology at American University
Marc LoCascio Audio Time Compansion for Studio and Performance Synchronization
Ross Kirk Audio-Visual Instruments in Live Performance
Steven R. Ness Audioscapes: Exploring Surface Interfaces for Music Exploration
Nick Collins AUDIOVISUAL CONCATENATIVE SYNTHESIS
Neil P. McAngus Todd An Auditory-Motor Model of Beat Induction
Kat Agres An Auditory Twist On Visual Search Using Head Movement Controlled Ambisonics
Kostas Giannakis Auditory-Visual Associations for Music Compositional Processes: A Survey
Rodney Berry Augmented Reality for Music
Robin Gray An Augmented Snare Drum
Wesley Smith Augmenting Computer Music with Just-In-Time Compilation
Scott Deal Auksalaq, A telematic opera
Kostas A. Tsahalinas "Aulos": An RTcmix interfaced software application for modeling cylindrical pipes with tone holes, with emphasis on the simulation of the ancient Greek Auloi
Roger Dannenberg Aurafx: A Simple And Flexible Approach To Interactive Audio Effect-Based Composition And Performance
Arnaud Lallouet Auralization of a Constraint Solver: The music of n-queens
Sebastian Tomczak AUTHENTICITY AND EMULATION: CHIPTUNE IN THE EARLY TWENTY-FIRST CENTURY
Author Index
Author Index
Author Index
Hannah Bosma Authorship and Female Voices in Electrovocal Music
Clarence Barlow Autobusk: An Algorithmic Real-time Pitch and Rhythm Improvisation Programme
Peter Desain Autocorrelation and the Study of Musical Expression
Georg Essl Automated Ad Hoc Networking for Mobile and Hybrid Music Performance
Roger B. Dannenberg An Automated Approach to Tuning
Nick Collins AN AUTOMATED EVENT ANALYSIS SYSTEM WITH COMPOSITIONAL APPLICATIONS
John Joy Automated Linguistic Analysis of Musical Compositions
Pierre-Yves Rolland Automated Motive-Oriented Analysis of Musical Corpuses: a Jazz Case Study
Carola Böhm Automated Music, interdisciplinary aspects of a developmental history
Georg Boenn AUTOMATED QUANTISATION AND TRANSCRIPTION OF ORNAMENTS FROM AUDIO RECORDINGS
Amar Chaudhary AUTOMATED TESTING OF OPEN-SOURCE MUSIC SOFTWARE WITH OPEN SOUND WORLD AND OPENSOUND CONTROL
Stephen W. Hainsworth Automatic Bass Line Transcription from Polyphonic Music
Roger B. Dannenburg Automatic Capture for Spectrum-Based Instrument Models
Kyogu Lee Automatic Chord Recognition from Audio Using Enhanced Pitch Class Profile
Gareth Loy Automatic Composition, Connectionism, and Musiconomy
Ernesto Trajano Automatic Discovery of Right Hand Fingering in Guitar Accompaniment
Wim D'haes Automatic Estimation of Control Parameters: An Instance-Based Learning Approach
Kjell Bäckman AUTOMATIC FITNESS IN GENERATIVE JAZZ IMPROVISATION
Kenzi Noike Automatic Generation of Expressive Performance by using Music Structures
Masatoshi Hamanaka Automatic Generation of Grouping Structure based on the GTTM
Masatoshi Hamanaka AUTOMATIC GENERATION OF METRICAL STRUCTURE BASED ON GTTM
Cory McKay Automatic Genre Classification as a Study of the Viability of High-Level Features for Music Classification
Mira Balaban Automatic Jazz Accompaniment Computation: An Open Advice-Based Approach
Isao Hidaka An Automatic Jazz Accompaniment System Reacting to Solo
O. Lartillot Automatic Modeling of Musical Style
Chantal Buteau AUTOMATIC MOTIVIC ANALYSIS INCLUDING MELODIC SIMILARITY FOR DIFFERENT CONTOUR CARDINALITIES: APPLICATION TO SCHUMANN'S OF FOREIGN LANDS AND PEOPLE
Min-Joon Yoo Automatic Musical Fountain Scenario Generation Using Musical Information Analysis
G. Douglas Barrett Automatic Notation Generators
William A. Burnson Automatic Notation Of Computer-Generated Scores For Instruments, Voices And Electro-Acoustic Sounds
Parag Chordia Automatic Raag Classification of Pitch-tracked Performances Using Pitch-class and Pitch-class Dyad Distributions
Parag Chordia Automatic rag classification using spectrally derived tone profiles
Anders Friberg Automatic Real-Time Extraction of Musical Expression
David Psenicka Automatic Score Generation with FOMUS
Ross Clement Automatic Synthesiser Programming
Jordi Bonada Automatic technique in frequency domain for near-lossless time-scale modification of audio
Masahiro Niitsuma AUTOMATIC THOROUGH-BASS REALIZATION IN BAROQUE MUSIC
Marcelo Caetano Automatic Timbral Morphing Of Musical Instruments Sounds By High-Level Descriptors
Hélène Charnasse The Automatic Transcription of German Lute Tabulatures: Researches Concerning Algorithms Polyphonic Structures
Aron Glennon Automatically Generating Syntactically Correct Audio Effects In Max
Geoffroy Peeters Automatically selecting signal descriptors for SoundClassification
Lorin Grubb Automating Ensemble Performance
Eduardo R Miranda AUTONOMOUS DEVELOPMENT OF SINGING-LIKE INTONATIONS BY INTERACTING BABBLING ROBOTS
Matthew John Yee-King An autonomous timbre matching improviser
Kevin J. Di Filippo AUTUMN: A General Pitch-Extraction Wave-to-MIDI Transcription System
Wolfgang Chico-Töpfer Ava: An Experimental, Grammar/Case-based Composition System to Variate Music Automatically Through the Generation of Scheme Series
Rodney Waschka II Avoiding the Fitness "Bottleneck": Using Genetic Algorithms to Compose Orchestral Music
Brad Cariou The aXi0 MIDI Controler
Vito Asta The AXIS Digital DSY8201 Polyphonic Digital Music Synthesizer