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Author / [Publication date] Title
Curtis Abbott Remembering Performance Gestures
Curtis Abbott Microprogramming a Generalized Signal Processor Architecture
Curtis Abbott The 4CED Program
John F. Abel Computer Composition of Melodic Deep Structures
Jonathan S. Abel Filter Design Using Second-Order Peaking and Shelving Sections
Victor A. Abramian Encyclopedia of Classical Music
Steven Abrams QSketcher: An Environment for Composing Music for Film
Steven Abrams A Framework for Representing and Manipulating Tonal Music
Steven Abrams Higher-level Composition Control in Music Sketcher: Modifiers and Smart Harmony
Philipp Ackermann Design and Implementation of an object-oriented Media Composition Framework
Sarah Adair A STUDY INTO THE PERCEPTION OF ENVELOPMENT IN ELECTROACOUSTIC MUSIC
K. Adilôglu ADAPTIVE BOTTLE
Kamil Adiloğlu Melodic Topologies
Kamil Adiloğlu FINDING SUBSEQUENCES OF MELODIES IN MUSICAL PIECES
Mathew Adkins TOWARDS 'A BEAUTIFUL LAND': THE INFLUENCE OF ROTHKO AND ABSTRACT EXPRESSIONISM IN COMPOSING FIVE PANELS (NO. 5)
Monty Adkins [60]Project: Conception, Composition and Archiving
Jean Marie Adrien Dynamic Modeling of Stringed and Wind Instruments, Sound Synthesis by Physical Models
Jean Marie Adrien Sound Synthesis by Physical Models: Application to Strings
Jean-Marie Adrien Time Domain Computation of Three Dimensional Acoustic Field by Retarded Potential Holophonic Synthesis
Jean-Marie Adrien Physical Models of Instruments: A Modular Approach, Application to Strings
Kathleya Afanador EFFECTS OF TEMPO ON THE PERCEIVED SPEED OF HUMAN MOVEMENT
Carlos Agon High Level Musical Control of Sound Synthesis in OpenMusic
Carlos Agon Objects, Time and Constraints in OpenMusic
Carlos Agon Kant: a Critique of Pure Quantification
Kat Agres An Auditory Twist On Visual Search Using Head Movement Controlled Ambisonics
Wasim Ahmad ANALYSIS-SYNTHESIS MODEL FOR TRANSIENT IMPACT SOUNDS BY STATIONARY WAVELET TRANSFORM AND SINGULAR VALUE DECOMPOSITION
Wasim Ahmad Analysis and Synthesis of Hand Clapping Sounds Based on Adaptive Dictionary
Robeto Aimi A New Beatbug: Revisions, Simplifications, and New Directions
Marc Aird Modelling a Drum by Interfacing 2-D and 3-D Waveguide Meshes
Vincent Akkermans TWO NETWORK INSTALLATIONS: ‘1133’ & ‘COMPUTER VOICES’
Fadi M. Al-Ghawanmeh Appliance of Music Information Retrieval System for Arabian Woodwinds in Music Education
Brad Albers Designing an Integrated Environment for the Composer and Teacher
Brad Albers SYCOM's Studio A, an Integrated Environment for Electronic and Computer Music
Michael Alcorn SARC: STUDIO REPORT
Michael Alcorn Sonic Arts Research Centre (SARC)
Kathryn Alexander Current Work at YalMusT, Yale University's Music and Technology Center
Chrisoula Alexandraki TOWARDS THE IMPLEMENTATION OF A GENERIC PLATFORM FOR NETWORKED MUSIC PERFORMANCE: THE DIAMOUSES APPROACH
Paul E. Allen Tracking Musical Beats in Real Time
H.G. Alles An Inexpensive Digital Sound Synthesizer
Kristi Allik The Interactive Arts System: Introduction to a Real Time Performance Tool
Kristi Allik ArcoNet: A Proposal for a Standard Network for Communication and Control in Real-Time Performance
Jesse T. Allison Teabox: A Sensor Data Interface System
Antoine Allombert Virage : Designing An Interactive Intermedia Sequencer From Users Requirements And Theorical Background
J.F. Allouis Use of High-Speed Microprocessors for Digital Synthesis
Jean François Allouis The SYTER Project: Sound Processor Design and Software Overview
Jean-François Allouis IRCAM: Studio Report
Marcos Alonso An Internet Browser Plug-in for Real-time Sound Synthesis using Pure Data
Miguel Álvarez Fernández DISSONANCE, SEX AND NOISE: (RE)BUILDING (HI)STORIES OF ELECTROACOUSTIC MUSIC
Miguel Álvarez-Fernández Soundanism: Blurred by Breathing
Xavier Amatriain IMMERSIVE AUDIO AND MUSIC IN THE ALLOSPHERE
Xavier Amatrian DEVELOPING CROSS-PLATFORM AUDIO AND MUSIC APPLICATIONS WITH THE CLAM FRAMEWORK
Charles Ames Tutorial on Automated Composition
Charles Ames Applications of Linked Data Structures to Automated Composition
Charles Ames About GRADIENT
Charles Ames Protocol: Motivation, Design, and Implementation of a Computer-Assisted Composition for Solo Piano
Charles Ames Crystals: Recursive Structures in Computer Music Composition
E. Amiot Duration Structure Generation and Recognition in Musical Writing
Emmanuel Amiot Fourier Oracles for Computer-Aided Improvisation
Emmanuel Amiot TILING THE (MUSICAL) LINE WITH POLYNOMIALS: SOME THEORETICAL AND IMPLEMENTATIONAL ASPECTS
Noam Amir Losses in Tubular Acoustic Systems - Theory and Experiment in the Sampled Time and Frequency Domains
Christina Anagnostopoulou Classification in Music: A Computational Model for Paradigmatic Analysis
Torsten Anders HIGHER-ORDER CONSTRAINT APPLICATORS FOR MUSIC CONSTRAINT PROGRAMMING
Torsten Anders CONSTRAINT-BASED COMPOSITION IN REALTIME
Torsten Anders A wizard's aid: efficient music constraint programming with Oz
Torsten Anders Arno: Constraints Programming in Common Music
David P. Anderson Synthesizer Management Based on Note Priorities
David P. Anderson A Model of Real-Time Computation for Computer Music
Tim Anderson Customisable Frameworks for Compositional Activity
Tim Anderson Using HyperInstruments for the Redistribution of the Performance Control Interface
Tim Anderson E-SCAPE: An Extendable Sonic Composition and Performance Environment
Tim M. Anderson Electroacoustic Scoring with Phase-Vocoding Instruments Using the E-Scape Composition System
Tim M. Anderson From Score to Unit Generator: A Hierarchical View of MIDAS
Tue Haste Anderson On the importance of phase information in additive analysis/synthesis of binaural sounds
Daichi Ando Computer Aided Composition by Means of Interactive GP
Daichi Ando CACIE CB: Genetic programming based composition-aid system by shopping basket interface
Moreno Andreatta Implementing algebraic methods in OpenMusic.
Moreno Andreatta Tiling problems in music composition: Theory and Implementation
Paolo Andrenacci The new MARS workstation
Paolo Andrenacci MARS: RT20M/EDIT20-Development Tools and Graphical User Interface for Sound Generation Board
Richard Andrews STUDIO REPORT: UC BERKELEY CENTER FOR NEW MUSIC AND AUDIO TECHNOLOGIES (CNMAT)
Richard Andrews Center for New Music and Audio Technologies (CNMAT): Studio Report
Richard Andrews Center for New Music and Audio Technologies (CNMAT): Studio Report
Richard Andrews Center for New Music and Audio Technologies (CNMAT) Studio Report
Richard Andrews Center for New Music and Audio Technologies (CNMAT) Studio Report
Richard Andrews Center for New Music & Audio Technologies: Studio Report
Richard Andrews Center for New Music & Audio Technologies (CNMAT): Studio Report
Alfio Andronico On Automatic Pattern Recognition and Acquisition of Printed Music
Angeloni Research on Morphological Similarities in Sound Signals Originated from Instrumental Sounds
Giovanni Degli Antoni Music and Causality
Yushi Aono A Real-time Session Composer with Acoustic Polyphonic Instruments
Yushi Aono An Improvisational Accompaniment System Observing Performer's Musical Gesture
Theodore Apel Spectral Transformation and Cross Synthesis of Sinusoidal Analysis Peaks
C. Aperghis-Tramoni Coding and Drawing Music Scores
Jon Appleton Crossing the Divide
Jon Appleton Studio Report: The Bregman Electronic Music Studio at Darthmouth College and the MA Program in Electro-Acoustic Music
Jon Appleton The Computer and Live Musical Performance
Mitsuko Aramaki SYNTHESIS AND PERCEPTUAL MANIPULATION OF PERCUSSIVE SOUNDS
Mitsuko Aramaki From Piano String Vibrations to the Acoustic Field Radiated by the Soundboard
Aluizio Arcela A Formal Composition System Based on the Theory of Time Trees
Aluizio Arcela, Jr. Time-Trees: The Inner Organization of Intervals
Josep Lluís Arcos SaxEx: a case-based reasoning system for generating expressive musical performances
D. Arfib A Digital Version of the Photosonic Instrument
D. Arfib Alteration of the Vibrato of a Recorded Voice
Daniel Arfib In the Intimacy of a Sound
Daniel Arfib Man-Machine Dialog using MIDI Files
Daniel Arfib Is MUSIC V a Real Time Program? (Oldies but Goodies)
Daniel Arfib The Musical Use of Non Linear Distortion
Daniel Arfib Digital Synthesis of Complex Spectra by means of Multiplication of Non-linear Distorted Sine Waves
Daniel Arfib Digital Synthesis of Complex Spectra by Means of Non-linear Distortion of Sine Waves and Amplitude Modulation
Christopher Ariza Sonifying Sieves: Synthesis and Signal Processing Applications of the Xenakis Sieve with Python and Csound
Christopher Ariza SERIAL RSS SOUND INSTALLATION AS OPEN WORK: THE BABELCAST
Christopher Ariza NAVIGATING THE LANDSCAPE OF COMPUTER AIDED ALGORITHMIC COMPOSITION SYSTEMS: A DEFINITION, SEVEN DESCRIPTORS, AND A LEXICON OF SYSTEMS AND RESEARCH
Christopher Ariza An Object-Oriented Model of the Xenakis Sieve for Algorithmic Pitch, Rhythm, and Parameter Generation
Christopher Ariza Ornament as Data Structure: An Algorithmic Model based on Micro-Rhythms of Csángó Laments and Funeral Music
Christopher Ariza Prokaryotic Groove: Rhythmic Cycles as Real-Value Encoded Genetic Algorithms
Christopher Ariza Modeling Beats, Accents, Beams, And Time Signatures Hierarchically With Music21 Meter Objects
Christopher Ariza The music21 Stream: A New Object Model for Representing, Filtering, and Transforming Symbolic Musical Structures
Christopher Ariza Analytical and Compositional Applications of a Network-Based Scale Model in music21
Fabio Armani MARS Application Using APPLI20 Development Tools: A Case Study
Fabio Armani MARS: DSP Environment and Applications
S. Arnold Multi-Participant Interactive Music Services
Stephen Arnold NetMuse: a Very-High-Performance Wide-Area Network for Music
Stephen Arnold An Integrated Environment for Music Education
Stephen Arnold A Network for Music Research, Composition and Pedagogy in the University of Glasgow
Jens Arnspang Music Informatics Laboratory
Kingsley Michael Ash LiveCell: Real-Time Score Generation Through Interactive Generative Composition
Richard Ashley A Computer Program for Analyzing Computer Musician’s Problem-Solving
Richard Ashley Computer-Based Learning: Models and Lessons for Computer Music Systems
Richard Ashley A Computer System for Learning Analytic Listening
Richard D. Ashley Modelling Ensemble Performance: Dynamic Just Intonation
Richard D. Ashley A Knowledge-Based Approach to Assistance in Timbral Design
Richard D. Ashley KSM: An Essay in Knowledge Representation in Music
Richard D. Ashley Production Systems: Three Applications in Music
Gérard Assayag NAVIGATING THE ORACLE: A HEURISTIC APPROACH
Gérard Assayag Guessing the Composer's Mind: Applying Universal Prediction to Musical Style
Gérard Assayag An Object Oriented Visual Environment For Musical Composition
Gérard Assayag OpenMusic Architecture
Gérard Assayag Visual Programming in Music
Gerard Assayag The Music Representation Project at IRCAM
Gerard Assayag Computer Printing, Storage, and Transfer of Musical Scores
Gerard Assayag A ToolBox for Music Notation
Vito Asta The AXIS Digital DSY8201 Polyphonic Digital Music Synthesizer
Martin Atkins The CDP Composing Environment
Martin Atkins The Composers' Desktop Project
Joshua Auerbach REAL-TIME MUSIC SYNTHESIS IN JAVA USING THE METRONOME GARBAGE COLLECTOR
Larry Austin Williams [re]Mix[er]: An Interactive I Ching Composing Program
Larry Austin Modeling a Hypermedia Composition/Performance System
Larry Austin Modeling Processes of Musical Invention
Larry Austin PHANTASMAGORIA: A Chronicle of Computer-Assisted Composition/Performance
Larry Austin A Computer-Synchronized, Multi-Track Recording System
Federico Avanzini Physically-based realtime synthesis of contact sounds
Federico Avanzini Controlling Material Properties in Physical Models of Sounding Objects
Federico Avanzini On the Use of Weighted Sample Methods in Digitizing the Clarinet Equations
Rimas Aviziensis Scalable Connectivity Processor for Computer Music Performance Systems
Lydia Ayers Synthesizing Ghost Voices in Ghost Winds Talking
Lydia Ayers Fantasy Birds in Yazi's Dream
Lydia Ayers SYNTHESIZING A JAVANESE GONG AGENG
Lydia Ayers Synthesizing Timbre Tremolos and Flutter Tonguing on Wind Instruments
Lydia Ayers Synthesizing Trills for the Chinese Dizi
Lydia Ayers Modeling the Woodstock Gamelan for Synthesis
Lydia Ayers Synthesizing The Dynamic Spectra Of The Didgeridoo
Franco Azzolini Score and/or Gesture: the System RTI4I for Real-Time Control of the Digital Processor 4I