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Title Author(s) Volume/Issue Date
SNAPSHOTS: NEW POSSIBILITIES FOR SOCIAL DIGITAL MUSIC-MAKING ARISING FROM THE STORAGE OF HISTORY Aaron, Samuel; Judge, Jenny vol. 2012 2012
Remembering Performance Gestures Abbott, Curtis vol. 1982 1982
Microprogramming a Generalized Signal Processor Architecture Abbott, Curtis vol. 1981 1981
The 4CED Program Abbott, Curtis vol. 1980 1980
Comparing models of symbolic music using probabilistic grammars and probabilistic programming Abdallah, Samer A.; Gold, Nicolas E. vol. 2014 2014
Computer Composition of Melodic Deep Structures Abel, John F.; Barth, Paul S. vol. 1981 1981
Filter Design Using Second-Order Peaking and Shelving Sections Abel, Jonathan S.; Berners, David P. vol. 2004 2004
Automatic Competency Assessment of Rhythm Performances of Ninth-grade and Tenth-grade Pupils Abeßer, Jakob; Hasselhorn, Johannes; Grollmisch, Sascha; Dittmar, Christian; Lehmann, Andreas vol. 2014 2014
Encyclopedia of Classical Music Abramian, Victor A. vol. 1999 1999
QSketcher: An Environment for Composing Music for Film Abrams, Steven; Bellofatto, Ralph; Fuhrer, Robert; Oppenheim, Daniel; Wright, James; Boulanger, Richard; Leonard, Neil; Marsh, David; Rendish, Michael; Smith, Joe vol. 2001 2001
A Framework for Representing and Manipulating Tonal Music Abrams, Steven; Fuhrer, Robert; Oppenheim, Daniel V.; Pazel, Don P.; Wright, James vol. 2000 2000
Higher-level Composition Control in Music Sketcher: Modifiers and Smart Harmony Abrams, Steven; Oppenheim, Daniel V.; Pazel, Don; Wright, James vol. 1999 1999
Design and Implementation of an object-oriented Media Composition Framework Ackermann, Philipp vol. 1994 1994
A STUDY INTO THE PERCEPTION OF ENVELOPMENT IN ELECTROACOUSTIC MUSIC Adair, Sarah; Alcorn, Michael; Corrigan, Chris vol. 2008 August 2008
EXPLORING MOVEMENT AND MUSIC IN A GRID MUSIC SYSTEM Adeney, Roland vol. 2013 2013
Connecting SUM with computer-assisted composition in PWGL: Recreating the graphic scores of Anestis Logothetis Adhitya, Sara; Kuuskankare, Mika vol. 2014 2014
ADAPTIVE BOTTLE Adilôglu, K.; Anniés, R.; Obermayer, K.; Visell, Y.; Drioli, C. vol. 2008 August 2008
Melodic Topologies Adiloğlu, Kamil; Obermayer, Klaus vol. 2006 2006
FINDING SUBSEQUENCES OF MELODIES IN MUSICAL PIECES Adiloğlu, Kamil; Obermayer, Klaus vol. 2005 2005
TOWARDS 'A BEAUTIFUL LAND': THE INFLUENCE OF ROTHKO AND ABSTRACT EXPRESSIONISM IN COMPOSING FIVE PANELS (NO. 5) Adkins, Mathew vol. 2008 August 2008
GEOMETRIES OF FLIGHT – REMIX AS NODAL PRACTICE Adkins, Monty; d’Escriván, Julio vol. 2013 2013
THE ELECTRONIC MUSIC OF ROBERTO GERHARD Adkins, Monty; Duque, Carlos; Karman, Gregorio Garcia vol. 2012 2012
[60]Project: Conception, Composition and Archiving Adkins, Monty; Gatt, Michael vol. 2009 2009
Dynamic Modeling of Stringed and Wind Instruments, Sound Synthesis by Physical Models Adrien, Jean Marie; Causse, René; Ducasse, Eric vol. 1988 1988
Sound Synthesis by Physical Models: Application to Strings Adrien, Jean Marie; Causse, René; Rodet, Xavier vol. 1987 1987
Time Domain Computation of Three Dimensional Acoustic Field by Retarded Potential Holophonic Synthesis Adrien, Jean-Marie; Eotvös, Peter vol. 1990 1990
Physical Models of Instruments: A Modular Approach, Application to Strings Adrien, Jean-Marie; Rodet, Xavier vol. 1985 1985
EFFECTS OF TEMPO ON THE PERCEIVED SPEED OF HUMAN MOVEMENT Afanador, Kathleya; Ingalls, Todd; Campana, Ellen vol. 2007 2007
High Level Musical Control of Sound Synthesis in OpenMusic Agon, Carlos; Stroppa, Marco; Assayag, Gérard vol. 2000 2000
Objects, Time and Constraints in OpenMusic Agon, Carlos; Assayag, Gérard; Delerue, Olivier; Rueda, Camilo vol. 1998 1998
Kant: a Critique of Pure Quantification Agon, Carlos; Assayag, Gérard; Fineberg, Joshua; Rueda, Camilo vol. 1994 1994
cage: a high-level library for real-time computer-aided composition Agostini, Andrea; Daubresse, Éric; Ghisi, Daniele vol. 2014 2014
BACH: AN ENVIRONMENT FOR COMPUTER-AIDED COMPOSITION IN MAX Agostini, Andrea; Ghisi, Daniele vol. 2012 2012
An Auditory Twist On Visual Search Using Head Movement Controlled Ambisonics Agres, Kat; Topel, Spencer; Spivey, Michael; Moseson, Stephen vol. 2010 2010
Analysis and Synthesis of Hand Clapping Sounds Based on Adaptive Dictionary Ahmad, Wasim; Kondoz, Ahmet M. vol. 2011 2011
ANALYSIS-SYNTHESIS MODEL FOR TRANSIENT IMPACT SOUNDS BY STATIONARY WAVELET TRANSFORM AND SINGULAR VALUE DECOMPOSITION Ahmad, Wasim; Hacıhabiboğlu, Hüseyin; Kondoz, Ahmet M. vol. 2008 August 2008
Physical Modeling Synthesis of the Stone Chime Instrument “Pyeongyeong” Ahn, Jae hyun; Dudas, Richard vol. 2015 2015
MUSICAL APPLICATIONS OF NESTED COMB FILTERS FOR INHARMONIC RESONATOR EFFECTS Ahn, Jae hyun; Dudas, Richard vol. 2013 2013
A New Beatbug: Revisions, Simplifications, and New Directions Aimi, Robeto; Young, Diana vol. 2004 2004
Modelling a Drum by Interfacing 2-D and 3-D Waveguide Meshes Aird, Marc; Laird, Joel; ffitch, John vol. 2000 2000
“CONTACTS TURBULENTS” BY DAVID WESSEL: AN ANALYTIC APPROACH FROM A MUSICOLOGICAL POINT OF VIEW Akkermann, Miriam vol. 2013 2013
Performing Computer Network Music. Well-known challenges and new possibilities. Akkermann, Miriam vol. 2016 2016
TWO NETWORK INSTALLATIONS: ‘1133’ & ‘COMPUTER VOICES’ Akkermans, Vincent; van Nispen tot Pannerden, Than vol. 2008 August 2008
Appliance of Music Information Retrieval System for Arabian Woodwinds in Music Education Al-Ghawanmeh, Fadi M.; Al-Ghawanmeh, Mohammad T.; Haddad, Rami N. vol. 2009 2009
Designing an Integrated Environment for the Composer and Teacher Albers, Brad vol. 1981 1981
SYCOM's Studio A, an Integrated Environment for Electronic and Computer Music Albers, Brad vol. 1980 1980
SARC: STUDIO REPORT Alcorn, Michael; Corrigan, Chris; Rebelo, Pedro vol. 2005 2005
Sonic Arts Research Centre (SARC) Alcorn, Michael; Corrigan, Chris vol. 2003 2003
NEYMA, interactive soundscape composition based on a low budget motion capture system. Alessandretti, Stefano; Sparano, Giovanni vol. 2014 2014
Current Work at YalMusT, Yale University's Music and Technology Center Alexander, Kathryn; Suttor, Matthew vol. 2000 2000
TOWARDS THE IMPLEMENTATION OF A GENERIC PLATFORM FOR NETWORKED MUSIC PERFORMANCE: THE DIAMOUSES APPROACH Alexandraki, Chrisoula; Koutlemanis, Panayotis; Gasteratos, Petros; Valsamakis, Nikolas; Akoumianakis, Demosthenes; Milolidakis, Giannis vol. 2008 August 2008
Tracking Musical Beats in Real Time Allen, Paul E.; Dannenberg, Roger B. vol. 1990 1990
An Inexpensive Digital Sound Synthesizer Alles, H.G. vol. 1978 1978
Gene expression synthesis Allik, Alo vol. 2014 2014
Spectrorhythmic evolutions: towards semantically enhanced algorave systems Allik, Alo vol. 2016 2016
The Interactive Arts System: Introduction to a Real Time Performance Tool Allik, Kristi; Mulder, Robert vol. 1989 1989
ArcoNet: A Proposal for a Standard Network for Communication and Control in Real-Time Performance Allik, Kristi; Dunne, Shane; Mulder, Robert vol. 1986 1986
Teabox: A Sensor Data Interface System Allison, Jesse T.; Place, Timothy A. vol. 2004 2004
Virage : Designing An Interactive Intermedia Sequencer From Users Requirements And Theorical Background Allombert, Antoine; Marczak, Raphael; Desainte-Catherine, Myriam; Baltazar, Pascal; Allombert, Laurent Garnier vol. 2010 2010
Use of High-Speed Microprocessors for Digital Synthesis Allouis, J.F. vol. 1978 1978
The SYTER Project: Sound Processor Design and Software Overview Allouis, Jean François; Bernier, Jean-Yves vol. 1982 1982
IRCAM: Studio Report Allouis, Jean-François; Barrière, Jean-Baptiste; Battier, Marc vol. 1990 1990
An Internet Browser Plug-in for Real-time Sound Synthesis using Pure Data Alonso, Marcos; Geiger, Günter; Jordà, Sergi vol. 2004 2004
In and Out, Over and Under: An Interactive Audio-Visual Installation Responding to Percy Grainger’s Free Music and the Grainger Museum Alsop, Roger vol. 2015 2015
SPEECH: creating a virtual audio-visual artwork Alsop, Roger vol. 2013 2013
DISSONANCE, SEX AND NOISE: (RE)BUILDING (HI)STORIES OF ELECTROACOUSTIC MUSIC Álvarez Fernández, Miguel vol. 2005 2005
Soundanism: Blurred by Breathing Álvarez-Fernández, Miguel; Piaścik, Asia; Kersten, Stefan vol. 2007 2007
IMMERSIVE AUDIO AND MUSIC IN THE ALLOSPHERE Amatriain, Xavier; Höllerer, Tobias; Kuchera-Morin, JoAnn; Pope, Stephen T. vol. 2007 2007
DEVELOPING CROSS-PLATFORM AUDIO AND MUSIC APPLICATIONS WITH THE CLAM FRAMEWORK Amatrian, Xavier; Arumí, Pau vol. 2005 2005
Tutorial on Automated Composition Ames, Charles vol. 1987 1987
Applications of Linked Data Structures to Automated Composition Ames, Charles vol. 1985 1985
About GRADIENT Ames, Charles vol. 1982 1982
Protocol: Motivation, Design, and Implementation of a Computer-Assisted Composition for Solo Piano Ames, Charles vol. 1981 1981
Crystals: Recursive Structures in Computer Music Composition Ames, Charles vol. 1980 1980
Duration Structure Generation and Recognition in Musical Writing Amiot, E.; Assayag, G.; Malherbe, C.; Riotte, A. vol. 1986 1986
Fourier Oracles for Computer-Aided Improvisation Amiot, Emmanuel; Noll, Thomas; Andreatta, Moreno; Agon, Carlos vol. 2006 2006
TILING THE (MUSICAL) LINE WITH POLYNOMIALS: SOME THEORETICAL AND IMPLEMENTATIONAL ASPECTS Amiot, Emmanuel; Andreatta, Moreno; Agon, Carlos vol. 2005 2005
Losses in Tubular Acoustic Systems - Theory and Experiment in the Sampled Time and Frequency Domains Amir, Noam; Rosenhouse, Giora; Shimony, Uri; Shelef, Itai vol. 1993 1993
Classification in Music: A Computational Model for Paradigmatic Analysis Anagnostopoulou, Christina; Westermann, Gert vol. 1997 1997
HIGHER-ORDER CONSTRAINT APPLICATORS FOR MUSIC CONSTRAINT PROGRAMMING Anders, Torsten; Miranda, Eduardo R. vol. 2008 August 2008
CONSTRAINT-BASED COMPOSITION IN REALTIME Anders, Torsten; Miranda, Eduardo R. vol. 2008 August 2008
A wizard's aid: efficient music constraint programming with Oz Anders, Torsten vol. 2002 2002
Arno: Constraints Programming in Common Music Anders, Torsten vol. 2000 2000
Relative Sound Localization for Sources in a Haphazard Speaker Array Andersen, Neal; Smith, Benjamin D. vol. 2016 2016
Synthesizer Management Based on Note Priorities Anderson, David P. vol. 1987 1987
A Model of Real-Time Computation for Computer Music Anderson, David P.; Kuivila, Ron vol. 1986 1986
Flatter Frequency Response from Feedback Delay Network Reverbs Anderson, Hans; Wah Edward Lin, Kin; So, Clifford; Lui, Simon vol. 2015 2015
Customisable Frameworks for Compositional Activity Anderson, Tim; Kirk, Ross vol. 1995 1995
Using HyperInstruments for the Redistribution of the Performance Control Interface Anderson, Tim; Hearn, Debbie vol. 1994 1994
E-SCAPE: An Extendable Sonic Composition and Performance Environment Anderson, Tim vol. 1990 1990
Electroacoustic Scoring with Phase-Vocoding Instruments Using the E-Scape Composition System Anderson, Tim M.; Kirk, Ross vol. 1992 1992
From Score to Unit Generator: A Hierarchical View of MIDAS Anderson, Tim M.; Hunt, A.; Kirk, Ross; McGilly, P.; Orton, Richard; Watkinson, Sean vol. 1992 1992
AIRDUINO: AN INEXPENSIVE DIY MIDI WIND CONTROLLER Anderson, Timothy vol. 2012 2012
On the importance of phase information in additive analysis/synthesis of binaural sounds Anderson, Tue Haste; Jensen, Kristoffer vol. 2001 2001
Real-time Breeding Composition System by means of Genetic Programming and Breeding Procedure Ando, Daichi vol. 2014 2014
CACIE CB: Genetic programming based composition-aid system by shopping basket interface Ando, Daichi vol. 2011 2011
Computer Aided Composition by Means of Interactive GP Ando, Daichi; Dahlstedt, Palle; Nordahl, Mats G.; Iba, Hitoshi vol. 2006 2006
Implementing algebraic methods in OpenMusic. Andreatta, Moreno; Agon, Carlos vol. 2003 2003
Tiling problems in music composition: Theory and Implementation Andreatta, Moreno; Agon, Carlos; Amiot, Emmanuel vol. 2002 2002
The new MARS workstation Andrenacci, Paolo; Armani, Fabio; Bessegato, Renato; Paladin, Andrea; Pisani, Patrizio; Prestigiacomo, Angelo; Rosata, Claudio; Sapir, Sylviane; Vetuschi, Mauro vol. 1997 1997
MARS: RT20M/EDIT20-Development Tools and Graphical User Interface for Sound Generation Board Andrenacci, Paolo; Favreau, E.; Larosa, N.; Prestigiacomo, A.; Rosati, C.; Sapir, Silvyane vol. 1992 1992
Evaluating HRTF Similarity through Subjective Assessments: Factors that can Affect Judgment Andreopoulou, Areti; Roginska, Agnieszka vol. 2014 2014
STUDIO REPORT: UC BERKELEY CENTER FOR NEW MUSIC AND AUDIO TECHNOLOGIES (CNMAT) Andrews, Richard vol. 2008 August 2008
Center for New Music and Audio Technologies (CNMAT): Studio Report Andrews, Richard vol. 2002 2002
Center for New Music and Audio Technologies (CNMAT): Studio Report Andrews, Richard vol. 2001 2001
Center for New Music and Audio Technologies (CNMAT) Studio Report Andrews, Richard vol. 2000 2000
Center for New Music and Audio Technologies (CNMAT) Studio Report Andrews, Richard vol. 1999 1999
Center for New Music & Audio Technologies: Studio Report Andrews, Richard vol. 1998 1998
Center for New Music & Audio Technologies (CNMAT): Studio Report Andrews, Richard vol. 1997 1997
On Automatic Pattern Recognition and Acquisition of Printed Music Andronico, Alfio; Ciampa, Alberto vol. 1982 1982
Research on Morphological Similarities in Sound Signals Originated from Instrumental Sounds Angeloni, ; Gabrielli, ; Giodani, ; Danti, vol. 1984 1984
The HOA library, review and prospects Anne, Sèdes; Pierre, Guillot; Eliott, Paris vol. 2014 2014
Music and Causality Antoni, Giovanni Degli; Haus, Goffredo vol. 1982 1982
A Real-time Session Composer with Acoustic Polyphonic Instruments Aono, Yushi; Katayose, Haruhiro; Inokuchi, Seiji vol. 1998 1998
An Improvisational Accompaniment System Observing Performer's Musical Gesture Aono, Yushi; Katayose, Haruhiro; Inokuchi, Seiji vol. 1995 1995
Spectral Transformation and Cross Synthesis of Sinusoidal Analysis Peaks Apel, Theodore vol. 1993 1993
Coding and Drawing Music Scores Aperghis-Tramoni, C. vol. 1978 1978
Crossing the Divide Appleton, Jon; Lansky, Paul; Schaaff, Tim; Risset, Jean-Claude; Miwa, Masahiro; Smirnov, Andre vol. 2004 2004
Studio Report: The Bregman Electronic Music Studio at Darthmouth College and the MA Program in Electro-Acoustic Music Appleton, Jon; Dodge, Charles; Polansky, vol. 1996 1996
The Computer and Live Musical Performance Appleton, Jon vol. 1986 1986
SYNTHESIS AND PERCEPTUAL MANIPULATION OF PERCUSSIVE SOUNDS Aramaki, Mitsuko; Kronland-Martinet, Richard; Voinier, Thierry; Ystad, Sølvi vol. 2005 2005
From Piano String Vibrations to the Acoustic Field Radiated by the Soundboard Aramaki, Mitsuko; Guillemain, Philippe; Hoeb, Nathalie; Roure, Alain vol. 2001 2001
A Formal Composition System Based on the Theory of Time Trees Arcela, Aluizio; Ramalho, Gerber vol. 1991 1991
Time-Trees: The Inner Organization of Intervals Arcela, Jr., Aluizio vol. 1986 1986
SaxEx: a case-based reasoning system for generating expressive musical performances Arcos, Josep Lluís; de Mántaras, Ramon López; Serra, Xavier vol. 1997 1997
A Digital Version of the Photosonic Instrument Arfib, D.; Dudon, J. vol. 1999 1999
Alteration of the Vibrato of a Recorded Voice Arfib, D.; Delprat, N. vol. 1999 1999
In the Intimacy of a Sound Arfib, Daniel vol. 1990 1990
Man-Machine Dialog using MIDI Files Arfib, Daniel vol. 1985 1985
Is MUSIC V a Real Time Program? (Oldies but Goodies) Arfib, Daniel vol. 1982 1982
The Musical Use of Non Linear Distortion Arfib, Daniel vol. 1980 1980
Digital Synthesis of Complex Spectra by means of Multiplication of Non-linear Distorted Sine Waves Arfib, Daniel vol. 1978 1978
Digital Synthesis of Complex Spectra by Means of Non-linear Distortion of Sine Waves and Amplitude Modulation Arfib, Daniel vol. 1977 1977
Analytical and Compositional Applications of a Network-Based Scale Model in music21 Ariza, Christopher; Cuthbert, Michael Scott vol. 2011 2011
The music21 Stream: A New Object Model for Representing, Filtering, and Transforming Symbolic Musical Structures Ariza, Christopher; Cuthbert, Michael Scott vol. 2011 2011
Modeling Beats, Accents, Beams, And Time Signatures Hierarchically With Music21 Meter Objects Ariza, Christopher; Cuthbert, Michael Scott vol. 2010 2010
Sonifying Sieves: Synthesis and Signal Processing Applications of the Xenakis Sieve with Python and Csound Ariza, Christopher vol. 2009 2009
SERIAL RSS SOUND INSTALLATION AS OPEN WORK: THE BABELCAST Ariza, Christopher vol. 2007 2007
NAVIGATING THE LANDSCAPE OF COMPUTER AIDED ALGORITHMIC COMPOSITION SYSTEMS: A DEFINITION, SEVEN DESCRIPTORS, AND A LEXICON OF SYSTEMS AND RESEARCH Ariza, Christopher vol. 2005 2005
An Object-Oriented Model of the Xenakis Sieve for Algorithmic Pitch, Rhythm, and Parameter Generation Ariza, Christopher vol. 2004 2004
Ornament as Data Structure: An Algorithmic Model based on Micro-Rhythms of Csángó Laments and Funeral Music Ariza, Christopher vol. 2003 2003
Prokaryotic Groove: Rhythmic Cycles as Real-Value Encoded Genetic Algorithms Ariza, Christopher vol. 2002 2002
Do Nested Dichotomies Help in Automatic Music Genre Classification? AnEmpirical Study Arjannikov, Tom; Zhang, John Z. vol. 2016 2016
MARS Application Using APPLI20 Development Tools: A Case Study Armani, Fabio; Paladin, Andrea; Rosati, Claudio vol. 1994 1994
MARS: DSP Environment and Applications Armani, Fabio; Bizzarri, L.; Favreau, E.; Paladin, Andrea vol. 1992 1992
Tactile Composition: Configurations and communications for a musical haptic chair Armitage, Joanne; Ng, Kia vol. 2014 2014
Multi-Participant Interactive Music Services Arnold, S.; Mcauley, D. R.; Sharman, K. C. vol. 1995 1995
NetMuse: a Very-High-Performance Wide-Area Network for Music Arnold, Stephen vol. 1996 1996
An Integrated Environment for Music Education Arnold, Stephen; Duffy, Celia vol. 1995 1995
A Network for Music Research, Composition and Pedagogy in the University of Glasgow Arnold, Stephen vol. 1993 1993
Music Informatics Laboratory Arnspang, Jens; Jensen, Kristoffer; Murphy, Declan; Andersen, Tue Haste; Marentakis, Georgios vol. 2001 2001
Expanding the Vocalist’s Role Through the Use of Live Electronics in Real-Time Improvisation Åse, Tone vol. 2014 2014
LiveCell: Real-Time Score Generation Through Interactive Generative Composition Ash, Kingsley Michael; Stavropoulos, Niko vol. 2011 2011
A Computer Program for Analyzing Computer Musician’s Problem-Solving Ashley, Richard vol. 1990 1990
Computer-Based Learning: Models and Lessons for Computer Music Systems Ashley, Richard vol. 1989 1989
A Computer System for Learning Analytic Listening Ashley, Richard vol. 1989 1989
Modelling Ensemble Performance: Dynamic Just Intonation Ashley, Richard D. vol. 1992 1992
A Knowledge-Based Approach to Assistance in Timbral Design Ashley, Richard D. vol. 1986 1986
KSM: An Essay in Knowledge Representation in Music Ashley, Richard D. vol. 1985 1985
Production Systems: Three Applications in Music Ashley, Richard D. vol. 1983 1983
The Black Swan: Probable and Improbable Communcation Over Local and Geographically Displaced Networked Connections as a Musical Performance System Aska, Alyssa vol. 2014 2014
Approaches to Real Time Ambisonic Spatialization and Sound Diffusion using Motion Capture Aska, Alyssa; Ritter, Martin vol. 2016 2016
Degrees of Interpretation in Computer Aided Algorithmic Composition Aslan, Jessica vol. 2014 2014
Creative Symbolic Interaction Assayag, Gérard vol. 2014 2014
NAVIGATING THE ORACLE: A HEURISTIC APPROACH Assayag, Gérard; Bloch, Georges vol. 2007 2007
Guessing the Composer's Mind: Applying Universal Prediction to Musical Style Assayag, Gérard; Dubnov, Shlomo; Delerue, Olivier vol. 1999 1999
An Object Oriented Visual Environment For Musical Composition Assayag, Gérard; Agon, Carlos; Fineberg, Joshua; Hanappe, Peter vol. 1997 1997
OpenMusic Architecture Assayag, Gérard; Agon, Carlos vol. 1996 1996
Visual Programming in Music Assayag, Gérard vol. 1995 1995
The Music Representation Project at IRCAM Assayag, Gerard; Rueda, Camilo vol. 1993 1993
Computer Printing, Storage, and Transfer of Musical Scores Assayag, Gerard; Timis, Dan vol. 1987 1987
A ToolBox for Music Notation Assayag, Gerard; Timis, Dan vol. 1986 1986
The AXIS Digital DSY8201 Polyphonic Digital Music Synthesizer Asta, Vito; Freed, Adrian vol. 1982 1982
The CDP Composing Environment Atkins, Martin; Endrich, Tom vol. 1995 1995
The Composers' Desktop Project Atkins, Martin; Bentley, Andrew; Endrich, Tom; Fischman, Rajmil; Malham, David; Orton, Richard; Wishart, Trevor vol. 1987 1987
REAL-TIME MUSIC SYNTHESIS IN JAVA USING THE METRONOME GARBAGE COLLECTOR Auerbach, Joshua; Bacon, David F.; Bömers, Florian; Cheng, Perry vol. 2007 2007
Williams [re]Mix[er]: An Interactive I Ching Composing Program Austin, Larry; Thompson, Michael vol. 2001 2001
Modeling a Hypermedia Composition/Performance System Austin, Larry vol. 1993 1993
Modeling Processes of Musical Invention Austin, Larry; DeLisa, Eugene vol. 1987 1987
PHANTASMAGORIA: A Chronicle of Computer-Assisted Composition/Performance Austin, Larry vol. 1982 1982
A Computer-Synchronized, Multi-Track Recording System Austin, Larry; Bryant, Larry vol. 1975 1975
Physically-based realtime synthesis of contact sounds Avanzini, Federico; Rath, Matthias; Rocchesso, Davide vol. 2002 2002
Controlling Material Properties in Physical Models of Sounding Objects Avanzini, Federico; Rocchesso, Davide vol. 2001 2001
On the Use of Weighted Sample Methods in Digitizing the Clarinet Equations Avanzini, Federico vol. 2000 2000
Scalable Connectivity Processor for Computer Music Performance Systems Aviziensis, Rimas; Freed, Adrian; Suzuki, Takahiko; Wessel, David vol. 2000 2000
Synthesizing The Dynamic Spectra Of The Didgeridoo Ayers, Lydia; Horner, Andrew vol. 2010 2010
Synthesizing Ghost Voices in Ghost Winds Talking Ayers, Lydia; Horner, Andrew vol. 2009 2009
Fantasy Birds in Yazi's Dream Ayers, Lydia vol. 2006 2006
SYNTHESIZING A JAVANESE GONG AGENG Ayers, Lydia; Horner, Andrew vol. 2005 2005
Synthesizing Timbre Tremolos and Flutter Tonguing on Wind Instruments Ayers, Lydia vol. 2004 2004
Synthesizing Trills for the Chinese Dizi Ayers, Lydia vol. 2003 2003
Modeling the Woodstock Gamelan for Synthesis Ayers, Lydia; Horner, Andrew vol. 1999 1999
Score and/or Gesture: the System RTI4I for Real-Time Control of the Digital Processor 4I Azzolini, Franco; Sapir, Sylviane vol. 1984 1984