| Title |
Author(s) |
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Granular Synthesis as Fractal Micropolyphony
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Rhys, Paul |
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Recursive Generation of Rhythmic Structures with PTGGs
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Heim, Brian; Quick, Donya |
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Siren: Hierarchical Composition Interface
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Ince, Can; Toka, Mert |
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Mode and Register Categorizations for Predicting Mood in Classical Piano Music2
|
Hong, Yu; Chau, Chuck-Jee; Horner, Andrew |
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A Sep2Tree Model for Recognizing Synthetic Bach Chorales
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Ni, Xiuyan; Ma, Weicheng; Ni, Zhaoheng; Haralick, Robert |
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Composition by Conversation
|
Quick, Donya; Morrison, Clayton T. |
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A Melody Composer for both Tonal and Non-Tonal Languages
|
Yu, Coleman; Chi-Wing Wong, Raymond |
|
INScore Time Model
|
Fober, D.; Orlarey, Y.; Letz, S. |
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Extending dataflows with temporal graphs
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Celerier, Jean-Michaël; Desainte-Catherine, Myriam; Couturier, Jean-Michel |
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Time, Timelines and Temporal Scopes in the Antescofo DLS v1.0
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Giavitto, Jean-Louis; Echeveste, José; Cont, Arshia; Cuvillier, Philippe |
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Investigating Guqin Left Hand Modulation Techniques
|
He, Jingyin; Murphy, Jim; Carnegie, Dale A.; Kapur, Ajay |
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LISP in Max: Exploratory Computer-Aided Composition in Real-Time
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Vincenot, Julien |
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Update-caching Technique for Unit-generator-based Sound Synthesis
|
Nishino, Hiroki |
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MESH2FAUST: a Modal Physical Model Generator for the Faust Programming Language - Application to Bell Modeling
|
Michon, Romain; Martin, Sara R.; Smith, Julius O. |
|
Time-Flow Concepts and Architectures For Music and Media Synchronization
|
Dannenberg, Roger B. |
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Embodied Sonic Meditation and its Proof-of-Concept: "Resonance of the Heart"
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Wu, Jiayue Cecilia; Smith, Julius O.; Zhou, Yijun; Wright, Matthew James |
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Callas as Violetta: A Computer-Assisted Study on Her Recorded Performances of La Traviata
|
Yang, Jian; Huang, Ying; Everett, William |
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Speculative Designs: Towards a Social Music
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Ouzounian, Gascia; Haworth, Christopher; Bennett, Peter |
|
Token of Enunciation in Multimedia Performance
|
Ciciliani, Marko |
|
Performance Practice of Electroacoustic Music. Towards a practice-based exchange between musicology and performance
|
Pérez, Germán Toro; Bennett, Lucas |
|
"This hardware is now obsolete." Marc-André Dalbavie's Diadèmes
|
Akkermann, Miriam |
|
Proposal of Score-Following Reflecting Gaze Information on Cost of DP matching
|
Terasaki, Shiori; Takegawa, Yoshinari; Hirata, Keiji |
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Evaluation of Positioning Learning Support System using True information and False Information and Vague Information for Violin Beginner
|
Kumaki, Marimo; Takegawa, Yoshinari; Hirata, Keiji |
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Visual Feedback for DDMM: A Simple Approach for Connecting and Synchronizing Unity Animations with Events from VST Plugins
|
Steinmeier, Christine; Becking, Dominic |
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Real-Time Composition, why it still matters: A look at recent developments and potentially new and interesting applications
|
Guedes, Carlos |
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The Hyper Drumhead: Making Music with a Massive Real-time Physical Model
|
Zappi, Victor; Allen, Andrew; Fels, Sidney |
|
Biomimicry: Analysis Of A Corpus-Based Interactive Improvisational System
|
Bradbury, James |
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Tuning to Trust: System Calibration as Creative Enabler
|
Tremblay, Pierre Alexandre |
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A Topo-Phonic Table for Tangible Sonic Interaction
|
Schwarz, Diemo; Lorieux, Grégoire; Lizère, Emmanuelle; Tarrès, Ariadna Alsina; Bevilacqua, Frédéric |
|
Musical control of Granular Textures generated by Iterated Function Systems
|
Hancock, Oliver |
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Sonic Explorations of Gumowski-Mira Maps
|
Tan, Timothy S.; Lindborg, PerMagnus |
|
A Novel approach to Timbre Morphology: Audio-rate control of Additive Synthesis
|
James, Stuart |
|
Pacific Bell Tower, a sculptural sound installation for live sonification of earthquake data
|
Lindborg, PerMagnus |
|
SuperSampler: A New Polyphonic Concatenative Sample Synthesizer in SuperCollider for Sound Motive Creative, Live Coding, and Improvisation
|
Wu, Shu-Cheng Allen |
|
Machine Listening in Interactive Music Systems: Current State and Future Directions
|
Gioti, Artemi-Maria |
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Typing heterogeneous dataflow graphs for static buffering and scheduling
|
Donat-Bouillud, Pierre; Giavitto, Jean-Louis |
|
DYC12 agents: merging the "free", "reactive", and "scenario-based" music generation paradigms
|
Nika, Jérôme; Déguernel, Ken; Chemla-Romeu-Santos, Axel; Vincent, Emmanuel; Assayag, Gérard |
|
Sonification of Women in Sound and Music Computing - The Sound of Female Authorship in ICMC, SMC and NIME Proceedings
|
Frid, Emma |
|
Musical Sonification of Super High Frequency Lighting
|
Çakmak, Ö. Cem; Hamilton, Rob |
|
Interactive Music and Media at Rensselaer: Studio Report 2017
|
Hamilton, Rob; Bahn, Curtis |
|
The CCM Center for Computer Music 2017
|
Helmuth, Mara; Lukaszuk, Michael; DiPronio, Marissa |
|
Next-generation Computer-aided Composition Environment: A New Implementation of OpenMusic
|
Bresson, Jean; Bouche, Dimitri; Carpentier, Thibaut; Schwarz, Diemo; Garcia, Jérémie |
|
Chuck-Racks: Text-Based Music Programming for the Digital Audio Workstation
|
Hochenbaum, Jordan; Salazar, Spencer; Sena, Rodrigo |
|
Interactive computer-aided composition with constraints
|
Talbot, Pierre; Agon, Carlos; Esling, Philippe |
|
FrameLib: Audio DSP using Frames of Arbitrary Length and Timing
|
Harker, Alex |
|
How Does Parametric Reverberation Change the Space of Instrument Emotional Characteristics?
|
Mo, Ronald K.; So, Richard H.Y.; Horner, Andrew |
|
From Harmonization to Recolorization: Ant Foraging Inspired Auditory-Visual Synesthetic Pattern Transformation
|
Zheng, Chenyu |
|
Cross-cultural aspects of perceptual features in K-Pop: A pilot study comparing Chinese and Swedish listeners
|
Friberg, Anders; Schön, Ragnar; Elowsson, Anders; Choi, Kahyun; Downie, J. Stephen |
|
Aural Simulation of Tactile Defensiveness
|
Schlei, Kevin; Yoshikane, Rebecca |
|
FormSound: A Particle Formation-Based Audiovisual Interface
|
Park, Sihwa; Joo, Woohun |
|
Interaction Models for Real-time Participatory Musical Performance using Mobile Devices
|
Liu, Danyi; van der Heide, Edwin |
|
Hands where we can see them! Investigating the impact of gesture size on audience perception
|
Bin, S. M. Astrid; Bryan-Kinns, Nick; McPherson, Andrew P. |
|
Understanding Interaction in Musical Multi-Touch Surfaces
|
Gonzalez-Inostroza, Marie; Sylleros, Alvaro; Cádiz, Rodrigo F. |
|
Music Style Analysis among Haydn, Mozart, and Beethoven: an Unsupervised Machine Learning Approach
|
Wen, Ru; Xie, Zheng; Chen, Kai; Guo, Ruoxuan; Xu, Kuan; Huang, Wenmin; Tian, Jiyuan; Wu, Jiang |
|
Improving Robotic Chordophones with Closed-Loop Embedded Audio Feedback Systems
|
Long, Jason; Skelly, Neill; Murphy, Jim; Carnegie, Dale A.; Kapur, Ajay |
|
MyoSpat: A hand-gesture controlled system for sound and light projections manipulation
|
Di Donato, Balandino; Dooley, James; Hockman, Jason; Bullock, Jamie; Hall, Simon |
|
VisualSoundtrack: An Approach to Style Transfer in the Context of Soundtrack Prototyping
|
Ananthabhotla, Ishwarya; Paradiso, Joseph A. |
|
Multimedia Performance Installation with Virtual Reality
|
Lee, Cheng |
|
Interactive Composition and Performance Framework with Evolutionary Computing
|
Choi, Insook |
|
Expansion Through the Machine: A Composition for Harmonica and Wearable
|
Hickman, Oliver; Park, Tae Hong |
|
Mediating a Comprovisation Performance: the Comprovisador's Control Interface
|
Louzeiro, Pedro |
|
Case Study of a Sensor Platform System Using the Wireless Microprocessor Module TWE-LITE for Media Art and Computer Music
|
Saburo, Hirano; Akiko, Ochi |
|
Portable C++ Framework for Low-Latency Musical Touch Interaction with Geometrical Shapes
|
Le Vaillant, Gwendal; Villée, Guillaume; Dutoit, Thierry |
|
Keyboard Interface with Shape-Distortion Expression for Interactive Performance
|
Ogata, Masa; Goto, Masataka |
|
Cinemacraft: Immersive Live Machinima as an Empathetic Musical Storytelling Platform
|
Narayanan, Siddharth; Bukvic, Ivica Ico |
|
Performing a Performer: human performers instead of electric sound generators
|
Nikoladze, Koka |
|
Assessment Techniques for New Mechatronic Instruments as Applied to speaker.motion.
|
Johnson, Bridget; Kapur, Ajay |
|
Performance-Installation: Four Projects
|
Kojs, Juraj; Lough, Alex |
|
MetaFlute: A Wearable Interface for Gesture Detection
|
Siwiak, Diana; Carnegie, Dale A.; Murphy, Jim; Kapur, Ajay |
|
A Study of What Makes Calm and Sad Music So Difficult to Distinguish in Music Emotion Recognition
|
Hong, Yu; Chau, Chuck-Jee; Horner, Andrew |
|
SoZen - Improving Productivity with a Soundscape Generating Zen Garden
|
Yang, Jiajun; Hermann, Thomas |
|
A New Method for Objective Measurement of Perceived Audio Quality
|
Wang, Hsiao-Yen; Huang, Jin-Huang; Tseng, Yu-Chung |
|
A Real-Time Music Emotion Modulation System for Soundtracks
|
Chang, Bing Yen; Horner, Andrew |
|
The Effects of Convolution Reverberation on the Emotional Characteristics
|
Mo, Ronald K.; Horner, Andrew |
|
The Impact of the Digital Interface and the Score on Controlled Improvisation When Using Acoustic Instruments in an Electroacoustic Context
|
Estibeiro, Dr. Marc |
|
CalmusWaves: Where Dancers Compose Music in Real-Time
|
Ólafsson, Kjartan |
|
fcremap'dB: Audiovisual Re-mapping, Animated Notation, and Embodied Electronics
|
Sigman, Alexander |
|
The Systematic Grouping of Detection Tools for Properties of Acousmaticity: Binary Tension Between Sonority and Pulse
|
Jurkūnas, Jonas |
|
Folk Song Notation Transcription Using Spectrogram - A Case Study of Yao Ethnic Group Folk Song from Guangxi Ling-Yun, Southwest China
|
Tzeng, Shing-Kwei; Huang, Chih-Fang |
|
Human Excess: Aesthetics of Post-Internet Electronic Music
|
Pedersen, Anders Bach |
|
Appropriate Isomorphic Layout Determination Using 3-D Helix Lattices
|
Hu, Hanlin; Gerhard, David |
|
A Method for Subjective Analysis of Audiovisual Works
|
Ciciliani, Marko |
|
The Machine Lab: A Modern Classroom to Teach Mechatronic Music
|
Villicaña-Shaw, Nathan; Salazar, Spencer; Kapur, Ajay |
|
Exploring sonic landscapes through the use of spatial and temporal sampling techniques
|
Otondo, Felipe |
|
Macrostructure and Transition in an Algorithmic Composition Environment
|
Paoli, Ken |
|
Redesigning Music Education Through Laptop Ensembles
|
Yépez, Juan Pablo; Hochenbaum, Jordan; Salazar, Spencer; Kapur, Ajay |
|
madBPM: A Modular Multimodal Environment for Data-Driven Composition And Sonification
|
Fox, K. Michael; Stewart, Jeremy; Hamilton, Rob |
|
Exploring concatenative synthesis units in VR
|
Neupert, Max |
