| Title |
Author(s) |
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InMuSIC: an Interactive Multimodal System for Electroacoustic Improvisation
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Lepri, Giacomo |
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Molecular Sonification of Nuclear Magnetic Resonance Data as a Novel Tool for Sound Creation
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Morawitz, Falk |
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The Effects of Reverberation Time and Amount on the Emotional Characteristics
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Mo, Ronald; Wu, Bin; Horner, Andrew |
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General Characteristics Analysis of Chinese Folk Songs based on Layered Stabilities Detection(LSD) Audio Segmentation Algorithm
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Li, Juan; Wang, Yinrui; Yang, Xinyu |
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Additive Synthesis with Band-Limited Oscillator Sections
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Pabon, Peter; Oishi, So |
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Granular Spatialisation, a new method for sound diffusion in high-density arrays of speakers and its application at the Spatial Audio Workshops residency at Virginia Tech (August 2015) for the composition of the acousmatic piece Spatial Grains - Soundscape No 1, for 138 speakers
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Garavaglia, Javier Alejandro |
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Motivic Through-Composition Applied to a Network of Intelligent Agents
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Vasquez, Juan Carlos; Tahiro˘glu, Koray; Kildal, Johan |
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Exploiting Mimetic Theory for Instrument Design
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Wigham, Philip; Boehm, Carola |
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Viewing the Wrong Side of the Screen in Experimental Electronica Performances
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Hofer, Sonya |
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Balancing Defiance and Cooperation: The Design and Human Critique of a Virtual Free Improviser
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Banerji, Ritwik |
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Bio-Sensing and Bio-Feedback Instruments --- DoubleMyo, MuseOSC and MRTI2015 ---
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Nagashima, Yoichi |
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FLUID CONTROL – MEDIA EVOLUTION IN WATER
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Theiler, Christoph; Pittroff, Renate |
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Electro Contra: Innovation for Tradition
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Smith, Benjamin D. |
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LR.step, an Algorithmic Drum Sequencer
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Jenks, Morgan |
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EVALUATION OF A SKETCHING INTERFACE TO CONTROL A CONCATENATIVE SYNTHESISER
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Tsiros, Augoustinos; Leplâtre, Grégory |
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Recorderology - development of a web based instrumentation tool concerning recorder instruments
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Mayer-Spohn, Ulrike; Takahashi, Keitaro |
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Karlax Performance Techniques: It Feels Like…
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Stewart, D. Andrew |
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Music Industry, Academia and the Public)
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Boehm, Carola |
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A cross-genres (ec)static perspective on contemporary experimental music
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Wanke, Riccardo |
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Diegetic Affordances and Affect in Electronic Music
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Çamcı, Anıl; Meelberg, Vincent |
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The Effect of DJs’ Social Network on Music Popularity
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Wi, Hyeongseok; Hyun, Kyung Hoon; Lee, Jongpil; Lee, Wonjae |
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Kronos Meta-Sequencer – From Ugens to Orchestra, Score and Beyond
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Norilo, Vesa |
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Panoramix: 3D mixing and post-production workstation
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Carpentier, Thibaut |
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Multi-Point Nonlinear Spatial Distribution of Effects across the Soundfield
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James, Stuart |
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A Permissive Graphical Patcher for SuperCollider Synths
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Dufeu, Frédéric |
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Introducing CatOracle: Corpus-based concatenative improvisation with the Audio Oracle algorithm
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Einbond, Aaron; Schwarz, Diemo; Borghesi, Riccardo; Schnell, Norbert |
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workshop SMARTER MUSIC
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Wagenaar, Arthur |
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Granular Wall: Approaches to sonifying fluid motion
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Kirk, Jonathon; Weisert, Lee |
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The Computer Realization of John Cage’s Williams Mix
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Erbe, Tom |
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Computer-Based Tutoring for Conducting Students
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Salgian, Andrea; Vickerman, David |
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a Band is Born: a digital learning game for Max/MSP
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Hancock, Oliver |
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Detecting Pianist Hand Posture Mistakes for Virtual Piano Tutoring
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Johnson, David; Dufour, Isabelle; Damian, Daniela; Tzanetakis, George |
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A Fluid Chord Voicing Generator
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Scanteianu, Daniel; Jackson, Errick; Keller, Robert M. |
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How To Play the Piano
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Hoadley, Richard |
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Markov Networks for Free Improvisers
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Kalonaris, Stefano |
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Opensemble: A framework for collaborative algorithmic music
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Zabaljáuregui, Matías; Dorado, Diego |
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Designing a Digital Gamelan
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L’ Honoré Naber, Adrien |
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Wavefolding: Modulation of Adjustable Symmetry in Sawtooth and Triangular Waveforms
|
Kelly, Dr Edward |
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Towards an Aesthetic of Instrumental Plausibility for Mixed Electronic Music
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Dudas, Richard; Furniss, Pete |
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Noise in the Clouds
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Sjuve, Eva |
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Musical Style Modification as an Optimization Problem
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Zalkow, Frank; Brand, Stephan; Graf, Bejamin |
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Synchronization of van der Pol Oscillators with Delayed Coupling
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Henrici, Andreas; Neukom, Martin |
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Using Software Emulation to Explore the Creative and Technical Processes in Computer Music: John Chowning’s Stria, a case study from the TaCEM project
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Clarke, Michael; Dufeu, Frédéric; Manning, Peter |
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CONCATENATIVE SYNTHESIS VIA CHORD-BASED SEGMENTATION FOR AN EXPERIMENT WITH TIME
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Ghisi, Daniele; Bergomi, Mattia |
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Spatiotemporal Granulation
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Wan Rosli, Muhammad Hafiz; Roads, Curtis |
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The Sound Analysis Toolbox (SATB)
|
Park, Tae Hong; Srinivasan, Sumanth |
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Short overview in parametric loudspeakers array technology and its implications in spatialization in electronic
|
Reis, Jaime |
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Extended Convolution Techniques for Cross-Synthesis
|
Donahue, Chris; Erbe, Tom; Puckette, Miller |
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Algorithmic Composition in Abjad: Workshop Proposal for ICMC 2016
|
Bača, Trevor; Treviño, Jeffrey; Oberholtzer, Josiah |
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CREATE Studio Report 2016
|
Roads, Curtis; Cabrera, Andres; Kuchera-Morin, JoAnn; Barlow, Clarence |
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Computer Music Studio and Sonic Lab at Anton Bruckner University Studio Report
|
Weixler, Andreas; Chuang, Se-Lien |
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Design Considerations of HKBU’s Laboratory for Immersive Arts and Technology: a Studio Report
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Keyes, Prof. Christopher; Coleman, Dr. Christopher; Wing Lun, Vanissa LAW |
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Computer Music as Born-Digital Heritage
|
Bosma, Hannah |
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COMPUTER MUSIC INTERPRETATION IN PRACTICE
|
Lemouton, Serge |
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New Roles for Computer Musicians in S.T.E.A.M.
|
Baguyos, Jeremy C. |
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The Things of Shapes: Waveform Generation using 3D Vertex Data
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Schlei, Kevin; Yoshikane, Rebecca |
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Sound vest for dance performance
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Otondo, Felipe; Torres, Rodrigo |
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WebHexIso: A CustomizableWeb-based Hexagonal Isomorphic Musical Keyboard Interface
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Hu, Hanlin; Gerhard, David |
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Roulette: A Customized Circular Sequencer for Generative Music
|
McNamara, Daniel; Kapur, Ajay |
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MusicBox: creating a musical space with mobile devices
|
Milde, Jan-Torsten |
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Frequency Domain Spatial Mapping with the LEAP Motion Controller
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Kim-Boyle, David |
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Zirkonium 3.1 - a toolkit for spatial composition and performance
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Miyama, Chikashi; Dipper, Gotz; Brummer, Ludger |
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A 3D Future for Loudspeaker Orchestras Emulated in Higher-Order Ambisonics
|
Barrett, Natasha |
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Extending the Piano through Spatial Transformation of Motion Capture Data
|
Ritter, Martin; Aska, Alyssa |
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Approaches to Real Time Ambisonic Spatialization and Sound Diffusion using Motion Capture
|
Aska, Alyssa; Ritter, Martin |
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Big Tent: A Portable Immersive Intermedia Environment
|
Smith, Benjamin D.; Cox, Robin |
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Gesture-based Collaborative Virtual Reality Performance in Carillon
|
Hamilton, Rob; Platz, Chris |
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Emphasizing Form in Virtual Reality-Based Music Performance
|
Berkowitz, Zachary; Berdahl, Edgar; Beck, Stephen David |
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Description of Chord Progressions by Minimal Transport Graphs Using the System & Contrast Model
|
Louboutin, Corentin; Bimbot, Frederic |
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Do Nested Dichotomies Help in Automatic Music Genre Classification? An Empirical Study
|
Arjannikov, Tom; Zhang, John Z. |
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Algorithmic Composition Parameter as Intercultural and Cross-level MIR Feature: The Susceptibility of Melodic Pitch Contour
|
Lin, Hsin-Ming; Dubnov, Shlomo |
|
The GiantSteps Project: A Second-Year Intermediate Report
|
Knees, Peter; Andersen, Kristina; Jorda, Sergi; Hlatky, Michael; Bucci, Andres; Gaebele, Wulf; Kaurson, Roman |
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A Supervised Approach for Rhythm Transcription Based on Tree Series Enumeration
|
Ycart, Adrien; Jacquemard, Florent; Bresson, Jean; Staworko, Sławek |
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Graphical Temporal Structured Programming for Interactive Music
|
Celerier, Jean-Michael; Desainte-Catherine, Myriam; Couturier, Jean-Michel |
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Introducing a Context-based Model and Language for Representation, Transformation, Visualization, Analysis and Generation of Music
|
Hofmann, David M. |
|
Sound, Electronics and Music: an evaluation of early embodied education
|
Hayes, Lauren |
|
Performing Computer Network Music. Well-known challenges and new possibilities.
|
Akkermann, Miriam |
|
The Emotional Characteristics of Mallet Percussion Instruments with Different Pitches and Mallet Hardness
|
Chau, Chuck-jee; Horner, Andrew |
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The Effects of Pitch and Dynamics on the Emotional Characteristics of Bowed String Instruments
|
Gilburt, Samuel J. M.; Chau,, Chuck-jee; Horner, Andrew |
|
The Effects of MP3 Compression on Emotional Characteristics
|
Mo, Ronald; Choi, Ga Lam; Lee, Chung; Horner, Andrew |
|
COMPOSITION as an EVOLVING ENTITY an EXPERIMENT in PROGRESS
|
Tipei, Sever |
|
Nodewebba: Software for Composing with Networked Iterated Maps
|
Battey, Bret |
|
Relative Sound Localization for Sources in a Haphazard Speaker Array
|
Andersen, Neal; Smith, Benjamin D. |
|
AIIS: An Intelligent Improvisational System
|
Leffue, Steven; Kestler, Grady |
|
RackFX: A Cloud-Based Solution for Analog Signal Processing
|
Peuquet, Sean; Jones, David |
|
Composing and Performing Digital Voice Using Microphone-Centric Gesture and Control Data
|
Warren, Kristina |
|
Composing for an Orchestra of Sonic Objects: The Shake-ousmonium Project
|
Lähdeoja, Otso |
|
Hand Gestures in Music Production
|
Berndt, Axel; Waloschek,, Simon; Hadjakos, Aristotelis |
|
GRAB-AND-PLAY MAPPING: CREATIVE MACHINE LEARNING APPROACHES FOR MUSICAL INCLUSION AND EXPLORATION
|
Scurto, Hugo; Fiebrink, Rebecca |
|
The problem of musical gesture continuation and a baseline system
|
Bascou, Charles; Emiya, Valentin; Lauriere, Mathieu |
|
RECONSTRUCTING ANTHÈMES 2: ADDRESSING THE PERFORMABILITY OF LIVE-ELECTRONIC MUSIC
|
van der Wee, MMus, Laurens; van Doorn, MA, Roel; Zwaanenburg, Jos |
|
Stride: A Declarative and Reactive Language for Sound Synthesis and Beyond
|
Tilbian, Joseph; Cabrera, Andres |
|
Embedding native audio-processing in a score following system with quasi sample accuracy
|
Donat-Bouillud, Pierre; Giavitto, Jean-Louis; Cont, Arshia; Schmidt, Nicolas; Orlarey, Yann |
|
A Review of Interactive Conducting Systems: 1970-2015
|
Lee, Kyungho; Junokas, Michael J.; Garnett, Guy E. |
|
O2: Rethinking Open Sound Control
|
Dannenberg, Roger B.; Chi, Zhang |
|
Introducing D4: An Interactive 3D Audio Rapid Prototyping and Transportable Rendering Environment Using High Density Loudspeaker Arrays
|
Bukvic, Ivica Ico |
|
Improvements of iSuperColliderKit and its Applications
|
Ito, Akinori; Watanabe, Kengo; Kuroda, Genki; Ito, Ken’ichiro |
|
The Sky’s the Limit: Composition with Massive Replication and Time-shifting
|
Coleman, Christopher |
|
SCATLAVA: Software for Computer-Assisted Transcription Learning through Algorithmic Variation and Analysis
|
Su, David |
|
Effects of Test Duration in Subjective Listening Tests
|
Schwarz, Diemo; Lemaitre, Guillaume; Aramaki, Mitsuko; Kronland-Martinet, Richard |
|
The Ear Tone Toolbox for Auditory Distortion Product Synthesis
|
Chechile, Alex |
|
Sonification of Optically-Ordered Brownian Motion
|
McKell, Chad |
|
Cybernetic Principles and Sonic Ecosystems
|
Pickles, Daren; Collis, Adam |
|
Continuous Order PolygonalWaveform Synthesis
|
Hohnerlein, Christoph; Rest, Maximilian; Smith III, Julius O. |
|
Textual and Sonic Feedback Loops: Simultaneous conversations as a collaborative process in cmetq
|
Jette, Christopher; Krueger, Nathan |
|
Tectonic: a Networked, Generative and Interactive, Conducting Environment for iPad
|
Vickery, Lindsay; James, Stuart |
|
AVA: A Graphical User Interface for Automatic Vibrato and Portamento Detection and Analysis
|
Yang, Luwei; Rajab, Khalid Z.; Chew, Elaine |
|
Spectrorhythmic evolutions: towards semantically enhanced algorave systems
|
Allik, Alo |
|
A Differential Equation Based Approach to Sound Synthesis and Sequencing
|
Jacobs, B. A. |
|
Music Poet: A Performance-Driven Composing System
|
Rongfeng, Li; Xinyun, Zhang; Minghui, Bi |
|
Multiple Single-Dimension Mappings of the Henon Attractor as a Compositional Algorithm
|
Kurepa, Alexandra; Waschka II, Rodney |
|
From live to interactive electronics. Symbiosis: a study on sonic human-computer synergy.
|
Gioti, Artemi - Maria |
|
A Web-based System for Designing Interactive Virtual Soundscapes
|
Çamcı, Anıl; Murray, Paul; Forbes, Angus G. |
|
The Paradox of Random Order
|
Jung, Jeyong; Pabon, Peter; Flett, Graham |
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Recreating Gerard Grisey’s Vortex Temporum with cage
|
Ghisi, Daniele; Agostini, Andrea; Maestri, Eric |
|
Composing in Bohlen–Pierce and Carlos Alpha scales for solo clarinet
|
Harrop, Todd; Muller, Nora-Louise |
