| Title |
Author(s) |
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CYMATIC SYNTHESIS OF A SERIES OF BELLS
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Barrass, Stephen; Barrass, Tim |
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MOZZI : INTERACTIVE SOUND SYNTHESIS ON THE OPEN SOURCE ARDUINO MICROPROCESSOR
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Barrass, Tim |
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A JAVA-BASED REMOTE LIVE CODING SYSTEM FOR CONTROLLING MULTIPLE RASPBERRY PI UNITS
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Bown, Oliver; Young, Miriama; Johnson, Samuel |
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ADVANCED SOUND HYBRIDIZATIONS BY MEANS OF THE THEORY OF SOUND-TYPES
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Cella, Carmine Emanuele; Burred, Juan José |
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INTRODUCING TaCEM AND THE TIAALS SOFTWARE
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Clarke, Michael; Dufeu, Frédéric; Manning, Peter |
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FORMAL TIMING ANALYSIS OF MIXED MUSIC SCORES
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Fanchon, Léa; Jacquemard, Florent |
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A PIANO LEARNING SUPPORT SYSTEM CONSIDERING MOTIVATION
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Fukuya, Yuto; Takegawa, Yoshinari; Yanagi, Hidekatsu |
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EXPLORING THE DESIGN SPACE OF HAND-CONTROLLED GUITAR EFFECTS FOR LIVE MUSIC
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Hödl, Oliver; Fitzpatrick, Geraldine |
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2D AND 3D TIMBRAL SPATIALISATION: SPATIAL MOTION, IMMERSIVENESS, AND NOTIONS OF SPACE
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James, Stuart; Hope, Cat |
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FORMAL SEMANTICS FOR MUSIC NOTATION CONTROL FLOW
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Jin, Zeyu; Dannenberg, Roger |
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TRACKING RESTS AND TEMPO CHANGES: IMPROVED SCORE FOLLOWING WITH PARTICLE FILTERS
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Korzeniowski, Filip; Krebs, Florian; Arzt, Andreas; Widmer, Gerhard |
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DISCRIMINATION OF SUSTAINED MUSICAL INSTRUMENT TONES RESYNTHESIZED WITH PIECEWISE-LINEAR APPROXIMATION OF HARMONIC AMPLITUDE ENVELOPES
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Lee, Chung; Horner, Andrew; Beauchamp, James; Ayers, Lydia |
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INTERACTIVE PHYSICAL DESIGN AND HAPTIC PLAYING OF VIRTUAL MUSICAL INSTRUMENTS
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Leonard, James; Castagné, Nicolas; Cadoz, Claude; Florens, Jean-Loup |
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AN INVESTIGATION INTO THE PERCEPTION OF SPATIAL TECHNIQUES USED IN MULTI-CHANNEL ELECTROACOUSTIC MUSIC
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Lynch, Hugh; Sazdov, Robert |
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AUDIOVERDRIVE: EXPLORING BIDIRECTIONAL COMMUNICATION BETWEEN MUSIC AND GAMEPLAY
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Holtar, Nils Iver; Nelson, Mark J.; Togelius, Julian |
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GENERATIVE GRAMMARS FOR INTERACTIVE COMPOSITION BASED ON SCHAEFFER’S TARTYP
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Neuman, Israel |
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LC : A STRONGLY-TIMED PROTOTYPE-BASED PROGRAMMING LANGUAGE FOR COMPUTER MUSIC
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NISHINO, Hiroki; OSAKA, Naotoshi; NAKATSU, Ryohei |
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UNIT-GENERATORS CONSIDERED HARMFUL (FOR MICROSOUND SYNTHESIS): A NOVEL PROGRAMMING MODEL FOR MICROSOUND SYNTHESIS IN LCSYNTH
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NISHINO, Hiroki; OSAKA, Naotoshi; NAKATSU, Ryohei |
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LOCATIVE SONIFICATION: PLAYING THE WORLD THROUGH CITYGRAM
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Park, Tae Hong; Turner, Johnathan; Jacoby, Christopher; Marse, Alex; Musick, Michael; Kapur, Ajay; He, Jingyin |
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EMBODIED LISTENING, AFFORDANCES AND PERFORMING WITH COMPUTERS
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Parkinson, Adam |
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SOUND LABYRINTH: EXPLORATION OF THE EMBODIED SUBLIME THROUGH AN IMMERSIVE AUDIO/VISUAL INSTALLATION
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Pedersen, Mark |
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A TEMPORAL GENERATIVE GRAPH GRAMMAR FOR HARMONIC AND METRICAL STRUCTURE
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Quick, Donya; Hudak, Paul |
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INTEGRATED MULTIMODAL SCORE-FOLLOWING ENVIRONMENT
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Ritter, Martin; Hamel, Keith; Pritchard, Bob |
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ALTERNATIVES IN NETWORK TRANSPORT PROTOCOLS FOR AUDIO STREAMING APPLICATIONS
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Schiavoni, Flávio Luiz; Queiroz, Marcelo; Wanderley, Marcelo |
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ANIMATED MUSIC NOTATION ON THE IPAD
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Wyatt, Aaron; Hope, Cat |
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ENHANCED PHENOTYPE
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Weixler, Andreas; Chuang, Se-Lien |
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EXPLORING MOVEMENT AND MUSIC IN A GRID MUSIC SYSTEM
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Adeney, Roland |
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GEOMETRIES OF FLIGHT – REMIX AS NODAL PRACTICE
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Adkins, Monty; d’Escriván, Julio |
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MUSICAL APPLICATIONS OF NESTED COMB FILTERS FOR INHARMONIC RESONATOR EFFECTS
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Ahn, Jae hyun; Dudas, Richard |
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“CONTACTS TURBULENTS” BY DAVID WESSEL: AN ANALYTIC APPROACH FROM A MUSICOLOGICAL POINT OF VIEW
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Akkermann, Miriam |
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TOWARDS USEFUL AESTHETIC EVALUATIONS OF LIVE CODING
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Bell, Renick |
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CROSS-SYNTHESIS BASED ON SPECTROGRAM FACTORIZATION
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Burred, Juan José |
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MAX NEUHAUS: PIONEER OF INVISIBLE AND (ALMOST) INAUDIBLE SOUND INSTALLATIONS
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Cianciusi, Walter |
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INTEGRATION OF MACHINE LEARNING ALGORITHMS IN THE COMPUTER-ACOUSTIC COMPOSITION GOLDSTREAM VARIATIONS
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Deal, Scott; Sanchez, Javier |
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AUDIOVISUAL INTEGRATION WITH CALVR AND LIBCOLLIDER
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Hamdan, Eric; Gossmann, Joachim |
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CONCERT SCOPE HEADPHONES
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Hamanaka, Masatoshi; Lee, Seunghee |
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DESIGNING GESTURAL INTERFACES FOR LIVE SOUND DIFFUSION
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Johnson, Bridget; Murphy, Jim; Kapur, Ajay |
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EXTENDED NON-LINEAR APPLICATIONS AND THE VISUAL AESTHETICS OF REAL-TIME SCORES
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Kim-Boyle, David |
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MULTI SENSOR TRACKING FOR LIVE SOUND TRANSFORMATION
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Fuhrmann, Anton L.; Kretz, Johannes |
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GLASS TUBE GAMELAN DESIGN FOR PREPARATION ON INSTALLATION ART APPLICATIONS
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Liu, Tsung-Ching; Yang, Cheng-Han; Yan, Bing-Shr |
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ELECTRONIC CIRCUIT BUILDING IN PERU: A SUBALTERN CASE ON PARTICIPATION AND TECHNOLOGY
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Lopez Ramirez Gaston, José Ignacio |
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SPIN/DRIFT: A REAL-TIME SPATIALIZED GRANULAR SYNTHESIS ALGORITHM WITH PARTICLE SYSTEM PHYSICS & BEHAVIOURS
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Norris, Michael; Post, Jason |
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FORMAL SEMANTICS FOR MUSIC NOTATION CONTROL FLOW
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Jin, Zeyu; Dannenberg, Roger |
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SONICMAPS: CONNECTING THE RITUAL OF THE CONCERT HALL WITH A LOCATIVE AUDIO URBAN EXPERIENCE
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Pecino, Ignacio; Climent, Ricardo |
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DEVELOPING A CHROMATIC INTERFACE FOR REAL-TIME DIGITAL HARMONISATION OF SAXOPHONE PERFORMANCE
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Savage, James |
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THE FUZZINESS OF ‘EXPRESSION’ IN RELATION TO ALGORITHMIC MUSIC.
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Suiter, Wendy |
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COMPOSING WITH SIEVES: STRUCTURE AND INDETERMINACY IN-TIME.
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Tipei, Sever |
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SONICBARD – STORYTELLING WITH REAL-TIME SOUND CONTROL, SYNTHESIS AND PROCESSING USING EMERGING BROWSER-BASED TECHNOLOGIES
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Wyse, Lonce; Shinghal, Pallav |
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FZERO~: FUNDAMENTAL ESTIMATION FOR MAX 6
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Zbyszyński, Michael; Zicarelli, David; Collecchia, Regina |
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SPEECH: creating a virtual audio-visual artwork
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Alsop, Roger |
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BIOSPHERE SOUNDSCAPES: THE RAINFORESTS OF BRAZIL TO THE COASTLINES OF AUSTRALIA
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Barclay, Leah |
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A BRIDGE FROM NOWHERE (8’44’’)
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— |
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AMPLIFYING COMPOSITIONAL INTELLIGENCE: CREATING WITH A PSYCHOLOGICALLY-INSPIRED GENERATIVE MUSIC SYSTEM
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Gifford, Toby; Brown, Andrew R.; Davidson, Robert |
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NON-REAL-TIME TRANSDUCTION AND ITS USE AS A COMPOSITIONAL TECHNIQUE FOR THE CREATION OF VISUAL MUSIC
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Charles, Carlos López |
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NOISE AND REPRESENTATION
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Collis, Adam |
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SYNESTHESIA: COMPOSING FROM IMAGES WITH NOISE SHAPING SYNTHESIS
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D’Amato, Antonio |
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CHAOTICCOUNTERPOINT: AN ALGORITHMICALLY ASSISTED IMPROVISATION
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Fay, Simon; Eagle, David |
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THE NOISE OF MORPHONS AND BIONS
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Hagan, Kerry L |
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FROM EMULATION TO INSTIGATION: REVISING THE NOTION OF ETUDE AS COMPOSITIONAL FORM IN LIVE COMPUTER MUSIC
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Cancino, Juan Parra |
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BEYOND PYTHAGORAS
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Sundin, Paulina; Adkins, Monty; Gierakowski, Adrian |
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TOWARDS A DYNAMIC, INCLUSIVE AND EQUALITARIAN AUGMENTED ACTIVITY SPACE
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Valle, Rafael |
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THE EQUIDOME, A PERSONAL SPATIAL REPRODUCTION ARRAY
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Barbour, James L |
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STUDIO REPORT: CREAMA – CENTER FOR RESEARCH IN ELECTRO-ACOUSTIC MUSIC AND AUDIO AT HANYANG UNIVERSITY
|
Yim, Jongwoo; Dudas, Richard |
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NYU MUSIC TECHNOLOGY STUDIO REPORT
|
Forsyth, Jonathan; Boren, Braxton; Feynberg, Rebecca; Park, Tae Hong |
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FROM MUSICAL SCORE TO GRAPHIC PLAN: THE DEVELOPMENT OF SUM AS A DESIGN TOOL
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Kuuskankare, Mika; Adhitya, Sara |
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PD SPECTRAL TOOLKIT
|
Baker, Cooper; Erbe, Tom |
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LUC FERRARI, TAUTOLOGOS 1: THE CRUCIAL REPETITION
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Battista, Alba Francesca; Meacci, Damiano |
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PROBABILISTIC PREDICTION OF RHYTHMIC CHARACTERISTICS IN MARKOV CHAIN-BASED MELODIC SEQUENCES
|
Kim, Bongjun; Yeo, Woon Seung |
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Light Sensor Piano
|
Huang, Ping-Jui; Tseng, Yu-Chung |
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TEACHING COMPUTER SCIENCE TO DIGITAL ARTISTS THROUGH MUSIC AND SOUND
|
Kapur, Ajay; Cook, Perry; Bryant, Michael |
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PROBABILISTIC PREDICTION OF RHYTHMIC CHARACTERISTICS IN MARKOV CHAIN-BASED MELODIC SEQUENCES
|
Kim, Bongjun; Yeo, Woon Seung |
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A MUSIC TIMBRE SELF-TRAINING TOOL ON MOBILE DEVICE USING VOLUME NORMALIZED SIMPLIFIED SPECTRAL INFORMATION
|
Lui, Simon |
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INTEGRATING MOBILE MUSIC WITH PERCUSSION PERFORMANCE PRACTICE
|
Martin, Charles |
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TIMELAB: YET, YET ANOTHER REAL-TIME AUDIO PROGRAMMING SYSTEM
|
Medine, David |
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SWIVEL: ANALYSIS AND SYSTEMS OVERVIEW OF A NEW ROBOTIC GUITAR
|
Murphy, Jim; Kapur, Ajay; Carnegie, Dale A. |
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REINFORCEMENT LEARNING OF MUSICAL SCALES FROM HUMAN EMOTIONS
|
Tanaka, Tsubasa; Furukawa, Kiyoshi |
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GRADUAL CONTROL OF HARMONICITY IN THE CONTEXT OF FREQUENCY MODULATION
|
Valle, Rafael |
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CAPACITANCE SENSING GESTURAL MUSIC CONTROLLER
|
Walbeck, Justin; Snow, Richard |
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NOISE ON THE GRID: RHYTHMIC PULSE IN EXPERIMENTAL AND ELECTRONIC NOISE MUSIC
|
Zareei, Mo H.; Kapur, Ajay; Carnegie, Dale A. |
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A TYPE-BASED APPROACH TO GENERATIVE PARAMETER MAPPING
|
Moreno, Josué; Norilo, Vesa |
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CONSTRUCTION OF AN ELECTRONIC TIMBRE DICTIONARY IN C++ FOR MULTIPLE PLATFORMS
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Osaka, Naotoshi; Tsuda, Hiromichi; Yamada, Yoshitada |
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DIPS5 FOR MAX: Digital Image Processing with Sound, version 5
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Rai, Takayuki; Matsuda, Shu; Morimoto, Yota; Takahashi, Keitaro; Fukuda, Takyuto |
