Browse Options

Browse by Volume

Title Author(s)
AUTONOMOUS DEVELOPMENT OF SINGING-LIKE INTONATIONS BY INTERACTING BABBLING ROBOTS Miranda, Eduardo R
SPLIT-SIDEBAND SYNTHESIS Lazzarini, Victor; Timoney, Joseph; Lysaght, Thomas
IN FLUX – A NEW APPROACH TO SOUND DIFFUSION PERFORMANCE PRACTICE FOR FIXED MEDIA MUSIC Berezan, David
ERRANT SOUND SYNTHESIS Collins, Nick
REINFORCEMENT LEARNING FOR LIVE MUSICAL AGENTS Collins, Nick
THE MEXICAN CENTRE FOR MUSIC AND SONIC ARTS STUDIO REPORT Sigal, Rodrigo
A TOOLKIT FOR MUSIC AND AUDIO ACTIVITIES ON THE XO COMPUTER Lazzarini, Victor
INTERACTIVE AUDIO SIGNAL SCRIPTING Lazzarini, Victor
AN INSTANCE BASED MODEL FOR GENERATING EXPRESSIVE PERFORMANCE DURING COMPOSITION Kirke, Alexis; Miranda, Eduardo R.
TECHNOLOGY, REAL-TIME NOTATION, AND AUDIENCE PARTICIPATION IN FLOCK Freeman, Jason; Godfrey, Mark
STABILITY SPACE AND THE BELOW-N THRESHOLD: A COMPUTATIONAL APPROACH TO MUSIC ANALYSIS Solomon, Mike
INFNO: GENERATING SYNTH POP AND ELECTRONIC DANCE MUSIC ON DEMAND Collins, Nick
TWO CROSS-PLATFORM CSOUND-BASED PLUGIN GENERATORS Lazzarini, Victor; Walsh, Rory; Brogan, Martin
TOWARDS 'A BEAUTIFUL LAND': THE INFLUENCE OF ROTHKO AND ABSTRACT EXPRESSIONISM IN COMPOSING FIVE PANELS (NO. 5) Adkins, Mathew
AMBISONICS EQUIVALENT PANNING Neukom, Martin; Schacher, Jan C.
SURVEY OF MUSIC ANALYSIS AND VISUALIZATION TOOLS IN PWGL Kuuskankare, Mika; Laurson, Mikael
FRACTURING THE ACOUSMATIC: MERGING IMPROVISATION WITH DISASSEMBLED ACOUSMATIC MUSIC. Moore, Adrian
DIGITAL MUSIC INSTRUMENTS AND SOUND EXPRESSION Ferreira-Lopes, Paulo; Jensen, Filipe
INTERACTIVE SWARM ORCHESTRA A GENERIC PROGRAMMING ENVIRONMENT FOR SWARM BASED COMPUTER MUSIC Bisig, Daniel; Neukom, Martin; Flury, John
TOWARDS BI-DIMENSIONAL CLASSIFICATION OF SYMBOLIC MUSIC BY AFFECTIVE CONTENT Oliveira, António Pedro; Cardoso, Amílcar
VIMIC - A NOVEL TOOLBOX FOR SPATIAL SOUND PROCESSING IN MAX/MSP Peters, Nils; Matthews, Tristan; Braasch, Jonas; McAdams, Stephen
DEVELOPMENT OF A REAL-TIME GESTURAL INTERFACE FOR HANDS-FREE MUSICAL PERFORMANCE CONTROL Petersen, Klaus; Solis, Jorge; Takanishi,
PATTERN-SPECIFIC PIANO EXERCISE RETRIEVAL Yoo, Min-Joon; Lee, In-Kwon
INTERACTIVE SWARM ORCHESTRA AN ARTIFICIAL LIFE APPROACH TO COMPUTER MUSIC Bisig, Daniel; Neukom, Martin; Flury, John
PROJECT LOVELACE: TEENAGE GIRLS AND TECHNOLOGY-BASED COMPOSITION Simoni, Mary; Younker, Betty Anne
A LOW-COST SPHERICAL LOUDSPEAKER ARRAY FOR ELECTROACOUSTIC MUSIC Hulen, Peter Lucas
“WEEDS IN THE CRACKS”: INTERDISCIPLINARITY AND MUSIC TECHNOLOGY IN HIGHER EDUCATION Boehm, Carola
COMPUTER INPUT DEVICE FOR POLYPHONIC STRINGED INSTRUMENTS McMillen, Keith A.
MELODY MORPHING METHOD BASED ON GTTM Hamanaka, Masatoshi; Hirata, Keiji; Tojo, Satoshi
SENSOR BOWS & APPLICATION FOR STRINGED INSTRUMENTS McMillen, Keith A.
TEATRACKS: A DEMONSTRATION OF AN AUDITORY DISPLAY OF A MULTITRACK SOUND SEQUENCER d’Escriván, Julio; Trützschler von Falkenstein, Jan
NETWORK MUSICS - PLAY, ENGAGEMENT AND THE DEMOCRATIZATION OF PERFORMANCE Kim-Boyle, David
DIGITAL MUSIC COLLECTIONS: A PLACE OF KNOWLEDGE EMERGENCE? Rousseaux, Francis; Bonardi, Alain; Roadley, Benjamin
MAXSCORE: MUSIC NOTATION IN MAX/MSP Didkovsky, Nick; Hajdu, Georg
AUTHENTICITY AND EMULATION: CHIPTUNE IN THE EARLY TWENTY-FIRST CENTURY Tomczak, Sebastian
AN EFFICIENT OFF-LINE BEAT TRACKING METHOD FOR MUSIC WITH STEADY TEMPO Ong, Bee Suan; Streich, Sebastian
A MUSIC LOOP EXPLORER SYSTEM Streich, Sebastian; Ong, Bee Suan
THE BIGBANG RUBETTE: GESTURAL MUSIC COMPOSITION WITH RUBATO COMPOSER Thalmann, Florian; Mazzola, Guerino
DO MOBILE PHONES DREAM OF ELECTRIC ORCHESTRAS? Wang, Ge; Essl, Georg; Penttinen, Henri
ONTOLOGY MANAGEMENT FOR PRESERVATION OF INTERACTIVE MULTIMEDIA PERFORMANCES Ng, Kia; Mikroyannidis, Alexander; Ong, Bee; Bonardi, Alain; Barthélemy, Jérôme; Ciavarella, Raffaele
I-MAESTRO: TECHNOLOGY-ENHANCED LEARNING FOR MUSIC Ng, Kia; Weyde, Tillman; Nesi, Paolo
ADAPTIVE BOTTLE Adilôglu, K.; Anniés, R.; Obermayer, K.; Visell, Y.; Drioli, C.
DIGITAL TIME: COMPLEXITY AND PERCEPTION Tanzi, Dante
HOW TO MAKE YOUR WIFE LISTEN: THE PORTRAYAL OF WOMEN IN MUSIC TECHNOLOGY PUBLICATIONS Burns, Kristine H.
THE WORLDSCAPE LAPTOP ORCHESTRA: CREATING LIVE, INTERACTIVE DIGITAL MUSIC FOR AN ENSEMBLE OF FIFTY PERFORMERS Harker, Alex; Atmadjaja, Angie; Bagust, Jethro; Field, Ambrose
NRCI: SOFTWARE TOOLS FOR LAPTOP ENSEMBLE Burns, Christopher; Surges, Greg
EQUIPPING ARTIFICIAL GUITAR PLAYERS WITH BIOMECHANICAL CONSTRAINS: A CASE STUDY OF PRECISION AND SPEED Costalonga, Leandro; Miranda, Eduardo R.
A Full-body Gesture Recognition System and its Integration in the Composition “3rd. Pole” Ciglar, Miha
GENERATING TARGETED RHYTHMIC EXERCISES FOR MUSIC STUDENTS WITH CONSTRAINT SATISFACTION PROGRAMMING Percival, Graham; Anders, Torsten
REALTIME MUSIC PROGRAMMING USING SND-RT Matheussen, Kjetil
Performing the City: An Urban Performance Workshop Barrett, G. Douglas; Gagliardi, Francesco
OWT: A REAL-TIME OPTIMAL TUNING APPLICATION Pan, Wei; Johnson, Micah K.; Polansky, Larry; Rockmore, Daniel; Repetto, Douglas
A UNIFIED MODEL FOR AUDIOAND CONTROL SIGNALS IN PWGLSYNTH Norilo, Vesa; Laurson, Mikael
ANALYSIS, VISUALIZATION, AND TRANSFORMATION OF AUDIO SIGNALS USING DICTIONARY-BASED METHODS Sturm, Bob L.; Roads, Curtis; McLeran, Aaron; Shynk, John J.
TECHNOLOGY, CULTURE AND LOCATION IN A RECENT NEW ZEALAND SONIC ART PROJECT Whalley, Ian
DATA-DRIVEN RECOMPOSITION USING THE HIERARCHICAL DIRICHLET PROCESS HIDDEN MARKOV MODEL Hoffman, Matthew D.; Cook, Perry R.; Blei,
ANALOGUE TO DIGITAL: AUTHENTICIY VS. SUSTAINABILITY IN STOCKHAUSEN’S MANTRA (1970) Pestova, Xenia; Marshall, Mark T.; Sudol, Jacob
SCORING THE COLOR OF WAITING Schedel, Margaret; Rootberg, Alison
PLAYING THE NETWORK: THE USE OF TIME DELAYS AS MUSICAL DEVICES Cáceres, Juan-Pablo; Renaud, Alain B.
THE SPATIAL POLITICS OF RADIO: ANNA FRIZ’S CRITICAL UTOPIAS Ouzounian, Gascia
CONSTRUCTION OF AN ELECTRONIC TIMBRE DICTIONARY FOR ENVIRONMENTAL SOUNDS BY TIMBRE SYMBOL Kobayashi, Yohei; Osaka, Naotoshi
TWO APPROACHES FOR INTERACTION MANAGEMENT IN TIMBRE-AWARE IMPROVISATION SYSTEMS Hsu, William
COMPOSING WITH BRAINWAVES: MINIMAL TRIAL P300 RECOGNITION AS AN INDICATION OF SUBJECTIVE PREFERENCE FOR THE CONTROL OF A MUSICAL INSTRUMENT Grierson, M.
The MusicDB: A Music Database Query System for Recombinance-based Composition in Max/MSP Maxwell, James B.; Eigenfeldt, Arne
THE ENIGMA OF VITRUVIAN RESONATING VASES AND THE RELEVANCE OF THE CONCEPT FOR TODAY Goodman, Rob
AUTOMATIC FITNESS IN GENERATIVE JAZZ IMPROVISATION Bäckman, Kjell
TEXTURAL COMPOSITION: IMPLEMENTATION OF AN INTERMEDIARY AESTHETIC Hagan, Kerry L.
EXPLORING MUSICAL MAPPINGS AND GENERATING ACCOMPANIMENT WITH CHAOTIC SYSTEMS Cupellini, E.; Rizzuti, C.; Bilotta, E.; Pantano, P.; Wozniewski, M.; Cooperstock, J. R.
OUR RESEARCH FOR LOST ROUTE TO ROOT Barthélemy, Jérôme; Bonardi, Alain; Boutard, Guillaume; Ciavarella, Raffaele
APPLICATIONS OF GEOSCIENTIFIC SONIFICATION: PRELIMINARY RESULTS – WHERE IS MY RESERVOIR? Brough, Samantha
ADAPTING POLYPHONIC PICKUP TECHNOLOGY FOR SPATIAL MUSIC PERFORMANCE Bates, Enda; Furlong, Dermot; Dennehy, Donnacha
MAINTAINING AND USING PROVENANCE DATA IN COMPUTER MUSIC ffitch, John; Padget, Julian
THE LAB FOR CREATIVE ARTS & TECHNOLOGIES 2008 STUDIO REPORT Beck, Stephen David
POLYPHONIC NOTE TRACKING USING MULTIMODAL RETRIEVAL OF MUSICAL EVENTS Quested, Garry; Boyle, Roger; Ng,
CONSTRAINT-BASED COMPOSITION IN REALTIME Anders, Torsten; Miranda, Eduardo R.
HIGHER-ORDER CONSTRAINT APPLICATORS FOR MUSIC CONSTRAINT PROGRAMMING Anders, Torsten; Miranda, Eduardo R.
RAMEAU: A SYSTEM FOR AUTOMATIC HARMONIC ANALYSIS Kröger, Pedro; Passos, Alexandre; Sampaio, Marcos
INVESTIGATING ARTISTIC POTENTIAL OF THE DREAM INTERFACE: THE AURAL PAINTING Bukvic, Ivica Ico; Gracanin, Denis; Quek,
GOLDSMITHS ELECTRONIC MUSIC STUDIOS: 40 YEARS Young, Michael; Drever, John; Grierson, Mick; Stonehouse, Ian
THE WALKING MACHINE Nilsson, Per Anders
RESOUND: OPEN-SOURCE LIVE SOUND SPATIALISATION Mooney, James; Moore, David
POPULARITY OF MUSIC PLAYER PARAMETERS AND FEATURES Holm, Jukka
The Use of Mel-frequency Cepstral Coefficients in Musical Instrument Identification Loughran, Róisín; Walker, Jacqueline; O’Neill, Michael; O’Farrell,
VOCABLE SYNTHESIS McLean, Alex; Wiggins, Geraint
STOCHASTIC RESONANCE SOUND SYNTHESIS Cádiz, Rodrigo F.; de la Cuadra, Patricio
SPECTRAL SPATIALIZATION - AN OVERVIEW Kim-Boyle, David
VISUAL AND SOUND GENERATION DRIVEN BY BRAIN, HEART AND RESPIRATION SIGNALS Filatriau, Jean-Julien; Kessous, Loic
INTERACTIVE COMPOSITION AND IMPROVISATION ON THE HYPER-FLUTE Palacio-Quintin, Cléo; Zadel, Mark
THE ROSEGARDEN CODICIL: REHEARSING MUSIC IN NINETEEN-TONE EQUAL TEMPERAMENT Bailey, Nicholas; McGilvray, Douglas; Hair, Graham; Pearson, Ingrid; Morrison, Amanda; Parncutt, Richard
INTRODUCING VIDEO FEATURES AND SPECTRAL DESCRIPTORS IN THE OMAX IMPROVISATION SYSTEM Bloch, Georges; Dubnov, Shlomo
AN INTERACTIVE BIO-MUSIC IMPROVISATION SYSTEM Tahiroğlu, Koray; Drayson, Hannah; Erkut, Cumhur
EVALUATING THE WIIMOTE AS A MUSICAL CONTROLLER Kiefer, Chris; Collins, Nick; Fitzpatrick, Geraldine
HIGH-PERFORMANCE AUDIO COMPUTING —A POSITION PAPER Dobson, Richard; ffitch, John; Bradford, Russell
IKLAX : A NEW MUSICAL AUDIO FORMAT FOR INTERACTIVE MUSIC Gallot, Fabien; Lagadec, Owen; Desainte- Catherine, Myriam; Marchand, Sylvain
A GAME THEORETICAL MODEL FOR MUSICAL INTERACTION Leslie, Grace; Hassanpour, Navid
VISUALISATION OF MUSICAL STRUCTURE BY APPLYING IMPROVED EDITING ALGORITHMS Hanna, Pierre; Robine, Matthias; Ferraro, Pascal
VOICE SEPARATION IN POLYPHONIC MUSIC: A DATA-DRIVEN APPROACH Jordanous, Anna
A MULTILAYERED GDIF-BASED SETUP FOR STUDYING COARTICULATION IN THE MOVEMENTS OF MUSICIANS Jensenius, Alexander Refsum; Nymoen, Kristian; Godøy, Rolf Inge
MULTI-USER HAND GESTURE BASED MUSICAL ELEMENT MAPPING WITH TRADITIONAL MUSICAL ELEMENTS Sang, To Yip; Wong, Kam
COMPER: TOWARDS A MODEL FOR GENERATING COMPOSITIONS FROM EXPRESSIVE MUSIC PERFORMANCES Kirke, Alexis; Miranda, Eduardo R.
TOWARDS THE IMPLEMENTATION OF A GENERIC PLATFORM FOR NETWORKED MUSIC PERFORMANCE: THE DIAMOUSES APPROACH Alexandraki, Chrisoula; Koutlemanis, Panayotis; Gasteratos, Petros; Valsamakis, Nikolas; Akoumianakis, Demosthenes; Milolidakis, Giannis
ADAPTIVE MELODIC SEGMENTATION AND MOTIVIC IDENTIFICATION Wilder, Greg
STUDIO REPORT: DIGITÓPIA AT CASA DA MÚSICA Penha, Rui; Rodrigues, Paulo M.; Gouyon, Fabien; Martins, Luís Gustavo; Guedes, Carlos; Barbosa, Álvaro
TWO NETWORK INSTALLATIONS: ‘1133’ & ‘COMPUTER VOICES’ Akkermans, Vincent; van Nispen tot Pannerden, Than
DO YOU SOUND LIKE YOUR FRIENDS? EXPLORING ARTIST SIMILARITY VIA ARTIST SOCIAL NETWORK RELATIONSHIPS AND AUDIO SIGNAL PROCESSING Fields, Ben; Casey, Michael; Jacobson, Kurt; Sandler, Mark
RHYTHMIC ANALYSIS FOR REAL-TIME AUDIO EFFECTS Stark, Adam M.; Davies, Matthew E.P.; Plumbley, Mark D.
USING THE CORDIS-ANIMA FORMALISM FOR THE PHYSICAL MODELING OF THE GREEK ZOURNAS SHAWM Kontogeorgakopoulos, Alexandros; Tzevelekos, Panagiotis; Cadoz, Claude; Kouroupetroglou, Georgios
INTRODUCING ASANNOTATION: A TOOL FOR SOUND ANALYSIS AND ANNOTATION Bogaards, Niels; Yeh, Chunghsin; Burred, Juan José
THE NYQUIST COMPOSITION ENVIRONMENT: SUPPORTING TEXTUAL PROGRAMMING WITH A TASK-ORIENTED USER INTERFACE Dannenberg, Roger B.
NOVARS RESEARCH CENTRE, UNIVERSITY OF MANCHESTER, UK. STUDIO REPORT Climent, Ricardo; Berezan, David; Davison, Andrew
SOUND COMMUNICATION: A STANDARD SYNTAX FOR INTER-APPLICATION, INTER-DEVICE AND INTERPLAYER COMMUNICATION OVER OSC Hewitt, Scott; Tremblay, Pierre Alexandre
OUNK - AN AUDIO SCRIPTING ENVIRONMENT FOR SIGNAL PROCESSING AND MUSIC COMPOSITION Bélanger, Olivier
DRAWING ELECTROACOUSTIC MUSIC Thiebaut, Jean-Baptiste; Healey, Patrick G. T.; Kinns, Nick Bryan
INTEGRATED RECOGNITION SYSTEM FOR MUSIC SCORES Capela, Artur; Cardoso, Jaime S.; Rebelo, Ana; Guedes, Carlos
EXPRESSIVE IRISH FIDDLE PERFORMANCE MODEL INFORMED WITH BOWING Perez, Alfonso; Maestre, Esteban; Kersten, Stefan; Ramirez, Rafael
ARTICULATED NOISE Lyon, Eric
MULTI-AGENT MULTIMODAL PERFORMANCE ANALYSIS Eigenfeldt, Arne; Kapur, Ajay
THE SILENT DRUM CONTROLLER: A NEW PERCUSSIVE GESTURAL INTERFACE Oliver, Jaime; Jenkins, Mathew
WHAT NEXT? CONTINUATION IN REAL-TIME CORPUS-BASED CONCATENATIVE SYNTHESIS Schwarz, Diemo; Cadars, Sylvain; Schnell, Norbert
IMPLEMENTATION AND APPLICATIONS OF OPEN SOUND CONTROL TIMESTAMPS Schmeder, Andy; Freed, Adrian
VICTORIA COUNTS – A CASE STUDY WITH ELECTRONIC VIOLIN BOW Guettler, Knut; Wilmers, Hans; Johnson,
DESIGNING NEW INSTRUMENTS FOR THE HUMAN TOUCH – CASE SORMINA Räisänen, Juhani
continuaMENTE: INTEGRATING PERCUSSION, AUDIOVISUAL AND IMPROVISATION Manzolli, Jônatas
Interaction typologies : traditional music instruments versus digital music instruments Ferreira-Lopes, Paulo
EXPORING NEW COMPOSER/PERFORMER INTERACTIONS USING REAL-TIME NOTATION McClelland, Christopher; Alcorn, Michael
OUT OF SYNC: A SIMPLE SCORE BASED GUI FOR QUICK CORRECTION IN PERFORMER COMPUTER INTERACTION Chowning, John
SPATIAL SWARM GRANULATION Wilson, Scott
THE EFFECT OF AIR TURBULENCE ON SOUND AND ITS APPLICATION TO MUSICAL SIGNAL PROCESSING Bruns, Matthew; Kendall, Gary
CROSS-POLLINATION: TOWARDS AN AESTHETICS OF THE REAL Davis, Tom
CUANDO CANTO BAJAN LOS CERROS: AN INITIATIVE FOR INTERFACE DEVELOPMENT INFORMED BY A LATIN-AMERICAN CONTEXT Ramírez-Gastón, José Ignacio López
IMPROVEMENTS OF SYMBOLIC KEY FINDING METHODS Robine, Matthias; Rocher, Thomas
FLEXIBLE CONTROL OF COMPOSITE PARAMETERS IN MAX/MSP Place, Timothy; Lossius, Trond; Jensenius, Alexander Refsum; Peters, Nils
”UNDERGROUND SOUNDS” EXPERIMENTING WITH THE SOUNDS OF EARTHQUAKES Saranti, Anna; Meier, Manuela
DESIGN AND DEVELOPMENT OF AN INTERACTIVE SONIFICATION INTERFACE FOR HEARING IMAGES O'Neill, Charles; Ng, Kia
SPECTRAL SYNTHESIS AND CONTROL WITH CELLULAR AUTOMATA Serquera, Jaime; Miranda, Eduardo R.
{TranSpell} Shiota, Kazuaki
WHAT IS AN EVENT? The EVENT Schema, Circumstances, Metaphor And Gist Kendall, Gary S.
ANALYSIS-SYNTHESIS MODEL FOR TRANSIENT IMPACT SOUNDS BY STATIONARY WAVELET TRANSFORM AND SINGULAR VALUE DECOMPOSITION Ahmad, Wasim; Hacıhabiboğlu, Hüseyin; Kondoz, Ahmet M.
SYNTHBOT: AN UNSUPERVISED SOFTWARE SYNTHESIZER PROGRAMMER Yee-King, Matthew; Roth, Martin
Reinventing Audio and Music Computation for Many-Core Processors Wessel, David; Dannenberg, Roger; Orlarey, Yann; Puckette, Miller; Van Roy, Peter; Wang, Ge
IMPLICIT PHYSIOLOGICAL INTERACTION FOR THE GENERATION OF AFFECTIVE MUSICAL SOUNDS Le Groux, Sylvain; Valjamae, Aleksander; Manzolli, Jonatas; Verschure, Paul FMJ
CCRMA STUDIO REPORT Wilkerson, Carr; Leitman, Sasha; Lopez-Lezcano, Fernando
STUDIO REPORT: UC BERKELEY CENTER FOR NEW MUSIC AND AUDIO TECHNOLOGIES (CNMAT) Andrews, Richard
FREEDOM IN TAPESTREA! VOICE-AWARE TRACK MANIPULATIONS Lieber, Tom; Misra, Ananya; Cook, Perry
THE MUSIC TECHNOLOGY PROGRAM AT MCGILL UNIVERSITY Scavone, Gary P.; Whetsell, Nathan
RECENT DEVELOPMENTS IN THE DIFFERENT STROKES ENVIRONMENT Zadel, Mark; Scavone, Gary
VISUALIZATION TOOLS FOR MUSICAL TIMING APPLIED TO AFRO-CUBAN PERCUSSION Wright, Matthew; Schloss, W. Andrew; Tzanetakis,
Q3OSC OR: HOW I LEARNED TO STOPWORRYING AND LOVE THE BOMB GAME Hamilton, Robert
INTEROPERABILITY AND THE MARSYAS 0.2 RUNTIME Tzanetakis, G.; Jones, R.; Castillo, C.; Martins, L.G.; Teixeira, L.F.; Lagrange, M.
NOT JUST MORE FMS: TAKING IT TO THE NEXT LEVEL Park, Tae Hong; Li, Zhiye; Biguenet, Jonathan
VOICE SYNTHESIS USINGTHE GENERALIZED PRESSURE-CONTROLLED VALVE Smyth, Tamara; Fathi, Alireza
TABLA GYAN: A SYSTEM FOR REALTIME TABLA RECOGNITION AND RESYNTHESIS Chordia, Parag; Rae, Alex
INTERCULTURAL EXPLORATION: THE COMPUTER AND TRADITIONAL MUSIC CULTURES Helmuth, Mara
ANTESCOFO: ANTICIPATORY SYNCHRONIZATION AND CONTROL OF INTERACTIVE PARAMETERS IN COMPUTER MUSIC Cont, Arshia
FOUNDATIONS FOR ON-THE-FLY LEARNING IN THE CHUCK PROGRAMMING LANGUAGE Fiebrink, Rebecca; Wang, Ge; Cook, Perry R.
MUSIC AND GESTURE FILE: PERFORMANCE VISUALISATION, ANALYSIS, STORAGE AND EXCHANGE Pullinger, Stuart; McGilvray, Douglas; Bailey, Nicholas J.
THE IMPORTANCE OF HUSSERL’S PHENOMENOLOGY OF INTERNAL TIME-CONSCIOUSNESS FOR MUSIC ANALYSIS AND COMPOSITION Boenn, Georg
THE CYCLOTRON: A TOOL FOR PLAYING WITH TIME Trueman, Daniel
TIME AFTER TIME : SHORT-CIRCUITING THE EMOTIONAL DISTANCE BETWEEN ALGORITHM AND HUMAN IMPROVISORS Casal, David Plans
NOVEL PERCUSSIVE INSTRUMENT DESIGN – CONVERTING MATHEMATICAL FORMULAE INTO ENGAGING MUSICAL INSTRUMENTS Chuchacz, Katarzyna; Woods, Roger; O’Modhrain, Sile
TOWARDS AN INTERCHANGE FORMAT FOR SPATIAL AUDIO SCENES Kendall, Gary; Peters, Nils; Geier, Matthias
A STUDY INTO THE PERCEPTION OF ENVELOPMENT IN ELECTROACOUSTIC MUSIC Adair, Sarah; Alcorn, Michael; Corrigan, Chris
PARAMETER CONTROLLED REMOTE PERFORMANCE (PCRP): PLAYING TOGETHER DESPITE HIGH DELAY Hadjakos, Aristotelis; Aitenbichler, Erwin; Mühlhäuser, Max
ASDF: AUDIO SCENE DESCRIPTION FORMAT Geier, Matthias; Spors, Sascha
PROPOSING SPATDIF - THE SPATIAL SOUND DESCRIPTION INTERCHANGE FORMAT Peters, Nils
INTERCHANGE FORMATS AND THE ART OF SPATIAL AUDIO Kendall, Gary S.
SPATIAL AUDIO AUTHORING AND RENDERING: FORWARD RESEARCH THROUGH EXCHANGE Gatzsche, Gabriel; Melchior, Frank
CONTROLLING SPATIAL SOUND WITHIN AN INSTALLATION ART CONTEXT Lossius, Trond
Telematic Music – Restrictions and Advantages Compared to Traditional One-Site Music Events Braasch, Jonas
NOT BEING THERE Puckette, Miller
COMPOSING FOR RELATIVE TIME IN DISTRIBUTED PERFORMANCE Rowe, Robert
TAPPING INTO THE INTERNET AS AN ACOUSTICAL AND MUSICAL MEDIUM Chafe, Chris
NETWORKED MUSIC : LOW & HIGH TECH. Oliveros, Pauline
REAL-TIME COMPOSITION AND NOTATION IN NETWORK MUSIC ENVIRONMENTS Hajdu, Georg
RICHARD WAGNER WAS THE FIRST NETWORK ARTIST Gerzso, Andrew
NETWORK DRAMATURGY: BEING ON THE NODE Rebelo, Pedro; Schroeder, Franziska; Renaud, Alain B.
MULTICORE TECHNOLOGIES IN JACK AND FAUST Orlarey, Y.; Letz, S.
NETWORKED SONIC SPACES Joy, Jérôme; Sinclair, Peter
THE NETWORKED PERFORMANCE PROJECT FOR LO SPECCHIO CONFUSO DALL’OMBRA OF ROBERTO GIROLIN Camurri, Antonio; Canepa, Corrado; Coletta, Paolo; Ghisio, Simone; Girolin, Roberto; Volpe, Gualtiero
Is Music Audio Processing Embarrassingly Parallel? Dannenberg, Roger B.
A COMMENT ON MANY-CORE COMPUTING AND REAL-TIME AUDIO SOFTWARE SYSTEMS (2008) Wang, Ge
CONDITIONS FOR DEVELOPMENT OF AN INTERCHANGE FORMAT FOR SPATIAL AUDIO Lyon, Eric
REMOTE 3D-AUDIO PERFORMANCE WITH SPATIALIZED DISTRIBUTION Ritsch, Winfried; Musil, Thomas; Sontacchi, Alois; Zmölnig, Johannes; Zotter, Franz
MUSIC THAT LISTENS TO WHAT'S GOING TO HAPPEN: INTERNET ENHANCED, SELF-ADAPTING SOUNDSCAPES Cera, Andrea
THE CHALLENGES AND OPPORTUNITIES OF MULTIPLE PROCESSORS: WHY MULTI-CORE PROCESSORS ARE EASY AND INTERNET IS HARD Van Roy, Peter
INTERCHANGE FORMATS FOR SPATIAL AUDIO Pope, Stephen Travis
Thoughts on Parallel Computing for Music Puckette, Miller