Title |
Author(s) |
A Physical Model of the Sho and Its Application to Articulation Synthesis
|
Hikichi, Takafumi; Osaka, Naotoshi; Ikatura, Fumitada |
Synthesis of the laryngeal source of throat singing using a 2x2-mass model
|
Sakakibara, Kin-Ichi; Imagawa, Hiroshi; Niimi, Seiji; Osaka, Naotoshi |
Time-Domain Synthesis of Conical Bore Instrument Sounds
|
Scavone, Gary P. |
Harmonic Analysis Using Neural Networks
|
Tsui, Vincent; MacLean, James |
Musical Analysis by Computer Following Cognitive Model of Induction Analogies
|
Lartillot, Olivier |
Listening to "Naima": An Automated Structural Analysis of Music from Recorded Audio
|
Dannenberg, Roger B. |
Processes and tools used in the sound design for computer games
|
Gal, V.; Le Prado, C.; Merland, J.B.; Natkin, S.; Vega, L. |
The implications of commercial 5.1 and 7.1 surround formats for computer music sound design: an environmental approach to aesthetics and practical techniques
|
Field, Ambrose |
From the Physics of Piano Strings to Digital Waveguides
|
Bensa, Julien; Bilbao, Stefan; Kronland-Martinet, Richard; Smith III, Julius O. |
Banded Waveguides on Circular Topologies and of Beating Modes: Tibetan Singing Bowls and Glass Harmonicas
|
Essel, Georg; Cook, Perry R. |
Use of physical-model synthesis for developing experimental techniques in ethnomusicology - The case of the Ouldémé flute
|
de la Cuadra, Patricio; Vergez, Christophe; Caussé, René |
Analysis and synthesis of unusual friction-driven musical instruments
|
Serafin, Stefania; Huang, Patty; Ystad, Sølvi; Chafe, Chris; Smith III, Julius O. |
Machine Listening for Autonomous Musical Performance Systems
|
Suzuki, Kenji; Taki, Yoichiro; Konogaya, Hisaki; Hartono, Pitoyo; Hashimoto, Shuji |
Melodic segmentation: evaluating the performance of algorithms and musical experts
|
Thom, Belinda; Spevak, Christian; Höthker, Karin |
On SOM based time-series analysis and motivation of generic methods of musical pattern recognition
|
Tiits, Kalev |
StochGran on OSX
|
Helmuth, Mara |
RTMix: a Real-Time Interactive Electroacoustic Music Performance, Composition and Coaching Interface
|
Bukvic, Ivica Ico |
Large Group Musical Interaction using Disposable Wireless Motion Sensors
|
Feldmeier, Mark; Paradiso, Joseph A.; Malinowski, Mateusz |
KEYed user interface: Tools for expressive music production
|
Mohamed, Farhan; Fels, Sidney |
A Wireless, Network-based Biosensor Interface for Music
|
Dubost, Gilles; Tanaka, Atau |
Sinusoidal Synthesis Optimization
|
Marentakis, Georgio; Jensen, Kristoffer |
Detection of Sinusoidal Components in Sounds Using Statistical Analysis of Intensity Fluctuations
|
Hanna, Pierre; Desainte-Catherine, Myriam |
Comparison of different audio restoration methods based on frequency and time domains with applications on electronic music repertoire
|
Canazza, Sergio; De Poli, Giovanni; Mian, Gian Antonio; Scarpa, Alessandro |
Augmented Reality for Music
|
Berry, Rodney; Tadenuma, Makoto |
Cymatic. Restoring the Physical Manifestation of Digital Sound Using Haptic Interfaces to Control a New Computer Based Musical Instrument
|
Rimell, Stuart; Howard, David M.; Tyrrell, Andy M.; Kirk, Ross; Hunt, Andy |
Using Haptics for Digital Audio Navigation
|
Chu, Lonny L. |
Estimating partial frequency and frequency slope using reassignment operators
|
Röbel, Axel |
Spectral Envelope Correction for Real-Time Transposition: Proposal of a "Floating-Formant" Method
|
Dudas, Richard |
Characterizing Musical Signals with Wigner-Ville Interfaces
|
DeMeo, William J. |
The Planet CCRMA software collection
|
Lopez-Lezcano, Fernando |
PWGL: A Novel Visual Language based on Common Lisp, CLOS and OpenGL
|
Laurson, Mikael; Kuuskankare, Mika |
MusicTalk: A Tool Driven Approach to Computer Aided Composition
|
Mahling, Andreas |
A wizard's aid: efficient music constraint programming with Oz
|
Anders, Torsten |
Tiling problems in music composition: Theory and Implementation
|
Andreatta, Moreno; Agon, Carlos; Amiot, Emmanuel |
Proving Musical Properties using a temporal Concurrent Constraint Calculus
|
Rueda, Camilo; Valencia, Frank |
Description of an interactive, sound making, online computer music tutorial web book. Available for any browser on a Windows or Apple platform.
|
Burk, Phil; Polansky, Larry; repetto, douglas; Rockmore, Daniel; Roberts, Mary Lee |
Beyond the Query-By-Example Paradigm: New Query Interfaces for Music Information Retrieval
|
Tzanetakis, George; Ermolinskyi, Andreye; Cook, Perry |
Using Pd as a score language
|
Puckette, Miller |
The Sound Synthesis System "Otkinshi": Its Data Structure and Graphical User Interface
|
Osaka, Naotoshi; Sakakibara, Ken-Ichi; Hikichi, Takafumi |
GAIA: Graphical Audio Interface Application
|
Topper, David |
RtAudio: A Cross-Platform C++ Class for Realtime Audio Input/Output
|
Scavone, Gary P. |
Towards a Closed System Automated Composition Engine: Linking 'Kansei' and Musical Language Recombinicity
|
Whalley, Ian |
A Brief Survey of Mapping in Algorithmic Composition
|
Doornbusch, Paul |
The Continuator: Musical Interaction with Style
|
Pachet, François |
Physical Model Synthesis and Performance Mappings of Bowl Resonators
|
Wilkerson, Carr; Serafin, Stefania; Ng, Carmen |
Physically-based realtime synthesis of contact sounds
|
Avanzini, Federico; Rath, Matthias; Rocchesso, Davide |
Collaboration Software for Music Analysis: A Case Study
|
Schattle, Erica; Simoni, Mary |
The Musical Session System with the Visual Interface
|
Yoshida, Yuichi; Yamagishi, Yasunori; Kanamori, Kazuki; Saiwaki, Naoki; Nishida, Shogo |
Between Technology and Creativity, Challenges and Opportunity for Music Technology in Higher Education
|
Boehm, Carola |
Real-Time Implementation of a General Model for Spatial Processing of Sounds
|
Yadegari, Shahrokh; Moore, F. Richard; Castle, Harry; Burr, Anthony; Apel, Ted |
New Method for the Directional Representation of Musical Instruments in Auralizations
|
Otondo, Felipe; Rindel, Jens Holger |
Combfilters and coloration in music
|
Halmrast, Tor |
Sparkler: An Audio-Driven Interactive Live Computer Performance for Symphony Orchestra
|
Jehan, Tristran; Machover, Tod; Fabio, Mike |
Improved Score Following for Acoustic Performances
|
Pardo, Bryan; Birmingham, William |
Compositional Imperatives for Implementing an Audio Alignment Program in MAX/MSP
|
Izmirli, Ozgur; Seward, Rob; Zahler, Noel |
Water Music: Sonificiation of Ocean Buoy Spectral Data
|
Sturm, Bob L. |
Design and Implementation of Stetho: Network Sonificiation System
|
Kimoto, Masahiko; Ohno, Hiroyuki |
Estimation of frequency dependent damping and implementation for physical modeling sound synthesis of violin
|
Holm, Jan-Markus |
Parameter Estimation of a Plucked String Synthesis Model with Genetic Algorithm
|
Riionheimo, Janne; Vôlimôki, Vesa |
Perception-based control of vibrato parameters in string instrument synthesis
|
Jôrvelôinen, Hanna |
Urban Corridor: Accumulation and Interaction as Form-Bearing Process
|
Keller, Damián; Capasso, Ariadna; Wilson, Scott R. |
Global String: A Musical Instrument for Hybrid Space
|
Tanaka, Atau; Bongers, Bert |
The Physical Model as Metaphor for Musical Creation: "pico..TERA", a piece generated by physical model
|
Cadoz, Cladue |
The BBCut Library
|
Collins, Nick |
DIPS for Linux and Mac OS X
|
Matsuda, Shu; Miyama, Chikashi; Ando, Daichi; Rai, Takayuki |
Measurement of guitar string coupling
|
Nackaerts, Acel; De Moor, Bart; Lauwereins, Rudy |
Tonehole Radiation Directivity: A Comparison of Theory to Measurements
|
Scavone, Gary P.; Karjalainen, Matti |
GENESIS: A Friendly Musician-Oriented Environment for Mass-Interaction Physical Modeling
|
Castagne, Nicolas; Cadoz, Claude |
OPENDRAMA: Networking Opera: a report of a project in progress
|
Tariffi, Flavio; Cuomo, Stefano; Boehm, Carola; Bailey, Nick; Kerr, Phil; Short, Barry |
The Interaction of Sound Identities in Electroacoustic Music
|
Young, John |
The Aesthetics, History and Future Challenges of Interconnected Music Networks
|
Weinberg, Gil |
RENCON: toward a new evaluation system for performance rendering systems
|
Hiraga, Rumi; Hashida, Mitsuyo; Hirata, Keiji; Katayose, Haruhiro; Noike, Kenzi |
The Performance Worm: Real Time Visualisation of Expression based on Langner's Tempo-Loudness Animation
|
Dixon, Simon; Goebl, Werner; Widmer, Gerhard |
Automatic Real-Time Extraction of Musical Expression
|
Friberg, Anders; Schoonderwaldt, Erwin; Juslin, Patrik N.; Bresin, Roberto |
A Bayesian Technique for Distinguishing Between Melody Notes and Grace Notes in Recorded Performances
|
MacLean, W. James |
Quantifying the Differences between Music Performers: Score vs. Norm
|
Stamatatos, Efstathios |
Spectral Modification and MIDI Control for Improved Quality of Violin Sound Synthesis
|
Zolfaghari, P.; Banno, H.; Ban, H.; Igarashi, K.; Takeda, K.; Itakura, F. |
Fractal Additive Synthesis: A Pitch-Synchronous Extension of the Method for the Analysis and Synthesis of Natural Voiced-Sounds
|
Polotti, Pietro |
Sound Morphing using Loris and the Reassigned Bandwidth-Enhanced Additive Sound Model: Practice and Applications
|
Fitz, Kelly; Haken, Lippold; Lefvert, Susanne; O'Donnell, Mike |
The Virginia Center for Computer Music
|
Shatin, Judith; Burtner, Matthew; Topper, David |
CCRMA Studio Report
|
Reyes, Juan; Lopez-Lezcano, Fernando |
Studio Report - Kungliga Musikhögskolan in Stockholm
|
Brunson, William; Sandred, Örjan; Hedelin, Fredrik |
Time-varying estimation of parameters in rule systems for music performance
|
Zanon, Patrick; De Poli, Giovanni; Dorigatti, Alessandro |
Real Time Analysis of Expressive Contents in Piano Performances
|
Canazza, Sergio; De Poli, Giovanni; Rodà, Antonio; Soleni, Giulio; Zanon, Patrick |
Integrating Tempo Tracking and Quantization using Particle Filtering
|
Cemgil, Ali Taylan; Kappen, Bert |
Real-time analysis of expressive cues in human movement
|
Camurri, Antonio; Trocca, Riccardo; Volpe, Gualtiero |
Differential PCM Representation of Acoustic Instruments and Wavetable Synthesis
|
Trautmann, Steven |
Learning to Play and Perform on Synthetic Instruments
|
ffitch, John; Padget, Julian |
MfOM: a Library for Building and Controlling Physical Model Instruments in Open Music
|
Polfreman, Richard |
Center for New Music and Audio Technologies (CNMAT): Studio Report
|
Andrews, Richard |
University of Helsinki Music Research Laboratory and Electronic Music Studio - A Studio Report
|
Lassfolk, Kai |
Subjective Preference Oriented Global Sound Database
|
Hartono, Pitoyo; Suzuki, Kenji; Qi, Hai; Hashimoto, Shuji |
The CUIDADO Project: New Applications based on Audio and Music Content Description
|
Vinet, Hugues; Herrera, Perfecto; Pachet, François |
Automatically selecting signal descriptors for SoundClassification
|
Peeters, Geoffroy; Rodet, Xavier |
Notation and 3D Animation of Dance Movement
|
Neagle, Royce; Ng, Kia; Ruddle, Roy A. |
A Probabilistic Model of Melodic Similarity
|
Hu, Ning; Dannenberg, Roger B.; Lewis, Ann L. |
An Improved Algorithm for Spacing a Line of Music
|
Renz, Kai |
Gamera: Optical music recognition in a new shell
|
MacMillan, Karl; Droettboom, Michael; Fujinaga, Ichiro |
New Mappings for the MATRIX Interface
|
Overholt, Dan |
The Hyperbow: A Precision Violin Interface
|
Young, Diana |
The Vodhran - Design and Development of a Virtual Instrument
|
Marshall, Mark; Moynihan, Breege; Rath, Matthias |
An Interpreted Language for Real Time Signal Processing
|
Geiger, Guenter |
An experimental SDIF-sampler in Max/MSP
|
Rioux, Vincent; Poletti, Manuel |
A Language for Interactive Audio Applications
|
Dannenberg, Roger B. |
Application of Mathematical Models to the Generation of Organic Musical Structure and Discourse in Composition: Research Summary
|
Fischman, Rajmil |
The vBow: A Four Degrees of Freedom Haptic Musical Controller Human-Computer Interface
|
Nichols, Charles |
"PuSH-Overture" - Extending the Playability of the Traditional Musical Instrument
|
Fernström, Mikael; McElligott, Lisa; Dillon, Michelle; McGettrick, Colm |
The Metasaxophone: Design of a New Computer Music Controller
|
Burtner, Matthew |
A Distributed Real-time System for Interactive Music Mapping with Multiple Inputs
|
Ng, Kia; Scott, Jon |
OLW: An Extension to MSP for the Implementation of Overlap-Windowing Techniques
|
Thibault, Francois; Depalle, Philippe |
Voices of Artificial Life: On Making Music with Computer Models of Nature
|
Miranda, Eduardo Reck |
Prokaryotic Groove: Rhythmic Cycles as Real-Value Encoded Genetic Algorithms
|
Ariza, Christopher |
Tracing Compositional Process: Software synthesis code as documentary evidence
|
Burns, Christopher |
A Qualitative Analysis of Composers at Work
|
Nuhn, Ralf; Eaglestone, Barry; Ford, Nigel; Moore, Adrian; Brown, Guy |
Ecrins: an audio-content description environment for sound samples
|
Geslin, Yann; Mullon, Pascal; Jacob, Max |
Inferring Descriptions and Similarity for Music from Community Metadata
|
Whitman, Brian; Lawrence, Steve |
Hegel, Heidegger and Borgmann's Substantive Implications for Music and Technology
|
Ramstrum, Momilani |