| Title |
Author(s) |
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My View of the Future of Real-Time Computer Music
|
Mathews, Max |
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Extended Nonlinear Waveshaping Analysis/Synthesis Technique
|
Beauchamp, James; Horner, Andrew |
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Timescale Modification and Wavelet Representations
|
Ellis, Daniel P. W. |
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Additive Resynthesis of Sounds Using Continous Time-Frequency Analysis Techniques
|
Guillemain, Philippe; Kronland-Martinet, R. |
|
A Sinusoidal Synthesis Algorithm for Generating Transitions Between Notes
|
Holloway, Bryan; Haken, Lippold |
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Wavetable and FM Matching Synthesis of Musical Instrument Tones
|
Horner, Andrew; Beauchamp, James; Haken, Lippold |
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The Musical Intrigue of Pole-Zero Pairs
|
Massie, Dana C.; Stonick, Virginia L. |
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Implementation of An Analysis/Synthesis System on a DSPG56001 for General Purpose Sound Processing
|
Nieberle, Rupert C.; Warstat, Michael |
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Making Digital Filters Sound "Analog"
|
Rossum, Dave |
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Prototyping and Interpolation of Multiple Musical Timbres Using Principle Component-Based Synthesis
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Sandell, Gregory J.; Martens, William L. |
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Modelling Ensemble Performance: Dynamic Just Intonation
|
Ashley, Richard D. |
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Can Computer Music Benefit from Cognitive Models of Rhythm Perception?
|
Desain, Peter |
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Toward Inductive Learning of Jazz Harmony Theory
|
Hirata, Keiji; Aoyagi, Tatsuya |
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Counterpoint Assistant
|
Jones, David Evan |
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Interactive Music Composer Based on Neural Networks
|
Nishijima, Maskao; Watanabe, Kazuyuki |
|
More on Morphological Mutation Functions: Recent Techniques and Developments
|
Polansky, Larry |
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An AI Tool for the Analysis and Generation of Melodies
|
Smith, Matt; Holland, Simon |
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A Connectionist System for Exploring Melody Space
|
Todd, Peter M. |
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Music Technology as a Form of Parasite
|
Zicarelli, David |
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The Light Baton: A System for Conducting Computer Music Performance
|
Bertini, Graziano; Carosi, Paolo |
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Dynamical Modeling of the Grand Piano Action
|
Gillespie, Brent |
|
The Continuum: A Continuous Music Keyboard
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Haken, Lippold; Abdullah, Radi; Smart, Mark |
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Real Time Control of 3D Sound Space by Gesture
|
Harada, Tsutomu; Sato, Akio; Hashimoto, Shuji; Ohteru, Sadamu |
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A Programmable MIDI Instrument Controller Emulating a Hammer Dulcimer
|
Marchany, Randy C.; Tront, Joseph G. |
|
A System for Computer Assisted Gestural Improvisation
|
Tobenfeld, Emile |
|
A Program for the Reinterpretation of Musical Imput Structures
|
Calzón, Miguel |
|
Stella: Persistent Score Representation in Common Music
|
Taube, Heinrich |
|
The SmOKE Music Representation, Description Language, and Interchange Format
|
Pope, Stephen Travis |
|
Computerized Recognition of Hand-Written Musical Notes
|
Bulis, Alex; Almog, Roy; Gerner, Moti; Shimony, Uri |
|
A Visual Programming Environment for Music Notation
|
Diener, Glendon R. |
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Interactive Optical Music Recognition
|
Fujinaga, Ichiro; Alphonce, Bo; Pennycook, Bruce; Diener, Glendon R. |
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Computerized Japanese Traditional Music Processing System
|
Matsushima, Toshiaki |
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Recognition of Handwritten Music Notation
|
Wolman, Amnon; Choi, James; Asgharzadeh, Shahab; Kahana, Jason |
|
RAMIT: Neural Network for Recognition of Musical Notes
|
Yadid-Pecht, Orly; Brutman, Eliyahu; Dvir, Lior; Gerner, Moti; Shimony, Uri |
|
A Physical Model of Lips and Trumpet
|
Depalle, Philippe; Rodet, Xavier |
|
Towards an Explanation of Shape of the Violin
|
Krupowicz, Stanislaw; Skalmierski, Bodgan |
|
Real-Time Implementation Techniques for a Continuously Variable Digital Delay in Modeling Musical Instruments
|
Laakso, Timo I.; Välimäki, Vesa; Karjalainen, Matti; Laine, Unto K. |
|
State Space Models for Wind-Instrument Synthesis
|
Matignon, Denis; Depalle, Philippe; Rodet, Xavier |
|
A Dispersive Resonator in Real Time on MARS Workstation
|
Paladin, Andrea; Rocchesso, Davide |
|
The Second-Order Digital Waveguide Oscillator
|
Smith, Julius O.; Cook, Perry R. |
|
Implementation of a Variable Pick-Up Point on a Waveguide String Model with FM/AM Applications
|
Van Duyne, Scott A.; Smith, Julius O. |
|
Toward a Unification of Algorithmic Composition, Real-Time Software Synthesis, and Live Performance Interaction
|
Belet, Brian |
|
DKompose: A Package for Interactive Composition in the Max Environment Adpated to teh Acoustic MIDI Disklavier Piano
|
Bolzinger, Simon |
|
Iconic Programming for HMSL
|
Burk, Phil; Marsanyi, Robert |
|
Introduction to the Interactor Language
|
Coniglio, Mark |
|
Real-Time Software Synthesis on Superscaler Architectures
|
Dannenberg, Roger B.; Mercer, Clifford W. |
|
New Tools for Rapid Prototyping of Music Sound Synthesis Algorithms and Control Strategies
|
Freed, Adrian |
|
Score Following in Practice
|
Puckette, Miller; Lippe, Cort |
|
Parsing Real-Time Musical Imputs and Spontaneously Generating Musical Forms: Hierarchical Form Generator (HFG)
|
Rosenboom, David |
|
Improvisational Builder: Improvisation as Conversation
|
Walker, William; Hebel, Kurt; Martirano, Salvatore; Scaletti, Carla |
|
Correlated Sound and Image in a Digital Medium
|
Barger, Robin |
|
Computer Noh System
|
Kusu, Koji; Ino, Masaoki; Shin, Donguk; Hashimoto, Shuji; Ohteru, Sadamu |
|
Realizing the Spacialization Processing of Dialogue Des L’ombre Double
|
Sandroff, Howard |
|
Stochastic Music/Xenakis
|
Serra, Marie Helene |
|
A Model for Musical Rhythm
|
Bilmes, Jeff |
|
Symbolic and Sub-Symbolic Rules Systems for Real-Time Score Performance
|
Bresin, Roberto; De Poli, Giovanni; Vidolin, |
|
Expresso, a Strong and Small Editor for Expression
|
Honing, Henkjan |
|
Virtual Performance Modelling
|
Garton, Brad |
|
Compositional Tools for Adding Expression to Music in DMIX
|
Oppenheim, Daniel V. |
|
Intelligent Rhythm Tracking
|
Rosenthal, David |
|
Livestep: Editing Step Quantized Music from Libraries of Live Performance
|
Ruffcorn, Donald |
|
From Score to Unit Generator: A Hierarchical View of MIDAS
|
Anderson, Tim M.; Hunt, A.; Kirk, Ross; McGilly, P.; Orton, Richard; Watkinson, Sean |
|
Music Programming in Scheme
|
Boynton, Lee Richard |
|
Tabula Vigilans
|
Orton, Richard; Kirk, Ross |
|
MixNet: A Comprehensive Digital Audio Production System
|
Otto, Peter; Bidlack, Rick; Master, Stephen |
|
Polymorphic Transformations in Kyma
|
Scaletti, Carla |
|
Spatializer: From Room Acoustics to Virtual Acoustics
|
Bloch, Georges; Assayag, Gérard; Warusfel, Olivier; Jullien, Jean-Pascal |
|
Loudness as a Cue in Distance Perception
|
Chomyszyn, Jan |
|
Directional Sound Processing in Stereo Reproduction
|
Kendall, Gary S. |
|
The Frox Digital Audio System
|
Loy, Gareth; Freed, Daniel J. |
|
The Making of "Widlife": Species of Interaction
|
Jaffe, David A.; Schloss, Andrew |
|
A Meta-Wind-Instrument Physical Model, and a Meta-Controller for Real-Time Performance Control
|
Cook, Perry R. |
|
Connectionist Models for Real-Time Control of Synthesis and COmpositional Algorithms
|
Lee, Michael; Wessel, David |
|
The International Digital Electro-Acoustic Music Archive
|
Bauman, Marcia L. |
|
Making Music with Csound for the Macintosh
|
Boulanger, Richard |
|
Old World, New World, Third World Studios
|
Wyman, Daniel; Bräuninger, Jürgen |
|
The Activities of CRM (Centro Ricerche Musicali)
|
de Vitis, Alessandra |
|
The Constance J. Upchurch Studio for Electro-Acoustical Music
|
Gabel, Gerald; Upchurch, Jay |
|
The Center for Computer Music Research and Composition
|
Kuchera-Morin, JoAnn; Scott, Douglas |
|
Studio Reort from the KACOR Multimedia Lab
|
Lunden, Peter; Rajka, Peter; Ungvary, Tamas |
|
Studio Report: SUNY, Buffalo
|
Otto, Peter |
|
Musical Creation at Ateliers UPIC and CEMAMu
|
Pape, Gerard; Raczinski, Jean-Michel; Marino, Gerard; Serra, Marie Helene |
|
The University of Texas Accelerando Project: An Update
|
Pinkston, Russell |
|
iEAR Studios: Studio Report
|
Povall, Richard M. |
|
Studio Report: Compositional Studios, School of Music, University of Auckland, New Zealand
|
Rimmer, John; Elmsly, John |
|
Center for Experiments in Art, Information and Technology (CEAIT): Studio Report
|
Rosenboom, David; Coniglio, Mark; Subotnick, Morton |
|
The STEIM Studio Report
|
Ryan, Joel |
|
Studio Report: a New Icon Musical Notation System - TAL
|
Shimony, Uri; Gerner, Moti; Markel, Shlomo |
|
CSound Version of the Klatt Speech Synthesizer: A University of California Davis Studio Report
|
Slawson, Wayne |
|
Computer Music in China
|
Ying, Yu |
|
MARS: RT20M/EDIT20-Development Tools and Graphical User Interface for Sound Generation Board
|
Andrenacci, Paolo; Favreau, E.; Larosa, N.; Prestigiacomo, A.; Rosati, C.; Sapir, Silvyane |
|
MARS: DSP Environment and Applications
|
Armani, Fabio; Bizzarri, L.; Favreau, E.; Paladin, Andrea |
|
MARS: The X20 Device and SM100 Board
|
Cavaliere, Sergio; Di Giugno, Giuseppe; Guarino, |
|
MARS: Musical Applications
|
Palmieri, Giuliano; Sapir, Silbyane |
|
Electroacoustic Scoring with Phase-Vocoding Instruments Using the E-Scape Composition System
|
Anderson, Tim M.; Kirk, Ross |
|
MAX + UniSon - Interactive Control of a Digital Signal Multiprocessor
|
Bates, John A. |
|
Dynamic Models for Musical Interaction in Virtual Reality
|
Beyls, Peter |
|
Virtual Mutant Theremin
|
Bolas, Mark; Stone, Phil |
|
Resource Utilisation for a Real-Time Instrument Design Language
|
Marks, M. A.; Briggs, Nicolas L. |
