| Title |
Author(s) |
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The New Electronic and Computer Music Facility at Simon Fraser University
|
Truax, Barry |
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Computer Audio Research Laboratory Studio Report
|
Moore, F. Richard; Loy, D. Gareth |
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The GRM Digital Studio for Treating Natural Sounds
|
Mailliard, Benedict; Geslin, Yann; Allouis, Jean-Francois |
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Real-Time Synthesis at the University of Victoria
|
Celona, John; Longton, Michael |
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Studio Report S.I.M./Rome (Use of Advanced Digital Technology for Musical Purpose)
|
Petrarca, Stefano; Sani, Nicola |
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Studio Report IASM Napoli
|
Turco, C. |
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Phthong - An Interactive System for Music Composition
|
Blum, Thomas |
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Use of Microprocessor in Real-Time Synthesis of Sounds
|
Sapir, Sylviane; Kronland-Martinet, Ricard |
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The Control Channels of Instrumental Playing in Computer Music - Real Time in Computer Music, Incidence on the Choice of the Basic Models
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Cadoz, Claude; Luciani, Annie; Florens, Jean-Loup; Dars-Berberyan, Talin |
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A Generalized Orchestra Compiler for the Z80 Microprocessor
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Kleen, Leslie |
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An Alternative Approach to Software for the DMX-1000
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Marr, Alan; Pennycook, Bruce W. J. |
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A Portable “Walsh” Synthesizer
|
Haus, Goffredo; Malcangi, Mario |
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An Efficient Method to Implement Amplitude Modulation: A Hardware Realization
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Cavaliere, Sergio; Ortosecco, Immacolata; Parascandolo, Pasquale; Piccialli, Aldo |
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A μ-Processor-Based System for Music Composition and Production
|
Tarabella, Leonello |
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A Sound File System for UNIX
|
Loy, Gareth |
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The AXIS Digital DSY8201 Polyphonic Digital Music Synthesizer
|
Asta, Vito; Freed, Adrian |
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Remembering Performance Gestures
|
Abbott, Curtis |
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Introduction to the Mshell
|
Pope, Stephen T. |
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The Audio Composition System at The Defense and Civil Institute for Environmental Medicine
|
Pennycook, Bruce W. |
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A Multimicrocomputer System for Real-Time Music Synthesis: Design and Implementation
|
Noetzel, Andrew S. |
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Architecture of a Processor for the Digital Analysis/Synthesis of Sound
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Debiasi, Giovanni B.; Rubbazzer, Maurizio |
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The SYTER Project: Sound Processor Design and Software Overview
|
Allouis, Jean François; Bernier, Jean-Yves |
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Real-Time Control System for Digital Synthesizer
|
De Loye, Martin |
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On Automatic Pattern Recognition and Acquisition of Printed Music
|
Andronico, Alfio; Ciampa, Alberto |
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Music and Causality
|
Antoni, Giovanni Degli; Haus, Goffredo |
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Formal Representation of Basic Blocks for Sound Synthesis
|
Santoiemma, M. |
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Synthesis of Bowed Strings
|
Smith III, Julius Orion |
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Is MUSIC V a Real Time Program? (Oldies but Goodies)
|
Arfib, Daniel |
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Computer Synthesis of Sound Applied to Composition with Sonic Processes
|
Risset, Jean-Claude |
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A Computer Orchestra
|
Beauchamp, James |
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Digital Simulation of the Piano
|
Rogers, J. |
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A Microprocessor Oriented Toward the Frequency Synthesis
|
De Santis, Antonio |
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The Simulation and Extrapolation of Instrumental Sounds Using Direct Synthesis at IRCAM
|
Battier, M.; Lancino, T. |
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A Flexible Acoustic Ambience Simulator
|
Stautner, J. P.; Hale, R. L. |
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The CHANT Project: Modelization and Production, an Environment for Composers Including the FORMES Language for Describing and Controlling Sound and Musical Processes
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Rodet, X.; Barriere, J. B.; Cointe, P.; Potard, Y. |
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Computer Music as a Permanent Service - Towards Musical Telematics
|
Grossi, P.; Bertini, G.; Andreoni, R. |
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From Music Score to Sound: A Rule System for Musical Performance of Melodies
|
Fryden, L.; Sundberg, J.; Askenfelt, A. |
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Research on Timbre and Musical Contexts at CCRMA
|
Strawn, John |
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Analysis and Synthesis of Music Using a Model of the Auditory Transform
|
Stautner, John P. |
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A Computer-Assisted Instruction Approach to Music for Junior-Age Children: Using ALF for Teaching Music Composition
|
Upitis, Rena |
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Design Considerations for Computer-Assisted Music Instruction
|
Clements, Peter J. |
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Construction and Harmonization of Microtonal Scales in Non-12-Tone Equal Temperaments
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Chalmers, Jr., John H. |
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Did Beethoven use the Enneadecaphonic Algorithm?
|
Gagliardo, E.; Ghislandi, M. |
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A Program of Tomographic Analysis of Musical Texts
|
Grossi, P.; Bertini, G. |
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The Automatic Transcription of German Lute Tabulatures: Researches Concerning Algorithms Polyphonic Structures
|
Charnasse, Hélène |
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A Microprocessor Based Keyboard Instrument for Microtonal Music
|
Swift, G. W.; Yunik, M. |
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A Multiply Touch-Sensitive Clavier for Computer Music Systems
|
Moog, Robert A. |
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Computer Music Language Aids Interaction between Composer and Choreographer
|
Marc, Josef |
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PHANTASMAGORIA: A Chronicle of Computer-Assisted Composition/Performance
|
Austin, Larry |
|
The Aesthetic Integration of Computer-Composed Scores
|
Koenig, Gottfried Michael |
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Stochastic Generation of Note Parameters for Music Composition
|
Hiller, Lejaren |
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Composing within Sound (An Introduction)
|
Branchi, Walter |
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Surface Control of Computer Music
|
Dydo, J. Stephen |
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ALGOMUSIC: An Algorithm for the Genesis of Musical Structures
|
Belfiore, Alfonso |
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Interactive Orchestration Based on Score Analysis
|
Roads, C. |
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Una teoria neurale della musica e tecniche compositive derivate
|
Melzi, Giovanni; Ozzola, Vito |
|
About GRADIENT
|
Ames, Charles |