| Title |
Author(s) |
|
Tutorials
|
Hiller, Lejaren; Beauchamp, James; Dodge, Charles |
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The Quest for 'Musically Interesting' Structures in Computer Music
|
Keane, David |
|
Paths to a Point in a Musical Landscape
|
Chadabe, Joel |
|
A Survey of Recent Compositional and Musical Research at IRCAM
|
Machover, Tod |
|
Toward a Definition of Computer Music
|
Laske, Otto E. |
|
Some Remarks on Computer-Assisted Composition
|
Mikulska, Malgorzata |
|
Designing an Integrated Environment for the Composer and Teacher
|
Albers, Brad |
|
The Eastman School of Music Computer Music Studio
|
Schindler, Allan; Brinkman, Alexander |
|
Computer Music at Queen's University
|
Pennycook, Bruce W. |
|
Sound Color and Filters: The Hybrid Studio Revisited
|
Slawson, Wayne |
|
Solving Specific Compositional Problems with MPI
|
Tipei, Sever |
|
Algorithms for Harmonic Pitch Structure Generation
|
Matthews, Michael |
|
Stochastic Melody Writing Procedures: An Analysis Based Approach
|
Meinecke, Jon |
|
Protocol: Motivation, Design, and Implementation of a Computer-Assisted Composition for Solo Piano
|
Ames, Charles |
|
Computer Composition of Melodic Deep Structures
|
Abel, John F.; Barth, Paul S. |
|
Current Problems in Score Input Methods
|
McLean, Bruce |
|
An Intuitive Control Structure for the Generation of Computer-Synthesized Musical Sound
|
Baczewski, Philip; Scott, Dan W. |
|
Data Structures for a Music-11 Preprocessor
|
Brinkman, Alexander R. |
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GCOMP: Graphic Control of Mixing and Processing
|
Banger, Colin; Pennycook, Bruce |
|
Using Hierarchical Thinking Strategies in Creative Behavior
|
Dworak, Paul E. |
|
Piano Training System on the Use of a Micro-Computer of the Characteristic Extraction of the Learners' Playing a Fundamental Etude
|
Kitagaki, Ikuo; Suetake, Kunihiro |
|
The White Side Program: The Application of Microcomputers to Music Composition Both as a Clerical Tool and as a Generative Device
|
Senn, Dan |
|
The Simulation of Three-Dimensional Localization Cues for Headphone Listening
|
Kendall, Gary S.; Rodgers, C.A. Puddie |
|
The Lucasfilm Audio Signal Processing Station
|
Moorer, James A. |
|
Real-time Console for Live Performance of Computer Music and for Recording Studios
|
Snell, John |
|
Microprogramming a Generalized Signal Processor Architecture
|
Abbott, Curtis |
|
A Four-Channel Reverberation Network
|
Stautner, John; Vercoe, Barry; Puckette, Miller |
|
Low Cost Sound Analysis/Synthesis Technique
|
Parodi, Alexandre |
|
Progress Report on the 4X Machine and Its Use
|
Digiugno, G.; Kott, Jean; Gerzo, Andrew |
|
Musical Synthesis: Evolution of the 'Chant' Project
|
Barrier, J. B.; Holleville, J.; Potard, Y.; Rodet, X. |
|
The Fairlight CMI and Its Uses in Advanced Laser Graphics
|
McLean, Barton |
|
Idiomatic Instruments
|
Rolnick, Neil B. |
|
Evolution of Interactive Control and Real-time Synthesis in a Digtital Music System
|
Risberg, Jeffrey S. |
|
RTSKED, A Scheduled Performance Language for the Crumar General Development System
|
Mathews, M. V.; Pasquale, J. |
|
15 Months of Musical Production Using a Real-Time Digital Sound Synthesis System
|
Haynes, Stanley |
|
A Real-time Music 11 Emulator
|
Puckette, Miller; Vercoe, Barry; Stautner, John |
|
A Touch-Sensitive Input Device
|
Sasaki, L.; Fedorkow, G.; Buxton, W.; Retterath, C.; Smith, K. C. |
|
Perceptual Organization in Music Listening
|
Piszczalski, M.; Galler, B. A. |
|
A General Synthesis Package Based on Principles of Auditory Perception
|
McAdams, Stephen; Wessel, David |
|
Innovative Programming Method for Sound Waveform Production: A Plucked String Sound
|
Stewart, David N. |
|
The Dynamic Aspects of Trumpet Phrases
|
Morrill, Dexter |
|
Data Reduction and Resynthesis of Connected Solo Passages using Frequency, Amplitude, and “Brightness” Detection and the Nonlinear Synthesis Technique
|
Beauchamp, James W. |
|
Microcomputers and Future Work in Computer-Assisted Music Analysis
|
Kolosick, J. Timothy |
|
A Selection Method for Organization of Proportions and Musical Intervals for Composition and Analytic Purpose
|
Blair, William F. |
|
Combination Product Sets and Other Harmonic And Melodic Structures
|
Chalmers, John H. |
|
A Model Computer Program for the Parametral Analysis of Atonal Music
|
Legassé, Denise A. |
|
The Casheab Synthesizer: How it Works
|
Castro, Caesar |
|
An Overview Demonstration of the SSSP System
|
Buxton, William |
|
Computer Games for Developing Musical Skills
|
Lamb, Martin |
|
On Contextually Adaptive Timbres
|
Buxton, W.; Hull, S.; Fournier, A. |
|
Gregory's Scribe: Interactive Graphics for Music Notation before 1600
|
Crawford, David |
|
Mockingbird: A Composer's Amanuensis
|
Maxwell, John; Ornstein, Sgvero |
|
Concert Programs
|
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