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| Title: | Drawing |
| Original Title: | Dessein |
| Volume and Page: | Plates vol. 3 (1763) |
| Author: | Unknown |
| Translator: | Ann-Marie Thornton [Bilkent University, Ankara, Turkey]; ? [?] |
| Original Version (ARTFL): | Link |
| Source: | Russell, Terence M. and Ann-Marie Ashworth. Architecture in the Encyclopédie of Diderot and D'Alembert : the letterpress articles and selected engravings. Scolar Press, 1993. Used with permission. |
| Availability: | This text is protected by copyright and may be linked to without seeking permission. Permission must be received for subsequent distribution in print or electronically. Please contact the translator or diderot-info@umich.edu for more information. |
| URL: | http://hdl.handle.net/2027/spo.did2222.0001.436 |
| Citation (MLA): | "Drawing." The Encyclopedia of Diderot & d'Alembert Collaborative Translation Project. Translated by Ann-Marie Thornton and ?. Ann Arbor: MPublishing, University of Michigan Library, 2010. Web. [fill in today's date in the form 18 Apr. 2009 and remove square brackets]. <http://hdl.handle.net/2027/spo.did2222.0001.436>. Trans. of "Dessein," Encyclopédie ou Dictionnaire raisonné des sciences, des arts et des métiers, vol. 3 (plates). Paris, 1763. |
| Citation (Chicago): | "Drawing." The Encyclopedia of Diderot & d'Alembert Collaborative Translation Project. Translated by Ann-Marie Thornton and ?. Ann Arbor: MPublishing, University of Michigan Library, 2010. http://hdl.handle.net/2027/spo.did2222.0001.436 (accessed [fill in today's date in the form April 18, 2009 and remove square brackets]). Originally published as "Dessein," Encyclopédie ou Dictionnaire raisonné des sciences, des arts et des métiers, vol. 3 (plates) (Paris, 1763). |
Drawing.
Plate I: View of a drawing school - its plan and section.
Plate II: Drawing, Instruments: pencil, quill, compass, brush, etc.
Plate III: Drawing, Description and usage of the pantograph, commonly called [the] Monkey - considerably changed and perfected by Canivet, engineer to the King.
Plate IV: Drawing, Dark Rooms [early forms of camera obscura].
Plate V: Drawing, Dark Rooms [early forms of camera obscura].
Plate VI: Drawing, The mannequin: a figure constructed so as to have the principal exterior movements of the human body.
Plate VII: Drawing, Details of the mannequin's body [composed of articulated joints].
Plate VIII: Drawing, Ovals of heads.
Plate IX: Drawing, [Anatomical studies]: eye, front view; nose, front view.
Plate X: Drawing, [Anatomical studies]: mouth, front view; profile of the mouth; ears, front view.
Plate XI: Drawing, Head profile: in the manner of Raphael.
Plate XII: Drawing, Hands open and closed: after the drawings of M. Ch. Vanloo and M. Natoire.
Plate XIII: Drawing, [Anatomical studies]: legs and feet.
Plate XIV: Drawing, General proportions of a man's body.
Plate XV: Drawing, Academic studies: after designs of M. Cochin and Jean Honoré Fragonard.
Plate XVI: Drawing, Academic studies: after designs of M. Cochin and Jean Honoré Fragonard.
Plate XVII: Drawing, Academic studies: after designs of M. Cochin and Jean Honoré Fragonard.
Plate XVIII: Drawing, Academic studies: after designs of M. Cochin and Jean Honoré Fragonard.
Plate XIX: Drawing, Grouped figures by J. Jouvenet.
Plate XX: Drawing, Woman's figure seen from the front: from the design of M. Cochin.
Plate XXI: Drawing, Woman's figure seen from behind.
Plate XXII: Drawing, Children: group of children seen from the side, front and back - after François Boucher.
Plate XXIII: Drawing, Heads characterizing age.
Plate XXIV: Drawing, Passions.
Passions.
Plate XXV: Drawing, Passions.
Passions.
Plate XXVI: Drawing, Passions.
Plate XXVII: Drawing, Drapery arranged on a model.
Plate XXVIII: Drawing, Grouped figures:
Figure 1. Antique figure representing a Roman with a toga.
Figure 2. Antique figure representing a dressed Roman - Faustina Junior.
Figure 3. Draped figure of the Hire.
Plate XXIX: Drawing, Grouped figures:
Figure 1. Antique figure representing Health.
Figure 2. Antique figure representing Ceres.
Figure 3. Draped head after Poussin.
Figure 4. Draped head after Poussin.
Plate XXX: Drawing, Idea or sketch after pen drawing by Parmesan.
Plate XXXI: Drawing, Study or sketch of the height of a figure from nature by Carrache.
Plate XXXII: Drawing, Landscape after a pen drawing by Titien.
Plate XXXIII: Drawing, Proportions measured on the Farnese Hercules.
Plate XXXIV: Drawing, Proportions of the statue of Antinous.
Plate XXXV: Drawing, Proportions of the Pythian Apollo.
Plate XXXVI: Drawing, Proportions of the statue of Laocoon.
Plate XXXVII: Drawing, Proportions of a Gladiator.
Plate XXXVIII: Drawing, Proportions of the Venus de Medici.
