dance1ic | 1-50 | Search Results | Pioneers of Chinese Dance | University of Michigan Library Digital Collections

"Fantasy of the Red Chamber"

Title (English): "Fantasy of the Red Chamber"
Title (Chinese): 《红楼幻想曲》
Title (Romanization): "Honglou huanxiang qu"
Description: "Fantasy of the Red Chamber" was a contemporary ballet choreographed by Xiao Suhua at the Beijing Dance Academy in 1992. It was considered the first China's first "symphonic ballet."
Date: 1992

Choreography by Xiao Suhua

Title (English): Choreography by Xiao Suhua
Title (Chinese): 肖苏华的作品
Title (Romanization): Xiao Suhua de zuopin
Description: Xiao Suhua (肖苏华 b. 1937) studied ballet and European folk dance in the former Soviet Union from the age of 7. In 1954, he tested into the Beijing Dance School, and in 1959, he graduated to become a ballet instructor at the School. Xiao performed important roles in early Chinese productions of Giselle and Le Corsaire. In 1987-88, Xiao studied choreography in the former Soviet Union, after which he served as a professor of choreography at the Beijing Dance Academy. From the early 1990s onward, Xiao was a major promoter of contemporary and experimental ballet in China. He serves regularly on the judging panels of international ballet competitions and has published many books on ballet technique and choreographic theory.

"Fantasy of the Red Chamber"

Title (English): "Fantasy of the Red Chamber"
Title (Chinese): 《红楼幻想曲》
Title (Romanization): "Honglou huanxiang qu"
Description: "Fantasy of the Red Chamber" was a contemporary ballet choreographed by Xiao Suhua at the Beijing Dance Academy in 1992. It was considered the first China's first "symphonic ballet."
Date: 1992

Xiao Suhua

Title (English): Xiao Suhua
Title (Chinese): 肖苏华
Title (Romanization): Xiao Suhua
Description: Xiao Suhua (肖苏华 b. 1937) studied ballet and European folk dance in the former Soviet Union from the age of 7. In 1954, he tested into the Beijing Dance School, and in 1959, he graduated to become a ballet instructor at the School. Xiao performed important roles in early Chinese productions of Giselle and Le Corsaire. In 1987-88, Xiao studied choreography in the former Soviet Union, after which he served as a professor of choreography at the Beijing Dance Academy. From the early 1990s onward, Xiao was a major promoter of contemporary and experimental ballet in China. He serves regularly on the judging panels of international ballet competitions and has published many books on ballet technique and choreographic theory.

Xiao Suhua et al

Title (English): Xiao Suhua et al
Title (Chinese): 肖苏华等
Title (Romanization): Xiao Suhua deng
Description: Xiao Suhua (肖苏华 b. 1937) studied ballet and European folk dance in the former Soviet Union from the age of 7. In 1954, he tested into the Beijing Dance School, and in 1959, he graduated to become a ballet instructor at the School. Xiao performed important roles in early Chinese productions of Giselle and Le Corsaire. In 1987-88, Xiao studied choreography in the former Soviet Union, after which he served as a professor of choreography at the Beijing Dance Academy. From the early 1990s onward, Xiao was a major promoter of contemporary and experimental ballet in China. He serves regularly on the judging panels of international ballet competitions and has published many books on ballet technique and choreographic theory.

Choreography by Xiao Suhua

Title (English): Choreography by Xiao Suhua
Title (Chinese): 肖苏华的作品
Title (Romanization): Xiao Suhua de zuopin
Description: Xiao Suhua (肖苏华 b. 1937) studied ballet and European folk dance in the former Soviet Union from the age of 7. In 1954, he tested into the Beijing Dance School, and in 1959, he graduated to become a ballet instructor at the School. Xiao performed important roles in early Chinese productions of Giselle and Le Corsaire. In 1987-88, Xiao studied choreography in the former Soviet Union, after which he served as a professor of choreography at the Beijing Dance Academy. From the early 1990s onward, Xiao was a major promoter of contemporary and experimental ballet in China. He serves regularly on the judging panels of international ballet competitions and has published many books on ballet technique and choreographic theory.

Choreography by Xiao Suhua

Title (English): Choreography by Xiao Suhua
Title (Chinese): 肖苏华的作品
Title (Romanization): Xiao Suhua de zuopin
Description: Xiao Suhua (肖苏华 b. 1937) studied ballet and European folk dance in the former Soviet Union from the age of 7. In 1954, he tested into the Beijing Dance School, and in 1959, he graduated to become a ballet instructor at the School. Xiao performed important roles in early Chinese productions of Giselle and Le Corsaire. In 1987-88, Xiao studied choreography in the former Soviet Union, after which he served as a professor of choreography at the Beijing Dance Academy. From the early 1990s onward, Xiao was a major promoter of contemporary and experimental ballet in China. He serves regularly on the judging panels of international ballet competitions and has published many books on ballet technique and choreographic theory.

Choreography by Xiao Suhua

Title (English): Choreography by Xiao Suhua
Title (Chinese): 肖苏华的作品
Title (Romanization): Xiao Suhua de zuopin
Description: Xiao Suhua (肖苏华 b. 1937) studied ballet and European folk dance in the former Soviet Union from the age of 7. In 1954, he tested into the Beijing Dance School, and in 1959, he graduated to become a ballet instructor at the School. Xiao performed important roles in early Chinese productions of Giselle and Le Corsaire. In 1987-88, Xiao studied choreography in the former Soviet Union, after which he served as a professor of choreography at the Beijing Dance Academy. From the early 1990s onward, Xiao was a major promoter of contemporary and experimental ballet in China. He serves regularly on the judging panels of international ballet competitions and has published many books on ballet technique and choreographic theory.

Choreography by Xiao Suhua

Title (English): Choreography by Xiao Suhua
Title (Chinese): 肖苏华的作品
Title (Romanization): Xiao Suhua de zuopin
Description: Xiao Suhua (肖苏华 b. 1937) studied ballet and European folk dance in the former Soviet Union from the age of 7. In 1954, he tested into the Beijing Dance School, and in 1959, he graduated to become a ballet instructor at the School. Xiao performed important roles in early Chinese productions of Giselle and Le Corsaire. In 1987-88, Xiao studied choreography in the former Soviet Union, after which he served as a professor of choreography at the Beijing Dance Academy. From the early 1990s onward, Xiao was a major promoter of contemporary and experimental ballet in China. He serves regularly on the judging panels of international ballet competitions and has published many books on ballet technique and choreographic theory.

Choreography by Xiao Suhua

Title (English): Choreography by Xiao Suhua
Title (Chinese): 肖苏华的作品
Title (Romanization): Xiao Suhua de zuopin
Description: Xiao Suhua (肖苏华 b. 1937) studied ballet and European folk dance in the former Soviet Union from the age of 7. In 1954, he tested into the Beijing Dance School, and in 1959, he graduated to become a ballet instructor at the School. Xiao performed important roles in early Chinese productions of Giselle and Le Corsaire. In 1987-88, Xiao studied choreography in the former Soviet Union, after which he served as a professor of choreography at the Beijing Dance Academy. From the early 1990s onward, Xiao was a major promoter of contemporary and experimental ballet in China. He serves regularly on the judging panels of international ballet competitions and has published many books on ballet technique and choreographic theory.

Choreography by Xiao Suhua

Title (English): Choreography by Xiao Suhua
Title (Chinese): 肖苏华的作品
Title (Romanization): Xiao Suhua de zuopin
Description: Xiao Suhua (肖苏华 b. 1937) studied ballet and European folk dance in the former Soviet Union from the age of 7. In 1954, he tested into the Beijing Dance School, and in 1959, he graduated to become a ballet instructor at the School. Xiao performed important roles in early Chinese productions of Giselle and Le Corsaire. In 1987-88, Xiao studied choreography in the former Soviet Union, after which he served as a professor of choreography at the Beijing Dance Academy. From the early 1990s onward, Xiao was a major promoter of contemporary and experimental ballet in China. He serves regularly on the judging panels of international ballet competitions and has published many books on ballet technique and choreographic theory.

Choreography by Xiao Suhua

Title (English): Choreography by Xiao Suhua
Title (Chinese): 肖苏华的作品
Title (Romanization): Xiao Suhua de zuopin
Description: Xiao Suhua (肖苏华 b. 1937) studied ballet and European folk dance in the former Soviet Union from the age of 7. In 1954, he tested into the Beijing Dance School, and in 1959, he graduated to become a ballet instructor at the School. Xiao performed important roles in early Chinese productions of Giselle and Le Corsaire. In 1987-88, Xiao studied choreography in the former Soviet Union, after which he served as a professor of choreography at the Beijing Dance Academy. From the early 1990s onward, Xiao was a major promoter of contemporary and experimental ballet in China. He serves regularly on the judging panels of international ballet competitions and has published many books on ballet technique and choreographic theory.

Choreography by Xiao Suhua

Title (English): Choreography by Xiao Suhua
Title (Chinese): 肖苏华的作品
Title (Romanization): Xiao Suhua de zuopin
Description: Xiao Suhua (肖苏华 b. 1937) studied ballet and European folk dance in the former Soviet Union from the age of 7. In 1954, he tested into the Beijing Dance School, and in 1959, he graduated to become a ballet instructor at the School. Xiao performed important roles in early Chinese productions of Giselle and Le Corsaire. In 1987-88, Xiao studied choreography in the former Soviet Union, after which he served as a professor of choreography at the Beijing Dance Academy. From the early 1990s onward, Xiao was a major promoter of contemporary and experimental ballet in China. He serves regularly on the judging panels of international ballet competitions and has published many books on ballet technique and choreographic theory.

Xiao Suhua et al

Title (English): Xiao Suhua et al
Title (Chinese): 肖苏华等
Title (Romanization): Xiao Suhua deng
Description: Xiao Suhua (肖苏华 b. 1937) studied ballet and European folk dance in the former Soviet Union from the age of 7. In 1954, he tested into the Beijing Dance School, and in 1959, he graduated to become a ballet instructor at the School. Xiao performed important roles in early Chinese productions of Giselle and Le Corsaire. In 1987-88, Xiao studied choreography in the former Soviet Union, after which he served as a professor of choreography at the Beijing Dance Academy. From the early 1990s onward, Xiao was a major promoter of contemporary and experimental ballet in China. He serves regularly on the judging panels of international ballet competitions and has published many books on ballet technique and choreographic theory.

Xiao Suhua et al

Title (English): Xiao Suhua et al
Title (Chinese): 肖苏华等
Title (Romanization): Xiao Suhua deng
Description: Xiao Suhua (肖苏华 b. 1937) studied ballet and European folk dance in the former Soviet Union from the age of 7. In 1954, he tested into the Beijing Dance School, and in 1959, he graduated to become a ballet instructor at the School. Xiao performed important roles in early Chinese productions of Giselle and Le Corsaire. In 1987-88, Xiao studied choreography in the former Soviet Union, after which he served as a professor of choreography at the Beijing Dance Academy. From the early 1990s onward, Xiao was a major promoter of contemporary and experimental ballet in China. He serves regularly on the judging panels of international ballet competitions and has published many books on ballet technique and choreographic theory.

Xiao Suhua et al

Title (English): Xiao Suhua et al
Title (Chinese): 肖苏华等
Title (Romanization): Xiao Suhua deng
Description: Xiao Suhua (肖苏华 b. 1937) studied ballet and European folk dance in the former Soviet Union from the age of 7. In 1954, he tested into the Beijing Dance School, and in 1959, he graduated to become a ballet instructor at the School. Xiao performed important roles in early Chinese productions of Giselle and Le Corsaire. In 1987-88, Xiao studied choreography in the former Soviet Union, after which he served as a professor of choreography at the Beijing Dance Academy. From the early 1990s onward, Xiao was a major promoter of contemporary and experimental ballet in China. He serves regularly on the judging panels of international ballet competitions and has published many books on ballet technique and choreographic theory.

Xiao Suhua et al

Title (English): Xiao Suhua et al
Title (Chinese): 肖苏华等
Title (Romanization): Xiao Suhua deng
Description: Xiao Suhua (肖苏华 b. 1937) studied ballet and European folk dance in the former Soviet Union from the age of 7. In 1954, he tested into the Beijing Dance School, and in 1959, he graduated to become a ballet instructor at the School. Xiao performed important roles in early Chinese productions of Giselle and Le Corsaire. In 1987-88, Xiao studied choreography in the former Soviet Union, after which he served as a professor of choreography at the Beijing Dance Academy. From the early 1990s onward, Xiao was a major promoter of contemporary and experimental ballet in China. He serves regularly on the judging panels of international ballet competitions and has published many books on ballet technique and choreographic theory.

Xiao Suhua et al

Title (English): Xiao Suhua et al
Title (Chinese): 肖苏华等
Title (Romanization): Xiao Suhua deng
Description: Xiao Suhua (肖苏华 b. 1937) studied ballet and European folk dance in the former Soviet Union from the age of 7. In 1954, he tested into the Beijing Dance School, and in 1959, he graduated to become a ballet instructor at the School. Xiao performed important roles in early Chinese productions of Giselle and Le Corsaire. In 1987-88, Xiao studied choreography in the former Soviet Union, after which he served as a professor of choreography at the Beijing Dance Academy. From the early 1990s onward, Xiao was a major promoter of contemporary and experimental ballet in China. He serves regularly on the judging panels of international ballet competitions and has published many books on ballet technique and choreographic theory.

Xiao Suhua et al

Title (English): Xiao Suhua et al
Title (Chinese): 肖苏华等
Title (Romanization): Xiao Suhua deng
Description: Xiao Suhua (肖苏华 b. 1937) studied ballet and European folk dance in the former Soviet Union from the age of 7. In 1954, he tested into the Beijing Dance School, and in 1959, he graduated to become a ballet instructor at the School. Xiao performed important roles in early Chinese productions of Giselle and Le Corsaire. In 1987-88, Xiao studied choreography in the former Soviet Union, after which he served as a professor of choreography at the Beijing Dance Academy. From the early 1990s onward, Xiao was a major promoter of contemporary and experimental ballet in China. He serves regularly on the judging panels of international ballet competitions and has published many books on ballet technique and choreographic theory.

Xiao Suhua et al

Title (English): Xiao Suhua et al
Title (Chinese): 肖苏华等
Title (Romanization): Xiao Suhua deng
Description: Xiao Suhua (肖苏华 b. 1937) studied ballet and European folk dance in the former Soviet Union from the age of 7. In 1954, he tested into the Beijing Dance School, and in 1959, he graduated to become a ballet instructor at the School. Xiao performed important roles in early Chinese productions of Giselle and Le Corsaire. In 1987-88, Xiao studied choreography in the former Soviet Union, after which he served as a professor of choreography at the Beijing Dance Academy. From the early 1990s onward, Xiao was a major promoter of contemporary and experimental ballet in China. He serves regularly on the judging panels of international ballet competitions and has published many books on ballet technique and choreographic theory.

Xiao Suhua et al

Title (English): Xiao Suhua et al
Title (Chinese): 肖苏华等
Title (Romanization): Xiao Suhua deng
Description: Xiao Suhua (肖苏华 b. 1937) studied ballet and European folk dance in the former Soviet Union from the age of 7. In 1954, he tested into the Beijing Dance School, and in 1959, he graduated to become a ballet instructor at the School. Xiao performed important roles in early Chinese productions of Giselle and Le Corsaire. In 1987-88, Xiao studied choreography in the former Soviet Union, after which he served as a professor of choreography at the Beijing Dance Academy. From the early 1990s onward, Xiao was a major promoter of contemporary and experimental ballet in China. He serves regularly on the judging panels of international ballet competitions and has published many books on ballet technique and choreographic theory.

Xiao Suhua et al

Title (English): Xiao Suhua et al
Title (Chinese): 肖苏华等
Title (Romanization): Xiao Suhua deng
Description: Xiao Suhua (肖苏华 b. 1937) studied ballet and European folk dance in the former Soviet Union from the age of 7. In 1954, he tested into the Beijing Dance School, and in 1959, he graduated to become a ballet instructor at the School. Xiao performed important roles in early Chinese productions of Giselle and Le Corsaire. In 1987-88, Xiao studied choreography in the former Soviet Union, after which he served as a professor of choreography at the Beijing Dance Academy. From the early 1990s onward, Xiao was a major promoter of contemporary and experimental ballet in China. He serves regularly on the judging panels of international ballet competitions and has published many books on ballet technique and choreographic theory.

Xiao Suhua et al

Title (English): Xiao Suhua et al
Title (Chinese): 肖苏华等
Title (Romanization): Xiao Suhua deng
Description: Xiao Suhua (肖苏华 b. 1937) studied ballet and European folk dance in the former Soviet Union from the age of 7. In 1954, he tested into the Beijing Dance School, and in 1959, he graduated to become a ballet instructor at the School. Xiao performed important roles in early Chinese productions of Giselle and Le Corsaire. In 1987-88, Xiao studied choreography in the former Soviet Union, after which he served as a professor of choreography at the Beijing Dance Academy. From the early 1990s onward, Xiao was a major promoter of contemporary and experimental ballet in China. He serves regularly on the judging panels of international ballet competitions and has published many books on ballet technique and choreographic theory.

Dance exchange

Title (English): Dance exchange
Title (Chinese): 舞蹈交流
Title (Romanization): wudao jiaoliu
Description: Xiao Suhua (肖苏华 b. 1937) studied ballet and European folk dance in the former Soviet Union from the age of 7. In 1954, he tested into the Beijing Dance School, and in 1959, he graduated to become a ballet instructor at the School. Xiao performed important roles in early Chinese productions of Giselle and Le Corsaire. In 1987-88, Xiao studied choreography in the former Soviet Union, after which he served as a professor of choreography at the Beijing Dance Academy. From the early 1990s onward, Xiao was a major promoter of contemporary and experimental ballet in China. He serves regularly on the judging panels of international ballet competitions and has published many books on ballet technique and choreographic theory.

Postcard

Title (English): Postcard
Title (Chinese): 明信片
Title (Romanization): mingxinpian
Description: Xiao Suhua (肖苏华 b. 1937) studied ballet and European folk dance in the former Soviet Union from the age of 7. In 1954, he tested into the Beijing Dance School, and in 1959, he graduated to become a ballet instructor at the School. Xiao performed important roles in early Chinese productions of Giselle and Le Corsaire. In 1987-88, Xiao studied choreography in the former Soviet Union, after which he served as a professor of choreography at the Beijing Dance Academy. From the early 1990s onward, Xiao was a major promoter of contemporary and experimental ballet in China. He serves regularly on the judging panels of international ballet competitions and has published many books on ballet technique and choreographic theory.

Xiao Suhua

Title (English): Xiao Suhua
Title (Chinese): 肖苏华
Title (Romanization): Xiao Suhua
Description: Xiao Suhua (肖苏华 b. 1937) studied ballet and European folk dance in the former Soviet Union from the age of 7. In 1954, he tested into the Beijing Dance School, and in 1959, he graduated to become a ballet instructor at the School. Xiao performed important roles in early Chinese productions of Giselle and Le Corsaire. In 1987-88, Xiao studied choreography in the former Soviet Union, after which he served as a professor of choreography at the Beijing Dance Academy. From the early 1990s onward, Xiao was a major promoter of contemporary and experimental ballet in China. He serves regularly on the judging panels of international ballet competitions and has published many books on ballet technique and choreographic theory.
Date: 1992

Beijing's Dance Scene

Title (English): Beijing's Dance Scene
Title (Chinese): 北京舞蹈界
Title (Romanization): Beijing wudao jie
Description: Xiao Suhua (肖苏华 b. 1937) studied ballet and European folk dance in the former Soviet Union from the age of 7. In 1954, he tested into the Beijing Dance School, and in 1959, he graduated to become a ballet instructor at the School. Xiao performed important roles in early Chinese productions of Giselle and Le Corsaire. In 1987-88, Xiao studied choreography in the former Soviet Union, after which he served as a professor of choreography at the Beijing Dance Academy. From the early 1990s onward, Xiao was a major promoter of contemporary and experimental ballet in China. He serves regularly on the judging panels of international ballet competitions and has published many books on ballet technique and choreographic theory.

“I Heard Love Returned: White Snake Redux"

Title (English): “I Heard Love Returned: White Snake Redux"
Title (Chinese): 《听说爱情回来过——白蛇后传》
Title (Romanization): "Tingshuo aiqing huilai guo: Bai She houzhuan"
Description: "I Heard Love Returned: White Snake Redux" (听说爱情回来过——白蛇后传) is a contemporary ballet by Xiao Suhua (肖苏华 b. 1937), premiered by the Beijing Dance Academy in 2013. The work uses the Chinese folk tale of the White Snake to reflect on how love was experienced differently in three periods of twenty-first century China: the May Fourth Era, the Cultural Revolution, and the era of Reform and Opening Up. The work is structured on the Buddhist concept of reincarnation and uses primarily a modern and contemporary dance vocabulary.
Date: 2013

“I Heard Love Returned: White Snake Redux"

Title (English): “I Heard Love Returned: White Snake Redux"
Title (Chinese): 《听说爱情回来过——白蛇后传》
Title (Romanization): "Tingshuo aiqing huilai guo: Bai She houzhuan"
Description: "I Heard Love Returned: White Snake Redux" (听说爱情回来过——白蛇后传) is a contemporary ballet by Xiao Suhua (肖苏华 b. 1937), premiered by the Beijing Dance Academy in 2013. The work uses the Chinese folk tale of the White Snake to reflect on how love was experienced differently in three periods of twenty-first century China: the May Fourth Era, the Cultural Revolution, and the era of Reform and Opening Up. The work is structured on the Buddhist concept of reincarnation and uses primarily a modern and contemporary dance vocabulary.
Date: 2013

“I Heard Love Returned: White Snake Redux"

Title (English): “I Heard Love Returned: White Snake Redux"
Title (Chinese): 《听说爱情回来过——白蛇后传》
Title (Romanization): "Tingshuo aiqing huilai guo: Bai She houzhuan"
Description: "I Heard Love Returned: White Snake Redux" (听说爱情回来过——白蛇后传) is a contemporary ballet by Xiao Suhua (肖苏华 b. 1937), premiered by the Beijing Dance Academy in 2013. The work uses the Chinese folk tale of the White Snake to reflect on how love was experienced differently in three periods of twenty-first century China: the May Fourth Era, the Cultural Revolution, and the era of Reform and Opening Up. The work is structured on the Buddhist concept of reincarnation and uses primarily a modern and contemporary dance vocabulary.
Date: 2013

“I Heard Love Returned: White Snake Redux"

Title (English): “I Heard Love Returned: White Snake Redux"
Title (Chinese): 《听说爱情回来过——白蛇后传》
Title (Romanization): "Tingshuo aiqing huilai guo: Bai She houzhuan"
Description: "I Heard Love Returned: White Snake Redux" (听说爱情回来过——白蛇后传) is a contemporary ballet by Xiao Suhua (肖苏华 b. 1937), premiered by the Beijing Dance Academy in 2013. The work uses the Chinese folk tale of the White Snake to reflect on how love was experienced differently in three periods of twenty-first century China: the May Fourth Era, the Cultural Revolution, and the era of Reform and Opening Up. The work is structured on the Buddhist concept of reincarnation and uses primarily a modern and contemporary dance vocabulary.
Date: 2013

“I Heard Love Returned: White Snake Redux"

Title (English): “I Heard Love Returned: White Snake Redux"
Title (Chinese): 《听说爱情回来过——白蛇后传》
Title (Romanization): "Tingshuo aiqing huilai guo: Bai She houzhuan"
Description: "I Heard Love Returned: White Snake Redux" (听说爱情回来过——白蛇后传) is a contemporary ballet by Xiao Suhua (肖苏华 b. 1937), premiered by the Beijing Dance Academy in 2013. The work uses the Chinese folk tale of the White Snake to reflect on how love was experienced differently in three periods of twenty-first century China: the May Fourth Era, the Cultural Revolution, and the era of Reform and Opening Up. The work is structured on the Buddhist concept of reincarnation and uses primarily a modern and contemporary dance vocabulary.
Date: 2013

“I Heard Love Returned: White Snake Redux"

Title (English): “I Heard Love Returned: White Snake Redux"
Title (Chinese): 《听说爱情回来过——白蛇后传》
Title (Romanization): "Tingshuo aiqing huilai guo: Bai She houzhuan"
Description: "I Heard Love Returned: White Snake Redux" (听说爱情回来过——白蛇后传) is a contemporary ballet by Xiao Suhua (肖苏华 b. 1937), premiered by the Beijing Dance Academy in 2013. The work uses the Chinese folk tale of the White Snake to reflect on how love was experienced differently in three periods of twenty-first century China: the May Fourth Era, the Cultural Revolution, and the era of Reform and Opening Up. The work is structured on the Buddhist concept of reincarnation and uses primarily a modern and contemporary dance vocabulary.
Date: 2013

“I Heard Love Returned: White Snake Redux"

Title (English): “I Heard Love Returned: White Snake Redux"
Title (Chinese): 《听说爱情回来过——白蛇后传》
Title (Romanization): "Tingshuo aiqing huilai guo: Bai She houzhuan"
Description: "I Heard Love Returned: White Snake Redux" (听说爱情回来过——白蛇后传) is a contemporary ballet by Xiao Suhua (肖苏华 b. 1937), premiered by the Beijing Dance Academy in 2013. The work uses the Chinese folk tale of the White Snake to reflect on how love was experienced differently in three periods of twenty-first century China: the May Fourth Era, the Cultural Revolution, and the era of Reform and Opening Up. The work is structured on the Buddhist concept of reincarnation and uses primarily a modern and contemporary dance vocabulary.
Date: 2013

“I Heard Love Returned: White Snake Redux"

Title (English): “I Heard Love Returned: White Snake Redux"
Title (Chinese): 《听说爱情回来过——白蛇后传》
Title (Romanization): "Tingshuo aiqing huilai guo: Bai She houzhuan"
Description: "I Heard Love Returned: White Snake Redux" (听说爱情回来过——白蛇后传) is a contemporary ballet by Xiao Suhua (肖苏华 b. 1937), premiered by the Beijing Dance Academy in 2013. The work uses the Chinese folk tale of the White Snake to reflect on how love was experienced differently in three periods of twenty-first century China: the May Fourth Era, the Cultural Revolution, and the era of Reform and Opening Up. The work is structured on the Buddhist concept of reincarnation and uses primarily a modern and contemporary dance vocabulary.
Date: 2013

“I Heard Love Returned: White Snake Redux"

Title (English): “I Heard Love Returned: White Snake Redux"
Title (Chinese): 《听说爱情回来过——白蛇后传》
Title (Romanization): "Tingshuo aiqing huilai guo: Bai She houzhuan"
Description: "I Heard Love Returned: White Snake Redux" (听说爱情回来过——白蛇后传) is a contemporary ballet by Xiao Suhua (肖苏华 b. 1937), premiered by the Beijing Dance Academy in 2013. The work uses the Chinese folk tale of the White Snake to reflect on how love was experienced differently in three periods of twenty-first century China: the May Fourth Era, the Cultural Revolution, and the era of Reform and Opening Up. The work is structured on the Buddhist concept of reincarnation and uses primarily a modern and contemporary dance vocabulary.
Date: 2013

“I Heard Love Returned: White Snake Redux"

Title (English): “I Heard Love Returned: White Snake Redux"
Title (Chinese): 《听说爱情回来过——白蛇后传》
Title (Romanization): "Tingshuo aiqing huilai guo: Bai She houzhuan"
Description: "I Heard Love Returned: White Snake Redux" (听说爱情回来过——白蛇后传) is a contemporary ballet by Xiao Suhua (肖苏华 b. 1937), premiered by the Beijing Dance Academy in 2013. The work uses the Chinese folk tale of the White Snake to reflect on how love was experienced differently in three periods of twenty-first century China: the May Fourth Era, the Cultural Revolution, and the era of Reform and Opening Up. The work is structured on the Buddhist concept of reincarnation and uses primarily a modern and contemporary dance vocabulary.
Date: 2013

“I Heard Love Returned: White Snake Redux"

Title (English): “I Heard Love Returned: White Snake Redux"
Title (Chinese): 《听说爱情回来过——白蛇后传》
Title (Romanization): "Tingshuo aiqing huilai guo: Bai She houzhuan"
Description: "I Heard Love Returned: White Snake Redux" (听说爱情回来过——白蛇后传) is a contemporary ballet by Xiao Suhua (肖苏华 b. 1937), premiered by the Beijing Dance Academy in 2013. The work uses the Chinese folk tale of the White Snake to reflect on how love was experienced differently in three periods of twenty-first century China: the May Fourth Era, the Cultural Revolution, and the era of Reform and Opening Up. The work is structured on the Buddhist concept of reincarnation and uses primarily a modern and contemporary dance vocabulary.
Date: 2013

“I Heard Love Returned: White Snake Redux"

Title (English): “I Heard Love Returned: White Snake Redux"
Title (Chinese): 《听说爱情回来过——白蛇后传》
Title (Romanization): "Tingshuo aiqing huilai guo: Bai She houzhuan"
Description: "I Heard Love Returned: White Snake Redux" (听说爱情回来过——白蛇后传) is a contemporary ballet by Xiao Suhua (肖苏华 b. 1937), premiered by the Beijing Dance Academy in 2013. The work uses the Chinese folk tale of the White Snake to reflect on how love was experienced differently in three periods of twenty-first century China: the May Fourth Era, the Cultural Revolution, and the era of Reform and Opening Up. The work is structured on the Buddhist concept of reincarnation and uses primarily a modern and contemporary dance vocabulary.
Date: 2013

“I Heard Love Returned: White Snake Redux"

Title (English): “I Heard Love Returned: White Snake Redux"
Title (Chinese): 《听说爱情回来过——白蛇后传》
Title (Romanization): "Tingshuo aiqing huilai guo: Bai She houzhuan"
Description: "I Heard Love Returned: White Snake Redux" (听说爱情回来过——白蛇后传) is a contemporary ballet by Xiao Suhua (肖苏华 b. 1937), premiered by the Beijing Dance Academy in 2013. The work uses the Chinese folk tale of the White Snake to reflect on how love was experienced differently in three periods of twenty-first century China: the May Fourth Era, the Cultural Revolution, and the era of Reform and Opening Up. The work is structured on the Buddhist concept of reincarnation and uses primarily a modern and contemporary dance vocabulary.
Date: 2013

“I Heard Love Returned: White Snake Redux"

Title (English): “I Heard Love Returned: White Snake Redux"
Title (Chinese): 《听说爱情回来过——白蛇后传》
Title (Romanization): "Tingshuo aiqing huilai guo: Bai She houzhuan"
Description: "I Heard Love Returned: White Snake Redux" (听说爱情回来过——白蛇后传) is a contemporary ballet by Xiao Suhua (肖苏华 b. 1937), premiered by the Beijing Dance Academy in 2013. The work uses the Chinese folk tale of the White Snake to reflect on how love was experienced differently in three periods of twenty-first century China: the May Fourth Era, the Cultural Revolution, and the era of Reform and Opening Up. The work is structured on the Buddhist concept of reincarnation and uses primarily a modern and contemporary dance vocabulary.
Date: 2013

“I Heard Love Returned: White Snake Redux"

Title (English): “I Heard Love Returned: White Snake Redux"
Title (Chinese): 《听说爱情回来过——白蛇后传》
Title (Romanization): "Tingshuo aiqing huilai guo: Bai She houzhuan"
Description: "I Heard Love Returned: White Snake Redux" (听说爱情回来过——白蛇后传) is a contemporary ballet by Xiao Suhua (肖苏华 b. 1937), premiered by the Beijing Dance Academy in 2013. The work uses the Chinese folk tale of the White Snake to reflect on how love was experienced differently in three periods of twenty-first century China: the May Fourth Era, the Cultural Revolution, and the era of Reform and Opening Up. The work is structured on the Buddhist concept of reincarnation and uses primarily a modern and contemporary dance vocabulary.
Date: 2013

“I Heard Love Returned: White Snake Redux"

Title (English): “I Heard Love Returned: White Snake Redux"
Title (Chinese): 《听说爱情回来过——白蛇后传》
Title (Romanization): "Tingshuo aiqing huilai guo: Bai She houzhuan"
Description: "I Heard Love Returned: White Snake Redux" (听说爱情回来过——白蛇后传) is a contemporary ballet by Xiao Suhua (肖苏华 b. 1937), premiered by the Beijing Dance Academy in 2013. The work uses the Chinese folk tale of the White Snake to reflect on how love was experienced differently in three periods of twenty-first century China: the May Fourth Era, the Cultural Revolution, and the era of Reform and Opening Up. The work is structured on the Buddhist concept of reincarnation and uses primarily a modern and contemporary dance vocabulary.
Date: 2013

“I Heard Love Returned: White Snake Redux"

Title (English): “I Heard Love Returned: White Snake Redux"
Title (Chinese): 《听说爱情回来过——白蛇后传》
Title (Romanization): "Tingshuo aiqing huilai guo: Bai She houzhuan"
Description: "I Heard Love Returned: White Snake Redux" (听说爱情回来过——白蛇后传) is a contemporary ballet by Xiao Suhua (肖苏华 b. 1937), premiered by the Beijing Dance Academy in 2013. The work uses the Chinese folk tale of the White Snake to reflect on how love was experienced differently in three periods of twenty-first century China: the May Fourth Era, the Cultural Revolution, and the era of Reform and Opening Up. The work is structured on the Buddhist concept of reincarnation and uses primarily a modern and contemporary dance vocabulary.
Date: 2013

“I Heard Love Returned: White Snake Redux"

Title (English): “I Heard Love Returned: White Snake Redux"
Title (Chinese): 《听说爱情回来过——白蛇后传》
Title (Romanization): "Tingshuo aiqing huilai guo: Bai She houzhuan"
Description: "I Heard Love Returned: White Snake Redux" (听说爱情回来过——白蛇后传) is a contemporary ballet by Xiao Suhua (肖苏华 b. 1937), premiered by the Beijing Dance Academy in 2013. The work uses the Chinese folk tale of the White Snake to reflect on how love was experienced differently in three periods of twenty-first century China: the May Fourth Era, the Cultural Revolution, and the era of Reform and Opening Up. The work is structured on the Buddhist concept of reincarnation and uses primarily a modern and contemporary dance vocabulary.
Date: 2013

“I Heard Love Returned: White Snake Redux"

Title (English): “I Heard Love Returned: White Snake Redux"
Title (Chinese): 《听说爱情回来过——白蛇后传》
Title (Romanization): "Tingshuo aiqing huilai guo: Bai She houzhuan"
Description: "I Heard Love Returned: White Snake Redux" (听说爱情回来过——白蛇后传) is a contemporary ballet by Xiao Suhua (肖苏华 b. 1937), premiered by the Beijing Dance Academy in 2013. The work uses the Chinese folk tale of the White Snake to reflect on how love was experienced differently in three periods of twenty-first century China: the May Fourth Era, the Cultural Revolution, and the era of Reform and Opening Up. The work is structured on the Buddhist concept of reincarnation and uses primarily a modern and contemporary dance vocabulary.
Date: 2013

“I Heard Love Returned: White Snake Redux"

Title (English): “I Heard Love Returned: White Snake Redux"
Title (Chinese): 《听说爱情回来过——白蛇后传》
Title (Romanization): "Tingshuo aiqing huilai guo: Bai She houzhuan"
Description: "I Heard Love Returned: White Snake Redux" (听说爱情回来过——白蛇后传) is a contemporary ballet by Xiao Suhua (肖苏华 b. 1937), premiered by the Beijing Dance Academy in 2013. The work uses the Chinese folk tale of the White Snake to reflect on how love was experienced differently in three periods of twenty-first century China: the May Fourth Era, the Cultural Revolution, and the era of Reform and Opening Up. The work is structured on the Buddhist concept of reincarnation and uses primarily a modern and contemporary dance vocabulary.
Date: 2013

“I Heard Love Returned: White Snake Redux"

Title (English): “I Heard Love Returned: White Snake Redux"
Title (Chinese): 《听说爱情回来过——白蛇后传》
Title (Romanization): "Tingshuo aiqing huilai guo: Bai She houzhuan"
Description: "I Heard Love Returned: White Snake Redux" (听说爱情回来过——白蛇后传) is a contemporary ballet by Xiao Suhua (肖苏华 b. 1937), premiered by the Beijing Dance Academy in 2013. The work uses the Chinese folk tale of the White Snake to reflect on how love was experienced differently in three periods of twenty-first century China: the May Fourth Era, the Cultural Revolution, and the era of Reform and Opening Up. The work is structured on the Buddhist concept of reincarnation and uses primarily a modern and contemporary dance vocabulary.
Date: 2013

“I Heard Love Returned: White Snake Redux"

Title (English): “I Heard Love Returned: White Snake Redux"
Title (Chinese): 《听说爱情回来过——白蛇后传》
Title (Romanization): "Tingshuo aiqing huilai guo: Bai She houzhuan"
Description: "I Heard Love Returned: White Snake Redux" (听说爱情回来过——白蛇后传) is a contemporary ballet by Xiao Suhua (肖苏华 b. 1937), premiered by the Beijing Dance Academy in 2013. The work uses the Chinese folk tale of the White Snake to reflect on how love was experienced differently in three periods of twenty-first century China: the May Fourth Era, the Cultural Revolution, and the era of Reform and Opening Up. The work is structured on the Buddhist concept of reincarnation and uses primarily a modern and contemporary dance vocabulary.
Date: 2013

“I Heard Love Returned: White Snake Redux"

Title (English): “I Heard Love Returned: White Snake Redux"
Title (Chinese): 《听说爱情回来过——白蛇后传》
Title (Romanization): "Tingshuo aiqing huilai guo: Bai She houzhuan"
Description: "I Heard Love Returned: White Snake Redux" (听说爱情回来过——白蛇后传) is a contemporary ballet by Xiao Suhua (肖苏华 b. 1937), premiered by the Beijing Dance Academy in 2013. The work uses the Chinese folk tale of the White Snake to reflect on how love was experienced differently in three periods of twenty-first century China: the May Fourth Era, the Cultural Revolution, and the era of Reform and Opening Up. The work is structured on the Buddhist concept of reincarnation and uses primarily a modern and contemporary dance vocabulary.
Date: 2013

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