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sort Sort by None None Title (English) Title (Chinese) Title (Romanization) Date Photographer (Romanized name) Photographer (Chinese name)
Title (English)
"Five Red Clouds"
Title (Chinese)
《五朵红云》
Title (Romanization)
"Wu duo hong yun"
Description
"Five Red Clouds" (舞蹈红云) was one of the most important Chinese dance dramas of the pre-Cultural Revolution period. Originally premiered in 1959, it was made into a film by the August First Film Studio in 1960. The dance drama tells the story of a Li village who rebels against a group of Nationalist soldiers. The story centers on an ethnic minority heroine, Ke Ying, played by Wang Shan. Zha Lie (查烈, 1928-2009) was head of the choreographic team for this production.
Date
1959
Title (English)
"Five Red Clouds"
Title (Chinese)
《五朵红云》
Title (Romanization)
"Wu duo hong yun"
Description
"Five Red Clouds" (舞蹈红云) was one of the most important Chinese dance dramas of the pre-Cultural Revolution period. Originally premiered in 1959, it was made into a film by the August First Film Studio in 1960. The dance drama tells the story of a Li village who rebels against a group of Nationalist soldiers. The story centers on an ethnic minority heroine, Ke Ying, played by Wang Shan. Zha Lie (查烈, 1928-2009) was head of the choreographic team for this production.
Date
1959
Title (English)
Guo Moruo meeting performers
Title (Chinese)
郭沫若接见演出人员
Title (Romanization)
Guo Moruo jiejian yanchu renyuan
Description
"Five Red Clouds" (舞蹈红云) was one of the most important Chinese dance dramas of the pre-Cultural Revolution period. Originally premiered in 1959, it was made into a film by the August First Film Studio in 1960. The dance drama tells the story of a Li village who rebels against a group of Nationalist soldiers. The story centers on an ethnic minority heroine, Ke Ying, played by Wang Shan. Zha Lie (查烈, 1928-2009) was head of the choreographic team for this production.
Title (English)
Zha Lie rehearsing "Five Red Clouds"
Title (Chinese)
查烈排练《五朵红云》
Title (Romanization)
Zha Lie pailian "Wu duo hong yun"
Description
"Five Red Clouds" (舞蹈红云) was one of the most important Chinese dance dramas of the pre-Cultural Revolution period. Originally premiered in 1959, it was made into a film by the August First Film Studio in 1960. The dance drama tells the story of a Li village who rebels against a group of Nationalist soldiers. The story centers on an ethnic minority heroine, Ke Ying, played by Wang Shan. Zha Lie (查烈, 1928-2009) was head of the choreographic team for this production.
Date
1960
Title (English)
“Flag"
Title (Chinese)
《旗》
Title (Romanization)
"Qi"
Description
"Flag" (旗) was a small-scale dance drama about the friendship and cooperation between Chinese and North Koreans during the Korean War. It was first performed by the South China Army Political Department Song and Dance Ensemble in 1954, adapted by Zha Lie (查烈, 1928-2009) and Li Zong 李聪. The story is about a group of Korean women who visit Chinese soldiers at the front lines to give them a new silk banner or flag. The work was studied by other ensembles and continued to be performed until 1960. "Flag" was performed in Vietnam and was recorded in a documentary by August First Film Company.
Date
1954
Title (English)
"Conch Sister-in-Law"
Title (Chinese)
《螺嫂》
Title (Romanization)
"Luo sao"
Description
“Conch Sister-in-Law" (螺嫂) is a military dance duet premiered by the Guangzhou Military District Political Department Propaganda Team in 1973.
Date
1973
Title (English)
“Camping For a Long Distance"
Title (Chinese)
《野营千里》
Title (Romanization)
"Ye ying qian li"
Description
“Camping for a Long Distance" (野营千里) was a military dance drama choreographed by Zha Lie (查烈, 1928-2009) and premiered by the Guangzhou Military District Political Department Soldiers Song and Dance Ensemble in 1964. That year, it won awards at the Third PLA Arts Festival in Beijing.
Date
1964
Title (English)
"Buttercups Are Blossoming"
Title (Chinese)
《金凤花开》
Title (Romanization)
"Jinfenghua kai"
Description
"Buttercups Are Blossoming" (金凤花开) is a small-scale military dance drama premiered by the Guangzhou Military District Political Department Propaganda Team in 1972. It tells the story of a female military doctor who uses acupuncture to cure a paralyzed Yao woman, allowing her to stand again.
Date
1972
Title (English)
"Night Practice"
Title (Chinese)
《夜练》
Title (Romanization)
"Ye lian"
Description
"Night Practice" (夜练) was a Chinese military dance premiered by the Guangzhou Military District Political Department Propaganda Team in 1972. In 1977, this work won several national-level awards at the Fourth PLA Arts Festival, and in 1994 it was nominated to be a classic of Chinese dance in the twentieth century.
Date
1972
Title (English)
"Five Red Clouds"
Title (Chinese)
《五朵红云》
Title (Romanization)
"Wu duo hong yun"
Description
"Five Red Clouds" (舞蹈红云) was one of the most important Chinese dance dramas of the pre-Cultural Revolution period. Originally premiered in 1959, it was made into a film by the August First Film Studio in 1960. The dance drama tells the story of a Li village who rebels against a group of Nationalist soldiers. The story centers on an ethnic minority heroine, Ke Ying, played by Wang Shan. Zha Lie (查烈, 1928-2009) was head of the choreographic team for this production.
Date
1959
Title (English)
"Five Red Clouds"
Title (Chinese)
《五朵红云》
Title (Romanization)
"Wu duo hong yun"
Description
"Five Red Clouds" (舞蹈红云) was one of the most important Chinese dance dramas of the pre-Cultural Revolution period. Originally premiered in 1959, it was made into a film by the August First Film Studio in 1960. The dance drama tells the story of a Li village who rebels against a group of Nationalist soldiers. The story centers on an ethnic minority heroine, Ke Ying, played by Wang Shan. Zha Lie (查烈, 1928-2009) was head of the choreographic team for this production.
Date
1959
Title (English)
"Five Red Clouds"
Title (Chinese)
《五朵红云》
Title (Romanization)
"Wu duo hong yun"
Description
"Five Red Clouds" (舞蹈红云) was one of the most important Chinese dance dramas of the pre-Cultural Revolution period. Originally premiered in 1959, it was made into a film by the August First Film Studio in 1960. The dance drama tells the story of a Li village who rebels against a group of Nationalist soldiers. The story centers on an ethnic minority heroine, Ke Ying, played by Wang Shan. Zha Lie (查烈, 1928-2009) was head of the choreographic team for this production.
Date
1959
Title (English)
"Going to Jinggang Mountain"
Title (Chinese)
《上井冈》
Title (Romanization)
"Shang Jinggang"
Description
"Going to Jinggang Mountain" (上井冈) was a military group dance premiered by the Guangzhou Military District Political Department Soldiers Song and Dance Ensemble in 1977. That year, it won creation and performance awards at the Firth PLA Arts Festival.
Date
1977
Title (English)
"Military Postman Is Here"
Title (Chinese)
《军邮员来了》
Title (Romanization)
"Junyouyuan lai le"
Description
“Military Postman Is Here" (军邮员来了) was a military group dance premiered by the Guangzhou Military District Political Department Soldiers Song and Dance Ensemble in 1953.
Date
1953
Title (English)
"New Song in the Rubber Garden"
Title (Chinese)
《胶园新歌》
Title (Romanization)
"Jiao yuan xin ge"
Description
"New Song in the Rubber Garden" (胶园新歌) is a group military dance premiered by the Guangzhou Military District Political Department Propaganda Team in 1972.
Date
1972
Title (English)
"General Mends Shoes"
Title (Chinese)
《将军补鞋》
Title (Romanization)
"Jiangjun bu xie"
Description
"General Mends Shoes" (将军补鞋) was a Chinese military dance trio premiered by the Guangzhou Military District Political Department Soldiers Song and Dance Ensemble in 1960. In 1964, it won several national-level awards at the Third PLA Arts Festival in Beijing. The work was inspired by a report praising a lieutenant officer for mending shoes for his officers and men.
Date
1960
Title (English)
"Beside the Island Spring"
Title (Chinese)
《海岛泉边》
Title (Romanization)
"Haidao quan bian"
Description
“Beside the Island Spring" (海岛泉边) is a military dance trio premiered by the Guangzhou Military District Political Department Propaganda Team in 1973.
Date
1973
Title (English)
“Cambodian Female Soldier"
Title (Chinese)
《高棉女战士》
Title (Romanization)
"Gaomian nü zhanshi"
Description
"Cambodian Female Soldier" (高棉女战士) is a military dance trio premiered by the Guangzhou Military District Political Department Propaganda Team in 1973.
Date
1973
Title (English)
"Tunnel Warfare"
Title (Chinese)
《地道战》
Title (Romanization)
"Didao zhan"
Description
"Tunnel Warfare" (地道战) was a military group dance premiered by the Guangzhou Military District Political Department Soldiers Song and Dance Ensemble in 1977. That year, it won a creation award at the Firth PLA Arts Festival.
Date
1977
Title (English)
"Sister-in-Law Crosses the Foot Bridge"
Title (Chinese)
《大嫂过小桥》
Title (Romanization)
"Dasao guo xiaoqiao"
Description
"Sister-in-Law Crosses the Foot Bright" (大嫂过小桥) was a military dance duet premiered by the Guangzhou Military District Political Department Soldiers Song and Dance Ensemble in 1961. This dance is about a soldier who helps a farmer carry her melons over a narrow bridge. It reflects the larger theme of friendship between soldiers and civilians.
Date
1961
Title (English)
"Cock's Crow in the Night"
Title (Chinese)
《半夜鸡叫》
Title (Romanization)
"Ban ye ji jiao"
Description
"Cock's Crow in the Night" (半夜鸡叫) was a Chinese military dance trio premiered by the Guangzhou Military District Political Department Soldiers Song and Dance Ensemble in 1964. That year, it won several national-level awards at the Third PLA Arts Festival in Beijing.
Date
1964
Title (English)
"Arduous Years"
Title (Chinese)
《艰苦岁月》
Title (Romanization)
"Jianku suiyue"
Description
"Arduous Years" (艰苦岁月) was a Chinese military dance duet premiered by the Guangzhou Military District Political Department Soldiers Song and Dance Ensemble in 1961. The dance is set during the Long March and shows an old Red Army veteran who helps a young soldier overcome hunger and exhaustion to continue on the march. In 1964, this work won several national-level awards at the Third PLA Arts Festival in Beijing, and in 1994 it was named a classic of Chinese dance in the twentieth century. A second version of the work appeared in 1973.
Date
1961
Title (English)
"Night Practice"
Title (Chinese)
《夜练》
Title (Romanization)
"Ye lian"
Description
"Night Practice" (夜练) was a Chinese military dance premiered by the Guangzhou Military District Political Department Propaganda Team in 1972. In 1977, this work won several national-level awards at the Fourth PLA Arts Festival, and in 1994 it was nominated to be a classic of Chinese dance in the twentieth century.
Date
1972
Title (English)
"Night Practice"
Title (Chinese)
《夜练》
Title (Romanization)
"Ye lian"
Description
"Night Practice" (夜练) was a Chinese military dance premiered by the Guangzhou Military District Political Department Propaganda Team in 1972. In 1977, this work won several national-level awards at the Fourth PLA Arts Festival, and in 1994 it was nominated to be a classic of Chinese dance in the twentieth century.
Date
1972
Title (English)
"Night Practice"
Title (Chinese)
《夜练》
Title (Romanization)
"Ye lian"
Description
"Night Practice" (夜练) was a Chinese military dance premiered by the Guangzhou Military District Political Department Propaganda Team in 1972. In 1977, this work won several national-level awards at the Fourth PLA Arts Festival, and in 1994 it was nominated to be a classic of Chinese dance in the twentieth century.
Date
1972
Title (English)
"Buttercups Are Blossoming"
Title (Chinese)
《金凤花开》
Title (Romanization)
"Jinfenghua kai"
Description
"Buttercups Are Blossoming" (金凤花开) is a small-scale military dance drama premiered by the Guangzhou Military District Political Department Propaganda Team in 1972. It tells the story of a female military doctor who uses acupuncture to cure a paralyzed Yao woman, allowing her to stand again.
Date
1972
Title (English)
"General Mends Shoes"
Title (Chinese)
《将军补鞋》
Title (Romanization)
"Jiangjun bu xie"
Description
"General Mends Shoes" (将军补鞋) was a Chinese military dance trio premiered by the Guangzhou Military District Political Department Soldiers Song and Dance Ensemble in 1960. In 1964, it won several national-level awards at the Third PLA Arts Festival in Beijing. The work was inspired by a report praising a lieutenant officer for mending shoes for his officers and men.
Date
1960
Title (English)
"General Mends Shoes"
Title (Chinese)
《将军补鞋》
Title (Romanization)
"Jiangjun bu xie"
Description
"General Mends Shoes" (将军补鞋) was a Chinese military dance trio premiered by the Guangzhou Military District Political Department Soldiers Song and Dance Ensemble in 1960. In 1964, it won several national-level awards at the Third PLA Arts Festival in Beijing. The work was inspired by a report praising a lieutenant officer for mending shoes for his officers and men.
Date
1960
Title (English)
"Peacock Dance"
Title (Chinese)
《孔雀舞》
Title (Romanization)
"Kongque wu"
Description
Zhang Jun (张均 1935-2012) was a pioneer of the genre known as "Oriental Dance" (东方舞), in particular the dances of South and Southeast Asia. Born in Hubei, Zhang joined the "New Peace" (新安) performance ensemble (later the Shanghai Experimental Opera Theater) in Shanghai in 1950. From late 1954 to mid-1955, Zhang travelled to India, Burma, and Indonesia on a Chinese Cultural Delegation led by Dai Ailian. In 1956, Zhang entered the Beijing Dance School, where she became a founding member of the Oriental Music and Dance Course, and in 1962, she was a founding member of the Oriental Song and Dance Ensemble (东方歌舞团, est. 1962), a national-level ensemble based in Beijing that specialized in the dances of Asia, Africa, and Latin America. Between 1980-1981, Zhang received intensive training in multiple styles of Indian classical dance at the Darpana Academy in India. In China, she pursued advanced study in Indian religious history at Peking University and published one of the first Chinese-language books on bharata natyam. Zhang studied in India again in 1986-87, 1993, and 2003, the last two times with her students. Zhang was recognized by Indian presidents and cultural leaders for her accomplishments in Indian dance.
Date
1970s
Title (English)
Dong Lixin
Title (Chinese)
董丽馨
Title (Romanization)
Dong Lixin
Description
Dong Lixin (董丽馨 b. 1946) is a dancer of Bai ethnicity. Born in Dali, Yunnan, she tested into the Central Nationalities Institute Art Department Dance Program in 1959. During the 1970s and 1980s, she was a leading dancer in the Central Nationalities Song and Dance Ensemble. Her most famous performances include the Yi nationality dance drama "Great Changes in Liangshan" (凉山巨变) and the Yi nationality solo "Red Shawl" (红披毡). Here, we see her backstage during a performance in Tibet.
Title (English)
Dong Lixin's parents
Title (Chinese)
董丽馨的父母
Title (Romanization)
Dong Lixin de fu mu
Description
Dong Lixin (董丽馨 b. 1946) is a dancer of Bai ethnicity. Born in Dali, Yunnan, she tested into the Central Nationalities Institute Art Department Dance Program in 1959. During the 1970s and 1980s, she was a leading dancer in the Central Nationalities Song and Dance Ensemble. Her most famous performances include the Yi nationality dance drama "Great Changes in Liangshan" (凉山巨变) and the Yi nationality solo "Red Shawl" (红披毡).
Title (English)
Conducting Field Research
Title (Chinese)
采风
Title (Romanization)
Caifeng
Description
Dong Lixin (董丽馨 b. 1946) is a dancer of Bai ethnicity. Born in Dali, Yunnan, she tested into the Central Nationalities Institute Art Department Dance Program in 1959. During the 1970s and 1980s, she was a leading dancer in the Central Nationalities Song and Dance Ensemble. Her most famous performances include the Yi nationality dance drama "Great Changes in Liangshan" (凉山巨变) and the Yi nationality solo "Red Shawl" (红披毡). Here, she is leading a group of students on a field research trip in an Yi nationality region.
Date
1986
Title (English)
Conducting Field Research
Title (Chinese)
采风
Title (Romanization)
Caifeng
Description
Dong Lixin (董丽馨 b. 1946) is a dancer of Bai ethnicity. Born in Dali, Yunnan, she tested into the Central Nationalities Institute Art Department Dance Program in 1959. During the 1970s and 1980s, she was a leading dancer in the Central Nationalities Song and Dance Ensemble. Her most famous performances include the Yi nationality dance drama "Great Changes in Liangshan" (凉山巨变) and the Yi nationality solo "Red Shawl" (红披毡). Here, she is leading a group of students on a field research trip in an Yi nationality region.
Date
1986
Title (English)
Conducting Field Research
Title (Chinese)
采风
Title (Romanization)
Caifeng
Description
Dong Lixin (董丽馨 b. 1946) is a dancer of Bai ethnicity. Born in Dali, Yunnan, she tested into the Central Nationalities Institute Art Department Dance Program in 1959. During the 1970s and 1980s, she was a leading dancer in the Central Nationalities Song and Dance Ensemble. Her most famous performances include the Yi nationality dance drama "Great Changes in Liangshan" (凉山巨变) and the Yi nationality solo "Red Shawl" (红披毡). Here, she is leading a group of students on a field research trip in an Yi nationality region.
Date
1986
Title (English)
Conducting Field Research
Title (Chinese)
采风
Title (Romanization)
Caifeng
Description
Dong Lixin (董丽馨 b. 1946) is a dancer of Bai ethnicity. Born in Dali, Yunnan, she tested into the Central Nationalities Institute Art Department Dance Program in 1959. During the 1970s and 1980s, she was a leading dancer in the Central Nationalities Song and Dance Ensemble. Her most famous performances include the Yi nationality dance drama "Great Changes in Liangshan" (凉山巨变) and the Yi nationality solo "Red Shawl" (红披毡). Here, she is leading a group of students on a field research trip in an Yi nationality region.
Date
1986
Title (English)
Dong Lixin
Title (Chinese)
董丽馨
Title (Romanization)
Dong Lixin
Description
Dong Lixin (董丽馨 b. 1946) is a dancer of Bai ethnicity. Born in Dali, Yunnan, she tested into the Central Nationalities Institute Art Department Dance Program in 1959. During the 1970s and 1980s, she was a leading dancer in the Central Nationalities Song and Dance Ensemble. Her most famous performances include the Yi nationality dance drama "Great Changes in Liangshan" (凉山巨变) and the Yi nationality solo "Red Shawl" (红披毡). Here, she is on a performance tour in Japan.
Date
1982
Title (English)
Dong Lixin
Title (Chinese)
董丽馨
Title (Romanization)
Dong Lixin
Description
Dong Lixin (董丽馨 b. 1946) is a dancer of Bai ethnicity. Born in Dali, Yunnan, she tested into the Central Nationalities Institute Art Department Dance Program in 1959. During the 1970s and 1980s, she was a leading dancer in the Central Nationalities Song and Dance Ensemble. Her most famous performances include the Yi nationality dance drama "Great Changes in Liangshan" (凉山巨变) and the Yi nationality solo "Red Shawl" (红披毡). Here, she is on a performance tour in Tibet.
Date
1981
Title (English)
Dong Lixin
Title (Chinese)
董丽馨
Title (Romanization)
Dong Lixin
Description
Dong Lixin (董丽馨 b. 1946) is a dancer of Bai ethnicity. Born in Dali, Yunnan, she tested into the Central Nationalities Institute Art Department Dance Program in 1959. During the 1970s and 1980s, she was a leading dancer in the Central Nationalities Song and Dance Ensemble. Her most famous performances include the Yi nationality dance drama "Great Changes in Liangshan" (凉山巨变) and the Yi nationality solo "Red Shawl" (红披毡). Here, she is on a performance tour in Malta.
Date
1980
Title (English)
Dong Lixin
Title (Chinese)
董丽馨
Title (Romanization)
Dong Lixin
Description
Dong Lixin (董丽馨 b. 1946) is a dancer of Bai ethnicity. Born in Dali, Yunnan, she tested into the Central Nationalities Institute Art Department Dance Program in 1959. During the 1970s and 1980s, she was a leading dancer in the Central Nationalities Song and Dance Ensemble. Her most famous performances include the Yi nationality dance drama "Great Changes in Liangshan" (凉山巨变) and the Yi nationality solo "Red Shawl" (红披毡).
Date
1974
Title (English)
Dong Lixin
Title (Chinese)
董丽馨
Title (Romanization)
Dong Lixin
Description
Dong Lixin (董丽馨 b. 1946) is a dancer of Bai ethnicity. Born in Dali, Yunnan, she tested into the Central Nationalities Institute Art Department Dance Program in 1959. During the 1970s and 1980s, she was a leading dancer in the Central Nationalities Song and Dance Ensemble. Her most famous performances include the Yi nationality dance drama "Great Changes in Liangshan" (凉山巨变) and the Yi nationality solo "Red Shawl" (红披毡).
Date
1964
Title (English)
Yi Nationality Slave Owner Costume
Title (Chinese)
彝族奴隶主的服装
Title (Romanization)
Yizu nulizhu de fuzhuang
Description
Dong Lixin (董丽馨 b. 1946) is a dancer of Bai ethnicity. Born in Dali, Yunnan, she tested into the Central Nationalities Institute Art Department Dance Program in 1959. During the 1970s and 1980s, she was a leading dancer in the Central Nationalities Song and Dance Ensemble. Her most famous performances include the Yi nationality dance drama "Great Changes in Liangshan" (凉山巨变) and the Yi nationality solo "Red Shawl" (红披毡).
Date
1964
Title (English)
"Rainbow"
Title (Chinese)
《彩虹》
Title (Romanization)
“Caihong"
Description
Dong Lixin (董丽馨 b. 1946) is a dancer of Bai ethnicity. Born in Dali, Yunnan, she tested into the Central Nationalities Institute Art Department Dance Program in 1959. During the 1970s and 1980s, she was a leading dancer in the Central Nationalities Song and Dance Ensemble. Her most famous performances include the Yi nationality dance drama "Great Changes in Liangshan" (凉山巨变) and the Yi nationality solo "Red Shawl" (红披毡).
Date
1980s
Title (English)
Xinjiang Female Group Dance
Title (Chinese)
新疆女子集体舞
Title (Romanization)
Xiniang nüzi jitiwu
Description
Dong Lixin (董丽馨 b. 1946) is a dancer of Bai ethnicity. Born in Dali, Yunnan, she tested into the Central Nationalities Institute Art Department Dance Program in 1959. During the 1970s and 1980s, she was a leading dancer in the Central Nationalities Song and Dance Ensemble. Her most famous performances include the Yi nationality dance drama "Great Changes in Liangshan" (凉山巨变) and the Yi nationality solo "Red Shawl" (红披毡).
Date
1980s
Title (English)
Miao Dance
Title (Chinese)
苗族舞蹈
Title (Romanization)
Miaozu wudao
Description
Dong Lixin (董丽馨 b. 1946) is a dancer of Bai ethnicity. Born in Dali, Yunnan, she tested into the Central Nationalities Institute Art Department Dance Program in 1959. During the 1970s and 1980s, she was a leading dancer in the Central Nationalities Song and Dance Ensemble. Her most famous performances include the Yi nationality dance drama "Great Changes in Liangshan" (凉山巨变) and the Yi nationality solo "Red Shawl" (红披毡).
Date
1980s
Title (English)
"Red Shawl"
Title (Chinese)
《红披毡》
Title (Romanization)
"Hong pizhan"
Description
Dong Lixin (董丽馨 b. 1946) is a dancer of Bai ethnicity. Born in Dali, Yunnan, she tested into the Central Nationalities Institute Art Department Dance Program in 1959. During the 1970s and 1980s, she was a leading dancer in the Central Nationalities Song and Dance Ensemble. Her most famous performances include the Yi nationality dance drama "Great Changes in Liangshan" (凉山巨变) and the Yi nationality solo "Red Shawl" (红披毡).
Date
1970s
Title (English)
"Red Shawl"
Title (Chinese)
《红披毡》
Title (Romanization)
"Hong pizhan"
Description
Dong Lixin (董丽馨 b. 1946) is a dancer of Bai ethnicity. Born in Dali, Yunnan, she tested into the Central Nationalities Institute Art Department Dance Program in 1959. During the 1970s and 1980s, she was a leading dancer in the Central Nationalities Song and Dance Ensemble. Her most famous performances include the Yi nationality dance drama "Great Changes in Liangshan" (凉山巨变) and the Yi nationality solo "Red Shawl" (红披毡).
Date
1970s
Title (English)
"Red Shawl"
Title (Chinese)
《红披毡》
Title (Romanization)
"Hong pizhan"
Description
Dong Lixin (董丽馨 b. 1946) is a dancer of Bai ethnicity. Born in Dali, Yunnan, she tested into the Central Nationalities Institute Art Department Dance Program in 1959. During the 1970s and 1980s, she was a leading dancer in the Central Nationalities Song and Dance Ensemble. Her most famous performances include the Yi nationality dance drama "Great Changes in Liangshan" (凉山巨变) and the Yi nationality solo "Red Shawl" (红披毡).
Date
1970s
Title (English)
"Red Shawl"
Title (Chinese)
《红披毡》
Title (Romanization)
"Hong pizhan"
Description
Dong Lixin (董丽馨 b. 1946) is a dancer of Bai ethnicity. Born in Dali, Yunnan, she tested into the Central Nationalities Institute Art Department Dance Program in 1959. During the 1970s and 1980s, she was a leading dancer in the Central Nationalities Song and Dance Ensemble. Her most famous performances include the Yi nationality dance drama "Great Changes in Liangshan" (凉山巨变) and the Yi nationality solo "Red Shawl" (红披毡).
Date
1970s
Title (English)
"Red Shawl"
Title (Chinese)
《红披毡》
Title (Romanization)
"Hong pizhan"
Description
Dong Lixin (董丽馨 b. 1946) is a dancer of Bai ethnicity. Born in Dali, Yunnan, she tested into the Central Nationalities Institute Art Department Dance Program in 1959. During the 1970s and 1980s, she was a leading dancer in the Central Nationalities Song and Dance Ensemble. Her most famous performances include the Yi nationality dance drama "Great Changes in Liangshan" (凉山巨变) and the Yi nationality solo "Red Shawl" (红披毡).
Date
1970s
Title (English)
"Red Shawl"
Title (Chinese)
《红披毡》
Title (Romanization)
"Hong pizhan"
Description
Dong Lixin (董丽馨 b. 1946) is a dancer of Bai ethnicity. Born in Dali, Yunnan, she tested into the Central Nationalities Institute Art Department Dance Program in 1959. During the 1970s and 1980s, she was a leading dancer in the Central Nationalities Song and Dance Ensemble. Her most famous performances include the Yi nationality dance drama "Great Changes in Liangshan" (凉山巨变) and the Yi nationality solo "Red Shawl" (红披毡).
Date
1970s
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