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sort Sort by None None Title (English) Title (Chinese) Title (Romanization) Date Photographer (Romanized name) Photographer (Chinese name)
Title (English)
Oumijiacan
Title (Chinese)
欧米加参
Title (Romanization)
Oumijiacan
Description
Oumijiacan (欧米加参 b. 1928) is a dancer of Tibetan heritage born in modern-day Sichuan. In 1953, he was working as a traveling performer in Yunnan and was spotted by members of the Southwest Visiting Team, including Zhang Ke (张苛 b. 1930). Oumijiacan moved to Beijing in 1953 to join the Central Nationalities Institute Cultural Work Troupe (later the Central Nationalities Song and Dance Ensemble 中央民族歌舞团). Oumijiacan went on to be a leading performer, choreographer, researcher, and teacher of Tibetan dance and performing arts. He also served as Vice Director of the Central Nationalities Song and Dance Ensemble. Here, Oumijiacan is performing at an event in Yunnan.Here, Oumijiacan is performing at an event in Yunnan.
Title (English)
Oumijiacan
Title (Chinese)
欧米加参
Title (Romanization)
Oumijiacan
Description
Oumijiacan (欧米加参 b. 1928) is a dancer of Tibetan heritage born in modern-day Sichuan. In 1953, he was working as a traveling performer in Yunnan and was spotted by members of the Southwest Visiting Team, including Zhang Ke (张苛 b. 1930). Oumijiacan moved to Beijing in 1953 to join the Central Nationalities Institute Cultural Work Troupe (later the Central Nationalities Song and Dance Ensemble 中央民族歌舞团). Oumijiacan went on to be a leading performer, choreographer, researcher, and teacher of Tibetan dance and performing arts. He also served as Vice Director of the Central Nationalities Song and Dance Ensemble. Here, Oumijiacan is performing at an event in Yunnan.
Title (English)
"Shepherd"
Title (Chinese)
《牧羊人》
Title (Romanization)
"Muyangren"
Description
Oumijiacan (欧米加参 b. 1928) is a dancer of Tibetan heritage born in modern-day Sichuan. In 1953, he was working as a traveling performer in Yunnan and was spotted by members of the Southwest Visiting Team, including Zhang Ke (张苛 b. 1930). Oumijiacan moved to Beijing in 1953 to join the Central Nationalities Institute Cultural Work Troupe (later the Central Nationalities Song and Dance Ensemble 中央民族歌舞团). Oumijiacan went on to be a leading performer, choreographer, researcher, and teacher of Tibetan dance and performing arts. He also served as Vice Director of the Central Nationalities Song and Dance Ensemble. This was one of Oumijiacan's well-known solo dance choreographies.
Title (English)
"Reba on the Grassland"
Title (Chinese)
《草原上的热巴》
Title (Romanization)
Caoyuan shang de reba
Description
Oumijiacan (欧米加参 b. 1928) is a dancer of Tibetan heritage born in modern-day Sichuan. In 1953, he was working as a traveling performer in Yunnan and was spotted by members of the Southwest Visiting Team, including Zhang Ke (张苛 b. 1930). Oumijiacan moved to Beijing in 1953 to join the Central Nationalities Institute Cultural Work Troupe (later the Central Nationalities Song and Dance Ensemble 中央民族歌舞团). Oumijiacan went on to be a leading performer, choreographer, researcher, and teacher of Tibetan dance and performing arts. He also served as Vice Director of the Central Nationalities Song and Dance Ensemble. Here, we see Oumijiacan performing one of his most famous works, "Reba On the Grassland," with his students in the Central Nationalities Institute Art Program.
Title (English)
"Holiday"
Title (Chinese)
《节日》
Title (Romanization)
"Jieri"
Description
The Central Nationalities Song and Dance Ensemble, founded in 1952 as the Central Nationalities Institute Cultural Work Troupe, specialized in performances created and performed by China's ethnic minorities. This piece, "Holiday," was one of the Ensemble's first Tibetan-themed dances. Oumijiacan (欧米加参 b. 1928), a Tibetan dancer recruited to the troupe in 1953, starred in this work, as shown here.
Date
1953
Title (English)
"Reba on the Grassland"
Title (Chinese)
《草原上的热巴》
Title (Romanization)
Caoyuan shang de reba
Description
The Central Nationalities Song and Dance Ensemble, founded in 1952 as the Central Nationalities Institute Cultural Work Troupe, specialized in performances created and performed by China's ethnic minorities. This work, "Reba On the Grassland," was co-choreographed in 1956 by Han choreographer Zhang Ke (张苛 b. 1930) and Tibetan dancer Oumijiacan (欧米加参 b. 1928). Oumijiacan had been a traveling performer in Yunnan before he was recruited to join the ensemble in 1953. "Reba On the Grassland" won an award at the World Festival of Youth and Students in Moscow in 1957 and is one of the most well-known Tibetan dance works of the Maoist period.
Date
1956
Title (English)
"Reba on the Grassland"
Title (Chinese)
《草原上的热巴》
Title (Romanization)
Caoyuan shang de reba
Description
The Central Nationalities Song and Dance Ensemble, founded in 1952 as the Central Nationalities Institute Cultural Work Troupe, specialized in performances created and performed by China's ethnic minorities. This work, "Reba On the Grassland," was co-choreographed in 1956 by Han choreographer Zhang Ke (张苛 b. 1930) and Tibetan dancer Oumijiacan (欧米加参 b. 1928). Oumijiacan had been a traveling performer in Yunnan before he was recruited to join the ensemble in 1953. "Reba On the Grassland" won an award at the World Festival of Youth and Students in Moscow in 1957 and is one of the most well-known Tibetan dance works of the Maoist period.
Date
1956
Title (English)
"Reba on the Grassland"
Title (Chinese)
《草原上的热巴》
Title (Romanization)
Caoyuan shang de reba
Description
The Central Nationalities Song and Dance Ensemble, founded in 1952 as the Central Nationalities Institute Cultural Work Troupe, specialized in performances created and performed by China's ethnic minorities. This work, "Reba On the Grassland," was co-choreographed in 1956 by Han choreographer Zhang Ke (张苛 b. 1930) and Tibetan dancer Oumijiacan (欧米加参 b. 1928). Oumijiacan had been a traveling performer in Yunnan before he was recruited to join the ensemble in 1953. "Reba On the Grassland" won an award at the World Festival of Youth and Students in Moscow in 1957 and is one of the most well-known Tibetan dance works of the Maoist period.
Date
1956
Title (English)
"Reba on the Grassland"
Title (Chinese)
《草原上的热巴》
Title (Romanization)
Caoyuan shang de reba
Description
The Central Nationalities Song and Dance Ensemble, founded in 1952 as the Central Nationalities Institute Cultural Work Troupe, specialized in performances created and performed by China's ethnic minorities. This work, "Reba On the Grassland," was co-choreographed in 1956 by Han choreographer Zhang Ke (张苛 b. 1930) and Tibetan dancer Oumijiacan (欧米加参 b. 1928). Oumijiacan had been a traveling performer in Yunnan before he was recruited to join the ensemble in 1953. "Reba On the Grassland" won an award at the World Festival of Youth and Students in Moscow in 1957 and is one of the most well-known Tibetan dance works of the Maoist period.
Date
1956
Title (English)
"Reba on the Grassland"
Title (Chinese)
《草原上的热巴》
Title (Romanization)
Caoyuan shang de reba
Description
The Central Nationalities Song and Dance Ensemble, founded in 1952 as the Central Nationalities Institute Cultural Work Troupe, specialized in performances created and performed by China's ethnic minorities. This work, "Reba On the Grassland," was co-choreographed in 1956 by Han choreographer Zhang Ke (张苛 b. 1930) and Tibetan dancer Oumijiacan (欧米加参 b. 1928). Oumijiacan had been a traveling performer in Yunnan before he was recruited to join the ensemble in 1953. "Reba On the Grassland" won an award at the World Festival of Youth and Students in Moscow in 1957 and is one of the most well-known Tibetan dance works of the Maoist period.
Title (English)
"Reba on the Grassland"
Title (Chinese)
《草原上的热巴》
Title (Romanization)
Caoyuan shang de reba
Description
The Central Nationalities Song and Dance Ensemble, founded in 1952 as the Central Nationalities Institute Cultural Work Troupe, specialized in performances created and performed by China's ethnic minorities. This work, "Reba On the Grassland," was co-choreographed in 1956 by Han choreographer Zhang Ke (张苛 b. 1930) and Tibetan dancer Oumijiacan (欧米加参 b. 1928). Oumijiacan had been a traveling performer in Yunnan before he was recruited to join the ensemble in 1953. "Reba On the Grassland" won an award at the World Festival of Youth and Students in Moscow in 1957 and is one of the most well-known Tibetan dance works of the Maoist period.
Date
1957
Title (English)
"Reba on the Grassland"
Title (Chinese)
《草原上的热巴》
Title (Romanization)
Caoyuan shang de reba
Description
The Central Nationalities Song and Dance Ensemble, founded in 1952 as the Central Nationalities Institute Cultural Work Troupe, specialized in performances created and performed by China's ethnic minorities. This work, "Reba On the Grassland," was co-choreographed in 1956 by Han choreographer Zhang Ke (张苛 b. 1930) and Tibetan dancer Oumijiacan (欧米加参 b. 1928). Oumijiacan had been a traveling performer in Yunnan before he was recruited to join the ensemble in 1953. "Reba On the Grassland" won an award at the World Festival of Youth and Students in Moscow in 1957 and is one of the most well-known Tibetan dance works of the Maoist period.
Date
1957
Title (English)
"Reba on the Grassland"
Title (Chinese)
《草原上的热巴》
Title (Romanization)
Caoyuan shang de reba
Description
The Central Nationalities Song and Dance Ensemble, founded in 1952 as the Central Nationalities Institute Cultural Work Troupe, specialized in performances created and performed by China's ethnic minorities. This work, "Reba On the Grassland," was co-choreographed in 1956 by Han choreographer Zhang Ke (张苛 b. 1930) and Tibetan dancer Oumijiacan (欧米加参 b. 1928). Oumijiacan had been a traveling performer in Yunnan before he was recruited to join the ensemble in 1953. "Reba On the Grassland" won an award at the World Festival of Youth and Students in Moscow in 1957 and is one of the most well-known Tibetan dance works of the Maoist period.
Date
1980s
Title (English)
Rehearsing "Harvest" in Yunnan
Title (Chinese)
在云南排练《丰收》
Title (Romanization)
zai Yunnan pailian "fengshou"
Description
In 1952, Zhang Ke (张苛 b. 1930) and Jin Liqin (金立勤 b. 1934) joined the Central Nationalities Song and Dance Ensemble. As part of this group, Zhang served as a choreographer creating early works of minority-themed dances. This work, harvest dance, is a Tibetan-themed work using the “guozhuang” (锅庄) dance style. Here, we see members of the ensemble rehearsing this piece in Yunnan in front of a rack used for highland barley.
Date
1953
Title (English)
Nixi Social Dance
Title (Chinese)
尼西情舞
Title (Romanization)
Nixi qingwu
Description
In 1952, Zhang Ke (张苛 b. 1930) and Jin Liqin (金立勤 b. 1934) joined the Central Nationalities Song and Dance Ensemble. As part of this group, they frequently went on visiting trips to minority regions. This photograph shows a trip to a Tibetan area in 1953. The dance being performed is known in Mandarin as "Nixi social dance" (尼西情歌), also known colloquially as "Tibetan walz." This photograph was taken during the trip from Lijiang to Zhongdian.
Date
1953
Title (English)
Guozhuang Tibetan Dance in Yunnan
Title (Chinese)
云南锅庄藏族舞蹈
Title (Romanization)
Yunnan Guozhuang Zangzu wudao
Description
In 1950, Zhang Ke (张苛 b. 1930) was recruited to join the Southwest Visiting Team (西南访问团) tasked with carrying out diplomatic activities with minority communities in Southwest China. Here, we see members of the Team in Yunnan learning Guozhuang dance from local Tibetans.
Date
1952
Title (English)
"Princess Wencheng"
Title (Chinese)
《文成公主》
Title (Romanization)
“Wencheng gongzhu”
Description
In 1979, the China Opera and Dance Drama Theater (中国歌剧舞剧院) worked with the Beijing Dance School (北京舞蹈学校) to create and premier the Chinese classical dance drama Princess Wencheng (文成公主), based on a historical Tang princess who married a Tibetan leader. In this piece, Fang Bonian (方伯年 b. 1936) played the role of the Tibetan minister Ge'erdongzan (噶尔东赞) and Chen Ailian (陈爱莲, b. 1939) played the role of Princess Wencheng.
Date
1979
Title (English)
"Princess Wencheng"
Title (Chinese)
《文成公主》
Title (Romanization)
“Wencheng gongzhu”
Description
In 1979, the China Opera and Dance Drama Theater (中国歌剧舞剧院) worked with the Beijing Dance School (北京舞蹈学校) to create and premier the Chinese classical dance drama Princess Wencheng (文成公主), based on a historical Tang princess who married a Tibetan leader. In this piece, Fang Bonian (方伯年 b. 1936) played the role of the Tibetan minister Ge'erdongzan (噶尔东赞) and Chen Ailian (陈爱莲, b. 1939) played the role of Princess Wencheng.
Date
1979
Title (English)
"Princess Wencheng"
Title (Chinese)
《文成公主》
Title (Romanization)
“Wencheng gongzhu”
Description
In 1979, the China Opera and Dance Drama Theater (中国歌剧舞剧院) worked with the Beijing Dance School (北京舞蹈学校) to create and premier the Chinese classical dance drama Princess Wencheng (文成公主), based on a historical Tang princess who married a Tibetan leader. In this piece, Fang Bonian (方伯年 b. 1936) played the role of the Tibetan minister Ge'erdongzan (噶尔东赞) and Chen Ailian (陈爱莲, b. 1939) played the role of Princess Wencheng.
Date
1979
Title (English)
"Princess Wencheng"
Title (Chinese)
《文成公主》
Title (Romanization)
“Wencheng gongzhu”
Description
In 1979, the China Opera and Dance Drama Theater (中国歌剧舞剧院) worked with the Beijing Dance School (北京舞蹈学校) to create and premier the Chinese classical dance drama Princess Wencheng (文成公主), based on a historical Tang princess who married a Tibetan leader. In this piece, Fang Bonian (方伯年 b. 1936) played the role of the Tibetan minister Ge'erdongzan (噶尔东赞) and Chen Ailian (陈爱莲, b. 1939) played the role of Princess Wencheng.
Date
1979
Title (English)
"Princess Wencheng"
Title (Chinese)
《文成公主》
Title (Romanization)
“Wencheng gongzhu”
Description
In 1979, the China Opera and Dance Drama Theater (中国歌剧舞剧院) worked with the Beijing Dance School (北京舞蹈学校) to create and premier the Chinese classical dance drama Princess Wencheng (文成公主), based on a historical Tang princess who married a Tibetan leader. In this piece, Fang Bonian (方伯年 b. 1936) played the role of a Tibetan minister Ge'erdongzan (噶尔东赞) and Chen Ailian (陈爱莲, b. 1939) played the role of Princess Wencheng.
Date
1979
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