dance1ic | 1-50 | Search Results | Pioneers of Chinese Dance | University of Michigan Library Digital Collections

"Song of Flowers" Waltz

Title (English): "Song of Flowers" Waltz
Title (Chinese): 《花之歌》圆舞曲
Title (Romanization): “Hua zhi ge" Yuanwuqu
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥).In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium." Here, we see Sheng and Wu performing at the Nanhong Art Vocational School (南虹艺术专科学校) in Chengdu.
Date: 1944

"Joining Forces"

Title (English): "Joining Forces"
Title (Chinese): 《合力》
Title (Romanization): "Heli"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing with Dai Ailian and Wu Xiaobang, the latter whom she later married. From the 1950s onward, she held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium." Here, we see Sheng performing in the 1941 work "Joining Forces," which expressed the idea that Nationalists and Communists must unite to defeat Japanese imperialism.
Date: 1941

"Joining Forces"

Title (English): "Joining Forces"
Title (Chinese): 《合力》
Title (Romanization): "Heli"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing with Dai Ailian and Wu Xiaobang, the latter whom she later married. From the 1950s onward, she held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium." Here, we see Sheng performing in the 1941 work "Joining Forces," which expressed the idea that Nationalists and Communists must unite to defeat Japanese imperialism.
Date: 1941

"Joining Forces"

Title (English): "Joining Forces"
Title (Chinese): 《合力》
Title (Romanization): "Heli"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing with Dai Ailian and Wu Xiaobang, the latter whom she later married. From the 1950s onward, she held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium." Here, we see Sheng performing in the 1941 work "Joining Forces," which expressed the idea that Nationalists and Communists must unite to defeat Japanese imperialism.
Date: 1941

"Joining Forces"

Title (English): "Joining Forces"
Title (Chinese): 《合力》
Title (Romanization): "Heli"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing with Dai Ailian and Wu Xiaobang, the latter whom she later married. From the 1950s onward, she held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium." Here, we see Sheng performing in the 1941 work "Joining Forces," which expressed the idea that Nationalists and Communists must unite to defeat Japanese imperialism.
Date: 1941

"Joining Forces"

Title (English): "Joining Forces"
Title (Chinese): 《合力》
Title (Romanization): "Heli"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing with Dai Ailian and Wu Xiaobang, the latter whom she later married. From the 1950s onward, she held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium." Here, we see Sheng performing in the 1941 work "Joining Forces," which expressed the idea that Nationalists and Communists must unite to defeat Japanese imperialism.
Date: 1941

"Poppy"

Title (English): "Poppy"
Title (Chinese): 《罂粟花》
Title (Romanization): ”Yingsu hua"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium." Here, we see Sheng performing in Wu Xiaobang's anti-fascist dance drama "Poppy Flower" in Shanghai in 1938.
Date: 1938

"Poppy"

Title (English): "Poppy"
Title (Chinese): 《罂粟花》
Title (Romanization): ”Yingsu hua"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium." Here, we see Sheng performing in Wu Xiaobang's anti-fascist dance drama "Poppy Flower" in Shanghai in 1938.
Date: 1938

"Liang Hongyu"

Title (English): "Liang Hongyu"
Title (Chinese): 《梁红玉》
Title (Romanization): "Liang Hongyu"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium." Here, we see Sheng playing the leading role in the play "Liang Hongyu" directed by Gu Zhongyi (顾仲彝) in Shanghai in 1940.
Date: 1940

"Liang Hongyu"

Title (English): "Liang Hongyu"
Title (Chinese): 《梁红玉》
Title (Romanization): "Liang Hongyu"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium." Here, we see Sheng playing the leading role in the play "Liang Hongyu" directed by Gu Zhongyi (顾仲彝) in Shanghai in 1940.
Date: 1940

"Liang Hongyu"

Title (English): "Liang Hongyu"
Title (Chinese): 《梁红玉》
Title (Romanization): "Liang Hongyu"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium." Here, we see Sheng playing the leading role in the play "Liang Hongyu" directed by Gu Zhongyi (顾仲彝) in Shanghai in 1940.
Date: 1940

"Poppy"

Title (English): "Poppy"
Title (Chinese): 《罂粟花》
Title (Romanization): ”Yingsu hua"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium." Here, we see Sheng performing in Wu Xiaobang's anti-fascist dance drama "Poppy Flower" in Shanghai in 1938.
Date: 1938

"Poppy"

Title (English): "Poppy"
Title (Chinese): 《罂粟花》
Title (Romanization): ”Yingsu hua"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium." Here, we see Sheng performing in Wu Xiaobang's anti-fascist dance drama "Poppy Flower" in Shanghai in 1938.
Date: 1938

"Poppy"

Title (English): "Poppy"
Title (Chinese): 《罂粟花》
Title (Romanization): ”Yingsu hua"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium." Here, we see Sheng performing in Wu Xiaobang's anti-fascist dance drama "Poppy Flower" in Shanghai in 1938.
Date: 1938

"Poppy"

Title (English): "Poppy"
Title (Chinese): 《罂粟花》
Title (Romanization): ”Yingsu hua"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium." Here, we see Sheng performing in Wu Xiaobang's anti-fascist dance drama "Poppy Flower" in Shanghai in 1938.
Date: 1938

"The Persecuted"

Title (English): "The Persecuted"
Title (Chinese): 《被迫害者》
Title (Romanization): "Bei Pohai zhe"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium."
Date: 1939

"The Persecuted"

Title (English): "The Persecuted"
Title (Chinese): 《被迫害者》
Title (Romanization): "Bei Pohai zhe"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium."
Date: 1939

"The Persecuted"

Title (English): "The Persecuted"
Title (Chinese): 《被迫害者》
Title (Romanization): "Bei Pohai zhe"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium."
Date: 1939

"The Persecuted"

Title (English): "The Persecuted"
Title (Chinese): 《被迫害者》
Title (Romanization): "Bei Pohai zhe"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium."
Date: 1939

"The Persecuted"

Title (English): "The Persecuted"
Title (Chinese): 《被迫害者》
Title (Romanization): "Bei Pohai zhe"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium."
Date: 1939

"The Persecuted"

Title (English): "The Persecuted"
Title (Chinese): 《被迫害者》
Title (Romanization): "Bei Pohai zhe"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium."
Date: 1939

"The Persecuted"

Title (English): "The Persecuted"
Title (Chinese): 《被迫害者》
Title (Romanization): "Bei Pohai zhe"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium."
Date: 1939

"The Persecuted"

Title (English): "The Persecuted"
Title (Chinese): 《被迫害者》
Title (Romanization): "Bei Pohai zhe"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium."
Date: 1939

"The Persecuted"

Title (English): "The Persecuted"
Title (Chinese): 《被迫害者》
Title (Romanization): "Bei Pohai zhe"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium."
Date: 1939

"The Persecuted"

Title (English): "The Persecuted"
Title (Chinese): 《被迫害者》
Title (Romanization): "Bei Pohai zhe"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium."
Date: 1939

"The Persecuted"

Title (English): "The Persecuted"
Title (Chinese): 《被迫害者》
Title (Romanization): "Bei Pohai zhe"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium."
Date: 1939

"Women's Country"

Title (English): "Women's Country"
Title (Chinese): 《女儿国》
Title (Romanization): “Nü'er guo"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium." Here, we see Sheng acting in Yu Ling (于伶)'s "Women's Country" in 1939.
Date: 1939

"Women's Country"

Title (English): "Women's Country"
Title (Chinese): 《女儿国》
Title (Romanization): “Nü'er guo"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium." Here, we see Sheng acting in Yu Ling (于伶)'s "Women's Country" in 1939.
Date: 1939

"Women's Country"

Title (English): "Women's Country"
Title (Chinese): 《女儿国》
Title (Romanization): “Nü'er guo"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium." Here, we see Sheng acting in Yu Ling (于伶)'s "Women's Country" in 1939.
Date: 1939

"Women's Country"

Title (English): "Women's Country"
Title (Chinese): 《女儿国》
Title (Romanization): “Nü'er guo"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium." Here, we see Sheng acting in Yu Ling (于伶)'s "Women's Country" in 1939.
Date: 1939

"Women's Country"

Title (English): "Women's Country"
Title (Chinese): 《女儿国》
Title (Romanization): “Nü'er guo"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium." Here, we see Sheng acting in Yu Ling (于伶)'s "Women's Country" in 1939.
Date: 1939

"Women's Country"

Title (English): "Women's Country"
Title (Chinese): 《女儿国》
Title (Romanization): “Nü'er guo"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium." Here, we see Sheng acting in Yu Ling (于伶)'s "Women's Country" in 1939.
Date: 1939

"Les Précieuses Ridicules"

Title (English): "Les Précieuses Ridicules"
Title (Chinese): 《装腔作势》
Title (Romanization): "Zhuang qiang zuo shi"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium." Sheng Jie is in the front row fourth from the left.
Date: 1938

"Les Précieuses Ridicules"

Title (English): "Les Précieuses Ridicules"
Title (Chinese): 《装腔作势》
Title (Romanization): "Zhuang qiang zuo shi"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium." Sheng Jie is in the front row fourth from the left.
Date: 1938

"Les Précieuses Ridicules"

Title (English): "Les Précieuses Ridicules"
Title (Chinese): 《装腔作势》
Title (Romanization): "Zhuang qiang zuo shi"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium." Here, Sheng is performing in a production of Molière's "Les Précieuses Ridicules" in Shanghai.
Date: 1938

"Les Précieuses Ridicules"

Title (English): "Les Précieuses Ridicules"
Title (Chinese): 《装腔作势》
Title (Romanization): "Zhuang qiang zuo shi"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium." Here, Sheng is performing in a production of Molière's "Les Précieuses Ridicules" in Shanghai.
Date: 1938

"Les Précieuses Ridicules"

Title (English): "Les Précieuses Ridicules"
Title (Chinese): 《装腔作势》
Title (Romanization): "Zhuang qiang zuo shi"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium."
Date: 1938

"Les Précieuses Ridicules"

Title (English): "Les Précieuses Ridicules"
Title (Chinese): 《装腔作势》
Title (Romanization): "Zhuang qiang zuo shi"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium."
Date: 1938

"Les Précieuses Ridicules"

Title (English): "Les Précieuses Ridicules"
Title (Chinese): 《装腔作势》
Title (Romanization): "Zhuang qiang zuo shi"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium."
Date: 1938

"Les Précieuses Ridicules"

Title (English): "Les Précieuses Ridicules"
Title (Chinese): 《装腔作势》
Title (Romanization): "Zhuang qiang zuo shi"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium."
Date: 1938

"Les Précieuses Ridicules"

Title (English): "Les Précieuses Ridicules"
Title (Chinese): 《装腔作势》
Title (Romanization): "Zhuang qiang zuo shi"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium." Here, Sheng is performing with Qiao Qi (乔奇) in a production of Molière's "Les Précieuses Ridicules" in Shanghai.
Date: 1938

“Wish"

Title (English): “Wish"
Title (Chinese): 《心愿》
Title (Romanization): "Xinyuan"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium."
Date: 1938

"Partners"

Title (English): "Partners"
Title (Chinese): 《伴侣》
Title (Romanization): "Banlü"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium." Here, we see Sheng performing in a duet "Partners" performed in Shanghai in 1939 as part of Wu Xiaobang's third presentation of New Dance works.
Date: 1939

“Wish"

Title (English): “Wish"
Title (Chinese): 《心愿》
Title (Romanization): "Xinyuan"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium." Here, we see Sheng performing in Wu Xiaobang's 1938 New Dance work "Hope," which expressed good wishes for peace and the success of the Eighth Route Army.
Date: 1938

"Partners"

Title (English): "Partners"
Title (Chinese): 《伴侣》
Title (Romanization): "Banlü"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium." Here, we see Sheng performing in a duet "Partners" performed in Shanghai in 1939 as part of Wu Xiaobang's third presentation of New Dance works.
Date: 1939

"Partners"

Title (English): "Partners"
Title (Chinese): 《伴侣》
Title (Romanization): "Banlü"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium." Here, we see Sheng performing in a duet "Partners" performed in Shanghai in 1939 as part of Wu Xiaobang's third presentation of New Dance works.
Date: 1939

"Partners"

Title (English): "Partners"
Title (Chinese): 《伴侣》
Title (Romanization): "Banlü"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium." Here, we see Sheng performing in a duet "Partners" performed in Shanghai in 1939 as part of Wu Xiaobang's third presentation of New Dance works.
Date: 1939

"Partners"

Title (English): "Partners"
Title (Chinese): 《伴侣》
Title (Romanization): "Banlü"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing with Dai Ailian and Wu Xiaobang, the latter whom she later married. From the 1950s onward, she held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium."
Date: 1939

“Wish"

Title (English): “Wish"
Title (Chinese): 《心愿》
Title (Romanization): "Xinyuan"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium." Here, we see Sheng performing in Wu Xiaobang's 1938 New Dance work "Hope," which expressed good wishes for peace and the success of the Eighth Route Army.
Date: 1938

"Partners"

Title (English): "Partners"
Title (Chinese): 《伴侣》
Title (Romanization): "Banlü"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium." Here, we see Sheng performing in a duet "Partners" performed in Shanghai in 1939 as part of Wu Xiaobang's third presentation of New Dance works.
Date: 1939

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