dance1ic | 1-15 | Search Results | Pioneers of Chinese Dance | University of Michigan Library Digital Collections

"Poppy"

Title (English): "Poppy"
Title (Chinese): 《罂粟花》
Title (Romanization): ”Yingsu hua"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium." Here, we see Sheng performing in Wu Xiaobang's anti-fascist dance drama "Poppy Flower" in Shanghai in 1938.
Date: 1938

"Poppy"

Title (English): "Poppy"
Title (Chinese): 《罂粟花》
Title (Romanization): ”Yingsu hua"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium." Here, we see Sheng performing in Wu Xiaobang's anti-fascist dance drama "Poppy Flower" in Shanghai in 1938.
Date: 1938

"Poppy"

Title (English): "Poppy"
Title (Chinese): 《罂粟花》
Title (Romanization): ”Yingsu hua"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium." Here, we see Sheng performing in Wu Xiaobang's anti-fascist dance drama "Poppy Flower" in Shanghai in 1938.
Date: 1938

"Poppy"

Title (English): "Poppy"
Title (Chinese): 《罂粟花》
Title (Romanization): ”Yingsu hua"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium." Here, we see Sheng performing in Wu Xiaobang's anti-fascist dance drama "Poppy Flower" in Shanghai in 1938.
Date: 1938

"Poppy"

Title (English): "Poppy"
Title (Chinese): 《罂粟花》
Title (Romanization): ”Yingsu hua"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium." Here, we see Sheng performing in Wu Xiaobang's anti-fascist dance drama "Poppy Flower" in Shanghai in 1938.
Date: 1938

"Les Précieuses Ridicules"

Title (English): "Les Précieuses Ridicules"
Title (Chinese): 《装腔作势》
Title (Romanization): "Zhuang qiang zuo shi"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium." Sheng Jie is in the front row fourth from the left.
Date: 1938

"Les Précieuses Ridicules"

Title (English): "Les Précieuses Ridicules"
Title (Chinese): 《装腔作势》
Title (Romanization): "Zhuang qiang zuo shi"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium." Sheng Jie is in the front row fourth from the left.
Date: 1938

"Les Précieuses Ridicules"

Title (English): "Les Précieuses Ridicules"
Title (Chinese): 《装腔作势》
Title (Romanization): "Zhuang qiang zuo shi"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium." Here, Sheng is performing in a production of Molière's "Les Précieuses Ridicules" in Shanghai.
Date: 1938

"Les Précieuses Ridicules"

Title (English): "Les Précieuses Ridicules"
Title (Chinese): 《装腔作势》
Title (Romanization): "Zhuang qiang zuo shi"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium." Here, Sheng is performing in a production of Molière's "Les Précieuses Ridicules" in Shanghai.
Date: 1938

"Les Précieuses Ridicules"

Title (English): "Les Précieuses Ridicules"
Title (Chinese): 《装腔作势》
Title (Romanization): "Zhuang qiang zuo shi"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium."
Date: 1938

"Les Précieuses Ridicules"

Title (English): "Les Précieuses Ridicules"
Title (Chinese): 《装腔作势》
Title (Romanization): "Zhuang qiang zuo shi"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium."
Date: 1938

"Les Précieuses Ridicules"

Title (English): "Les Précieuses Ridicules"
Title (Chinese): 《装腔作势》
Title (Romanization): "Zhuang qiang zuo shi"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium."
Date: 1938

"Les Précieuses Ridicules"

Title (English): "Les Précieuses Ridicules"
Title (Chinese): 《装腔作势》
Title (Romanization): "Zhuang qiang zuo shi"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium."
Date: 1938

"Les Précieuses Ridicules"

Title (English): "Les Précieuses Ridicules"
Title (Chinese): 《装腔作势》
Title (Romanization): "Zhuang qiang zuo shi"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium." Here, Sheng is performing with Qiao Qi (乔奇) in a production of Molière's "Les Précieuses Ridicules" in Shanghai.
Date: 1938

China-France Drama School Dance Class

Title (English): China-France Drama School Dance Class
Title (Chinese): 中法戏剧学校舞蹈班
Title (Romanization): Zhong Fa xiju xuexiao wudao ban
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium." Here, Sheng is in the back row, third from the left. Wu Xiaobang is in the front row far left.
Date: 1938-1939

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