dance1ic | 1-14 | Search Results | Pioneers of Chinese Dance | University of Michigan Library Digital Collections

"Poppy"

Title (English): "Poppy"
Title (Chinese): 《罂粟花》
Title (Romanization): ”Yingsu hua"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium." Here, we see Sheng performing in Wu Xiaobang's anti-fascist dance drama "Poppy Flower" in Shanghai in 1938.
Date: 1938

"Poppy"

Title (English): "Poppy"
Title (Chinese): 《罂粟花》
Title (Romanization): ”Yingsu hua"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium." Here, we see Sheng performing in Wu Xiaobang's anti-fascist dance drama "Poppy Flower" in Shanghai in 1938.
Date: 1938

"Poppy"

Title (English): "Poppy"
Title (Chinese): 《罂粟花》
Title (Romanization): ”Yingsu hua"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium." Here, we see Sheng performing in Wu Xiaobang's anti-fascist dance drama "Poppy Flower" in Shanghai in 1938.
Date: 1938

"Poppy"

Title (English): "Poppy"
Title (Chinese): 《罂粟花》
Title (Romanization): ”Yingsu hua"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium." Here, we see Sheng performing in Wu Xiaobang's anti-fascist dance drama "Poppy Flower" in Shanghai in 1938.
Date: 1938

"Poppy"

Title (English): "Poppy"
Title (Chinese): 《罂粟花》
Title (Romanization): ”Yingsu hua"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium." Here, we see Sheng performing in Wu Xiaobang's anti-fascist dance drama "Poppy Flower" in Shanghai in 1938.
Date: 1938

"Partners"

Title (English): "Partners"
Title (Chinese): 《伴侣》
Title (Romanization): "Banlü"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium." Here, we see Sheng performing in a duet "Partners" performed in Shanghai in 1939 as part of Wu Xiaobang's third presentation of New Dance works.
Date: 1939

“Wish"

Title (English): “Wish"
Title (Chinese): 《心愿》
Title (Romanization): "Xinyuan"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium." Here, we see Sheng performing in Wu Xiaobang's 1938 New Dance work "Hope," which expressed good wishes for peace and the success of the Eighth Route Army.
Date: 1938

"Partners"

Title (English): "Partners"
Title (Chinese): 《伴侣》
Title (Romanization): "Banlü"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium." Here, we see Sheng performing in a duet "Partners" performed in Shanghai in 1939 as part of Wu Xiaobang's third presentation of New Dance works.
Date: 1939

"Partners"

Title (English): "Partners"
Title (Chinese): 《伴侣》
Title (Romanization): "Banlü"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium." Here, we see Sheng performing in a duet "Partners" performed in Shanghai in 1939 as part of Wu Xiaobang's third presentation of New Dance works.
Date: 1939

"Partners"

Title (English): "Partners"
Title (Chinese): 《伴侣》
Title (Romanization): "Banlü"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium." Here, we see Sheng performing in a duet "Partners" performed in Shanghai in 1939 as part of Wu Xiaobang's third presentation of New Dance works.
Date: 1939

"Partners"

Title (English): "Partners"
Title (Chinese): 《伴侣》
Title (Romanization): "Banlü"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing with Dai Ailian and Wu Xiaobang, the latter whom she later married. From the 1950s onward, she held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium."
Date: 1939

“Wish"

Title (English): “Wish"
Title (Chinese): 《心愿》
Title (Romanization): "Xinyuan"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium." Here, we see Sheng performing in Wu Xiaobang's 1938 New Dance work "Hope," which expressed good wishes for peace and the success of the Eighth Route Army.
Date: 1938

"Partners"

Title (English): "Partners"
Title (Chinese): 《伴侣》
Title (Romanization): "Banlü"
Description: Sheng Jie (盛婕 b. 1917) is a founding figure of modern Chinese dance. Born in Shanghai and raised in Hangzhou and Harbin, she was exposed to foreign culture and revolutionary ideals from a young age. During the 1930s, she performed in many progressive spoken drama works, including "Professional Woman" (职业妇女), "Liang Hongyu" (梁红玉), "Women's Country" (女儿国), "Defense of the Heart" (心防), and "The More They Fight, the Fatter They Become" (越打越肥). In the early 1940s, she taught at the Yucai School in Chongqing, where she married Wu Xiaobang 吴晓邦 (1906-1995). From the 1950s onward, Sheng held leadership positions in numerous dance organizations, including the Beijing Dance School, the China Dancers Association, and the China Ancient Dance Research Institute. She served on the editorial boards of numerous major Chinese dance research publications, including the 40-volume series "Chinese Ethnic and Folk Dance Compendium." Here, we see Sheng performing in a duet "Partners" performed in Shanghai in 1939 as part of Wu Xiaobang's third presentation of New Dance works.
Date: 1939

“Hope”

Title (English): “Hope”
Title (Chinese): 《希望》
Title (Romanization): “Xiwang”
Description: Siqintariha (斯琴塔日哈, b. 1932) was the first famous female Mongol dancer in the People's Republic of China. This image shows Mongol dancers Siqintariha and Wu Yun (乌云) performing the Mongol dance duet “Hope” at the World Festival of Youth and Students in Budapest, Hungary, in 1949. “Hope” was choreographed by Wu Xiaobang (吴晓邦, 1906-1995), known as the “Father of Chinese New Dance.” Wu was a guest artist at the Inner Mongolia Cultural Work Troupe (later the Inner Mongolia Song and Dance Ensemble 内蒙古歌舞团) in 1947, when he created this work for the Ensemble. This is considered one of the earlier works of modern Mongol dance in China. The dance was set to a Mongol folk song and depicted two young women on their way to a local festival, feeling hope for the future.
Date: 1948

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