
Originality, Imitation, and Plagiarism: Teaching Writing in the Digital Age
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: Ann Arbor: University of Michigan Press, 2008.
: This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License. To use this work in a way not covered by the license, please contact digital-culture@umich.edu. The print version of this book is available for sale from the University of Michigan Press.
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Table of Contents
- Introduction: Originality, Imitation, and Plagiarism: Teaching Writing in the Age of the Internet —
-
Originality
- Choosing Metaphors —
- On Ethical Issues in Publishing in the Life Sciences —
- Reviewing the Author-Function in the Age of Wikipedia —
- Internet and Open-Access Publishing in Physics Research —
- Do Thesis Statements Short-Circuit Originality in Students’ Writing? —
- Cloud Gate: Challenging Reproducibility —
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Imitation
- Genres as Forms of In(ter)vention —
- When Copying Is Not Copying: Plagiarism and French Composition Scholarship —
- The Dynamic Nature of Common Knowledge —
- Instinctual Ballast: Imitation and Creative Writing —
- The Anthology as a Literary Creation: On Innovation and Plagiarism in Textual Collections —
- Economies of Plagiarism: The i-Map and Issues of Ownership in Information Gathering —
- “Fair Use,” Copyright Law, and the Composition Teacher —
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Plagiarism
- History and the Disciplining of Plagiarism —
- Plagiarism and Copyright Infringement: The Costs of Confusion —
- Plagiarism, a Turnitin Trial, and an Experience of Cultural Disorientation —
- Academic Plagiarism and the Limits of Theft —
- Insider Writing: Plagiarism-Proof Assignments —
- Plagiarism across Cultures: Is There a Difference? —
- Framing Plagiarism —
- Selected Bibliography
- Contributors
- Index


