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Title Page
Copyright and Permissions
List of Illustrations
Introduction: Genre Regenerated,
What Killed Genre?
Taxonomic and Dynamic Models of Genre
What Genre Can Be
What Genre Can Do
: What Genre Is
: Genre: Lyric,
Notions of Genre
The Lyric Genre
Exemplary Lyrics
Lyric without First Person
Modern Lyrics
: The Prosaic Imagination,
The Unrecognizability of Prose
The Ubiquity of Lineation
The Insistence of Prose
Verse from Prose: Clark Coolidge
Verse from Prose: Lyn Hejinian
The Image of Prose in Prose: Joseph Roth
The Image of Prose in Prose: Stephen Crane
The Image of Prose in Prose: Eugène Ionesco and William Faulkner
The Image of Prose in Prose: Andrei Bely
: Migration across Genres,
The Digital Analogy
Brownian Motion in the Generic Pool
Science Fiction as Alternative History
Shades of Dresden
Mussolini Redux
Double Counterfactuals
Epic Miniaturized
: Dramatism,
[Intro]
The Modernist Closet Drama
Manifestos
The Socrates Play
Genre Theory
Kenneth Burke's Dramatism
Theater Studies Today
: What Genre Does
: The Shandean Lifetime Reading Plan,
“The most typical novel in world literature”
Novels' Clockwork
Reading Routines and Habits of Habitation
Rethinking Genre: The Novel and The “Parlour-Window Book”
Modern Times
Reader as Repeater
: Form and Informality: An Unliterary Look at World Literature,
[Intro]
Properties of World Literature
Under-World Literature: An Elvis of Another Style, Size, and Color
The Inferior Narrative Position in World Literature
Between Owning and Knowing
Novel Worlds: An Informal Interlude
Centers That Cannot Hold
Secondhand and After-: Markets of World Literature
Active Principles and Dulcificant Properties: The Isolation of Cultural Property
: Partial Representation,
Representation and Genre
Form and Formlessness in the Novel
In Limbo: Between Reference and Form
Bruegel's Formal Realism
Form and Representation: A Reading of Edward Snow's Inside Bruegel
Formal and Social Multiplicity
Allegory and Vulnerability
Notes
Introduction: Genre Regenerated
1. Genre: Lyric
2. The Prosaic Imagination
3. Migration across Genres
4. Dramatism
5. The Shandean Lifetime Reading Plan
6. Form and Informality: An Unliterary Look at World Literature
7. Partial Representation
About the Authors
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