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Frontmatter
Acknowledgments
Foreword: "What Lies Beneath?"
Introduction: "Pyschoanalysis in/and/of Horror film"
PART ONE: THE QUESTION OF HORROR-PLEASURE
1 "What's the Matter with Melanie?": Reflections on the Merits of Psychoanalytic Approaches to Modern Horror Cinema
2 A Fun Night Out: Horror and Other Pleasures of the Cinema
3 Excerpt from "Why Horror? The Peculiar Pleasures of a Popular Genre," with a New Afterword by the Author
4 Philosophical Problems Concerning the Concept of Pleasure in Psychoanalytical Theories or (the Horror) Film
PART TWO: THEORIZING THE UNCANNY
5 Explaining the Uncanny in The Double Life of Véronique
6 Manifestations of the Literary Double in Modern Horror Cinema
7 Heimlich Maneuvres: On a Certain Tendency of Horror and Speculative Cinema
8 "It was a dark and stormy night...": Horror Films and the Problem of Irony
PART THREE: REPRESENTING PSYCHOANALYSIS
9 What Does Dr. Judd Want? Transformation, Transference, and Divided Selves in Cat People
10 "Ultimate Formlessness": Cinema, Horror, and the Limits of Meaning
11 Freud's Worst Nightmare: Dining with Dr. Hannibal Lecter
PART FOUR: NEW DIRECTIONS
12 Doing Things with Theory: From Freud's Worst Nightmare to (Disciplinary) Dreams of Horror's Cultural Value
13 The Darker Side of Genius: The (Horror) Auteur Meets Freud's Theory
14 Violence and Pyschophysiology in Horror Cinema
Afterword: Psychoanalysis and the Horror Film
About the Contributors
Bibliography
Index
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