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Frontmatter
Acknowledgements
Introduction
1 American identities and the transatlantic stage
PART I Staging revolution at the margins of celebration
2 Revolution and unnatural identity in Crèvecoeur's "Landscapes"
3 British author, American text: The Poor Soldier in the new republic
4 American author, British source: writing revolution in Murray's Traveller Returned
5 Patriotic interrogations: committees of safety in early American drama
6 Dunlap's queer André: versions of revolution and manhood
PART II Coloring identities: race, religion, and the exotic
7 Susanna Rowson and the dramatized Muslim
8 James Nelson Barker and the stage American Native
9 American stage Irish in the early republic
10 Black theatre, white theatre, and the stage African
PART III Theatre, culture, and reflected identity
11 Tales of the Philadelphia Theatre: Ormond, national performance, and supranational identity
12 A British or an American tar? Play, player, and spectator in Norfolk, 1797-1800
13 After The Contrast: Tyler, civic virtue, and the Boston stage
Notes
Bibliography
Index
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