|
![]() |
|
||||||||||||
|
Frontmatter
Preface and acknowledgments
A note on editions and terminology
Introduction
1 Placing the Eighth Symphony
2 The genesis and evolution of the Eighth Symphony
3 The musical design and symphonic agenda of the Eighth
4 The Adagio and the sublime
5 The 1887 version and the 1890 version
6 The 1892 edition, authorship, and performance practice
Appendix A: Haas's edition of the Eighth Symphony
Appendix B: Textual differences between The Finale in the 1890 version and the 1892 edition
Notes
Select bibliography
Index
| ||||||||||||||||||||||||||
| ||||||||||||||||||||||||||