ACLS Humanities E-Book: Theorizing the moving image

Theorizing the moving image

Carroll, Noël, 1947-

Year: c1996.

Publisher: Cambridge University Press.

Publisher's Website

For full access to this item, please Login

table of contents

Frontmatter

Acknowledgments

Foreword, by David Bordwell

Introduction

Part I: Questioning Media

I Medium Specificity Arguments and the Self-Consciously Invented Arts: Film, Video, and Photography

II The Specificity of Media in the Arts

III Concerning Uniqueness Claims for Photographic and Cinematographic Representation

IV Defining the Moving Image

Part II: Popular Film and TV

V The Power of Movies

VI Toward a Theory of Film Suspense

VII As the Dial Turns: Notes on Soap Operas

VIII Toward a Theory of Point-of-View Editing: Communication, Emotion, and the Movies

IX Notes on Movie Music

X Notes on the Sight Gag

Part III: Avant-Garde and Documentary Film

XI Avant-Garde Film and Film Theory

XII Causation, the Ampliation of Movement and Avant-Garde Film

XIII Language and Cinema: Preliminary Notes for a Theory of Verbal Images

XIV A Note on Film Metaphor

XV From Real to Reel: Entangled in Nonfiction Film

XVI Reply to Carol Brownson and Jack C. Wolf

Part IV: Ideology

XVII The Image of Women in film: A Defense of a Paradigm

XVIII Film, Rhetoric, and Ideology

Part V: The History of Film Theory

XIX Film/Mind Analogies: The Case of Hugo Munsterberg

XX Hans Richter's Struggle for Film

XXI A Brief Comment on Frampton's Notion of Metahistory

Part VI: Polemical Exchanges

XXII Cognitivism, Contemporary Film Theory And Method: A Response to Warren Buckland

XXIII Cracks in the Acoustic Mirror

XXIV A Reply to Health

XXV Replies to Hammett and Allen

Part VII: False Starts

XXVI Film History and Film Theory: An Outline for an Institutional Theory of Film

XXVII Art, Film, and Ideology: A Response to Blaine Allan

XXVIII Toward a Theory of Film Editing

Index

reviews

catalog record

Title:

Theorizing the moving image : Noël Carroll.

Author:

Carroll, Noël, 1947-

Extent:

600dpi TIFF G4 page images

E-Distribution Information:

University of Michigan Library, Scholarly Publishing Office
Ann Arbor, Michigan
Permission must be received for any subsequent distribution in print or electronically. Please contact info@hebook.org for more information.

Source Version:

Theorizing the moving image : Noël Carroll.
Carroll, Noël, 1947-
Cambridge [U.K.]: Cambridge University Press, c1996.

URL:

http://hdl.handle.net/2027/heb.07656

Subject Headings:

• Motion pictures -- Philosophy
• Television -- Philosophy
• Television broadcasting -- Philosophy

Note:

• Electronic access restricted; authentication may be required

Encoding Description:

Project Description:
	Header created via MARC-to-XML-to-TEI transformation on 2011-06-23
Editorial Declaration:
	This electronic text file was created by Optical Character Recognition (OCR). No corrections have been made to the OCR-ed text and no editing has been done to the content of the original document. Encoding has been done through automated and manual processes using the recommendations for Level 2 of the TEI in Libraries Guidelines. Digital page images are linked to the text file.