ACLS Humanities E-Book: Roberto Rossellini's Rome open city

Roberto Rossellini's Rome open city

Gottlieb, Sidney.

Year: c2004.

Publisher: Cambridge University Press.

Publisher's Website

For full access to this item, please Login

table of contents

Frontmatter

Acknowledgments

List of Contributors

Introduction: Open City: Reappropriating the Old, Making the New

1 Rossellini, Open City, and Neorealism

2 The Making of Roma città aperta: The Legacy of Fascism and the Birth of Neorealism

3 Celluloide and the Palimpsest of Cinematic Memory: Carlo Lizzani's Film of the Story Behind Open City

4 Diverting Clichés: Femininity, Masculinity, Melodrama, and Neorealism in Open City

5 Space, Rhetoric, and the Divided City in Roma città aperta

6 Mourning, Melancholia, and the Popular Front: Roberto Rossellini's Beautiful Revolution

REVIEWS OF OPEN CITY

Bosley Crowther, New York Times (February 26 and March 3, 1946)

John Mason Brown, Saturday Review of Literature (April 6, 1946)

James Agee, The Nation (March 23 and April 13, 1946)

Filmography

Select Bibliography

Index

reviews

No reviews available

catalog record

Title:

Roberto Rossellini's Rome open city : edited by Sidney Gottlieb.

Author:

Gottlieb, Sidney

Extent:

600dpi TIFF G4 page images

E-Distribution Information:

University of Michigan Library, Scholarly Publishing Office
Ann Arbor, Michigan
Permission must be received for any subsequent distribution in print or electronically. Please contact info@hebook.org for more information.

Source Version:

Roberto Rossellini's Rome open city : edited by Sidney Gottlieb.
Gottlieb, Sidney
Cambridge, UK: Cambridge University Press, c2004.

URL:

http://hdl.handle.net/2027/heb.07655

Subject Headings:

• Roma, città aperta (Motion picture)

Note:

• Electronic access restricted; authentication may be required

Encoding Description:

Project Description:
	Header created via MARC-to-XML-to-TEI transformation on 2011-06-23
Editorial Declaration:
	This electronic text file was created by Optical Character Recognition (OCR). No corrections have been made to the OCR-ed text and no editing has been done to the content of the original document. Encoding has been done through automated and manual processes using the recommendations for Level 2 of the TEI in Libraries Guidelines. Digital page images are linked to the text file.